Category: Arts & Culture

  • Most anticipated art festivals to get into vibe

    Most anticipated art festivals to get into vibe

    The festival is hosted at the spectacular Mehrangarh Fort in Jodhpur, the quintessential Blue City, described by Rudyard Kipling as “the work of angels, fairies, and giants.”…reports Asian Lite News

    After more than two years of silence in the fields and cities of the best-loved art events, festivals are back with a bang. Held at beautiful destinations across India, these festivals offer unique opportunities for art enthusiasts. People passionate about art forms such as music, films or photography can amalgamate their love for art with travel for an enriching break. And with organizers clearly determined to remind festival-goers what they have been missing, some of the country’s fine artists will grace art festivals across destinations for the rest of the year.

    Now that the world is finally opening up again, Booking.com has curated a list of domestic destinations with the most anticipated art festivals of 2022 for travellers to get into the vibe. From Ziro in Arunachal Pradesh to Alsisar in Rajasthan, plan ahead for exciting upcoming art festivals where each festival offers something completely unique.

    Ziro Festival of Music – Ziro, Arunachal Pradesh (29th September – 2nd October 2022)

    Hosted in Arunachal Pradesh’s lush green Ziro valley, the music festival is an amalgam of vibrant culture, music, and art. The Ziro Music Festival brings some of India’s top musical talents to a wide audience yearning for some original and cool music. In addition to the festival, the valley has a lot to offer for travel enthusiasts.

    Home to the Apatani tribe, the Ziro Valley stands out for its picturesque scenery, majestic mountains, charming villages, rivers, and landscapes. One can explore and understand centuries-old indigenous farming practices, stroll through villages, plan a trek to Hakhe Tari, or visit the Talley Valley Wildlife Sanctuary, home to the endangered clouded leopard. With four days of wonderful music combined with a spellbinding location; travellers are sure to have a place worthy of their bucket list.

    Jodhpur RIFF in Mehrangarh Fort – Jodhpur, Rajasthan (6th October – 10th October 2022)

    The Jodhpur RIFF (Rajasthani International Folk Festival) is a five-day musical gateway that embraces Rajasthan’s rich musical legacy. The festival is hosted at the spectacular Mehrangarh Fort in Jodhpur, the quintessential Blue City, described by Rudyard Kipling as “the work of angels, fairies, and giants.” When more than 250 performers from all over the world play against the majestic backdrop of Mehrangarh Fort, the audience is captivated by the sheer beauty and grandeur of the music.

    Jodhpur, also popularly known as the “Sun City,” encapsulates all that the state is known for -from golden deserts and crumbling forts to sumptuous palaces and luxurious accommodations. So, this October, get ready to visit opulent palaces, indulge in local flavours, partake in adventure activities, experience the cultural extravaganza, and enrich your journey with memories that you will cherish for a lifetime.

    Magnetic Fields Festival in Alsisar Mahal – Alsisar, Rajasthan (9th December – 11th December 2022)

    Known as one of the most stunning music festivals spanning three days in the magnificent Mahal of Alsisar in Rajasthan, Magnetic Fields is nothing less than a visual dream. It is a unique marriage of contemporary culture with Rajasthani customs and hospitality. The musical carnival features some of the world’s biggest underground stars as well as some of the country’s best and most forward-thinking music.

    Apart from the wonderful music, attendees can enjoy an adventurous jungle safari to the popular Ranthambore national park, high tea sips at a garden picnic, relax at majestic pool parties, and indulge in gourmet treats at The Chef’s table. Magnetic is more than simply a festival; it’s a whole experience that you must have.

    The Orange Festival – Dambuk, Arunachal Pradesh (15th December – 18th December 2022)

    Nestled deep inside Arunachal Pradesh’s Lower Dibang Valley, Dambuk is acclaimed for its oranges. Nature reigns in all her purity here, away from all the clamour of the city, retaining the state’s distinct rustiness. Hundreds of acres of orange orchards on the mountain slopes add to the region’s charm during the harvesting season. This sparked the idea of an orange-themed music and adventure event.

    The Orange Festival of Adventure & Music attracts visitors from all over the world who want to discover Arunachal Pradesh’s untamed natural beauty and learn about the native way of life. The event is a perfect combination of traditional and modern elements, including music, speed, and thrills. The Orange Festival of Adventure & Music is not just another music festival but a confluence of music, oranges, and adventure put together in the scenic setting of the stunning Dambuk!

    Dharamshala International Film Festival – McLeod Ganj, Himachal Pradesh (3rd November – 6th November 2022)

    Held in the serene dreaming town of McLeod Ganj, artists and film enthusiasts consider it one of India’s greatest independent film festivals. The Dharamshala International Film Festival is also known for its exciting and unusual selection of documentaries, shorts and feature films. The festival also serves as a platform for filmmakers across the globe to showcase their talents.

    McLeod Ganj, often known as Little Lhasa, is a fascinating blend of Tibetan and British culture. Home to the spiritual leader, Dalai Lama, this town is famous for its breathtaking trekking trails, relaxing weather, magnificent scenery, and dynamic culture.

    Indian Photo Festival – Hyderabad, Telangana (18th November – 19th December 2022)

    The Indian Photo Festival (IPF) is organized by Light Craft Foundation in partnership with the department of tourism, the government of Telangana, and the State Gallery of Art. IPF, India’s longest-running international photography festival, celebrates the world behind the lens with talks, workshops, screenings, and print and digital exhibitions by photographers from around the world. The festival aims to promote the art of photography while also addressing social concerns.

