Category: Arts & Culture

  • ‘Dance of the Eagles’ bags National Geographic ‘Pictures of the Year’ Award

    ‘Dance of the Eagles’ bags National Geographic ‘Pictures of the Year’ Award

    The engineer-turned-hobbyist photographer said he stayed, watching as bald eagles swooped in and out of the fishing grounds in Haines, Alaska…reports Asian Lite News

    Indian-American Karthik Subramaniam, a San Francisco-based software engineer, has won the 2023 National Geographic ‘Pictures of the Year’ award, beating over 5,000 entries.

    Subramaniam’s photo, which is titled ‘Dance of the Eagles’, shows a trio of bald eagles battling for a spot on a branch in Alaska’s Chilkat Bald Eagle Preserve, a press release by the magazine said.

    He titled the image as a homage to a fictional dragon war in George R.R. Martin’s novel, ‘A Dance with Dragons’.

    “Wherever there’s salmon there’s going to be chaos,” Subramaniam told the magazine that this was his motto as he camped out near the shore of the Chilkat Bald Eagle Preserve, waiting for action.

    The engineer-turned-hobbyist photographer said he stayed, watching as bald eagles swooped in and out of the fishing grounds in Haines, Alaska.

    The area hosts the largest congregations of bald eagles in the world every fall, when around 3,000 arrive in time for the salmon run.

    The photo was selected from nearly 5,000 entries across four categories: Nature, People, Places and Animals.

    Subramaniam has been photographing landscapes and his travels for years.

    He started experimenting with wildlife photography in 2020, grounded by the pandemic in his San Francisco home.

    The photo will be featured in the May issue of National Geographic magazine.

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  • JSW Foundation pledges support for Kochi Biennale

    JSW Foundation pledges support for Kochi Biennale

    Sangeetha Jindal, the founder, and trustee of Art India Foundation and Art India Magazine pointed out that the Kochi Biennale needs to be nurtured to a better standard….reports Asian Lite News

    Sangeeta Jindal, Founding Patron of Kochi Biennale and Founding Trustee of JSW Foundation, on Monday said that JSW Steel would have deep cooperation and support for Kochi Biennale, which is the pride of the country.

    The outside funding available for Kochi Biennale is significantly less compared to other biennales around the world, including those in Asia.

    Sangeetha Jindal, the founder, and trustee of Art India Foundation and Art India Magazine pointed out that the Kochi Biennale needs to be nurtured to a better standard.

    “A collective effort is necessary to ensure the prosperous progress of the Biennale, which brings accolades to the country from around the world. Kochi Biennale should get liberal financial support from the government and other agencies. There are several such sources within the country itself. There should be proper utilisation of such resources,” said Jindal.

    “No praise and gratitude suffice for the dedication of those who keep Biennale vibrant, fighting numerous odds. It was an honor for JSW Steel to be part of creating the Biennale Pavilion designed by world-renowned architect Samira Rathod,” said Sangita Jindal.

    The fifth edition of the Kochi Biennale by now has won the hearts of many who came visiting the various venues and will continue till April.

    ALSO READ-‘We do not fit in India’s budget’

  • ‘We do not fit in India’s budget’

    ‘We do not fit in India’s budget’

    Samson, who recently curated ‘Charishnu’ at Sunder Nursery in the national capital hosted by the Kiran Nadar Museum of Art (KNMA), its first major cultural event in a public space…reports Sukant Deepak

    As we speak, a procession of writers have entered this institution in Kerala where the pen is the deity…

    Asserting that it is only people who can really do anything instrumental for arts, and not monolith governments which rarely understand the nuances of traditions — be it pottery, instrument making or the dance forms, Padma Shri recipient dancer, choreographer and writer Leela Samson feels the latter end up making dance and music as a form of entertainment, using it to their advantage.

    “Throw in the smoke and glitter, put people in arenas… This larger-than-life kind of exhibit based on the Russian model takes away from our art form and brings it to a common level. It is more appearance than actuality, and yes, it is a tragedy as you seem to be giving out a message to the future generations — only this much is enough. On top of that, you get school kids to do it, who are not trained traditional dancers…and so many artists are forgotten,” the former Director of Kalashetra tells.

    NCPA presents 3-day Nakshatra Dance Festival. (CREDIT:IANSLIFE)

    Samson, who recently curated ‘Charishnu’ at Sunder Nursery in the national capital hosted by the Kiran Nadar Museum of Art (KNMA), its first major cultural event in a public space.

