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Category: Arts & Culture

Soyinka Shares Views on ‘Afrofuturism’

Through their literary prowess, new authors are crafting tales that challenge conventional notions of time and space while honouring the richness of African heritage…reports Asian Lite News

As part of the cultural programme curated by the 42nd edition of the Sharjah International Book Fair, the spotlight was cast upon the esteemed Nigerian Nobel laureate, Wole Soyinka. In an engaging discussion, Wole Soyinka and the distinguished Sudanese poet, Alim Abbas, captivated the audience with their enlightening discussion titled ‘Exploring Afrofuturism: Reimagining Black Identity and Culture in Contemporary Literature.’

panel discussion titled ‘Exploring Afrofuturism: Reimagining Black Identity and Culture in Contemporary Literature.’’ during the 42nd edition of the Sharjah International Book Fair

In a room filled with literary enthusiasts, the two authors explored how Africa should be portrayed in the rapidly growing world of literature. The session began with the moderator setting the stage, emphasising the emerging movement within contemporary African literature, which envisions a future that is firmly grounded in a reimagined and redefined sense of identity and culture.

Celebrating resilience and cultural dynamism

This movement, known as Afrofuturism, is, in the words of Wole Soyinka, “encapsulating a visionary blend of science fiction, historical fiction, and magical realism, serving as a conduit for the exploration and reimagining of the black experience.” By weaving elements of technology, ancient traditions, and a deep-seated cultural pride, Afrofuturist writers carve out a unique space where the past, present, and future converge in exhilarating ways.

Through their literary prowess, new authors are crafting tales that challenge conventional notions of time and space while honouring the richness of African heritage. These academic pioneers infuse their works with a vibrant tapestry of mythologies, folklore, and cutting-edge technological innovations, constructing a narrative landscape that celebrates resilience and cultural dynamism.

Expanding on this concept Soyinka said, “Within the realm of Afrofuturism, the exploration of identity takes the helm, delving into the complexities of what it means to be black in a rapidly evolving world. Through their protagonists, these writers navigate themes of displacement, cultural erasure, and the quest for self-discovery, offering a lens through which readers can reflect on the multifaceted nature of the African experience.”

Storytelling: A vehicle for transformation and empowerment

Alim Abbas, on the other hand, noted that the impact of Afrofuturism extends beyond the realms of literature and permeates various art forms. He further pointed out that the infusion of futuristic elements into traditional African aesthetics has sparked a global renaissance, fostering a sense of empowerment and cultural pride among individuals of African descent.

Abbas gave the audience his perspective of the emerging genre saying, “Afrofuturism stands as a testament to the power of storytelling as a vehicle for transformation and empowerment. By embracing the boundless potential of the imagination, Afrofuturist authors continue to redefine the narrative of black identity and culture, forging a path toward a future that is both technologically advanced and deeply rooted in the essence of African heritage.”

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6 November 2023
KBC Arts pays Homage to poets

The performances concluded with Hanuman Chalisa (Tulsidas) in which the entire audience took part. The performers enjoyed the Mridangam support of the popular Vijyeyarajah Mylvaganam…reports Asian Lite News

KBC Arts, dedicated to perpetuate and raise the awareness of the rich Indian cultural Heritage held a successful well attended event at East Ham Mahalakshmi Temple on 29th October 2023. The evening was dedicated to exploring and acknowledging the works of 15/16th Century poets Kabir/Tulsi/ Surdas who are highly-respected Indian saints/poets/composers. This is the 13th event in the series hosted by KBC arts with, each event being dedicated to a particular poet (or a set). These events are open to all performers (& free for the audience) and particularly encourage younger generations to explore and understand these cultural gems. The performers express the poets work in any form like Carnatic music, Bharathnatyam, Kuchipudi dance or musical instruments.

Jayashree Varadarajan anchored the event with narratives from the lives of the poets and exhorted the audience to familiarise themselves with their compositions and their philosophies. Mrs. Pushkala Gopal, MBE, an eminent artist, addressed the audience and explained the mysticism of the poets and the profound influence that they had on the Bhakti movement. She deeply appreciated the commitment of the audience/ the performers and congratulated the organisers for the novel idea of holding a series of events dedicated to a specific poet. She added that this would keep the legacy alive as the compositions are refreshed in the memory of the followers.

Dhriti Srinath

GROUP SINGING HANUMAN CHALISA

LAVANYA RAO

POETS

RANJANI DHARMARAJAN

SANKARI MRIDHA

STUDENTS OF PADMINI PASUMARTHY

STUDENTS OF SHRUTI SRIRAM

TEMPLE PRIESTS AARATI

Dances were performed by Ranjani Dharmarajan (Gaiye Ganpati Jagvandan) and two well-known artistes Sankari Mridha (Sri Ramachandra Kripalu) and Lavanya Rao (Gopi Gopala Lala), which regaled the audience. Shruti Sriram (eminent singer) and her students mesmerised the audience with three compositions– a. Akhiyan Hari Darshan ki pyasi, b.Paani Mein Meen Pyaasi and c. Bhajman Ram Charan Sukhdai. Another set of students, trained by the talented singer Padmini Pasumarthy) sang Jheeni Jheeni Beeni Chadariya, impressing the attendees. The audience were captivated by the seven-year- old Dhriti Srinath who sang Darshan do Ghanshyam. The performances concluded with Hanuman Chalisa (Tulsidas) in which the entire audience took part. The performers enjoyed the Mridangam support of the popular Vijyeyarajah Mylvaganam

The event ended with an Aarti by the temple priests. Photography and Videography was by Aaditya Kaza. The event was conceptualised, coordinated and organised by Geetha & Prabhakar Kaza founding patrons of KBC arts.