    The festival is hosted at several locations around Hyderabad, which offers a range of tourist attractions such as age-old heritage monuments, gardens and resorts, lakes, parks, museums, scrumptious dishes, and an amazing shopping environment. Hyderabad, endearingly named the Pearl City, is a stunning panorama of the past and is a blend of rich cultural and historical traditions spanning 400 years.

    ALSO READ-Closer, not far: An attempt to ground emerging and experimental work

  • Multiplexes Fuel New Film Culture at Naya Kashmir

    Multiplexes Fuel New Film Culture at Naya Kashmir

    J&K Administration Takes Bollywood on Silver Screen in the Valley, Its Most Beautiful Shoot Location … A special report by Usman Khan. The government of Jammu and Kashmir in its new films policy aims to give the multiplexes various incentives under the provisions of J&K Industrial Policy 2021. It also aims to reopen closed cinema halls in the Union Territory

    September 20 marks a special day with the inauguration of the Inox multiplex theatre in Sri Nagar by Lieutenant Governor Manoj Sinha. A new Bollywood movie Lal Singh Chaddha was screened in the multiplex as part of the opening ceremony. This is evidence of the gradual return of peace and normalcy and sweeping changes and improvement in the region, that the LG of the UT has inaugurated two Cinema halls in South Kashmir’s Shopian and Pulwama districts.  The J&K administration plans to have Cinema halls in all the 10 districts of the valley.

    As per the schedule, the first show of a film in about two and a half decades in the valley has been scheduled on October 1 with the screening of two epic movies Vikram Vedha and Ponniyin Selvan (PS)-1, at the new INOX theatre.  The preparations are on and a dry run screening in the orange-ambience theatre has been completed. Now as the inauguration of the multiplex, featuring three screens with a total seating capacity of 522 has been done, ticket sales would start on September 26.

    As peace returns in the valley, the people of Kashmir are seeking more outlets for cultural events and wholesome family entertainment. After about 23 years of life without cinema, now the people in the valley would again get opportunities to watch movies.

    How the youth in Kashmir did not have an opportunity to watch films during the past years could be known from the revelation of Chairperson, Delhi Public School (DPS) Shri Nagar “Half the students from the DPS have never been to a cinema hall.”

    Showing movies on a bigger screen in the valley after 35 years will be a dream comes true for many film lovers. Although, Farooq Abdulla-led government made efforts in 1996 to reopen two Cinema halls, Broadway and Neelam, they failed to survive due to poor patronage. In 1999 Regal Cinema in Lal Chowk stopped a screening of Pyar Koyi Khel Nahi after militants hurled a grenade in the first week of its opening. However, the talks are abuzz that this time around, the UT administration and even Vikas Dhar, Managing Director of Taksal Hospitality Private Limited, which owns the Inox multiplex are determined to continue screening without initially giving any consideration to how much time the viewers take to flock again to sustain houseful viewing and screening so that the revenue model achieves break even. While inviting the students to “come and enjoy” the films on the silver screen, he stated that Bollywood’s relationship with Kashmir goes back to the 1950s.

    In this sense, the inauguration of multi-purpose Cinema Halls at Pulwama on September 23 and Shopian would be remembered as a historic day. It offers facilities ranging from a movie screening, infotainment and skilling of youth.

    Cinema halls and multiplexes have their own eco-system that offers a variety of business and employment opportunities and make the region thriving and lively with activities. The valley which offered its lush green and naturally aesthetic shooting locations to many great and super-hit Bollywood films would now have an opportunity to see the beauty of its own land on the silver screen. It would not only entertain the youth but also inspire many of them to become actors, producers and directors and screenplay writers. Kashmir has immense potential to throw such artists and as the eco-system draws the interest of the youth, this process might gather momentum.

    This is the result of J&K administration’s keen interest to revive the screening of films in the valley where multiplexes have come into existence. In August 2021, the Jammu and Kashmir government unveiled its first-ever film policy months after the J&K film policy, the J&K Film Development Council (JKFDC) was set up to attract Bollywood. One of the main aims of the policy is to reopen closed cinemas and set up multiplexes in the Valley.

    The government of Jammu and Kashmir in its new films policy aims to give the multiplexes various incentives under the provisions of J&K Industrial Policy 2021. It also aims to reopen closed cinema halls in the Union Territory.

  • ‘Country Beats’ : Presenting the honest art

    ‘Country Beats’ : Presenting the honest art

    Sivabalan’s paintings also toy with nativity and rural villages, especially scenes from the southern villages he grew up around. His works capture everyday scenes and movements, without filters or divulging too many details…reports N. LOTHUNGBENI HUMTSOE

    An online exhibition features strikingly vibrant paintings that focus on Kumbakonam, a temple capital, and an artist’s other travel expeditions across India with its undocumented culture. Artflute, presents ‘Country Beats’, a curated collection of the most recent works by the watercolorist, Sivabalan.