    The production included several of India’s dance forms and brought together some of India’s most celebrated dancer-choreographers in a collaborative production, directed by Samson, who started learning Indian classical dance and music at the age of nine at Kalakshetra, under its founder Rukmini Devi Arundale.

    Intentionally choosing pre-Vedic texts as they deal with concepts of time and space, and not religion, Samson, who formed Spanda (1995), a dance group to review the traditional vocabulary of Bharatanatyam, says that the kind of students she had were always awakened, knew the importance of questioning and believed in putting their points across.

    Talk to her about the fact that most government-run akademis have become redundant, something one witnessed during the pandemic when they could not come up with a model to help artists, and this former chairperson of the Central Board of Film Certification (CFBC) feels that while successive governments have always been careful to put an artist as a figurehead in these so-called autonomous organisations, they are not autonomous in any way.

    “Frankly, in the larger scheme of things, we do not fit in India’s budget. The kind of allocation that is given ensures that everyone has to fight over that. However, I am quite pleasantly surprised by some localised sabha systems in different parts of the country wherein people take the lead and contribute towards art — the government has nothing to do with it,” feels this recipient of the Sangeet Natak Akademi award.

    She says such localisation is a truly democratic approach, and if that happens one could dream of a situation where arts are nourished by the people.

    NCPA presents 3-day Nakshatra Dance Festival. (CREDIT:IANSLIFE)

    Talk to her about the many private art foundations that have come up, and she asserts that they may become the new “maharajas of the culture”.

    “Well, they might be a little better than the government because they have both Indian and western sensibilities, but there might be setbacks too. Also, for many, it is a great branding exercise to show that they are not just interested in business and care of heritage and the arts.”

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  • A world on hold

    A world on hold

    As two young writers who hadn’t written non-fiction before, they struggled with narrowing down on how to do justice to a topic as grave, detailed and layered as the pandemic. Hence, they decided to tell it as it was, in the raw, unfiltered voices of those who were living through it…writes Vishnu Makhijani

    For those who have lived through the Covid-19 pandemic, life will never be the same again. “A World On Hold” (Om Books International) brings you first person narratives by 20 writers, among them Shashi Tharoor, Vidya Balan and Nonita Kalra on what it means to those who have survived and lived to tell the tale.

    “In the simplest terms, the book is an outcome of a late-night conversation between two friends who found themselves hopeless and helpless in the face of a global pandemic,” the book’s editors, Divita Aggarwal and Surabhi Sundaram, told in a joint interview.

    “Even though we both experienced different impacts of the pandemic (Divita, the industrial and economic and Surabhi, the on-ground realities), we were aligned on our motivation: to contribute to the situation, bring to focus what people were going through, and most importantly create a living record of this historic time. Where uncertainty, loss of opportunities and fear was staring at us, all we wanted to do was document this transformational period. There was a seismic shift in the psychological, social economical aspect of life and so, we decided to make sure we never forget this,” they added.

    As two young writers who hadn’t written non-fiction before, they struggled with narrowing down on how to do justice to a topic as grave, detailed and layered as the pandemic. Hence, they decided to tell it as it was, in the raw, unfiltered voices of those who were living through it.

    “The aim was not to tell our reimagination of these peoples’ stories or our own experiences,” they said.

    The selection process of the narrators was guided by their curiosity as well as the most prominent sectors affected (the knowledge of which they gained through news, social networks, and personal anecdotes. Examples of a few unique choices are Tanyel Kazim, a higher-education practitioner based in the UK who was laid off during the pandemic. Or Sunash Sharma, who volunteered to be a part of vaccine trials. They wanted to tap into unheard, or less heard of stories which the mainstream wasn’t covering but were equally important.

    “Throughout, the larger aim was to have diverse voices and very nuanced narrations. For example, we wanted to have an influencer as a contributing narrator, discussing how content creation has evolved in the pandemic. Another industry we wanted to tap into was travel. So, we decided to club the two together and bring on board a travel influencer, Shivya Nath. Similarly, we wanted to hear from a working mom and cover the culinary sector. So, we brought Shilarna Vaze, a celebrity chef. The goal was to ensure that every narration is layered and relatable,” Aggarwal and Sundaram explained.

    They write in the Preface that “conversing about these ordeals proved more therapeutic than triggering-both for the narrators and us”.