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3 November 2023
T. S. ELIOT : The Poet Laureate and influence of Hindu Philosophy

Eliot also makes extensive use of Scriptural writings such as the Bible, the Book of Common Prayer the Hindu Brihadaranyaka Upanishad and Buddha’s Fire Sermon and of cultural and anthropological studies etc…writes Dilip Roy

Thomas Stearns Eliot OM (1888-1965) was born in St. Louis, Missouri in America to a prominent Bostonian Brahmin family. Eliot was a poet of a highest caliber and is regarded as one of 20th century’s greatest poets just like his predecessor Rabindranath Tagore who also hailed from a Brahmin family. Eliot was not only a poet but an essayist, publisher, playwright, literary critic and editor. In 1922 Eliot founded a quarterly journal called the Critarion and in the first issue appeared his landmark poem “The Weste Land” which established him decisively as the voice of a disillusioned generation.

His writing style, and verse structure of English poetry for which he was awarded the 1948 Nobel Prize in Literature, for his pioneering contribution to the modern day poetry. Eliot became internationally known for his philosophical poetry The Waste Land which was first published in the book form in 1922 in it he quotes in Sanskrit and Indian philosophy which the author studied at Harvard university in 1911-13 are particularly relevant for the definition of the final and most complex section of the poem: “What thunder said.” In particular the three words “Datta, dayadhvam, damyata” are taken from Sanskrit meaning of Thunder in the Upanishads sources from which Eliot alludes to include the works of Homer, Sophocles, Shakespeare, Richard Wagner (Parsifal) Hermann Hesse and Aldus Huxley to name but a few.

Eliot also makes extensive use of Scriptural writings such as the Bible, the Book of Common Prayer the Hindu Brihadaranyaka Upanishad and Buddha’s Fire Sermon and of cultural and anthropological studies etc. However, it is The Fire Sermon that offers a philosophical meditation influenced by Eastern religions. Among his famous his famous phrases are OM “Shantih Shantih Shantih.” (Peace, Peace, Peace)

Postscript: Like most intellectuals Eliot was a reclusive, secretive man. He told the Nobel audience in 1948. “I stand before you not on my own merits, but as a symbol for a time, for the significance of poetry.”

( The author Dilip Roy is a researcher on cultural subjects he is a Fellow of Royal Asiatic Society UK and an Afficionado of Richard Wagner.)

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3 November 2023
A Literary Treasure Trove on Amazon

Here we have curated a list of the top 5 best-selling books on Amazon, a treasure trove of literary gems. With countless books available at your fingertips, choosing your next literary adventure can be a daunting task.

From gripping thrillers to insightful self-help, this list of books offers something for every reader. Let’s dive into our selection:

Ikigai

The Japanese Secret to a Long and Happy Life” is a popular self-help and personal development book written by Héctor García and Francesc Miralles. The book was published in 2016 and explores the concept of “Ikigai,” a Japanese term that roughly translates to “a reason for being” or “a reason to wake up in the morning.” It is often seen as the intersection of four elements: what you love, what you are good at, what the world needs, and what you can be paid for. The book delves into the idea that finding your Ikigai is the key to a fulfilling and purposeful life. It draws on the authors’ research and interviews with people from the Japanese island of Okinawa, which is known for having a high number of centenarians and a strong sense of purpose and contentment among its inhabitants.

Author: Francesc Miralles

Availability: amazon.in

The Psychology Of Money

Timeless lessons on wealth, greed, and happiness is a bestselling personal finance and behavioral economics book written by Morgan Housel. Published in 2020, the book explores the complex relationship between money and human psychology, offering insightful lessons and anecdotes about the way people think about and handle their finances. Morgan Housel uses a combination of personal anecdotes, historical examples, and psychological research to make financial concepts accessible and relatable to a wide audience. It is well-received for its simple yet powerful lessons on personal finance, investing, and the psychological factors that influence our relationship with money. It encourages readers to reevaluate their financial mindset and make more informed and sustainable choices.

Author: Morgan Housel

Availability: amazon.in

Master Residential Real Estate by ZebraLearn

An indispensable guide to navigating the complex world of residential real estate in India, this book equips homebuyers, investors, students, and real estate professionals with the essential knowledge to make informed decisions. Authored by Ashwinder R Singh, a renowned figure in the Indian real estate industry with over two decades of experience, this valuable resource covers due diligence, location selection, price negotiation, and legal considerations. Ashwinder’s expertise is evident through his recognition as Real Estate Person of the Year (South), Most Enterprising CEO of the Year, and a Top 15 Real Estate Influencer. As Co-Chair of the Confederation of Indian Industry’s Regional Committee on Real Estate, his insights shine through, empowering readers to secure their financial and emotional future

Author: Ashwinder R Singh

Availability: amazon.in

Don’t Believe Everything You Think

The 6 Basic Mistakes We Make in Thinking” is a thought-provoking book by Thomas E. Kida. Published in 2006, this book delves into the realm of critical thinking and human cognition, exploring common cognitive errors and biases that people often make when processing information and making decisions. It is a valuable resource for anyone interested in enhancing their critical thinking skills and making more informed, rational decisions. It offers a compelling exploration of the human mind’s vulnerabilities and provides readers with tools to navigate a world full of information and misinformation. The book’s approach is both educational and empowering, helping individuals become more discerning and analytical thinkers.