    “Artflute has always been about showcasing art that is honest and leaves an impact on the viewer. Sivabalan’s world of unsuspecting portraits and everyday celebration draws patrons into his painting and lets them revel in it. The showcase helps in drawing attention to the joy and happiness that can be found in what we consider as ‘ordinary’ life,” says Padmaja Nagarur, Co-founder, of Artflute on Sivabalan’s latest collection

    Watercolorist Sivabalan

    The artist’s latest collection is a travelogue of his journey within the country and exploring his hometown of Kumbakonam further. Sivabalan’s paintings also toy with nativity and rural villages, especially scenes from the southern villages he grew up around. His works capture everyday scenes and movements, without filters or divulging too many details.

    Everyday Blessings by Watercolorist Sivabalan


    Sivabalan’s work is all about flirting with opposites. With his signature style of white background in his watercolor works, he captures the authenticity, realism, and heterogenicity of the rural portraits. His paintings depict scenes such as elephant procession, everyday prayers, women carrying pots, and festive carnivals. The artworks bring alive the animated hustle and are an ode to India and its many nuances.

    The Carnival Begins by Watercolorist Sivabalan

    Commenting on the collection Sivabalan adds, “I believe I can transmit my own personal feelings about people and their lifestyles through my paintings and connect the rarity of our culture to generations.”

    The collection can be viewed on Artflute.com until the 30th of September, 2022 on www.artflute.com

    ALSO READ-Closer, not far: An attempt to ground emerging and experimental work

  • Sweet desserts for easy refreshment

    Sweet desserts for easy refreshment

    If you’re anything like us, you’d always find yourself on the hunt for some of the most drool-worthy dessert to satisfy your sweet tooth. We enlist the most popular dessert of 2022, ranging from quick treats to indulgent delicacies, to make you swoop your spoons out…writes N. LOTHUNGBENI HUMTSOE

    Sea Salt Macaron, Le15

    Le15 Patisserie was started in 2010 by Chef Pooja Dhingra with the idea of bringing a little bit of Paris to India. French macarons have been their specialty for 12 years now. In a classic sea salt Macaron, find dark chocolate sea salt ganache sandwiched between a white shell dusted with cocoa powder. Yummy on-the-go treat!

    Cocoa Misu, Cocoa Cellar

    How would you like to reach for a liqueur-imbued tiramisu next time you finish your meal? The Cocoa Cellar cloud bakery is celebrated for its scrumptious alcohol-infused sweet treats. The Cocoamisu is a classic tiramisu laced with espresso and a ganache shot of Bailey’s, assuring that the body to the aftertaste, the experience is wholesome leaving the sweet warm sensation lingering in the mouth for a little while. An absolute bliss. Its impeccable menu has been designed and created by Devashree who has trained at Le Cordon Bleu in Sydney, Australia.

    NalenGur Ice Cream, Pabrai’s Fresh Naturelle Ice Cream

    Does adding the natural sweetener Gur (jaggery) to your ice cream make your mouth water? When the Gur goes one notch up and becomes date palm jaggery, you’d know you have in hand an indispensable sweet Bengali specialty. The inventor of the Nalen Gurflavour has managed to create a buzz in the whole of Kolkata made with date palm jaggery found only in Bengal in the world. Pabrai’s ice cream, known for its exotic and exclusive range of ice creams with a range of natural flavours, is also celebrated for the fruit ice creams it makes from fresh fruits only when the fruit is in season. No canned or preserved fruit pulp is used.

    Choco Chip Brownie, Theobrama


    Theobroma means ‘Food of the Gods’ in Greek, a range of offerings that include brownies, cakes, desserts, chocolates, bread, and savouries. The classic Choco Chip Brownie is a gooey chocolate brownie loaded with dark chocolate chips. It is a dense fudgy brownie made with pure couverture chocolate, that will simply melt in your mouth. This dense fudgy brownie with the perfect crackling top is the ultimate chocolaty treat.


    J’Adore Cake, La Folie

    In its pursuit to showcase the most authentic expression of real chocolate, La Folie has embarked on a journey to create chocolate from its origin – the bean. The J’Adore cake is one of the finest and well, most adorable, cakes La Folie has to offer. No wonder it is also their bestselling. It is made with layers of Lemon streusel, berry compote, strawberry cream cheese ganache mousse with a light lemon vanilla genoise.

    ALSO READ-Try this authentic Kerala dessert with tender coconut

  • ‘Every step forward was hard’

    ‘Every step forward was hard’

    The Everest Base Camp trek was also the first time that she was cut off from the rest of the world for such a long duration…writes Vishnu Makhijani

    “Only those who will risk going too far can possibly find out how far they can go,” T.S. Eliot wrote about the value of grit and determination. For travel writer, nature lover and marketing executive Saachi Dhillon, the adventure bug bit her on her very first international trip to New Zealand 14 years ago and left her yearning for more – including a trek to the Everest Base Camp to “push myself and see how far I can go”.

    “The adventure bug bit me on my very first international trip to New Zealand. I tried many exciting activities such as kayaking, zorbing (rolling downhill inside an orb), and a Shotover Jet ride (through a canyon at over 85 kmph). I think it began from there. I have been lucky to have travelled extensively through 24 countries; having witnessed diverse cultures, met some of the warmest people, and seen incredible sights. From monastery hopping in Bhutan, ATV riding in Siem Reap, wine-tasting in Provence, to ghost tours in Edinburgh. I owe a lot to travel and adventure. It has contributed significantly to who I am today,” Dhillon told in an interview for her book, “Dreaming of Everest”.