    “Writing about the pandemic our approach to it, especially emotionally. It pushed us to constantly innovate. Learning about accounts such as that of frontline workers, allowed us to be more resilient and grateful. This journey helped in widening our perspective and having a more open-minded outlook towards this experience.

    “When the world was still grappling with the first wave of coronavirus, we started writing this book with a clear mission: to document stories of unprecedented bravery, innovation, and emotion. Today, as we look back on the narrators we interacted with and how they have progressed over the past year, we realise their stories not only matched our expectations but also exceeded them. It is the stories of these twenty narrators and those of the entire world’s population that has reminded us of exactly how much strength we carry in us.

    “We not only accepted that we now live in an unrecognisable world, but also deeply felt every emotion that comes with it. Smoothly, almost instinctively, we transformed every aspect of our day-to-day life. That is a sign of unparalleled optimism. We have also learnt how to channel a similar strength to other personal and professional aspects of life. It’s safe to say, we, along with everyone we know, are getting back to square one. Only this time, we are more courageous, more informed and a lot more hopeful,” Aggarwal and Sundaram maintained.

    Fortitude is the common thread running through the narratives in the book.

    “At its very core, ‘A World On Hold’ is a book that celebrates having courage in pain and adversity. Stories of a flight attendant, who chose to remain anonymous, bring out the courage of flying in unprecedented times. Her narrative brings out the sense of responsibility that airline-industry workers felt. Despite multiple personal hardships, she considered it her duty to bring home Indians who were stranded abroad.

    “On-the-ground reporting brings out scenes of fear and grief in hospitals. But even in this, there is a glimmer of hope, a story by an anonymous police-officer who drove women in labour, to hospitals. There was anguish and heartache everywhere. But even in the bleakest of times, there was a ray of hope, guided by courage. There were people, ordinary people like you and me, who went above and beyond to help another,” the editors explained.

    In-depth interviews with then Editor of Harper’s Bazaar India, Nonita Kalra (currently Editor-in-Chief of TataCliq Luxury) bring out the crises faced by lifestyle publications: how does a glamorous magazine stay relevant at this juncture? How does an editor steer a team, boost morale even as a publication changes and innovates at its core? Parliamentarian and author, Shashi Tharoor offers invaluable insights into the political workings of India’s response to the global pandemic. Actor Vidya Balan’s story brings out the challenges faced by the Indian film industry; the multi-crore industry had to shift – almost overnight – from creating for the big screen, to adapting to OTT platforms.

    Quoting Francis Bacon, they said: “Fortitude is the marshal of thought, the armor of the will, and the fort of reason.”

    What next? What’s their next book/project on?


    “We’re currently conducting primary research for India’s first book documenting untold stories of women in war roles. Across the armed services, women make up merely 0.5 per cent of per cent of the active-duty 1.4 million army personnel (2021) Undoubtedly, this representation is small and marginally growing — and their stories tend to be less often told to make room for legacies left by men who have shaped the narrative of service to the country.

    “To be potentially published by a national publisher and adapted into an audio-visual format by an OTT platform, ‘Women In War’ will detail stories of fearless women in defence who have excelled at jobs that once weren’t even open to them. Their own stories, in their own words. Or of those who were with them in their final moments. The first-of-its kind non-fiction book aims to bring to you stories of astonishing fearlessness, and gets you closer than ever before to the personal bravery that Indian military women display in the line of duty,” Aggarwal and Sundaram concluded.

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  • Chronicles of an Immigrant Mother

    Chronicles of an Immigrant Mother

    I had to write down the issues, the biased situations, the frustration of being an immigrant and not having a status and being deprived of justice or my own son’s custodial rights even though I had not done anything wrong…an Francisco-based entrepreneur Sheetal Ohri speaks with Vishnu Makhijani

    To be an author was never in the pipeline until she went through a custodial family law situation for her son, says San Francisco-based entrepreneur Sheetal Ohri, adding: “It was more of an Indian citizen vs US citizen issue in the US courts.”

    “There was a bias towards US citizens depriving a mother of her own child’s custody based on immigration status,” Ohri told in an interview on her book “Custodial Battle: Chronicles of an Immigrant Mother who was Delayed Justice in Family Law due to Immigration Status” that has been nominated for awards in the US and the UK.

    “I had to write down the issues, the biased situations, the frustration of being an immigrant and not having a status and being deprived of justice or my own son’s custodial rights even though I had not done anything wrong.

