Category: Arts & Culture

  • Never miss these skyscrapers in Dubai

    Never miss these skyscrapers in Dubai

    The property offers 1,608 guest rooms and suites, the luxurious Saray Spa and more than 15 award-winning restaurants…reports Asian Lite News.

    Skyscrapers are the face covers of Dubai. Dubai — the city of unlimited possibilities — is at the top of every travellers’ bucket list. The city continues to dazzle travellers with its breath-taking locations, fascinating attractions and glittering skyline. It houses the best architectural establishments with magnificent views of the city that will leave you in awe. The emirate is also known for its record-breaking structures. Whether it is the world’s biggest fountain or agardens, Dubai has it all! If you’re travelling to Dubai then these skyscrapers must be on your itinerary:

    Burj Khalifa

    At over 828m tall with 162 floors, this is the world’s tallest tower. It was designed by American architect Adrian Smith at Skidmore, Owings & Merrill to resemble the Hymenocallis or Spider Lily — a regional desert flower. Visitors are welcome to experience Burj Khalifa by dining at one of its many restaurants, including At.mosphere on the 122nd floor, as well as visiting one of the observation decks, “At the Top Burj Khalifa SKY”, the highest outdoor observatory in the world located on the 148th floor, 555m high.

    JW Marriott Marquis

    The two towers of the JW Marriott Marquis make up the tallest five-star hotel in the world. Located in the heart of Dubai’s downtown district, this luxury hotel’s design is inspired by a date palm tree and boasts awe-inspiring views of the Arabian Sea and the Dubai cityscape. The property offers 1,608 guest rooms and suites, the luxurious Saray Spa and more than 15 award-winning restaurants.

    Cayan Tower

    A skyscraper with a unique twist, Cayan Tower is a must-see for those with an appreciation for architecture. Designed by the same architectural firm behind Burj Khalifa, the shimmering silver Cayan Tower twists 90 degrees as it rises. In an amazing feat of clever engineering, each of the 75 floors is rotated by 1.2 degrees to create the helix shape.

    The Address Beach Resort

    Home to the world’s highest outdoor infinity pool and the highest occupied sky bridge in the world, the stunning Address Beach Resort is an ellipse with a void in the centre to increase daylight penetration and views to Palm Jumeirah, JBR Beach and the horizon. Designed by Shaun Killa, there are two separate towers, one comprising residential apartments and the other holding the hotel and serviced apartments. Visitors can book a stay and enjoy access to the unique pool.

    Gevora Hotel

    Stay, dine and relax at the tallest hotel in the world with unforgettable views of Dubai. The hotel boasts of luxurious facilities with 528 rooms, three restaurants and a relaxing health and wellness club. The hotel is 356 metres tall, 50 metres taller than The Shard in London and 56 metres taller than the Eiffel Tower in Paris.

    Dubai World Trade Centre — Sheikh Rashid Tower

    Dubai’s first high-rise building, the Dubai World Trade Centre has played a pivotal role in the growth of international trade for the Middle East, ever since its inauguration by Queen Elizabeth in 1979. It was designed by British architect John Harris and it’s also the building on the back of the AED 100 banknote.

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  • Anuradha Roy’s ‘The Earthspinner’ out

    Anuradha Roy’s ‘The Earthspinner’ out

    Moving between India and England, ‘The Earthspinner’ reflects the many ways in which the East encounters the West…writes Siddhi Jain.

    Anuradha Roy is a notable writer, journalist and editor from India. Booker Prize longlisted and internationally acclaimed, award-winning author Anuradha Roy has published her new novel ‘The Earthspinner’ in early September this year.

    Published by Hachette India, the novel comes on the heels of the success of Roy’s books ‘Sleeping on Jupiter’, which won the DSC Prize for Fiction 2016 and was longlisted for the Man Booker Prize 2015, and ‘All the Lives We Never Lived’, which won the Tata Literature Live! Book of the Year Award 2018. The latter was shortlisted for the International Dublin Literary Award, the Hindu Literary Award, and the JCB Award for Literature 2019.

