Category: Arts & Culture

  • Vikas Dhawan writes what India ‘feels’ like

    Vikas Dhawan writes what India ‘feels’ like

    Vikas Dhawan brings forth memories of childhood, of growing up and of the warmth of family and friendships, sketching a vibrant essence of the country when it had old-fashioned charm, Rahul Laud reports

    What does India ‘feel’ like? For that matter, what does any country feel like? To enjoy a witty narration, and experience what India was like back then; to relive your memories, and cherish your own ‘India India’ feeling author Vikas Dhawan’s book India India feeling is launched.

    In India India Feeling, a light-hearted exploration of India, Vikas Dhawan brings forth memories of childhood, of growing up and of the warmth of family and friendships, sketching a vibrant essence of the country when it had old-fashioned charm.

    The book enables you to take part in entertaining journeys of horse-driven tongas to school, of whole families travelling on a scooter, impromptu street parties during power cuts, neighbourhood cricket matches and of kites that coloured the sky in a festival like no other.

    To delve into humorous conversations with the author where the single household in a locality owning a telephone or a TV set received iconic status, where passport-size photos became king of all photographs and to take a nostalgic stroll through the street food, TV programmes and newspapers that defined growing up, Vikas narrates this life in India.

    Vikas Dhawan grew up in India and has been living in England for the past two decades. He enjoys writing for leisure as well as in professional capacity, and has experience working in the education sector at the UK Civil Service and the University of Cambridge. He is a leader in the field of data and insights. He maintains his passion for writing since his teenage years and has been writing for leisure and in a professional capacity.

    ‘’Music and rhythm are an important part of his life, ‘’he says. He enjoys percussion and singing, and admires Sufi and other poetry, folk music and classic Bollywood songs. He has a soft spot for antiques, clocks and steam trains. He can be found indulging in reading, playing tennis, cooking and walking.

    The book is available worldwide through Amazon, including:
    UK: https://www.amazon.co.uk/dp/B09MYX1JDH
    India: https://www.amazon.in/dp/8195543839/
    Canada: https://www.amazon.ca/dp/B09MYX1JDH
    Australia: https://www.amazon.com.au/dp/B09MYX1JDH
    US: https://www.amazon.com/dp/B09MYX1JDH

  • Paramjit Singh: Conception is a slow and timely process

    Paramjit Singh: Conception is a slow and timely process

    Singh says that in this series of paintings, he may have taken inspiration from the essence, ensuring that he stayed away from being too literal…writes Sukant Deepak

    To observe nature, he does not have to undertake a physical journey. For inspiration, the movement does not have to be necessarily external. He stresses that ideas can come from the most mundane, from the tiniest of places and from things that may appear ‘ordinary’.

    Artist Paramjit Singh, known for his landscapes tells that whenever he sees something, the urge is not to paint it immediately but absorb and churn. “I do that to erase the details so that the simplest version is left imprinted on my mind. What comes out on the canvas, recognizable in terms of a landscape is the unseen aspect that escapes the common person’s eyes. Yes, there can be many shades of nature, but I choose to show the ones that I see after an internal churning,” adds Singh, whose latest exhibition ‘Touched by the Sun’ is being presented by Vadehra Art Gallery at Shridharani Gallery Triveni Kala Sangam (on till December 30) in the capital.

    Featuring eighteen works rendered in oil on canvas, in ‘Touched by the Sun’, he moves his impressionist vocabulary into the realm of abstraction. He adds, “The conception is not from a single idea. It’s been a slow and timely process. This work started in 2020.”

    Singh says that in this series of paintings, he may have taken inspiration from the essence, ensuring that he stayed away from being too literal. “Instead of painting the sky, for example, I have tried to capture the spirit of that landscape and weave it into a story. I have gone extremely close to everything. It’s like you can smell the leaves and the flowers.”

    Talk to him about the fact that while books on art may be abundant in English and Hindi, but very few regional languages offer substantial material, and he says, “Precisely why I spent my own money to get my book printed in Punjabi, and also Hindi. I am not sure if it sold well, but I gave a lot of copies to the Punjab Lalit Kala Akademi for distribution.”

    Married to fellow artist Arpita Singh, he smiles that while their schedules may be the same and studios close, but their works are quite apart. “However, we do look at each other’s works, appreciate it and crack jokes; but do not really analyze. I really like her art. She is definitely one of the best.”