    “The US family law itself was my inspiration to write about the system. Seeing the biased system, seeing how easily the system was swayed on the basis of citizen vs non-citizen, how the system was flawed when everyone thought US law was the best in the world. Sitting and seeing many cases before my own case and dealing with bias and injustice which was at times intolerable was the reason to write the book,” Ohri explained.

    When she started writing her book, she decided that her voice needed to be heard and what better way than to write and be heard to the world through a book which could be resourceful for other parents dealing with similar situations, she added.

    She went through many law books, family law data, self-help centres, and details for various states in the US. Extensive research was done on custody sharing and visitation rights, children suffering psychological effects due to parental alienation and much research on South Asian domestic violence.

    The book narrates the traumatic tale of the protagonist, Ritika’, and her struggle with the American judicial system in the nearly decade-long custody fight for her son. This gripping and heart-breaking book navigates the reader through the mazes and loopholes of the judicial system in the US and how it tends to work in favour of the powerful and against the powerless.

    Ohri tells an against-the-odds story through the character of Ritika and her Indian culture, weaving in her own experiences of that system and her efforts to overcome its many challenges, and imbuing it with her emotions and struggles, as she elevates Ritika’s stubborn refusal to back down in the face of her ex-husband’s oppression and the inequities — subtle and not-so-subtle — of American Family Law.

    To this end, the writing of the book was a catharsis.

    “Definitely, writing the book was emotional and a catharsis of sorts. After going through a journey of proving myself as a good resident and a good mother in US courts, where I saw bias happening in family court rooms, paying the same or more attorney fees as the other party, it was a relief to write similar situations for my book’s character.

    “Writing about the courtroom scenes brought a sense of release more than anything, as that’s where the idea of writing the book had begun. By writing the book, I completed what I had intended to do, which is to let the readers get resources, understand the custody situation and immigration issues which not many understand unless attorneys are involved. I try to provide help through my book detailing family law situations and cases.

    “The whole goal was to bring the positive side out from this story for the readers by sharing the story of Ritika, who fought against a powerful judicial system and even in times of adversity, never gave up on herself and her child,” Ohri elaborated.

    Does she anticipate any changes in the law to prevent the recurrence of what she has recounted?

    “I have seen changes in the last many years in the judicial system. There are training sessions being provided to understand our Indian culture. With the growing South Asian population, the courts are appointing mediators to get training to understand our South Asian culture and way of living. Many local South Asian non-profits are volunteering these trainings to advise on our culture. As far as the immigration status situation goes, the courts are looking into it case by case,” Ohri said.

    What has been the response to the book?


    “There has been good response to the book. The book has been sold in many countries via Amazon. The book was covered by many local and national print media, TV channels, and podcasts in California and the US. It is nominated for awards and received recognitions in the US, the UK and in India. In India, it is available for sale at Kunzum book store in New Delhi,” she said.

    What made her switch roles from entrepreneur to writer and does she plan to take this up as a full-time career?

    “I never switched roles. In fact, I continued both aspects of my life together. I wanted to bring the issue of immigration and non-understanding of our Indian culture to US family law courts and thus wrote the book. For now, I will continue to write books but I will also continue my journey as an entrepreneur,” Ohri explained.

    What is the next book on?


    “My next book is again on real issues. It is based on complicated relationships. I intend to write about real situations and real issues we all deal with in our lives,” Ohri concluded.

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  • UK born Indian author expanding his media footprint

    UK born Indian author expanding his media footprint

    His second book, ‘8 Rules of Love: How to Find It, Keep It and Let It Go’, has become an instant ‘New York Times’ best-seller after being released last week…reports Asian Lite News

    UK-born Indian bestselling author of ‘Think Like A Monk’, podcast host, social media sensation, life coach and former Hare Krishna monk Jay Shetty is expanding his media footprint, now launching a talent agency, ‘Variety’ has learned exclusively.

    Shetty, whose health and wellness podcast ‘On Purpose’ has featured the likes of Alicia Keys, Khloe Kardashian and Kobe Bryant, is said to have been downloaded more than 300 million times, but he has also been accused of plagiarism, which has made him get careful about attribution of quotes. Shetty now lives in California after spending four years as a Hare Krishna monk in India.

    His second book, ‘8 Rules of Love: How to Find It, Keep It and Let It Go’, has become an instant ‘New York Times’ best-seller after being released last week.