    She has also penned ‘An Atlas of Impossible Longing’ and ‘The Folded Earth’.

    In the new “searing, exquisitely crafted novel”, Roy combines her formidable power as a storyteller with her passion for pottery and her love for lost pups to craft an intricate, wrenching story about the changed ways of loving and living in the modern world.

    In ‘The Earthspinner’, Roy delves into the life and mind of Elango the potter, who must navigate complicated and impossible love, the dedication of a beloved pet, his own passion for creativity and a world turned upside down by the petty violence that characterizes the present day.

    “When he wakes up, Elango knows his life has changed. His dream will consume him until he gives it shape. The potter must create a terracotta horse whose beauty will be reason enough for its existence. Yet he cannot pin down from where it has galloped into his mind — the Mahabharata, or Trojan legend, or his anonymous potter-ancestors. Nor can he say where it belongs — in a temple compound, within a hotel lobby, or with Zohra, whom he despairs of ever marrying.

    “The astral, indefinable force driving Elango towards forbidden love and creation has unleashed other currents. A neighbourhood girl begins her bewildering journey into adulthood, developing a complicated relationship with him. A lost dog adopts him, taking over his heart. Meanwhile, his community is driven by inflammatory passions of a different kind. Here, people, animals, and even the gods live on a knife’s edge and the consequences of daring to dream against the tide are cataclysmic,” reveals a note on the book.

    Moving between India and England, ‘The Earthspinner’ reflects the many ways in which the East encounters the West. It breathes new life into ancient myths, giving allegorical shape to the war of fanaticism against reason and the imagination. It is an intricate, wrenching novel about the changed ways of loving and living in the modern world.

    Poulomi Chatterjee, Editor-in-Chief and Publisher, Hachette India tells IANSlife: “The world and work of a visionary craftsman (familiar territory for Anuradha herself) are central to the story it tells, but so are relationships of different kinds and their complex trajectory in fraught times. The lyricism and effortlessness of Anuradha’s storytelling, which has won her accolades and acclaim in the past, will without doubt draw readers deep into the world of its characters. We at Hachette India are delighted and proud to be publishing yet another of Anuradha’s gems.”

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  • Aparna Sen’s ‘The Rapist’ all set for world premiere

    Aparna Sen’s ‘The Rapist’ all set for world premiere

    Widely acknowledged as the largest film festival in Asia, the Busan International Film Festival will be held from October 6 to October 15…reports Asian Lite News.

    Aparna Sen’s films are always sensational that stick on a social cause or issue. National Award-winning actress and filmmaker Aparna Sen’s directorial ‘The Rapist’ is all set for its world premiere at the 26th edition of the Busan International Film Festival (BIFF).

    Talking about the film, Aparna said, “Apart from trying to explore the reasons why our society turns out rapists in such numbers and looking into the inequalities in our social system that are responsible for giving rise to criminals, what drew me to this story, was the psychology of the three protagonists.

    “Stripping off the layers and the carefully built-up facades to get at the person underneath was a fascinating process. Fascinating too was getting the two Indias to come face to face – the India that lives in urban slums with its age-old beliefs, and educated urbane India with its ‘progressive’ value systems.”

    The film features Konkona Sen Sharma and Arjun Rampal in pivotal roles.

    ‘The Rapist’ chronicles the journey of three protagonists and how their lives get entwined because of one horrific incident. The film looks beyond the obvious crime, to explore not only how it affects the survivors and perpetrators of the crime, but also delves into how one’s idealistic views are drastically altered when the truth hits uncomfortably close to home.

    The film is produced by Applause Entertainment.

    Sameer Nair, CEO of the production house, said, “Collaborating with Aparna Sen for our first feature has been something we’ve been excited about since we heard this powerful story. The enthusiasm has only doubled up with a nomination for the Kim Jiseok Award, and a world premiere at the Busan International Film Festival (BIFF), the most celebrated film festival in all of Asia. We’re happy to have partnered with Quest Films and are confident that Aparna’s unique brand of storytelling, especially of complex themes plaguing our society, will resonate with the world audience at large.”