    This former Professor in the Department of Fine Arts at Jamia Millia Islamia in New Delhi for nearly three decades feels that the quality of teachers at Indian art schools has gone down drastically. “When the teachers are completely ordinary, how do we expect students to develop an insight? And everything is so fast-paced now, computers and all that… I still believe in the old-fashioned way of working on my own. The struggle has ended because there is always a shortcut for quick results. The patterns and all are good but there’s no insight… Of course, many young artists do find their feet and produce good work. Not to mention, art has become such a huge business now, an exceptionally bright artist would not want to become a teacher, right?” Says Singh who still makes it a point to work in his studio every day.

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  • ‘Watershed’: An effort to correct ‘imbalance’

    ‘Watershed’: An effort to correct ‘imbalance’

    She also noted that “as the climate heats up, it is likely that swathes of land will be submerged, water-related extremes will re-shape industry and famine will revisit the country.” (The first signs of this, in fact, are already visible.)…writes Vishnu Makhijani.

    Mridula Ramesh, a leading clean-tech angel investor with a portfolio of over 15 startups and who is involved in multiple initiatives to build climate entrepreneurship, ran out of water at her Madurai home in 2013.

    In trying to find out why that happened and what could be done about it, her first book, “The Climate Solution” and entry into the world of climate happened — only to realise that people speaking about climate change speak almost exclusively of carbon, while the climate itself speaks in the language of water.

    “For India, arguably one of the most vulnerable countries to the changing climate, water needs its share of the conversation,” and her new book, “Watershed” (Hachette India), “is an effort to correct that imbalance” because “we have crossed certain climate thresholds, and need to address water to lessen the pain that Indians are feeling in this changed climate”, Mridula told.

    More worrisome, the changing climate and water cycle “is highlighting inequalities — such as those between rich and poor within a given city and between the developed and developing world. Storms, flooding and drought affect the poor more than the rich,” she added.

    Moreover, looking at this through a climate justice angle, “we find that adaptation (a large part of which is managing water) is getting a far less conversation-share and lower share of financing than mitigation, even though developing countries have contributed far less to the cumulative GHG emissions that have caused this global warming. This lower priority only serves to increase existing inequalities,” Mridula explained.

    She also noted that “as the climate heats up, it is likely that swathes of land will be submerged, water-related extremes will re-shape industry and famine will revisit the country.” (The first signs of this, in fact, are already visible.)

    “Sea-level rise and stronger storms and stronger storm surges will result in parts of the country being underwater for at least some time each year in the future. Many industries came up in the belief that water is endless and cheap — climate change is challenging both of those beliefs. For example, sectors like thermal power plants in dry regions may find the going far less profitable, and may need to relocate or shutdown.

    “On famine, we have gone from a nation of 220 million eating largely millets to a nation of 1.3 billion eating rice and wheat. The price for this transformation has been paid largely from the groundwater reserved of the dry northwest. In 2019, a state committee had opined that Punjab may run out of groundwater in 20-25 years. What will happen if an El Nino hits after that? That’s what the plausible fictional scenario in Chapter 24 tries to portray � what can happen if all these come to pass in the near future,” Mridula cautioned.

    To this end, the book provides a five-point checklist of action:

    Acknowledge water — don’t take it for granted and see how India’s water is special. Acknowledge that we are the best keepers of our water resilience. Act with data and act now — begin by preparing a water balance sheet — where is it coming from and where is it going. Version 1.0 of this may not be perfect, but try every day to go a little further. The same holds true for a person, a community, a factory, a city, a state or a country.

    Protect the forces that soothe India’s volatile and variable waters — this includes forests, tanks and sewage treatment. In doing so, keep in mind the importance of cash flow — something may be very valuable and provide a great water-smoothening service, but if it does not generate cash flow, it becomes vulnerable in our economic world.

    Customers should recognise that there is no such thing as a free lunch. Ask your favourite brands to be conscious of their carbon/waste/water footprint, and ensure their entire supply chain is fairly compensated for respecting the environment.

    Let us recognise the power of decentralised policy — water pricing at the level of a city, mandating distributed farmgate storage in a district or sensitising bulk generators of waste/sewage, tank tourism — can generate a wave of innovation that can bring the jobs India needs while building climate resilience.

    We really are close to the abyss, and yet, most of our voters appear not to vote on managing our shared resources. This needs to change if we want meaningful policy action.

    Considerable research has gone into the book, with the studies conducted by the Madurai-based Sundaram Climate Institute forming one of its core pillars.