Author: Joseph Nguyen

Availability: amazon.in

Do It Today, Overcome Procrastination, Improve Productivity, and Achieve More Meaningful Things

It is a self-help and personal development book that focuses on addressing the common challenge of procrastination and offers actionable strategies to enhance productivity and achieve meaningful goals. Published in 2019, the book provides readers with practical insights and advice for conquering procrastination and making the most of their time. Do It Today is a valuable resource for anyone seeking to overcome procrastination and improve their productivity. It combines insights from psychology, time management, and personal development to create a comprehensive guide for turning procrastination into action and achieving more meaningful outcomes in both professional and personal life

Author: Foroux Darius

Availability: amazon.in

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1 November 2023
Redefining Dance and Activism Through ‘Tanashah’

Known for his innovations, improvisations and experiments in dance and yoga, the dancer who has developed a unique style, a synthesis of dance, yoga and somatics, admits that sometimes the purists do get disappointed…reports Asian Lite News

He says all his work is political. The fact that he is a Sikh, gay and male Bharatanatyam dancer is political. That every time he goes on the stage, lets the world look at him, is a political act. The body, he says, is political too.

As dancer, choreographer and yoga practitioner Navtej Johar gets to set to stage his latest product ‘Tanashah’, a solo performance based on Bhagat Singh’s jail diaries in Chandigarh on Saturday, he tells IANS, “Art is an expression and intervention, how can it be apolitical? The artist always takes a position, even if it is that of a conformist. When you go on stage, you are sharing what you see all around, and within. No matter how much you dismantle everything, touch on the surface, or reach the depths, there is always a shake-up,” says this Sangeet Natak Akademi award-winning artist.

‘Tanashah’, focussing on Bhagat Singh’s essay, ‘Why I am an Atheist’ examines the resolve of a young man to walk to the gallows with searing clarity, un-sublimated by religious doctrine or idealist philosophy. The dancer had paused his Bharatanatyam performances around 2013-2014 as the performer in him was looking for something ‘more’, and that is when he started reading Bhagat Singh’s diaries.

“I could identify with him in multiple ways — he came from my part of the world, a Sikh from a religious family, a believer as a child, and slowly turned into an atheist. It resonated with my own personal journey, my politics, sentiments. Our stories intertwined at many points. Also, in the last few years, he has been proclaimed by the Hindu right. But he was a communist and I wanted to set the record straight. For me, he’s a poet, the way he writes and thinks, and then a revolutionary. I needed theatre as a medium for this, thus this solo performance,” says Johar, who trained at Kalashetra and later studied at the Department of Performance Studies, New York University.

He adds that over the past few years, most classical arts have become nationalist and conformist, and seem to be contributing to making a particular image of India.

“And that is not art to me as it robs the purpose of the same. Art must be immersive. If you are holding that cross of the idea of India, then you need to drop it before making art.”

In fact, Johar started out with theatre during his college days but moved away from it as he found it to be too verbose. However, he wanted a medium that was appropriate to convey what he wanted to, thus theatre.

“Also, now I have a body that knows how to handle the gaps. The text too has gaps. My process was to first memorise it and combine it with imagery and sounds. It was like making a collage of texts, moments, sounds and images that never ends and one keeps juggling.”

Known for his innovations, improvisations and experiments in dance and yoga, the dancer who has developed a unique style, a synthesis of dance, yoga and somatics, admits that sometimes the purists do get disappointed.

“But that is fair, after all, they have invested so much in you and expect the legacy to be carried forward. I also feel that I have gotten away with a lot of freedom — being a ‘nice boy’ helps. So be it yoga or dance, I do take licenses, but respectfully. I have not really experienced the brunt of doing things differently, and when I go back to the same places, my work gets accepted wholeheartedly. By the way, if I had taken to heart all the criticism, I would not have been a dancer in the first place, and we would not be talking.”

A social activist, in 2016, Johar and five others, belonging to sexual and gender minority communities, filed a writ petition in the Supreme Court challenging Section 377 of the Indian Penal Code. This resulted in the landmark 2018 judgment in Navtej Johar vs Union of India in which the SC unanimously declared the law unconstitutional “in so far as it criminalises consensual sexual conduct between adults of the same sex”.

Asked about the recent SC judgement where it has unanimously ruled against legalising same-sex marriage, he declined to comment.

Talk to him about what keeps him fascinated with Bharatnatyam even after so many decades, and this recipient of the Charles Wallace Fellowship asserts that ‘abhinaya’ has been India’s gift to the world and there can be nothing more beautiful.

“The possibility of delving into something that is full of imagery and to play with it musically…You need to be political for something like this. You need to be bold and transgressive for that, after all, we are talking about the anxieties of intimacy as well. And that is what dance is about.”