    Widely acknowledged as the largest film festival in Asia, the Busan International Film Festival will be held from October 6 to October 15.

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  • Hillary Clinton-Louise Penny political thriller ‘State of Terror’ to be out in Oct

    Hillary Clinton-Louise Penny political thriller ‘State of Terror’ to be out in Oct

    Hillary’s collaborator, Penny, is best known for her Quebec-based mystery novels centered on the work of her fictional character, Francophone chief inspector Armand Gamache…reports Asian Lite News

    Former United States Secretary of State Hillary Clinton, following in the footsteps of her husband, has embarked on her journey as a thriller writer.

    ‘State of Terror’ is Hillary Clinton’s upcoming international political thriller, set in the “Byzantine” world of Pakistan, Afghanistan and Iran. It takes off with a “baffling text from an anonymous source” received by an Indian American Foreign Service Officer (FSO), Anahita Dahir.

    Hillary, who was trumped in the 2016 U.S. presidential election, has co-authored the book with the ‘New York Times’ best-seller Canadian novelist, Louise Penny.

    The uncannily timed book, published by Simon & Schuster, is set to release on October 12.

    According to a preview of the novel available on the Simon & Schuster website, the story begins with the election of a new U.S. President, who appoints his political rival, Ellen Adams, as his Secretary of State (Hillary, remember, had contested in the Democratic Party primaries against Barack Obama in the run-up to the 2008 elections).

    And then comes the text message to Anahaita (who could be modelled after one of Hillary’s closest aides, Pakistani American Huma Abedin), which was actually a coded warning.

    What follows is a series of terrorist attacks on American targets and the start of “an international chess game involving the … Byzantine politics of Pakistan, Afghanistan and Iran; the race to develop nuclear weapons in the region; the Russian mob; a burgeoning terrorist organisation; and an American government set back on its heels in the international arena.”

    The last bit sounds too much like the present state of the Biden administration.

    Pitted against this “intricate, carefully constructed conspiracy” are three individuals sucked into this explosive situation: the “passionate young FSO; a dedicated journalist; and a smart, determined, but as yet untested new secretary of state”.

    Will they be able to save the world? To find the answer, one has to wait for the book to be out.

    Hillary’s collaborator, Penny, is best known for her Quebec-based mystery novels centered on the work of her fictional character, Francophone chief inspector Armand Gamache.

    Former US president Bill Clinton’s last book as a thriller writer was ‘The President’s Daughter’, about a former president and ex-Navy SEAL, whose daughter is m which followed ‘The President is Missing’ (2018), both in collaboration with James Patterson, one of the world’s biggest-selling authors. It was released in June 2021.

    Patterson, the former president’s collaborator, has written chart-topping books such as ‘Alex Cross’, ‘Michael Bennett’, ‘Women’s Murder Club’, ‘Maximum Ride’, and many other books spanning across genres, from romance to thrillers and non-fiction.

    Hillary, like her husband, has been a prolific writer, whose first book was the best-selling ‘It Takes A Village’ (1995), followed by many others on different subjects, including her account of her tenure as the 67th US Secretary of State, ‘Hard Choices’.

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  • Celebration of poetry to mark India@75

    Celebration of poetry to mark India@75

    Birmingham City University (UK) has joined forces with Guru Gobind Singh Indraprastha University, New Delhi to stage three events across 2021 and 2022, which will celebrate the multilingual poetry of India and its diaspora … reports Asian Lite News

    India’s 75-year independence is to be marked by a special celebration of poetry from writers and performers of Indian origin.

    Birmingham City University (UK) has joined forces with Guru Gobind Singh Indraprastha University, New Delhi to stage three events across 2021 and 2022, which will celebrate the multilingual poetry of India and its diaspora.

    Devised to mark the 75th anniversary of India’s independence the events will explore the longstanding tradition of poetry and its historic role in Indian tradition.

    The series will feature Indian poets and British poets of Indian heritage to honour the close relationship between the two countries.