    “We have spoken to over 2,000 households on their waste and water realities apart from studying the communities and impact of 100 tanks. Then there was the historical research — many of which involved interviews, site visits and perusal of primary sources such as letters or writings of colonial officials. Then there was the peer-reviewed literature from archaeologists, geologists, chemists, hydrologists, climatologists, medical doctors, and historians,” Mridula elaborated.

    There were extensive interviews and conversations with a varied spectrum of people, from India’s ‘Water Man’ Rajendra Singh, to the many startups trying to build water resilience, to scientists, business people, activists, bureaucrats and politicians. And finally the investment process in startups.

    How does India compare with the rest of the world � with the US, Africa, and Europe?

    “In terms of climate and water vulnerabilities, India ranks high — very high — because of its population, its relative financial position, the large share of rainfed farms in agriculture and its long coastline. Also important to note is that the Indian Ocean has warmed faster than the other oceans in the world, leading to more powerful storms,” Mridula said.

    Speaking about her experience with her net-zero-waste home and how this can be replicated at the micro and macro levels, she said: “Before we did anything we collected data, what we wasted, who, why, how. Over time, patterns emerged and we began seeing what the biggest areas of waste were — so we brought the amount of ‘generated waste’ down.”

    “Second, we began to see how much of the ‘waste’ we could reuse — that is re-imagination, how to see ‘waste’ as a ‘resource’ — that was the killer step. We make compost and biogas, which keeps the garden healthy and the costs down. We also bring in waste from outside — flower waste and cow dung — to help with the compost and biogas.

    “We have had our successes and failures, but what has kept us going is the focus on data, and emphasis on making any action as easy to follow as possible,” Mriduala concluded.

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  • ‘A Doctor’s Memoir of a Deadly Medical Crisis’

    ‘A Doctor’s Memoir of a Deadly Medical Crisis’

    I thought of giving readers facts and evidence. This is not only the story about me. It is about kids and adults who died, and about families who are waiting for justice.”…reports Asian Lite News.

    Kafeel Khan, the doctor embroiled in the August 2017 Gorakhpur hospital incident controversy, has written a book on the subject.

    Titled, “The Gorakhpur Hospital Tragedy, A Doctor’s Memoir of a Deadly Medical Crisis”, the memoir presents Khan’s version of the incident and subsequent developments that have kept him on the firing line ever since.

    “My book is an honest, heartfelt account of the terrible events of 10 Aug 2017 and after. I dedicate it to all the parents who lost their children in the tragedy. This book is dedicated to those 63 children and 18 adults,” says Khan.

    “I thought of giving readers facts and evidence. This is not only the story about me. It is about kids and adults who died, and about families who are waiting for justice.”

    The book, claims Khan, has stories that expose the system’s failures and exposes “real culprits”.

    The Gorakhpur hospital tragedy took place on August 7, 2017 when oxygen disruption eld to the death of 63 children.

    Khan relates the “gut-wrenching turmoil that followed – a suspension without end, an eight-month-long incarceration and a relentless fight for justice in the face of extreme apathy and persecution”.

    When asked if the book is timed keeping in mind the Uttar Pradesh elections, Khan said that he has been writing the book for a long time.

    “The most important point the book talks about is the broken health system. The system collapsed. It also talks about doctors’ struggle. The poor and the marginalised community depend on public hospitals. I have talked about the public health system.”

    Born in Gorakhpur, Khan had completed his MBBS and MD from Kasturba Medical College, Manipal, in Karnataka.

    He was suspended from Baba Raghav Das Medical College’s Nehru Hospital after the August 2017 incident.

    With jail terms in between and after a long legal battle, Khan was terminated from service in November this year.

    There are still cases pending against him in various courts.

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  • Asghar Wajahat: Don’t underestimate the intelligence of the common man

    Asghar Wajahat: Don’t underestimate the intelligence of the common man

    Wajahat feels that it is important for independent groups to formulate a model wherein they do not have to depend on government funding and can generate revenue themselves…writes Sukant Deepak.

    “How can art not be dangerous? After all, it guides people on how to think, presents narratives other than those propagated by those in power. No matter which party is in power, ideology withstanding, the government is always sacred of art. After all, the arts teach us to look at the grey areas, go within and find light there… Precisely why you will see much less importance given to culture not just by successive governments, but also the media that wants the population to absorb everything it preaches,” says author and playwright Asghar Wajahat.