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30 October 2023
India Art Festival’s Cultural Oasis in Delhi

The India Art Festival has been a nurturing ground for young and emerging artists who push the boundaries of imagination. This year, visitors can expect to be captivated by an array of mediums, subjects, and styles that reflect the unbridled form of artistic expression from all corners of India…reports Asian Lite News

Prepare for a breathtaking burst of colours and an exuberant celebration of boundless creativity as the India Art Festival makes a grand return to the heart of Delhi this November! With 400 talented artists presenting 3,500 exquisite artworks across 100 captivating booths at the Constitution Club of India on Rafi Marg, this year’s edition of the India Art Festival promises to deliver an immersive sensory experience like no other.

From November 2nd to 5th, 2023, the Constitution Club of India will be transformed into a cultural oasis, offering not only a visual feast but also a multitude of fusion shows, live music performances, mesmerizing live painting demonstrations, and captivating film screenings. A standout feature of the event is the enlightening film “The Eternal Canvas – 12,000 Years Journey through Indian Art,” a cinematic exploration of India’s rich artistic heritage spanning millennia. This cinematic journey provides a sweeping overview of the evolution of Indian art, from prehistoric times to contemporary expressions.

Founded in 2011, the India Art Festival has emerged as a premier contemporary art fair in India, especially for emerging, mid-career artists along with mid-level art galleries. While this marks the 8th edition of the India Art Festival in New Delhi, it’s a significant milestone as the 25th edition of this celebrated event, hosted across Delhi, Mumbai, and Bengaluru. With a strong presence in three major metropolitan cities, the India art festival has become a coveted platform for young and emerging artists, mid-level art galleries, art collectors, and art enthusiasts alike.

Rajendra Patil, the founder director of India Art Festival, who also serves as the President of the Bombay Art Society, one of the oldest Indian art institutions founded in 1888, and Editor & Publisher of the Indian Contemporary Art Journal, a quarterly art magazine, says, “The primary inspiration behind initiating the India Art Festival back in 2011 was to create a platform that showcases and promotes contemporary art in India, with a particular focus on young emerging artists and mid-level art galleries, as it is often challenging for them to access such platforms or enter the art fair circuit due to huge cost factor.”

This year’s India Art Festival in New Delhi will feature performances by renowned artists and musicians, including Padma Shri Pandit Satish Vyas (Santoor), Vasudeo Kamath (Visual Art), S Akash (Flute), Prakash Bal Joshi (Visual Art), Mehtab Ali Niazi (Sitar), Ranjit Sarkar(visual art), Kamal Devnath(visual art) and many others. Yashvant Vaishnav will accompany the celebrations with the tunes of Tabla.

A diverse array of art galleries will be exhibiting at the festival, including names like Artecious Gallery, Artifire, Aura Planet, Eminent Art Gallery, Healing Art Foundation, MagicSimSim, Rang Mirage Art Gallery, Speaking Art Foundation, Studio 55 Art Gallery, Sudha Art Creations and Uchaan (all Delhi-NCR) ArtSage, Artvista, Bouquet of Art Gallery, Kalastrot, Nitya Artists Centre, Rhythm Art, Studio Pankaj Bawdekar, Traditions Art Gallery, Kavetaartz (Dubai), Narendra Art (Udaipur), Visual Line Gallery (USA-New Delhi), and Arpitam Kala Mandir (Kolkata), SUVIDA(Uttarakhand). Each gallery promises to bring a unique perspective to the world of contemporary art.

This year’s festival brings together a rich tapestry of artistic styles and expressions. Notable artists and their captivating works are showcased in carefully curated booths, making the India Art Festival a must-visit event for art lovers.

From stylized figurative to abstract compositions, traditional Flavors, architectural grandiosity, landscapes, religious art, and wildlife art, the festival promises something for everyone. The works on display range from the delicate and the physical to abstract compositions and intricate details that beckon viewers to take a closer look.

Kalastrot Gallery stands out, showcasing a curated selection of exquisite artworks in various styles and mediums. The featured artists, including Arti Vora, Atish Mukherjee, Deepali Sarde, Dhiren Sasmal; not to forget Nalini Joshi who is presenting captivating pieces that pay homage to bygone eras, evoking the nostalgia of rotary dial telephones, vintage Vespa scooters, and the cherished simplicity of life.

Rang Mirage Art Gallery takes viewers on an intriguing journey with a carefully curated booth featuring the best of the best. Artists like Ajay Samir, Amit Bhar, Kishor Roy, Malvika Kapoor, Pulakesh Mandal, Ram Onkar, Ranjit Sarkar, Savya Jain, Shambhu Nath Goswami, Shyamal Mukherjee, Sukant Das, Uma Shankar Pathak, and many more are exhibiting works that promise to captivate, each with their unique background and style.

SUVIDA, the Society for Upliftment of Villagers and Development of Himalayan Areas, offers a unique experience by showcasing traditional art fusion, created by artists from the region. This fusion art draws inspiration from various Indian provincial schools, offering a rich tapestry of creativity.

Uchaan Gallery takes visitors on a journey through figurative and semi-abstract works. Here, you can explore the creations of artists like Ayush Agarwal, Marcel Wissing, Salony Garg, Sonal Johar, and a solo exhibition by the talented artist Smita Jain.

Studio 55 from New Delhi introduces a diverse range of artists working in different styles, including Anjali Mittal, Bhavna Sagar, Deepshikha Gupta, Monica Singh, and Shashi Lata, each presenting their unique artistic perspectives.