    Along with his partners Rula Zaabri, Brittany Louks and Blaire Zierke, Shetty has announced the formation of House of 1212, a full-service, purpose-driven talent agency that will represent creators, thought leaders and innovators who are impacting positive change, according to ‘Variety’.

    Shetty will serve as co-founder and partner of House of 1212; Zaabri as founder and CEO; Louks as co-founder and president; and Zierke as co-founder and head of operations. Zaabri was previously Shetty’s chief of staff, overseeing business initiatives and managing his day-to-day operations.

    The name of the agency ‘1212’ is derived from numerology. It is known as an angel number, which symbolises abundance, organisation and harmony with prosperity, growth and enlightenment centered at its core, ‘Variety’ notes.

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  • Kathak like a sadhana for Rani Khanam

    Kathak like a sadhana for Rani Khanam

    Industry heavyweights like renowned Indian Kathak dancer Guru Shovana Narayan, Indian bharatanatyam performer Rama Vaidhynathan, and Amrender Khatuwa, an employee of the Indian Foreign Service cadre, all attended the event…reports Asian Lite News

    At the Stein Auditorium of the India Habitat Centre in New Delhi, Kathak expert Rani Khanam performed “Mehfil e Safarnama,” allowing the audience to experience the essence of the Mehfil of the Nawabs that evening. Numerous themes from Kathak, Gayaki, and royal court poetry, as well as Mehfil of Nawabs and courtesans, were highlighted in this kathak dance performance.

    The Mehfil of the Nawabs up till the middle of the 19th century is shown in this one-of-a-kind production that Rani Khanam herself planned and performed. The two-verse performance merged Lucknow adayegi dance elements from Kathak and Gayaki, such as Ghazal, Thumari, Bandish, and Dadra, with the delicate Bhav Batana abhinaya style. Sahbaaz Khan played the tabla, Nasir Khan played the sarangi, and Shuheb Hasan sang alongside Rani Khanam.

    Why Kathak is meditation for this Sufi dancer.(photo:IANSLIFE)

    Industry heavyweights like renowned Indian Kathak dancer Guru Shovana Narayan, Indian bharatanatyam performer Rama Vaidhynathan, and Amrender Khatuwa, an employee of the Indian Foreign Service cadre, all attended the event. He previously served as India’s High Commissioner to Argentina and the Ivory Coast, as Secretary (Special Assignment) in the Indian Ministry of External Affairs, as Director General of the ICCR, as International Play Director Amir Raza Hussain, as Ex-Deputy Secretary of the Sahitya Kala Parishad, as Director of the CCRT, and as Director of the National Gallery of Modern Art, Temsunaro Jamir.

    An ode to the Mehfil of Nawabs by Kathak Exponent Rani Khanam

    The goal of Rani Khanam’s performance is to impart knowledge of the history of art and culture to the next generation while also bringing attention to the artists who created our art form and made a significant impact on the survival of traditional dance and music traditions.

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  • ‘The Impossible Bouquet’

    ‘The Impossible Bouquet’

    The artist, who has been engaging with AI for a decade now and has been consistently fighting against it to stay relevant, says the show has made him realise that it is not AI versus him…writes Sukant Deepak

    When diverse things that do not necessarily get along, come together, there is a possibility of an enigmatic arrangement. ‘The Impossible Bouquet’ also proves order and beauty can emerge from chaos.

    “Well, impossible is a beautiful word, and when new technologies and new ideas come together, the impossible becomes possible,” internationally renowned multi-disciplinary artist Raghava KK, whose 94,500 Dollars NFT at Sotheby’s set a new record for the Indian art scene tells. The artist, along with his brother created the world’s first art exhibition and a gallery of AI artists.

    His latest exhibition ‘The Impossible Bouquet’, curated by Feroze Gujral in association with Volte Art Projects opened on Friday at 24, Jor Bagh (Feb 10-16), marking the occasion of Gujral Foundation’s 15th year. The exhibition is an official collateral event of the ongoing India Art Fair 2023 and a highlight of the fair’s VIP Collector’s Programme.

    With an extraordinary new wave of word-to-imagery AI disrupting the art world, the exhibition engages with prompt engineering to ask the question — can we shape our collective future using this disruption as a springboard.

    The artist, who has been engaging with AI for a decade now and has been consistently fighting against it to stay relevant, says the show has made him realise that it is not AI versus him.