    Widely known for his play, ‘Jis Lahore Nai Dekhya, O Jamyai Nai’ which has become a modern classic, this writer of fiction and drama who has to his credit five collections of short stories, six collections of plays and street plays, and four novels is currently working on a new play derived from Greek playwright Aristophanes’ ‘Lysistrata’. Though the original may be a comic account of a woman’s mission to end the Peloponnesian war between Greek city-states by denying all the men of the land any sex, Wajahat has made it into serious work.

    “I have taken some parts from the original but my version is not comic. I am hoping to complete it soon,” says the Sangeet Natak Akademi award-winning playwright.

    Stressing that the Hindi theatre ecosystem needs an immediate overhaul, and major steps need to be taken to make it as vibrant as Bengali or Kannada theatre, he feels that in contemporary times, professional theatre in Hindi “lacks scope”.

    “Hindi theatre was flush with government funding post-independence. Institutions like the National School of Drama (NSD) also came up. Huge funds meant that the productions that came up were elitest and could not connect to the common man, slowly, alienating them completely. Of course, some people did try, and are still trying to reverse the trend.”

    Wajahat feels that it is important for independent groups to formulate a model wherein they do not have to depend on government funding and can generate revenue themselves.

    “They must pick up scripts that will resonate with the public. I am not saying that the plays should be superficial. Do not underestimate the intelligence of the common man. When people can relate to what is happening on the stage, they will buy tickets to watch such plays. We will also have to look at alternate spaces to stage plays and not necessarily huge auditoriums in metros.”

    For someone who writes both fiction and drama, it is the content that decides the form.

    “There are certain thoughts and ideas that can be best communicated in prose. The same holds true when it comes to drama.”

    Point out that major corporates prefer to fund mostly English theatre, and Wajahat feels that it is to do with the fact that they want their stamp on everything and a certain narrative in arts suits them.

    “They are ready to give lakhs for an English production with all the frills, but not consider a Hindi play. They are aware that small independent theatre groups will never be able to match the glitter of their productions. Sadly, they will prefer to sponsor plays that suit their own outlook and worldview.”

    Also, a documentary filmmaker who has made a film on the development of Urdu ghazal, he feels that much more needs to be done in order to introduce youngsters to Urdu.

    “Why not translate some important Urdu literature into Hindi. Also, social media can play a very important role in that. However, in order to do all this in a systematic and structured way, one needs to have access to funds.”

    As part of the second phase of the 10th edition of the International Hindi and Urdu Poetry Festival, Jashn-e-Adab in Delhi (December 17-19), the author feels that it is important to have more such festivals in the country in order to awaken youngsters to the richness of literature and culture.

    “Of course, literature festivals across the country also need to understand that they do not really need big names from the film industry to gather people. People do have interest in art and culture, and when major names from literature and the arts are associated, they will be well-attended.”

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  • India Art Fair to spotlight next-generation artists

    India Art Fair to spotlight next-generation artists

    Continuing the fair’s enduring relationship with the region’s pioneering institutions, the forthcoming edition will see participation from Kochi Biennale Foundation, Chennai Photo Biennale and Serendipity Arts Foundation, among others…reports Asian Lite News.

    The 13th edition of the India Art Fair will showcase a robust line-up of 75 exhibitors, including 62 galleries.

    Taking place from 3 — 6 February 2022 in partnership with BMW India, the fair will feature an unprecedented 13 non-profit foundations and institutions. Through an open call led in collaboration with The Gujral Foundation and Artdemic, Anshuka Mahapatra has been selected to design the tent facade of the 2022 fair.

    Helmed by Jaya Asokan for the first time since her appointment in April 2021, this edition of the fair is a testament to the resilience of the Indian and South Asian art market and the art community at large. The fair spotlights the next generation of artists alongside modern masters through initiatives including Auditorium talks, performances, film screenings, outdoor art projects, artist-led workshops, and an online symposium in the run up to the fair.