Rhythm Art presents a meticulously curated selection of artists, including Arvind Mahajan, Dnyaneshwar Mane, K Prakash, Manoj Das, Paras Parmar, Rajan Raghavan, and Suhas Vyavarkar, among others. The booth is a must-visit for art enthusiasts.

Bouquet of Art Gallery from Mumbai, the brainchild of Anjali Arora, offers an interesting mix of figurative, abstract, and traditional art. Visitors can expect to be captivated by the range of artistic expressions on display.

Narendra Arts from Udaipur takes pride in its traditional art, offering a glimpse into the rich heritage of Indian artistic traditions. The Speaking Art Foundation showcases artworks in various mediums, featuring artists like Neeraj Sharma, Ashoo Malik, Deeksha Bajaj Thapar, Mahua Sinha, Manomoy Das, Monika Dewangan, Priyanka Bardhan, Remi Poddar, Remya Brijesh, and Swati Deb from different parts of India, offering a diverse and eclectic range of artistic perspectives. Artvista from Mumbai is showcasing eclectic mix of artworks by artists like Kumar Gaikwad, Subrata Malakar, Mohit Bhardwaj, Vishwajeet Naik and others.

The India Art Festival has been a nurturing ground for young and emerging artists who push the boundaries of imagination. This year, visitors can expect to be captivated by an array of mediums, subjects, and styles that reflect the unbridled form of artistic expression from all corners of India.

The festival showcases a breathtaking landscape, featuring lush green grass, serene water bodies adorned with lotus flowers, and captivating landscape paintings. Artists such as Nisha Dial, Sriparna Sinha, Sanjiv Nath, Burmadevi Barkha, Anubha Kaw, Sachin Deep Singh, Sourabh Pramanik, Sunil Gupta, Kalaiarasi Abhilash, Yogesh Barve, and Rahul Naskar, offer an immersive experience into the beauty of the natural world.

Several booths at the festival are bound to leave a lasting impression. Shruthi Challani’s stylized still life, Seema Sethi’s traditional-inspired paintings, and Prateek Kushwaha’s exceptional wildlife art are some of the highlights. Artist Pooja Bansal’s exploration of vintage wooden doors, windows, and furniture, Shruti Kasana’s artworks capturing a diverse spectrum of human emotions, along with Amrish Malvankar’s distinctive perspectives, will make the viewer take a second look at them. Artists with diverse backgrounds, such as Kanishka Mehra, a dentist turned artist creating a fusion of the delicate and the physical, where interwoven strings find their anchor in pins, resulting in captivating, three-dimensional pieces. Anuja Aggarwal’s abstract compositions capture the essence of flowing alcoholic inks, while Gunjan Garg’s works beckon viewers to explore intricate details and captivating beauty.

Honey Gupta’s abstract art involves the convergence of ropes, jute, paper, and raw canvas, transcending boundaries and celebrating the unrefined beauty of life. Meanwhile, Manju Srivatsa’s watercolors tell enchanting tales through polychromatic flowers on paper. Neha Jhunjhunwala’s creations of Buddha and dreamy landscapes not only infuse colors but also imbue character into the spaces they adorn, providing a sensory experience that transcends the ordinary.

Among the exhibiting artists, Nisha Ballani shines through her remarkable ability to craft white-on-white abstract floral sculptures on canvas, while artist Reena Nasik’s stylized hyper-realistic oil paintings reflect her commitment to self-discipline and perfection. Simi Biswas and Varun Kumar are on a mission to revive the exquisite hand embroidery traditions of ancient India and fuse them with their lifelong love for mythology through their brand Magicsimsim. Dr. Simple Mohanty Pani’s enduring passion for capturing nature’s captivating beauty is evident in every brushstroke, whereas Dhanashree Wazalwar introduces her latest art series, ‘Energy of Stags and Antler,’ aiming to captivate the essence of strength, gentleness, innocence, and more through the enigmatic image of the stag displayed at the art fest. Kavita Sachdev explores the raw energy and beauty of horses through her stylized works, while Om Thadkar captures the beauty of black-on-black in his charcoal paintings. Pankaj Bawdekar’s religiously inebriated musicians in the dance procession and Alka Pandey’s mixed media creations delve into themes of faith, spirituality, and the intricate sociocultural tapestry, offering highly symbolic works. Antra Srivastav’s highly symbolic works are a visual poetry that requires multiple readings. As a known name in the world of art, Antra Srivastav has been a part of the India Art Festival for over a decade. Ratnesh Dubey, exhibiting at the art festival, specializes in woodcut prints, while Meenakshi Dubey showcases her wooden sculptures, adding unique elements to the art fest.