    “I was looking for a challenge. To push myself and see how far I can go. That’s when I signed up for the Everest Base Camp trek,” she added.

    (The Base Camp of the 8,849 metre Everest, the world’s highest mountain, is at 5,360 metres.)

    She trained hard for it for six months, “come rain, (smog) or shine. From running, strength, and conditioning to cardio, I diligently prepared my body and mind for the upcoming adventure. Acute Mountain Sickness (AMS) is a real threat at those high altitudes and that is what made me anxious in the months leading up to the trek. I would run up nineteen stories of my building with a backpack to improve my lung capacity and minimise the chances of AMS. Needless to say, I was fitter than ever before in my life,” Dhillon explained.

    Describing her book as “an inspiring, personal narrative about pushing your boundaries, following your dreams, and in the process, discovering a new part of you”, she said the aim of writing it “is to inspire even the hoi polloi to realise impossible dreams and prove that limitations exist only in the mind”.

    “It was my dream to trek to Mount Everest. I still remember the first time I got a glimpse of the world’s highest mountain in Namche Bazar. We climbed up to the Everest viewpoint located high above the town on a clear, crisp morning. She stood tall amongst the other eight-thousanders. My heart brimmed with joy,” Dhillon declared.

    The Everest Base Camp trek was also the first time that she was cut off from the rest of the world for such a long duration.

    “There was no phone signal beyond day three. This gave me an opportunity to contemplate, reflect and think about the next phase of my life. Nature is a great teacher. Its calming, healing, and revitalising forces are unparalleled as I realised on the expedition,” Dhillon said.

    Close to base camp, her oxygen levels plummeted to almost 50 per cent – but that didn’t deter her from pressing on.

    “Every step forward was hard. My body was not cooperating with my mind. My guide egged me on. The pain from my back pierced into my chest. It was probably the most discomfort I have experienced in my life. But, I kept going and completed the trek. If you convince yourself that you can do something, you eventually will, as I learnt on this great adventure,” she said.

    Another first on the trek was not having a bath for a week given the harsh conditions. “The germophobe in me survived!”

    Somewhere along the way, she managed to write a poem encapsulating how she felt:

    “The weight that we carry/Invisible at that./Yaks cross over, their bells tinkling;/We walk quietly, one breath at a time.

    “Weary travellers young & old;/taking a sip of life./The journey stark and beautiful;/With friends like family,/Our feet carry us as far as we choose,/What will your choice be?”

    The icing on the cake, as it were, is the Foreword that renowned mountaineer, speaker and Sir Edmund Hillary’s son Peter Hillary has written for the book.

    “We need more adventurers like Saachi Dhillion. People prepared to head out into what is for them the unknown. We all have ‘unknowns’ that can only be known by being bold and taking the first step, and then another and another. The process is exhilarating and with every step, we learn about the challenge and what will be required of us, but also, we learn about ourselves. Perhaps that is the most important learning of all. As Saachi says herself the journey highlights just how much ‘baggage all of us carry in our lives’. And how in the end you can ’emerge lighter as your inhibitions float away into the thin air’.

    “I think that realisation is a delightful and fine reason to trudge up the trails of the Himalayas to Everest Basecamp at 5360 metres altitude and the foot of the world’s highest mountain. As my father said, ‘It is not the mountain we conquer, but ourselves’. And that is the story of this book,” Hillary writes.

    The uphill climb had taken nine days and the return to Lukla, from where the trek originated, took three days.

    “Having reached Lukla after traversing 130 km, we finally celebrated with some song and dance and lots of local rum. Continuing with the tradition of many firsts on this trek, I lost my voice after too much singing and rum. It did return the next day – revitalised, ready to take on the next phase of life,” Dhillon writes.

    What’s the next big adventure she’s going to be embarking on?

    “I plan to climb a 6,000-metre mountain next and am currently preparing for it,” Dhillon said.

    ALSO READ-Indian, US armies hold joint exercises in Alaskan mountains

  • INTERVIEW: Preeti Vyas, CEO, Amar Chitra Katha

    INTERVIEW: Preeti Vyas, CEO, Amar Chitra Katha

    Books not only help develop a child’s intellect and creativity, but actually shape the mind. Reading helps development of an individual identity and personality…says Priti

    Anant Pai aka Uncle Pai ,the father of Indian comics was born in Karkala, in what was the erstwhile Madras Presidency of British India on 17 September 1929 to a Konkani-speaking couple, Venkataraya and Susheela Pai. He lost both his parents at the age of two. He was then brought up by his maternal grandfather. His mission was to bring stories from India’s rich historic past into the mainstream and he was unstoppable.

    On the occasion of ‘Uncle Pai Day’! Here’s the excerpt of the Interview taken by taken by Khushboo Agrahari with Preeti Vyas who is the president and CEO of Amar Chitra Katha Private Limited and National Geographic Traveller India. Through her 26-year-long career in the retail, content and publishing industries, she has been a retailer, marketer, publisher, editor, author and entrepreneur. She believes passionately in the power of children’s books to shape the future of India and the world.

    It is believed that technology is taking children away from reading? How are children’s book publishers dealing with this challenge?

    It is an urban myth that children are not reading any more. The reading habit in fact is growing. Thanks to the effort of educationists, a growing awareness of the importance of reading among young parents and a wide variety of children’s books being available.