    The first event will take place online on Saturday 18 September 4pm to 5.30pm IST (11.30am – 1pm UK time) and will feature artists including Rati Agnihotri (English/Hindi), Sanjeev Kaushal (Hindi), Meena Kandasamy (Tamil/English), and Anwar Ali (Malayalam/English).

    Professor Rajinder Dudrah, Interim Associate Dean for Research, Innovation and Enterprise in the Faculty of Arts, Design and Media at Birmingham City University, said: “India has a rich and diverse tradition of poetry that spans many languages, giving us insight into varied cultures and social issues.

    “Partnering with our University colleagues and artist friends in India has enabled us to offer this event as taking stock of the artistic form, while helping us better understand Indian and diasporic socio-cultural life as India moves beyond its 75th milestone year of Independence.”

    Poetry has been chosen as the focus for the celebration due its powers to cross borders, and the significant role language can play in connecting people.

    The poetry events will also mark the lead up to Birmingham UK playing host to the 2022 Commonwealth Games, which will see India compete in an array of disciplines.

    The announcement marks the latest in a series of strong links between Birmingham City University and India, including its partnership with Hero Group to create a STEAMhouse India to bring together the arts with traditional technical subjects to boost innovation.

    It also includes a partnership with Ronkel Media Education Institute, which provides students with real-world experience working on motion picture productions for Bollywood features.

    Tickets for the free poetry events are available by visiting Eventbrite.

  • Buddhist Philosophy and Richard Wagner

    Buddhist Philosophy and Richard Wagner

    Richard Wagner (1813-1883) during his exile in Switzerland he came across the massive 647-page book called History of Indian Buddhism (1844) by a well-known Sanskritist and French Indologist Eugene Bernouf (1801-52) after reading the book he was deeply moved by its philosophical concept of renunciation and immediately sketched out a dramatic poem based on the book and called it Die Sieger (The Victors) and it this project that occupied till the very end of his life …. A special report by Dilip Roy

    Gautama the Buddha or the Enlightened one was born at a place called Lumbini in (Sixth century BCE) in ancient India. Buddhist philosophy spread from across India to Sri Lanka to the entire South East Asia including Japan and Tibet reaching the West in the 19th century.

    In America intellectual thinkers like Albert Einstein, Ralph Waldo Emerson and Henry David Thoreau and in Germany it was philosophers of the likes of Arthur Schopenhauer Friedrich Nietzsche, Karl Friedrich Schlegel and above all Richard Wagner were influenced by Buddhist philosophy. In India too intellectual giants like Sri Aurobindo Ghosh, Rabindranath Tagore and Swami Vivekananda were greatly inspired by the philosophy.

    Richard Wagner (1813-1883) during his exile in Switzerland he came across the massive 647-page book called History of Indian Buddhism (1844) by a well-known Sanskritist and French Indologist Eugene Bernouf (1801-52) after reading the book he was deeply moved by its philosophical concept of renunciation and immediately sketched out a dramatic poem based on the book and called it Die Sieger (The Victors) and it this project that occupied till the very end of his life.

    Wagner in his own diary (1865) wrote a letter to King Ludwig of Bavaria on 31st May 1868 with a proposal of developing the opera and in that he explains the terms Nirvana, Brahman, Samsara and Dhyana are roughly equivalent to eternity, soul and paradise and he goes Brahman becomes desire, as music; the music which is turned towards samsara, poetry; which is the other, the side which is turned away from samsara? Nirvana – untroubled, pure harmony.

    Richard Wagner also relates the title “The Victors” to his own individual philosophy and situation. The expression for Buddha and disciples has been from the Buddhist term Jina and does not refer to the archetype of a radiant conqueror, but rather to a person who, in course of moral struggle with himself, overcomes his passion and selfishness through renunciation. On 22nd February 1859, Wagner felt that he had made so much progress himself along the Buddhist path that he could imagine – and indeed yearned for a – a life as a medicant monk outside the social constraints.