    “AI is a tool that enables me. In order for me to allow it to enable me, I have to let go of what I thought is possible, and what I think is possible. So, while working with it to create images, the process goes like this — first an AI is shown my impossible bouquet painting, it learns my brushstrokes and the composition of my bouquets, then it is asked to make its own bouquets, but it is restricted, it is exposed to a restricted training set of images that come from hidden parts of our body. It uses those hidden parts of the body to create impossible bouquets, inspired by my impossible bouquets that the AI was trained on. Now that it has created these bouquets, I manipulate various elements of the AI to make it look beautiful or create a particular aesthetic and then I come up with an image that is stunning, beautiful, evocative, huge, and mysterious — it has all these elements that I want. I can print that image or display it as an NFT.”

    However, when he printed that image, he realised that it was flat, an image is like a ghost after all, desperately looking to create a body. Raghava then started painting on these prints. While some of the artworks felt intimidating, they felt complete, and he had to contribute close to nothing to complete them. But some were incomplete and he had to imagine a body for them.

    “So each work is a conversation, a series of conversations from an AI learning my style and me learning from AI, to painting on it, responding to its strokes. The truth is that both AI and I have learned from each other, that was the process of creating these works.”

    The artist, who works in different mediums, says each one is like a new language with its own resistance, friction and personality, and that engaging with any one of them is akin to finding one’s middle ground with its temperament.

    “I typically spend 4-10 years on one medium before into another. Sometimes it happens parallelly and they inform each other. I see technology AI, bio-tracking oil, and conceptuality as mediums and tools.”

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  • Take a sip and read a book

    Take a sip and read a book

    A Sip in Time by Pallavi Nigam Sahay contains India’s finest teas and teatime treats…reports Anjali Kocchar

    Upon hearing the term “Chai,” what immediately comes to mind? What are the large, little stories that accompany chai? Chai has played a big part in bringing people together from the beginning of civilization. A drink that unites individuals and makes it easier for them to open up and share their untold tales and secrets. We might be able to listen in on some informal chats later while drinking chai. So, what?

    “Chai is an emotion. The warm feeling or the prospect of making chai comforts me. Also, it is a get-together beverage for me. When I call people to my house, I always prefer serving tea over coffee,” chimes Anu. Her passionate love for chai is unmistakable.

    “Chai is family,” adds Rakshita, another tea enthusiast who has a strong love for chai. Sitting far away in Seattle, she immerses herself in 3 cups of chai every day. Each cup acts as a trail of crumbs to connect her to her family in India. Here are three must-read books for tea-lovers.

    A Sip in Time by Pallavi Nigam Sahay

    A newly released recipe book, A Sip in Time by Pallavi Nigam Sahay contains India’s finest teas and teatime treats.

    With 60 delectable dishes and lip-smacking recipes, this book will keep you wanting more chai. It doesn’t matter if you are a fan of traditional more-sugar-less-milk chai or trending chamomile and Darjeeling teas, the book has something for everyone and resonates with readers of all ages and backgrounds.

    Sahay, who is an adrak chai lover loves adding lemon grass leaves to her brew. “You cannot go wrong with lemon grass as it reaches your soul with a refreshing aroma and heals with its citrusy taste,” offers Sahay.

    In the book, the author talks of discovering India’s first brew, aka.phalap, as she journeys into the densely forested areas of Upper Assam. She also talks of the medicinal properties of tea as kadhas-medicinal concoctions believed to cure a number of ailments-made using tea as a base.

    The book will also take you to the lane of memories. Nostalgia is a key ingredient in her book of tea recipes. From Mumbai’s cutting chai to Haryana’s khaddi chamach wali chai, she talks about everything in the book.

    Sahay is a published author, columnist and television show host. Her first book, The Bhojpuri Kitchen, published in 2017, won the Gourmand Cookbook Award for the best book in India in the Easy Home Recipes category and was recognised among the ‘culinary treasures of 2017’ by India Today.

    The Book of Tea by Okakura Kakuzo

    If you are not looking for a recipe book and want to learn interesting facts about tea’s history then you must purchase this book. In The Book of Tea, popular author Okakura Kakuzo explores how tea moved from being a medicine in China to a religion in Japan. The Book of Tea is not a history of tea, but of humanity and how the East and West and their values came together. This book is written poetically about how to understand the beauty of the present time, which is the central focus of a tea ceremony in Japan, is a must-read for those visiting Japan and who want to learn more about the reason behind the tea ceremony.