    When I was a child, we did not have much available in Indian literature. You would either read an Amar Chitra Katha, a Chandamama, some assorted fairy tales, Enid Blyton and the Soviet era books which came our way. But today, we have over fifty Children’s book publishers in India, who are doing amazing contemporary work. It is a very vibrant field. New books are being published every month and schools are really pushing reading as an agenda. So many schools around the country are organizing their own Lit Fests and Book/Literature weeks

    Today’s generation of parents are very aware of the importance of reading. They also have a higher disposable income, than our parents did.  They have availability and actually the reading habit is growing. Many schools have a dedicated time slot for reading and there are a lot of innovative ways in which children are encouraged to read.

    Tell us about your experience working with ACK?

    From growing up in a family of bibliophiles to spending a 26 years career surrounded by content, it has truly been an amazing ride. I have had the good fortune of participating in every aspect of a book’s life through the various hats I have donned, as an author, editor, retailer, marketer, licensor, licensee and publisher. The content and publishing space is growing at rapidly in the digital era and I feel like my journey has just started. Getting an opportunity to lead a company and brand that is an indelible part of the childhood of millions of Indians, is one of the biggest blessings of my life. I believe in karma and I am convinced that this role, leading ACK into a new digital age, is the result of good karmas of many past lives.

    How do you think Children’s Books shape the future of India and the world?

    Books not only help develop a child’s intellect and creativity, but actually shape the mind. Reading helps development of an individual identity and personality. Reading builds awareness, empathy, respect and eventually character. As the famous quote says “Readers are leaders”.  If we want the future of the world to be more intelligent, efficient, peaceful, kind, curious, and just, we must encourage the reading habit among children with a fervent passion.

    How do book publishers like ACK create content to inculcate Indian values within children minds?  

    At Amar Chitra Katha, we have been telling stories for over 5 decades, shaping a proud Indian identity and love for our own past, a route to our roots. We take our place in a child’s life as a serious responsibility and realise that parents and educationists are looking at us to provide the right values through our books. We are a route to your roots. That is what our mission is – to provide Indian children a crucial link to their past.  Indian children today need, more than ever before, to get to know their own heritage and roots. While it is important that they are confident global citizens, it is equally important for them to own a proud Indian identity. After all, as they say, ‘If you don’t know where you are coming from, how will you know where you are going?’

    The challenge is to keep the child who is growing up on content from Disney and Marvel, engaged with Indian content. At Amar Chitra Katha, we see this as the ultimate challenge- to get today’s children to pick up our comic books; not because their parents are buying it for them, but because you find it engaging and you find it fun to read.

    How was your pandemic experience as a company and how do you envision Amar Chitra Katha after the pandemic and in the coming years? 

    Unprecedented.A word that was used to describe 2020-21. The comic book and publishing industry in India were no different. With bookstores remaining closed (in some tragic cases, permanently shutting down) and ecommerce delivering only essentials, the comic book industry and book publishers were forced to innovate. In response to the announcement of schools being shut indefinitely, we announced a campaign offering free access to all our books on the Amar Chitra Katha and Tinkle apps. The results were phenomenal. We saw a nearly 300% growth in the number of sign-ups on our app and to our surprise nearly 25% of the new users were from outside India. And not just children, we found adults signing up too. This pace of digital growth we have experienced, will not slow down. Consumers are adapting to a new way of life, post Covid and the business environment will keep on evolving. As storytellers, we are agnostic to the medium. We are happy regardless of the medium readers choose to read our content whether it is physically, digitally or listen to them through podcasts or watch an animated version of the story.  Pandemic or prosperity, environment notwithstanding, publishing comics is what we do best and what we hope to keep doing as long as human civilization survives.

    As we move forward in a post Covid world, I look at this period with gratitude that our comic books and company not just survived the pandemic, but thrived and brought succour and joy to lakhs of Indian readers across the world.

    The name of Uncle Pai is synonymous with Indian comics and Amar Chitra Katha. How is the current team at ACK taking his amazing legacy forward?

    Uncle Pai was a genius. Every generation has a few iconic trailblazers who define that era and our founder was definitely one of them. The impact of Uncle Pai’s work on helping a whole generation of Indians take pride in their own stories is priceless.  We continue to tell new stories with the same ethos as Uncle. The pace of creation of new content is faster than ever before in the history of our company.  As we celebrate Uncle Pai’s 93rd birth anniversary we stand at the threshold of perhaps the most exciting phase of our company’s history. An era where tiny book shops still sell our comics month after month, hundreds of Tinkle readers write in to us every week, ecommerce retailers ensure over a million copies of our books reach every pin code of India every single day, and our digital platforms witness over a million pages of our comics read every single week!

    A vibrant era in which we will harness every possible technological innovation to make our content accessible to new forms of content consumption. An era when we will dig through all possible archives, go to every corner of India to unearth stories of our past and of inspiring Indians that are yet to be told. Uncle Pai’s vision and purpose coupled with the national treasure, which is our portfolio, continue to guide us every single day.

    ALSO READ-Oh! Radheya, a fictitious take on Mahabharata

  • New releases for passionate readers

    New releases for passionate readers

    Sealed off in his own solitude, and as his visiting professorship passes, the narrator awaits transformation and meaning. Ultimately, he starts to understand that the less sure he becomes of his place in the moment, the more he knows his way…reports Asian Lite News

    Developing good habits at a young age can help pave the way for a prosperous future. Reading is a habit that we should all cultivate because it not only broadens our knowledge and enlightens our minds, but it also aids in the development of our language skills and vocabulary.