    However, in spite of all the efforts, Wagner’s dream of staging the Buddhist opera remained unfulfilled for he was too ill to continue the project which only survives in sketches but a lot of found its way into his last opera Parsifal. Wagner was among the very first to appreciate Buddhism and that he was the first major European artist to be inspired by this religion.

    ( Mr Dilip Roy is an ardent admirer of Richard Wagner’s operas and prose works. Mr Roy is also an elected Fellow of Royal Asiatic Society of Great Britain and Ireland. He considers Wagner as the greatest cultural icon of 19th century and remains unequalled till today.)

  • ‘Devil’s Daughter’: An expression of identity

    ‘Devil’s Daughter’: An expression of identity

    She says that while externally our problems may be different, but inside we all feel anxiety, nervousness, depression…writes Sukant Deepak.

    Indrani’s surviving daughter Vidhie Mukerjea released her memoir Devil’s Daughter recently. In 2015, on the eve of her 18th birthday, everything changed for Vidhie Mukerjea, as her mother Indrani Mukerjea was arrested for allegedly murdering her daughter Sheena Bora. A few months later, media baron Peter Mukerjea met the same fate.

    Vidhie went to Regent’s University London, and over the next few years, maintained a low profile in the media and ‘blocked’ the incident in her mind.

    But with her recently released memoir ‘Devil’s Daughter’ (Westland Books), she assures that now she does not operate from a place of fear anymore as she breaks off layers of her conditioning and past trauma.

    “Public scrutiny had its place in my mind as I have memories of how both my family and I were treated by the media. However, this book was merely an expression of who I am as person, an author, and an artist. It highlights my struggles, adventures, and essentially sharing who I am with the world in a raw and authentic form. I was incredibly nervous about having a public presence, but my narrative has given me confidence to be out there and speak about it,” she tells.

    Vidhie recalls that writing ‘Devil’s Daughter’, which also talks about her anxiety and panic disorder, started as a cathartic release into her laptop with many moments of deep introspection, reliving her past, and going through diverse emotions.

    “While also challenging preconceived notion many have about mental health being a taboo topic. Towards the end of writing the book I couldn’t stop thinking about various tough situations people are going through with Covid and otherwise, what their headspace was like at the time and realising finally we are all essentially going through the same thing internally,” Vidhie says.

    She says that while externally our problems may be different, but inside we all feel anxiety, nervousness, depression.

    “I wrote it so people felt they could relate to me and I to them.”

    Stressing that once she started writing, there was no holding back, the author says that her story and journey began to empower her and her purpose.

    “Of course, there were moments of doubt, but I was I was reassured by people close to me — my partner, friends and family,” she says.

    For Vidhie, writing the book was also therapy. While for the first two years after her parents’ arrest, she was constantly escaping her reality, pretending things were entirely normal and that she was an anomaly and would not need to feel those things.

    “The longer I deflected, the bigger the hit was. So yes, writing this was like months of intensive therapy for me,” she says.

    Recalling the media trial that followed, she says it was not just awful and damaging but also draining. “They were ruthless and invasive. It haunts me still because I really kept wondering how people could behave like that. But you know, they tried to ruin us, and they almost did; but because of them I am so much better prepared today. When stuff like this happens, you call them out and hit back. Simple.”

    Admitting that reliving the past while writing was scary sometimes, Vidhie says that there were days when she felt she would mentally collapse.

    “I could not sleep, eat or talk. But I truly believe there is always a deeper lesson or truth to be found in any tough situation. After I went through these moments, I would come out of them feeling so relieved and content.”

    Adding that it was “inevitable” for her to talk about her anxiety and panic attacks, she feels that we all want to live in a bubble, pretending all is bright eyed. “We are afraid to let people know we are hurting. I wanted to break that chain, life is about being raw and authentic and writing about it just felt incredible.”

    When the author told her mother about the book, and gave her a brief disclaimer of what to expect, both discussed the context. “I kept pushing and delaying the conversation, but she was quite proud of me when I told her what I would be writing. Frankly, she gave me the last bit of confidence I needed.”

    The author writes in the book that she does not understand her mother’s actions — “Of course, it’s nothing short of tough. But we all make blind decisions, and get lost. I hope to understand her more as time passes.”