There are many other artists exhibiting in the artists’ pavilion at the India Art Festival, including legendary artist Prabhu Joshi, artist Nisha Sehjpal, Sapna Gupta, Nikita Tater, Srinidhi Dabriwal, Pawani Nagpal, Shruti Gupta, Atul Gendale, Anaya Jetha, Prashant Yampure, Paridhi Jain, Mousmi Sarkar, Neena Makhija, Vinayak Sarwankar, Nagesh Devkar, Pradip Ghadge, Subir Das, Naveen Dholkhediya, Ritu Kwatra, Lalit Patil, Katalin Steger, Kakali Nag Das, Manish Kumar, Supriya Kaluskar, Aanchal Garg, Sudha Adarsh, Pallavi Gangwal, Ghanshyam Gupta, Rupali Khanna, Cheena Madan, Shaleen Khandelwal, Gautam Das, Parmesh Pal, Om Rajput, Prakash Bal Joshi, Kevin Massey, Sangeeta Pamnani, Alka Seth, Navya Kwatra, Rupesh Pawar, Asmita Shah, Beenu Tandon, Neha Vadehra, Shashikant Patade, R K Bhatnagar, Suvvro Basu, Collins Osemeke, and many others.

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30 October 2023
‘The Exchange’ Set to Thrill Readers

When a new case takes Mitch to Libya, danger awaits him: he finds himself embroiled in the biggest hostage negotiation in recent history with terrorists who have murdered and will murder again…reports Asian Lite News

Three decades after he launched his writing career with the global bestseller, ‘The Firm’, John Grisham’s publishers have announced that his new novel, The Exchange, will be released in India on October 27.

Billed as the “epic follow-up” to ‘The Firm’, ‘The Exchange’, says a media release issued by the publishers Hodder & Stoughton and Hachette India, “will take you on a rollercoaster journey across the globe, from New York to London, and Rome to Marrakech”.

The two-line blurb that follows the book’s title says: “Ten days to save a life. One second to end it.” Here’s how the story unfolds in the words of the publicity release:

The new legal suspense thriller marks the return of Mitch McDeere, who has cheated death and come out on the other side. Fifteen years ago, he stole $10 million from the mob and disappeared. Now, with his enemies jailed or dead, he has fought his way to the top of the biggest law firm in the world.

When a new case takes Mitch to Libya, danger awaits him: he finds himself embroiled in the biggest hostage negotiation in recent history with terrorists who have murdered and will murder again.

Their demand is staggering: a ransom of $100 million must be paid within 10 days. But this isn’t a random kidnapping — it’s personal. And no one, not even Mitch’s wife in New York, is safe.

With the clock ticking, can Mitch stay one step ahead of his enemies? This time, there’s nowhere to hide.

Speaking about the sequel, Grisham said: “When last seen in ‘The Firm’, Mitch McDeere and his wife Abby were fleeing Memphis with the bad guys in hot pursuit. Now they’re back, 15 years later, and living in New York where Mitch is an international lawyer and a partner in a mega-firm. His work takes him across the globe, and not always to safe places.

“During a trip to Libya, his trusted associate is kidnapped and an execution is threatened unless an enormous ransom is paid. Only Mitch can facilitate the exchange.”

Beginning with ‘The Firm’ in 1991, Grisham has published at least one No. 1 bestseller every year. His books have been translated into 45 languages and have sold more than 350 million copies worldwide. Ten have been adapted to film, including ‘The Firm’, ‘The Pelican Brief’, and ‘A Time To Kill’.

His Theodore Boone series for young readers is now in development at Netflix. An avid sports fan, he has written two novels about football, one about baseball, and in 2021 he published ‘Sooley’, a story set in the world of college basketball.

His lone work of non-fiction, ‘The Innocent Man’, was adapted into a six-part Netflix docuseries.

A graduate of Mississippi State University and Ole Miss Law School, he lives on a farm in central Virginia, around the corner from the youth baseball complex he had built in 1996. Grisham still serves as its commissioner.

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27 October 2023
Mewari Miniature Paintings Retell Epic Mahabharata

The Mahabharata, Mewari Miniature Paintings (1680–1698) is a Grand Visual Retelling of the Great Indian Epic. An exclusive feature by columnist Riccha Grrover for Asian Lite International.

The collection Showcases nearly 2000 never-before- published miniature paintings of the Mahabharata by Allah Baksh, from late 17th century Mewar. Features fine translations of the Mahabharata from Mewari into Hindi by Chandra Prakash Deval and English commentary by Alok Bhalla. Insightful introductions by Alok Bhalla on each of the parvas, provide a comprehensive understanding of this great Indian epic.

Allah Baksh’s magnificent miniature paintings of Vyasa’s great epic, the Mahabharata, were commissioned by Udaipur’s Maharana Jai Singh, and painted between 1680 and 1698.The selection of nearly 2000 paintings, published in four volumes, are from a folio of more than 4000 extant works illuminating the Mahabharata.The fifth volume of 500 paintings devoted to the Gita, has already been published.

These radiant miniatures, which follow almost every story in every chapter of the Mahabharata, have no precedent in India’s art tradition.The emphasis in these paintings is not on heroic posturing and spiritual pride, but on the pain that the earth and its creatures endure when human beings tragically fail to fulfil their dharma.The images in the paintings are symbolically charged, their colours are clear and luminous, their lines are restrained and precise. Allah Baksh’s art of visionary thoughtfulness deserves an honoured place in the great library of Indian scriptures and their visual interpretations.

Introductions to the parvas illuminated in these four volumes offer reflections on the moral resonance of the stories, as they reveal the fate of a civilisation from its divine beginning to its fateful destruction.The Hindi translation

of the Mewari text in the colophons, describing the story being illustrated, furthers our understanding of the history of cultural exchange between the different religions, regions and languages of India. Comments on the paintings in English enable the reader to decode the images and follow the narrative grandeur of this great Indian epic.