    UNPARENTING: Sharing awkward truths with curious kids (Reema Ahmad)

    Unparenting is a vibrant, whacky testimony to a parent-child relationship where the child leads and the parent follows. Written in the form of deeply personal, engaging and often humorous essays, the book is a powerful reminder of what it feels like to be lost and misunderstood as a child, and how important it is to challenge what we think we know as parents.

    Through her own awkward journey as a confused single parent, Reema Ahmad explores what it means to explore newer ways of bringing up children-ways that nurture their sense of innocence and curiosity while giving them the freedom to choose their own truths. Reema invites you to hop along as she and her son, Imaad, learn to laugh and make up stories about why penises shape-shift, the mysteries of pubic hair, the magic of adolescent crushes and the confounding maze of dating and sex. Join them as they explore these mysteries and other serious topics like abuse, adult relationships, divorce and dying-issues that adults often forget to wonder at and seldom question.

    SOJOURN (Amit Chaudhuri)

    An unnamed man arrives in Berlin as a visiting professor. It is a place fused with Western history and cultural fracture lines. He moves along its streets and pavements; through its department stores, museums and restaurants. He befriends Faqrul, an enigmatic exiled poet, and Birgit, a woman with whom he shares the vagaries of attraction. He tries to understand his white-haired cleaner. Berlin is a riddle-he becomes lost not only in the city but in its legacy.

    Sealed off in his own solitude, and as his visiting professorship passes, the narrator awaits transformation and meaning. Ultimately, he starts to understand that the less sure he becomes of his place in the moment, the more he knows his way.

    THE HIDDEN HINDU 2 (Akshat Gupta)

    The Hidden Hindu 2 takes the storyline from the cliffhanger to bring to the readers a myriad of revelations and twists. It narrates a captivating journey of what seemed to be the end of wars to only be another beginning. Enthralling, exciting and entrancing, the book explores the past with secrets that hold the power to shake ancient beliefs of the present, resulting in an alteration of the future.

    Expressing his thoughts, national best-selling author, Akshat Gupta, said, “If you have liked the first part, then you are going to absolutely love The Hidden Hindu 2. It has unexpected twists and breathtaking revelations which will keep the readers on the edge. I am grateful for the love that has been showered for the first part and hope that they continue to show the same excitement and enthusiasm.”

    While the first battle is lost, the protagonist, Om, is yet to learn about his past. The Hidden Hindu 2 explores the hidden agendas behind allies and the identities of LSD, Parimal, and eventually, Om. Akshat Gupta takes the readers on an adventure as they traverse to gather knowledge if the book of Mritsanjeevani holds a bigger purpose than even immortality for Divinities and Demons.

    AFTERNESS (Ashok S. Ganguly)

    The author invites readers to journey with him as he looks back fondly on his extraordinary life – from his childhood to his upbringing in the metropolitan Bombay of the 1930s, to his PhD in Illinois and his eventual return to India. After joining Hindustan Unilever’s R&D department, Ganguly quickly rose up the ranks as a talented young professional, eager to discover and learn new things.

    Afterness spans across eighty years of his life, its edges tinged by the tumultuous events in India in the twentieth century, and interspersed with fascinating people, from the mysterious Kishen Khanna, who accurately predicted events in Ganguly’s life, to encounters and friendships with well-known historical figures such as Mother Teresa and Rajiv Gandhi.

    Dr. Ashok S. Ganguly’s journey was interspersed with failures, but he doesn’t shy away from talking about these and the sacrifices that went on to define his life. He covers three important aspects in the book – importance of family and upbringing, impact of corporate environment and influence of society and outward perspective.

    Honest, reflective, personal and revelatory, Afterness provides valuable insight into his thinking process and decision-making skills that enabled Ganguly’s meteoric rise and sustained his legendary career.

    THE MANY LIVES OF MANGALAMPALLI BALAMURALIKRISHNA (Veejay Sai)

    Mangalampalli Balamuralikrishna, an internationally renowned Carnatic musician from the illustrious musical lineage of composer Saint Tyagaraja, wore many hats in his lifetime. Having made a stage debut at the age of seven, he was hailed as a child prodigy. From then till the time he passed away, at age eighty-six in 2016, he continued to be in the spotlight, not just for his extraordinary talent and versatility as a vocalist and multi-instrumentalist, but as a composer, playback singer and even, briefly, as a character actor.

    He was a primary school dropout, a teenage poet and composer, a restless mind, a polyglot, a legacy upholder, a wordsmith, an ice cream lover and a pathbreaker. This is a story of the many lives of Dr Mangalampalli Balamuralikrishna.

    Veejay Sai’s in-depth research into his life and work led him deep into unseen archival material and across the Carnatic musical landscape of erstwhile Andhra Pradesh, Karnataka and Tamil Nadu. Fortified by interviews with his family members, disciples and peers, The Many Lives of Mangalampalli Balamuralikrishna, a definitive biography of the musical genius, is not only a revealing account of the personal traits and facets of an unparallelled genius, but is also a portrait of India’s classical music world, a place as much of beauty as of untrammelled egos.