    Currently working on her next book on how to travel sustainably — backpacking, living in hostels, not having a fixed itinerary, discovering places on the go, cheap transport, immersing oneself in the culture, and understanding what it means to be a local, she adds, “It is about how exposing oneself to a diversity of experiences, people, and perspective can go on to broaden your horizons, and serve as a mechanism for self-reflection and discovery.”

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  • Penguin to publish Amitav Gosh’s ‘The Nutmeg’s Curse’

    Penguin to publish Amitav Gosh’s ‘The Nutmeg’s Curse’

    “Ghosh challenges readers to reckon with war, empire, and genocide in order to fully grasp the world-devouring logics that underpin ecological collapse…reports Asian Lite News.

    Amitav Gosh is one of the most accomplished Indian writers. Before the 18th century, every single nutmeg in the world originated around a group of small volcanic islands east of Java, known as the Banda Islands. As the nutmeg made its way across the known world, it became immensely valuable – in 16th century Europe, just a handful could buy a house. It was not long before European traders became conquerors, and the indigenous Bandanese communities – and the islands themselves – would pay a high price for access to this precious commodity. Yet the bloody fate of the Banda Islands forewarns of a threat to our present day.

    Amitav Ghosh argues that the nutmeg’s violent trajectory from its native islands is revealing of a wider colonial mindset which justifies the exploitation of human life and the natural environment, and which dominates geopolitics to this day.

    Written against the backdrop of the pandemic and the Black Lives Matter protests, and interweaving discussions on everything from climate change, the migrant crisis, and the animist spirituality of indigenous communities around the world, “The Nutmeg’s Curse” offers a sharp critique of Western society, and reveals the profoundly remarkable ways in which human history is shaped by non-human forces.

    “What do you do when the subject matter of life on this planet seems to lack . . . life? Your read ‘The Nutmeg’s Curse’, which eschews the leaden language of climate expertise in favour of the re-animating powers of mythology, etymology, and cosmology,” says Harvard University’s Naomi Oreskes, a professor of the History of Science.

    “Ghosh challenges readers to reckon with war, empire, and genocide in order to fully grasp the world-devouring logics that underpin ecological collapse.

    It’s widely recognized that the climate crisis is multi-dimensional, yet American cultural conversations about it are mostly stuck in its scientific, technological, and economic dimensions. In this tour de force, Amitav Ghosh defiantly moves the conversation into the realms of history, politics and culture, insisting that we will never resolve our planetary crisis until we acknowledge that the “great acceleration” of the past fifty years is part of a larger historical pattern of omnicide.

    “For centuries, the dominant global powers have seen Earth — its plants, its animals, and its non-white peoples — as brute objects: mute, without agency, and available for the taking and killing. The solution to the climate crisis, Ghosh insists, is not injecting particles into the stratosphere to block the sun, or even to build a bevy of solar farms (as important as the latter is). Rather, the solution lies in re-engaging with the vital aspects of life, in all its capaciousness, and in doing so move past our long history of destruction and into true sustainability,” Oreskes adds.

    Amitav Ghosh was born in Calcutta in 1956. He grew up in Bangladesh, Sri Lanka and India. He studied at the universities of Delhi and Oxford and published the first of eight novels, “The Circle of Reason”, in 1986. The first novel in his Ibis trilogy, “Sea of Poppies”, was shortlisted for the Man Booker Prize. He received the Jnanpith Award in 2018.

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  • ‘Pristine’ exhibits the power and beauty of nature

    ‘Pristine’ exhibits the power and beauty of nature

    Contemplating on his visit to desert land in Namibia, he writes: “In all my life I have never seen anything as raw, as untamed, and as stunning…writes Siddhi Jain.

    Bringing photographs from his visits to the three remote, international locations — Arctic Circle, Iceland (2010), Antelope Canyon, Arizona USA (2010); and the Great Namib Desert, Namibia (2015), an online exhibition titled ‘Pristine’, by opthalmologist and self-taught photographer Navin Sakhuja will go on view from September 6-19.