Chandra Prakash Deval says, ‘The Hindi text, published below the reproductions of the paintings, is a faithful translation of the original Mewari version. There are, however, some instances where additional information has been provided to help the reader follow the storyline and make the necessary narrative links.’

Chandra Prakash Deval

Alok Bhalla says, ‘When I first caught a glimpse of more than 4000 magnificent miniature paintings of the Mahabharata and the Gita by Allah Baksh in the State Museum of Rajasthan, Udaipur, I understood what Plutarch meant when he exclaimed, ‘The mind is not a vessel to be filled, but a fire to be kindled. Our hope is that readers will find, in these miniature paintings, an exciting dialogue between the verbal and the visual imaginations of the poet and the painter; between the grandeur of Vyasa’s epic and the vision of Allah Baksh who draws upon an endless store of images, designs and colours to offer his own discovery of moral truths in old fables.’

Alok Bhalla

On publishing the set Bikash De Niyogi, Managing Director, Niyogi Books says, ‘When I first heard about the magnificent miniature paintings eight years ago depicting the Mahabharata, commissioned by Udaipur’s Maharana Jai Singh, and now in the collection at the Udaipur Government Museum, I was full of curiosity to go and see them. When I saw the paintings, I was filled with wonder at their fine artistry, the depth of detail and the richness of the colours. Publishing this four-volume compendium for me has been a labour of love, which showcases the richness of Indian culture and craftsmanship. It is the biggest and the longest project taken up by Niyogi Books so far. This is our humble contribution in bringing the Mahabharata to discerning readers.’

About the Authors

Alok Bhalla is a widely published critic, translator and poet. He has taught in various universities in the US and India, and has held Fellowships from different academic institutes in France, Italy, England, Germany, Canada and Israel. His books include Stories about the Partition of India (4 volumes), Partition

Dialogues, Shades of the Preternatural, among others. His verse translation of Dharamvir Bharati’s play, AndhaYug, is a recognised classic.

Chandra Prakash Deval is an eminent poet, fiction writer, translator, bibliophile, and cultural historian. He has published 14 collections of poetry in Hindi and Rajasthani. He has also translated the works of Ashok Vajpeyi, Ramakanth Rath and others into Rajasthani. He has been the recipient of many

prestigious awards like the Sahitya Akademi Award and the Padma Shri.

About the Publisher

An internationally acclaimed publishing house, Niyogi Books, established in 2004, has more than 700 titles today. Niyogi Books not only specializes in textual context but also strives to give equal importance to visuals. It purveys a wide range of content on art, architecture, history, culture, spirituality, memoirs, and every aspect which connects with our rich heritage. The house has co-published a number of critically acclaimed books with reputed institutions like the British Library, Rietberg Museum Zurich, IGNCA, National Gallery of Modern Art, Ministry of Culture (Govt. of India), National Manuscript Mission, Sahitya Akademi, among many others.

Niyogi Books also publishes fiction and non-fiction that cover books on social science, cookery, and self-help as well as English translation of modern classics from different Indian languages. Niyogi Books now has four more Imprints: Olive Turtle (English fiction), Thornbird (English translation) and Paper Missile (English non-fiction) and Bahuvachan (Hindi translation: Fiction & Non-fiction).

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21 October 2023
Where Creativity and Artistry Converge in New Delhi

Kunal Singh Chhabra, known as KSC, brings the night alive post-event with an after-party that’s a reflection of his multidisciplinary artistry…reports Asian Lite News

Picture a space where the rhythmic cadence of dance, the resonant chords of music, the vivid imaginations of art, the chic elegance of fashion, and the stirring drama of live performances converge. It’s a canvas of creative expressions waiting to unfold.A lineup of remarkable creators, each comes with a promise of taking you on a sensory voyage as the DEWAR’S Stay Curious HQ comes to New Delhi this weekend.

From showcases where audiences can express their own creative expressions to an immersive experience that brings the tactile essence of textiles, this event is here to immerse yourself in a mesmerising array of experiences curated by some of the most curious minds in the country. Here is look into the artists and their work:

Bahaar Rohatgi brings a community-crafted art odyssey
Dive into Bahaar’ Rohatgi’s collective art odyssey, where each stroke on a giant canvas unfolds a shared narrative. Guided by Bahaar, attendees contribute to a living artwork, embodying a shared exploration and evoking inner reflections. It’s more than a showcase; it’s an immersive journey emphasising the essence of collective creativity, evolving with every interaction. This experience underlines that art, akin to life, is a journey, not a destination, where collective endeavor shapes perception, devoid of imposition.

Rohatgi, who left her lucrative career in law to pursue her passion for the arts, has exhibited both in India and abroad; in 2017, she was given the ‘Best Emerging Artist’ award by ASSOCHAM at the SAARC Women Economic Forum.

Immersive textile installation by Ekaya Banaras x Lalima

KATRAN: A soaring tribute to textile heritage by Ekaya Banaras and Lalima morphs the essence of Benarasi and silk handloom traditions into a grand visual spectacle. By repurposing what’s often discarded, ‘KATRAN’ unveils the uncelebrated charm of textile remnants, elevating them to a form and scale that commands admiration. It’s not just an installation; it’s a narrative of sustainability, a testament to the timeless beauty inherent in every thread, and a salute to the enduring legacy of India’s textile heritage.