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  • Closer, not far: An attempt to ground emerging and experimental work

    Closer, not far: An attempt to ground emerging and experimental work

    The work is made from hand spinning ‘Kala cotton’ — a cotton crop indigenous to India on a portable booklet spinning wheel (charkha) and hand knitting it into textures and structures that mimic the skin on our bodies…writes N. Lotungbeni Humtsoe

    Questions without answers. Space without constraints. Love without limitations. Lovebirds, Communion presents Brooklyn based textile artist and knitwear designer Shradha Kochhars works titled “Closer, not far”, in an attempt to ground emerging and experimental work that would otherwise be dislocated in an increasingly digital world.

    The work comprises sculptural and flat knitted objects in a soft ecru and brown. The objects include family portraits, alternate tools and future heirlooms illustrated as heavyweight dense abstract forms replicating the human body and its parts intertwined in a loosely coiled spiral as well as delicate translucent two-dimensional knitted drawings suspended midair.

    The work is made from hand spinning ‘Kala cotton’ — a cotton crop indigenous to India on a portable booklet spinning wheel (charkha) and hand knitting it into textures and structures that mimic the skin on our bodies.

    “Focusing and investigating resources lost and born out of colonization in India such as ‘Khadi’ — a self-reliant and equitable practice of textile making and ‘Kala Cotton’, a miracle cotton crop that sustains completely on seasonal rainfall as solutions to climate change, water shortage, soil degradation and social inequity. Built from an ongoing library of seed banks that documents indigenous cotton strains found across the world, unraveling the intersection of words — ‘cotton’, ‘cloth’, ‘colonization’ and ‘community’. My mission is to understand the potential in soil and to establish an alternate system of textile farming and making, that discourages modern technology that feasts on the felling of forests and extraction of resources.” says knitwear designer Shradha Kochhar.

    When: September 8-24

    When: 11 a.m. to 8 p.m.

    Where: Communion, Lovebirds Studio, Wesley Church, 62, BEST Marg, opposite Electric House, Scindia Society, Police Colony, Apollo Bandar, Colaba, Mumbai, Maharashtra 400005

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  • ‘The 10 New Life-Changing Skills – Get Them & Get Started

    ‘The 10 New Life-Changing Skills – Get Them & Get Started

    In the earlier 3IRs, people did what they were told to do and therefore, they brought their bodies to work, leaving their minds and hearts behind. The green collar jobs that Industry 4.0 is giving birth to entails thinking and reflection…writes Vishnu Makhijani

    An eagle does not fight the snake on the ground. Instead, it picks it up in its beak, soars up to the sky and drops it from there. The fall proves fatal and the snake dies. Height is the eagle’s area of strength and the snake’s area of weakness, brand builder and corporate educator Rajesh Srivastava, writes in a new book that provides a 10-point mantra that will prepare you for the green collar jobs of the 4th Industrial Revolution that is upon us.

    “We are in the midst of Industry 4.0. It is powered by technology. Whenever it colludes with an industry it disrupts it. In its wake some businesses and jobs disappear, new ones are born, but almost all will change,” Srivastava told IANS in an interview of his book, ‘The 10 New Life-Changing Skills – Get Them & Get Started’ (Penguin Business)

    “Let us take banking. The job of cashier is disappearing and is being taken over by the ATM. The jobs of other bank employees who took cash, processed payments, accepted Fixed Deposit (FD) and provided a host of other services are fast disappearing. In their place new jobs are being created,” he added, pointing out that what is true for banking is true for many industries.

    For instance: retail has been disrupted by e-commerce, taxis have been disrupted by ride hailing service providers and entertainment by OTT platforms.

    “Till now the world has witnessed 3 Industrial Revolutions (3IRs) which created blue collar and white-collar jobs. It required people to carryout instructions, not question authority and follow time-tested systems and processes.

    “Now, we are in the midst of the 4th Industrial revolution (4IR), also called Industry 4.0. It is creating green collar jobs, which mandates people to ‘think, reflect and act’. This requires them to possess 10 new life-changing skills,” Srivastava said, enumerating these in four categories.

    Higher level cognitive skills:

    1. Creativity – This requires the use of imagination to combine and connect different ideas in new and imaginative ways to come up with big ideas.

    2. Innovation – This requires the discovery of opportunities and implementing ideas to achieve profitable results.

    3. Critical Thinking – This requires challenging traditions, questioning assumptions and defying norms that have outlived their utility, and installing new ones in their place.

    4. Framing the Right Question – This will lead to the right answer, which will open up a treasure trove of new business and opportunities that would have remained undiscovered but for the right question.

    5. Smart problem-solving – This requires leveraging creativity, innovation, critical thinking and similar skills to come up with smart solutions.

    Self-management skill:

    6. Lifelong learning – This increases employability, accelerates career advancement, enhances self-confidence, helps one remain relevant and face the unexpected with aplomb; in brief, a passport to being a lifelong winner.

    Social skills:

    7. Storytelling – It’s the most powerful way to put ideas into the world.

    8. Influence without authority – This helps people to see your way of thinking, motivates them to support your initiatives and adopt your idea of their own free will.

    Emotional skills:

    9. Humanness – In the earlier 3IRs, people did what they were told to do and therefore, they brought their bodies to work, leaving their minds and hearts behind. The green collar jobs that Industry 4.0 is giving birth to entails thinking and reflection. Therefore, people must bring their minds, hearts and bodies to work. This has the potential to unlock people’s unlimited potential.