    The photographs engage with the power and beauty of nature. Sakhuja in his art practice has been fascinated by and is drawn to the unknown, the unexplored, and the untouched, pristine and desolate parts of the planet.

    “I have always been fascinated by the astonishing power and beauty of nature. It is this fascination with the unknown, the unexplored and the untouched which draws me repeatedly to these pristine and desolate parts of the planet. I am always looking for the planet as it was before we gnawed away at it and changed it to what it looks like today. I can only try and describe what I saw, although I know I cannot do justice to the amazing spectacles to which I was witness. This photo essay covers three different visits over the last 10 years, the only common thread being ‘Pristine’,” writes Sakhuja about the exhibition.

    Contemplating on his visit to desert land in Namibia, he writes: “In all my life I have never seen anything as raw, as untamed, and as stunning. The Namib stretches for more than 2,000 km along the Atlantic coasts of Angola, Namibia and South Africa, over undulating seas of sand, gravel plains and rocky mountain outcrops. The ‘roaring dunes’– so called because they create a perfect storm of sand and air, begetting thereby a rumble that is as loud as a low-flying plane–are also distinctive to the Namib.”

    Similarly, the medical professional has this to say about his observations in Arizona and Iceland:

    “Today, nearly 200 million years later, these grand canyons, also known as slot canyons because of the thin cracks in the canyon roof which allows in slivers of the blazing Arizona sunlight, are widely accepted to be among the most beautiful, natural architectural features in the world. Slot canyons, typically, are much deeper than they are wide. Some are so narrow that you can touch both walls with your arms outstretched. Others are much wider, like large rooms that suddenly change in shape and size as you twist and turn round the next corner. You have no idea what to expect beyond a few yards. Nature retains her equal ability to surprise and mesmerise.”

    “Most people would not catch a flight to Iceland in November, in the heart of a full-blown winter that does not seem to distinguish between night and day. And yet there is a certain kind of light, between the enormous storm systems–I was witness to one magnificent display of fire and ice–and large, dark masses of clouds that glower threateningly from the sky.”

    Calling himself a “full-time eye surgeon, driven by a passion for photography”, Sakhuja says, “The truth is that while ophthalmology and photography are all about perceiving light in the best way possible, there are several ways of seeing. Over the years, as I have wielded the camera, I know I have imbued my photographs with my own core. The eye looks through the lens, of course, but it is the mind which impels the finger to trigger the shutter.”

    “I know that the perfect photograph has never been taken and the perfect eye surgery has never been performed. To have the opportunity to attempt both–I believe I am twice blessed. Every time I venture forth to some remote, untouched part of our planet, I think I have come very close to my own personal quest of taking the perfect photo. I can never click my camera fast enough–I have often thought I saw God in some of these places at least a few times. I know I always leave a little bit of my soul behind.”

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  • The pain of being displaced

    The pain of being displaced

    Mr Rajeev Shukla, a veteran name in Indian Journalism and politics, pleasantly surprises with his understanding of the diaspora and their roots in his novel – Teen Samundar Paar published recently during the pandemic this year …. Review by Manish Tiwari

    One of my most memorable trips was to Fiji where once out of the airport, I had a pleasant surprise to see a Hindi newspaper prominently displayed in the local newspaper corner. Further, as I embarked from the airport, the taxi driver spoke ‘Shudh Hindi’, the kind no one speaks in urban India anymore and we talked about his Indian roots culminating in a discussion about Ramayana.

    It was beyond me that this man who had not even visited India in his lifetime, had a Ramayana at home which was not just an ornamental book to be revered but read daily. The struggles of life and politics in Fiji was evident in how the divide between black community and Indians defined the nation as predictably Indians were the business community and the divide was economic as well as cultural. The food was as close to home with the taste still lingering in my mouth and not what goes by Indian food in the restaurants across the globe and the sugarcane juice mixed with Indian masala and lime was exactly like India but without the grime and hygienic.

     It was like a paradise for me where you got everything Indian but also clean air and natural bounty without the pollution and population.