    Kakuzo was a Japanese scholar and art critic who in the era of Meiji Restoration reform defended traditional forms, customs and beliefs. Outside Japan, he is chiefly renowned for his book.

    Cancer Hates Tea by Maria Uspenski and Dr Mary L Hary

    To start with, the book was a finalist for Best Tea Publication 2017 World Tea Awards in 2017. Author Maria Uspenski is the founder of one of the most popular tea shops, The Tea Spot. The book helps the reader understand the biology of the human body at the cellular level and how cancer affects it. It is an unusual read around tea that chai lovers would definitely find interesting.

    The author, through this book, explains the healing power of tea, backed by 5,000 scientific studies, leaving the reader with a feeling of control over their own wellness. The book inspires the reader to overhaul old beverage habits.

    You won’t find many books solely on tea related to cancer. But, this book will definitely catch your attention as it is an amazing tea story with wellness references backed by studies and many wonderful recipes.

    While these are some of the tea books which I found unique and caught my attention, there could be many that you may like and can tell us in the comments section below. Before you go, just a sneak peek into the conversations over Chai people have to make your day:

    “You don’t need any time travel machine if you have chai in hand,” says Meenakshi, a tea enthusiast. She says she cannot trade her chai time for anything. She and her friends meet once a week for chai and together go on a nostalgic drive of their college times.

    And if you think matchmaking apps are setting you up for a thrill, making adrenaline course through your veins, Akshu’s words are piercingly intimate and you cannot stop resonating with them. “My partner has to enjoy tea as much as like I do. That is the underlining criteria of my dating choice. I should enjoy a cup with him at the end of the long day.” Love for chai means swipe right, isn’t it?

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  • ‘Van Gogh 360-degree’ in Delhi

    ‘Van Gogh 360-degree’ in Delhi

    Using cutting-edge projection technology crafted by world-renowned audio-visual designers, Van Gogh 360-degree Delhi – presented by DLF and Absolut – will create an engaging journey into the world of the legendary post-Impressionist painter…reports Asian Lite News

    From April 14 to 28, Delhi will host Van Gogh 360-degree, an immersive, multi-media event that brought the vibrant colours of Vincent van Gogh’s most famous works to life in Mumbai during a sold-out run.

    The exhibit will also make stops in Bangalore, Chennai, Ahmedabad, Hyderabad, Kolkata, Jaipur, Kochi, Chandigarh, Bhopal, Lucknow, Nagpur, Pune, Indore, Goa and Surat later in the year.

    Van Gogh 360-degree India is the first such exhibition to make its debut in India. Immersive experiences that transform the walls and floors of an exhibition space into a sort of van Gogh dream world have appeared all over the world, from New York to London to Tokyo to Toronto.

    Van Gogh 360-degree Delhi, where art and technology collide

    Using cutting-edge projection technology crafted by world-renowned audio-visual designers, Van Gogh 360-degree Delhi – presented by DLF and Absolut – will create an engaging journey into the world of the legendary post-Impressionist painter.

    Attendees will be immersed in floor-to-ceiling stunning projections animating the masters’ oeuvre and illuminating the mind of the genius. Wandering through giant projections that highlight brushstroke, detail, and colour, the multimedia exhibit takes the attendee into a three-dimensional world that exhilarates the senses.

    “Van Gogh 360-degree received a tremendously warm welcome in Mumbai having sold out weeks before we even opened doors, and van Gogh fans and art lovers in Delhi are in for a treat,” says Nikhil Chinapa, India spokesperson Van Gogh 360-degree India, of the upcoming exhibit in the national capital. “The level of interest we’ve received from schools as well as young content creators shows that immersive art is an excellent platform to introduce global art to the younger generation,” he adds.

    Pushpa Bector, executive director, DLF Retail shares, “Innovative and unique initiatives have always been at the heart of DLF, and one such association is Van Gogh 360-degree at DLF CyberHub, where we aim to host a uniquely immersive and captivating experience featuring the work of the most famous and influential figure in the history of western art.”

    Registration for all cities opened on January 30 at noon, while tickets for the Delhi exhibition – presented by DLF and Absolut – will be available for sale on bookmyshow.com from February 6.

    People who register will be offered a chance to buy tickets on February 6 before public sale begins on February 8.

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