    10. Entrepreneurial spirit – This is an intangible energy that inspires people to harbour aspirations greater than the resources at their command. When this spirit is alive, businesses keep their mojo and maintain their edge.

    Considerable research has gone into the writing of the book.

    “A decade back, I had come across research in which a question was posed to CEOs: What keeps you awake at night? Most said that the volatility, uncertainty and ambiguity which has become the new normal in business keeps them awake at night.

    “They were then asked the next question: What is the magic pill which would give you a good night’s sleep? Most answered that if their team members were innovative then they would be able to sleep in peace, because innovation is strongly linked with value creation,” Srivastava said.

    He also read the World Economic Forum reports which said that half of us will need to re-skill due to the onset of Industry 4.0, which is leading to increasing automation & transforming jobs.

    “These triggers got me interested in identifying, understanding and writing about skills which can make people ready for Industry 4.0,” Srivastava explained.

    How does he see the world a year from now – say, on January 1, 2024?

    “I foresee a few things taking centre stage,” Srivastava said, listing these as:

    * Sustainability will become a core aspect of an organization.

    * AR/VR/MR will go mainstream.

    * Robots, intelligent machines and humans will work alongside in harmony.

    * Business will embrace a more powerful ‘purpose’.

    * Productivity will increase, and it will be powered by technology

    * Big Data will become bigger

    * The Gig economy will gain greater traction

    * The definition of workplace will change.

    In the 1950s, Srivastava writes, Sir Edmund Hillary, the first man to step on Mount Everest, was once on a reconnaissance expedition to the Mount Everest region. He looked toward the mighty mountain and said, “I will come again and conquer you because as a mountain, you can’t grow, but as a human, I can”.

    Three years later, Sir Edmund Hillary and Tenzing Norgay conquered Mount Everest.

    “Entrepreneurial-spirited people look at intractable problems and say, I will come at you again and again till I conquer you. They do,” Srivastava concludes.

    You’ve been shown the path – are you up to taking it?

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  • A citywide celebration of craftsmanship

    A citywide celebration of craftsmanship

    Today world is talking about sustainability, responsible consumption, circularity, and ethics, but our craft sector has been practicing this for thousands of years…reports Asian Lite News

    Chapter Four of India Craft Week (ICW) by Craft Village, a citywide celebration of the greatest craftsmanship, returns from 20 to 23 October 2022 at Okhla NSIC Ground, New Delhi, connecting art, design, and culture. The show will feature organizations, brands, institutions, designers, craftspeople, artisans, craftpreneurs, and makers from India and around the world. Live demos, seminars, cross-talks, installations, galleries, and film screenings are all part of the ICW experience.

    This year’s topic is one of life’s most essential components, water. Additionally, it is thought that each craft developed and flourished in areas with access to or near water features, such as lakes or “Dariya.” Few people are aware of the unspoken link that Craft and Water have had ever since civilizations first emerged. This year’s theme emphasizes the value of water as a resource for surviving and existing. A commitment to protect undersea life by conserving water and not polluting it. The underwater realm is significant because of its mystique, surprises, vibrant hues, and natural forms. The largest source of inspiration has been marine life, which is also a powerful metaphor for a world that is beginning to respect the sustainable culture, the “slow life,” and organic goods.

    More than 100 craftsmen, producers, craft companies, museums, organizations, and figureheads will attend the show, which is billed as India’s official craft week and the world’s second-largest craft week after London Craft Week.

    “Craft has an intrinsic value to make the product conversational. The craft industry struggled greatly during the pandemic, and the artisans went through severe suffering. After the epidemic, India Craft Week was the only physical event last year, which gave artisans what they needed after a long break income, recognition, and orders. The India Craft Week, with a focus on “Good Stories Untold,” aims to bring stories from the craft sector and artisans who need to know and understand it rightly. It is intended to elevate the face of crafts which is still considered low-key.

    Today world is talking about sustainability, responsible consumption, circularity, and ethics, but our craft sector has been practicing this for thousands of years. They are innovative, multifunctional, culturally related, sustainable, and have a timeless appeal. India Craft Week aims to connect modern customers, industry, and patrons with craftsmen, in a sense past with the present and future generations” says ItiTyagi, Founder of India Craft Week.

    Through its curated experiences, Craft Village’s offspring ICW envision formulating a harmonious ecosystem of craft and the people who make it, connecting them with national and global opportunities. The idea was well received by designers, craft activists, and the social arms of the industry.

    India Craft Week creates an ecosystem for weavers and artisanal communities. We too at AadyamHandwoven, a corporate social initiative of the Aditya Birla Group, work actively with weaver communities across India to create a self-sustaining ecosystem for the finest artisans by enabling infrastructure & nourishing their craft and thus impacting their quality of life. We engage with them to create evolved sensibilities for new markets & help them connect with contemporary consumers, and for which a like-minded platform such as ICW is an ideal collaborator at many levels” adds Manish Saksena, Lead, AadyamHandwoven.

    This year India Craft Week will host its 5th and 6th edition International Craft Awards together to recognize and celebrate exceptional accomplishments worldwide, reiterating the message presented by the Craft Village team. With participation from more than8-nations, the winners of the Craft Awards would be announced at the event.

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