    Continuing the fair’s enduring relationship with the region’s pioneering institutions, the forthcoming edition will see participation from Kochi Biennale Foundation, Chennai Photo Biennale and Serendipity Arts Foundation, among others.

    https://twitter.com/IndiaArtFair/status/1466295809213964290

    Jaya Asokan, Fair Director of India Art Fair, commented, “The team and I are thrilled for India Art Fair to return in its physical format, and to celebrate with the artists, galleries and partners who have taken the region’s arts scene from strength to strength. With an unwavering commitment to its home base, the 2022 fair will welcome participants that extend beyond the traditional art hubs of New Delhi and Mumbai, such as Kolkata, Pune, Bengaluru, Chennai and Ahmedabad. The past year has presented immense opportunities for learning and experimentation prompting discussions on the future development of South Asian art. Along with a fast-growing digital presence and year-round programming, the return to a physical fair will be a show of our determination and a reminder that India Art Fair is the first place to see and discover artists from the region.”

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  • Know the heritage of North East

    Know the heritage of North East

    All have encouraged and supported us to bring the Music, Culture, Fashion, Delicacy, Handicrafts, Handlooms, Tourism Destinations here to Delhi and create a mini North East for two days at Chanakyapuri…reports Asian Lite News.

    Spread over two days, Celebrating North East 2021 an annual cultural event concluded on a high note at the New Moti Bagh Club, In the Capital.

    Showcasing the rich heritage of India’s northeastern region with music, dance, fashion and some inspiring artisanal works, the North East Institute of Fashion Technology (NEIFT) organised the thirteenth edition of the festival.

    Celebrating Northeast

    The fest was jointly Inaugurated by Darshana Jardosh, Hon’ble Minister of State for Railways and Textiles, Dr Rajkumar Ranjan Singh, Hon’ble Minister of State for External Affairs and Education, Ramdas Athawale, Minister of State for Social justice & Empowerment and U.P. Singh, Secretary of Textiles in the presence of members of Parliament, Diplomats.

    Vikram Rai Medhi, Chief Festival Curator and CEO of NEIFT shares, “We are feeling blessed to have the support of Various Central Govt. Ministries, Bodoland Territorial Council, Assam Government and management of the New Motibagh Club in making our 13th Edition a reality. All have encouraged and supported us to bring the Music, Culture, Fashion, Delicacy, Handicrafts, Handlooms, Tourism Destinations here to Delhi and create a mini North East for two days at Chanakyapuri. We believe that such festivals bring people of different communities closer and enable in eroding the negative myths about North East Region (NER).

    NER is a culturally diverse and rich region with its own socio-anthropological history. Its terrain is perfect for adventure Tourism but unfortunately many are not aware of it. This festival has been organised to bring Delhi-NCR people closer to its culture”.

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  • Mumbai is all set to celebrate Kala Ghoda Arts Festival

    Mumbai is all set to celebrate Kala Ghoda Arts Festival

    The event will see workshops, heritage walks, street plays besides visual art installations, literature, theatre, cinema, music and dance events. All programmes are free and no tickets will be sold…reports Asian Lite News.

    The Kala Ghoda Arts Festival (KGAF) in Mumbai is all set to be back in its physical form in February (5-13) next year and will host over 70 online programmes across nine days.

    This edition of the 22-year-old festival will be spread across nine days and multiple venues, including Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly Prince of Wales Museum), Max Mueller Bhavan , NGMA Auditorium, Horniman Circle Garden, Kitab Khana, and the streets and Kala Ghoda precinct.

    During this edition, the ground installations would be minimal, and mostly aerial visual arts installations will be seen, keeping with the theme ‘Udaan’. The KGAF is working on art installations that extend beyond the precinct as well.

    The event will see workshops, heritage walks, street plays besides visual art installations, literature, theatre, cinema, music and dance events. All programmes are free and no tickets will be sold.

    Brinda Miller, Festival Director, KGAF, said, “Kala Ghoda Arts Festival is all set to celebrate art and culture in its finest form. Our partners and collaborators are holding hands with us once again to ensure that the spectacular return of the on-ground festival is as radiant as ever. To avoid overcrowding and adhere to Covid protocols, we have focused more on aerial installations and fewer ground events.

    “Also, our stalls are virtual with the Kala Ghoda Art Kart (KGAK) opening the marketplace to the world, in terms of both participation and purchase. And of course, the art kart is open throughout the year, starting December 10. We are looking forward to everyone joining our proverbial Dark Horse that has taken wings with the concept ‘Udaan’ that strengthens our global footprint in 2022.”

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  • Eminent authors and translators honoured with KLF awards

    Eminent authors and translators honoured with KLF awards

    Padmashree Srinivas Udgata was awarded with Kalinga Literary Award and Arun Kamal was awarded with Kalinga Literary International award…reports Asian Lite News.