Indian contemporary electronica by Raj and Chie Nishikori

A musical experience by guitarist & producer, Raj is known for blending jazz with electronic music fused with neo-soul guitars while showcasing his solid Indian roots. Packed with sounds that one would hear at dusk, this immersive musical experience is bound to transport the audience into another realm. Raj’s music has received well worldwide, racking up more than 7 million streams on Spotify. The performance would also feature Japanese trumpet player Chie Nishikori. The set will be a combination of lush Chillhop lofi beats with atmospheric sounds, Indian elements such as sitar, flute etc. along with the introduction of live trumpet & guitars eventually.

Gear up for them: wyd tonight? , Glass Walls , Hello Summer, 107

Overture by Aniruddh Mehta and Myles

From traditional graphic design to digital and new media arts, visionary Mumbai-based designer and founder of Studio Bigfat, Anirudhh Mehta is joining hands with creative coder and music technologist Myles. Unveiling their masterpiece ‘Overture’ in a captivating 14-minute act, get ready to make the most of this unforgettable journey into the unexplored world of audiovisual delights as you witness the piece come alive at the DEWAR’S Stay Curious HQ this weekend. Aniruddh Mehta is a Mumbai-based designer and artist whose work ranges from traditional graphic design to digital and new media arts. Myles Pereira is a music technologist, creative coder, and composer who puffs out custom software solutions regarding interactive art exhibits, visuals, and tools that allow musicians to express themselves artistically.

Learn the art of curating innovating drinks by DEWAR’S Brand Ambassadors

Led by an expert mixologist and DEWAR’S Brand Ambassador, this workshop is set to offer an engaging experience for cocktail enthusiasts, providing hands-on training and guidance in crafting exquisite and innovative drinks. Participants explore the art of mixology, learning techniques and experimenting with a variety of flavors to create unique and tantalizing beverages.

Sublime Sound (Anhad Khanna) and KSC’s After-Party:

Kunal Singh Chhabra, known as KSC, brings the night alive post-event with an after-party that’s a reflection of his multidisciplinary artistry. As a DJ and Creative Director, KSC has been a trendsetter in India’s electronic and hip-hop music scene since his teenage years. His venture, “All Star Sauce,” reflects Delhi’s pulsating culture through its leading collectives, also resonating in his online radio shows “Barbecue Chutney” and “Public Service Announcement.” The after-party curated by KSC isn’t just a musical feast; it’s a dive into a vibrant, edgy, and futuristic world where every beat is a narrative, promising a euphoric conclusion to the immersive journey at Stay Curious.

Date: October 21

Venue: STIR, Chhatarpur, New Delhi

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19 October 2023
No ‘Saroop’ at Destination Weddings: Akal Takht

The complaints highlighted the alarming trend of carrying the “saroop” to beachside resorts and similar venues for the performance of Anand Karaj, a practice that goes against Sikh tenets….reports Asian Lite News

In a momentous effort to uphold the sanctity of Sikh religious customs, the Akal Takht has adopted a resolute stance against destination weddings that involve the “saroop” of Sri Guru Granth Sahib for Anand Karaj ceremonies. This decision has been prompted by the increasing prevalence of outdoor destination weddings held at resorts and beaches, where Sikh tenets were being compromised.

The five high priests, led by Takht Jathedar Giani Raghbir Singh, have imposed a blanket ban on destination weddings with Anand Karaj ceremonies conducted outside gurdwaras. This decision reflects the Akal Takht’s commitment to maintaining the sacredness of Sikh traditions.

Giani Raghbir Singh stated that the ban was instituted following numerous complaints received by the Akal Takht Secretariat. These complaints highlighted the alarming trend of carrying the “saroop” to beachside resorts and similar venues for the performance of Anand Karaj, a practice that goes against Sikh tenets.

It is important to note that the Akal Takht had previously issued a “hukumnama” on March 16, 1998, that banned the transportation of the “saroop” outside of gurdwaras for Anand Karaj ceremonies held in hotels, banquet halls, clubs, and marriage palaces. These venues often include features such as orchestras, dancers, pubs, and bars, which are incongruent with Sikh values. The “saroop” of Sri Guru Granth Sahib is not meant to be taken to places where alcohol, non-vegetarian food, or tobacco is served or consumed.

This ban reaffirms the Akal Takht’s commitment to preserving the integrity of Sikh practices, emphasizing the importance of adhering to the principles set forth in the Sikh code of conduct. Anand Karaj, the Sikh wedding ceremony, is a sacred event that symbolizes the union of two souls in the presence of Guru Granth Sahib. It is meant to be conducted in an atmosphere of spiritual reverence and purity, in alignment with Sikh teachings.

Destination weddings have gained popularity in recent years due to their picturesque settings and unique experiences. However, the Akal Takht’s decision underscores the need to prioritize the sanctity of religious traditions above personal preferences and contemporary trends. Sikhism places great importance on maintaining a strong connection with its religious roots, and this ban seeks to protect and honor those principles.

While this decision may be met with mixed reactions from those who have chosen destination weddings, it serves as a reminder of the deep reverence and respect that should be afforded to the sacred “saroop” of Sri Guru Granth Sahib and the spiritual significance of Anand Karaj.

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17 October 2023