    Little did I know about the pain and separation and the journey for many to keep that ‘identity’ as a people displaced not by choice and desire to be global but rather born out of abject poverty a century or more ago.

    Rajeev Shukla, a veteran name in Indian Journalism and politics, pleasantly surprises with his understanding of the diaspora and their roots in his novel – Teen Samundar Paar published recently during the pandemic this year.

    The heartbreak and the pain of being displaced centuries ago and the struggle to keep that identity and connection in spite of all challenges beautifully creates the backdrop of the novel though eventually it becomes a feel good novel about a women taking what is rightfully hers in a world where her family has been wronged.

    Mr Shukla has a style which is a rare combination of serious journalistic impulses mixed with racy narrative style which makes this novel a potboiler but without losing its sensitive moorings in the pain and journey of a diaspora wronged in many ways but strong enough to survive it all and still retain that Indian ness which defines the people from the subcontinent.

    Vishwanath named after the famous deity from Benaras, becomes the Prime Minister of Trinidad and eventually betrayed by his own kin is the central plot of the novel and how Sylvia his daughter eventually returns to avenge the wrongdoing, forms the second half of the book. There are too many parallels close to real life figures as Rajeev frequently draws from his extensive foray into Cricket and life of politics to create characters who I am sure he has met along his way. He tries to thinly disguise them but quite often spells them out in an effort to make the narrative relevant and believable. The narrator – Prashant comes close to real life election psephologist – Prashant Kishore and Shukla makes him, his alter ego for the purpose of the novel. I am sure his close friends will find other characters whom they identify.

    Author Rajeev Shukla with Manish Tiwari

    This is a new phase of writing in Hindi with a global backdrop but with great comfort and understanding of the people and culture and how the new Indians who are rich and can afford ‘luxury cruise’ are still struggling with sexual morality and the inherent hypocrisy embedded in the Indian way of life. Shukla’s writing wades through this in the backdrop of holidaying Indians on the global luxury cruise while keeping his narrative focused on the story of Silvia in a racy way and that is the strength of the novel that its immensely readable and likeable but it doesn’t pretend to be literary and is rather a happy story.

    The love story of Silvia and Smith is another area which has not been touched upon by Indian writers as a love story between an Indian and a black African origin West Indian.

     Living in the UK, I have often come across highly educated and well to do Indians who are almost traumatised by the thought of their son or daughter getting married to a black boy or girl. They consider this possibly as the worst outcome and secretly dread it even if they are not able to voice it in the age of politically correct mores of public life. Rajeev Shukla deftly deals with this subject and shows great sensitivity in bringing out the nuances of a love affair between an Indian girl who is never expected to fall in love with a black man. However, at times this becomes too simplistic and too good to be true. Nevertheless, Rajeev deals with a social taboo which the Indian diaspora needs to look at. Even a man as educated and well-heeled as Rajat Gupta who led McKinsey found it difficult for his daughter to marry an African American as he talks about in his book. The political and racial divide between South Asian diaspora and the black communities abound and is a proof that Indians are as racist or perhaps more than their white counterparts.

    That said, this is a great read for the diaspora and I wish Mr Shukla, success with this novel which doesn’t have a precedence in Hindi literature and is actually quite contemporary and doesn’t have any pretensions to be literary and hence is a great read. It starts with a storyline much like Akhilesh’s acclaimed Hindi novel Nirvasan (Exile) and eventually becomes a racy feel good story more in the tradition of Hindi thrillers.

     The references to London makes you relook at this city and one can’t help but notice that the writer has a great love for this city and its Indian denizens who make this city an all-out Indian affair. He perhaps knows more about the city and its secrets than many of us and he should certainly do a novel based in London and its Indian characters.

    Rajeev Shukla is both a politician and a journalist of a rare kind who retains his humanity above all but he is equally a keen observer of the diaspora and a great story teller as is evident with this book. I am sure this novel will capture the imagination of the diaspora if translated in English and available to the young readers, a challenge in our oversubscribed digital age. Needless to say it will also make for a great Netflix series.