    Sudha Murthy, wife of Infosys founder Narayana Murthy, business journalist Tamal Bandopadhyay and Bollywood actress Divya Dutta were among others who received awards for their books on the inaugural day of Kalinga Literary Festival (KLF) 2021 in the temple city of Bhubaneswar.

    For non-fiction category, IANS CEO and Editor-in-Chief, Sandeep Bamzai’s book “Princestan: How Nehru, Patel and Mountbatten Made India” was selected as Book of the Year.

    Odisha Tourism Minister Jyoti Prakash Panigrahi inaugurated the festival. Nepal’s Charge d’affaires Ram Prasad Subedi, Padma Vibhushan Sitakanta Mohapatra, Padma Bhusan Ramakanta Rath graced the inaugural ceremony.

    KLF has emerged as one of the leading literary platforms in India, attracting both experienced and young litterateurs. Bigger than ever before, the eighth edition of the festival will bring nationally and internationally acclaimed names on one platform to discuss, debate and explore commonalities in the diverse voices in literature, said Rashmi Ranjan Parida, the founder-director of the festival.

    A total of 30 awards were given away to eminent authors and translators of repute by the organisers of the KLF on its eighth edition held here.

    Padmashree Srinivas Udgata was awarded with Kalinga Literary Award and Arun Kamal was awarded with Kalinga Literary International award.

    Tamal Bandopadhyay was awarded best writer in the Economy category for his book “Pandemonium: The Great Indian Banking Tragedy”.

    For the Children’s literature section, Sudha Murty was selected for her book called “Grandparents’ Bag of Stories”.

    Bollywood actress Divya Dutta was awarded as the Women Writer during the event.

    Former West Bengal Governor Gopal Krishna Gandhi was selected for his book on Mahatma Gandhi. Rashid Kidwai’s book “Bharat Ke Pradhan Mantri” was selected for autobiography category.

    The three-day extravaganza of literature, art, culture and conversation will feature poetry sessions, panel discussions and talk shows and many more in about 50 sessions.

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  • BOOK: Alone In The Crowd: Overcoming Loneliness of Urban Living

    BOOK: Alone In The Crowd: Overcoming Loneliness of Urban Living

    Encouraging readers to concurrently focus on the need to live mindfully, this book also highlights key learnings from the pandemic…reports Asian Lite News.

    Most of us have experienced loneliness in some form or the other and more so during the Covid lockdowns. As people navigate their way towards growth and success, they find themselves ‘busy’ and others around them ‘unavailable’.

    This urban existence with its multidimensional challenges has led to an upsurge in experiencing loneliness and taking stock of the issue remains crucial.

    To this extent, “Alone In The crowd: Overcoming Loneliness of Urban Living” (Rupa) by mental health Experts Dr Samir Parikh and Kamna Chhibber go beyond highlighting the existence of the problem to enlisting ways in the midst of the current pandemic, can be tackled.

    Encouraging readers to concurrently focus on the need to live mindfully, this book also highlights key learnings from the pandemic.

    “We recognize that there is a growing disconnect that many people experience within their families, communities and workplaces. This has a strong negative impact on their sense of well-being and can be a precursor towards the development of mental health related problems,” Parikh, Director, Department of Mental Health and Behavioral Sciences, Fortis Healthcare, said.

    “As a result, it is critically important that we emphasize the development of approaches to combat this state of loneliness,” he added.

    “The book has been written to help develop a comprehensive understanding of where loneliness can stem from and the ways in which people can engage in caring for themselves, while focusing on living more mindfully in the urban spaces they occupy,” Chhibber, Head, Department of Mental Health and Behavioral Sciences, Fortis Healthcare, said.

    “Research suggests that loneliness in the longer run can affect the mental health of people. It’s time that people and societies come forward to discuss about the much-ignored issue, which has engulfed the society be it children, adolescents, adults and the old generation. A multi-stakeholder approach needs to be adopted to reduce the growing burden of mental health which stems from loneliness and other related issues,” she added.

    Releasing the book Dr Ashutosh Raghuvanshi, CEO & MD, Fortis Healthcare said: “In today’s time, particularly given the context of the pandemic, we recognise the huge detrimental impact that loneliness can have upon people by impacting their mental health. It is critical that people, individuals and communities, take active steps and measures to understand and assess this growing problem and go beyond simply acknowledging it in the direction of inculcating proactive measures to tackle it effectively.”

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