A room infused with an abundance of positive energy, uplifting and relaxing melodies, combined with natural aromas, encourages guests to be drawn into the presence of the hair sanctuary by entrepreneur extraordinaire Bina Vasani: that is Jivan Room. The tailored voyage that stimulates the well-being state of mind to create the feeling of ultimate liberation. A feature by lifestyle columnist Riccha Grrover for Asian Lite International.
Like most entrepreneurs Bina had a passion and believed in her vision. A passion for creating beautiful hair, hair that would change one’s state of mind. From confidence to positive energy Bina has witnessed the power of her hairdressing skills transform hair- which transformed the mind. The energy fueled her work where she has continuously accelerated throughout her career.
Having spent some time in India focusing of wellness and ayurveda Bina felt this was a significant stage in her life as she reaped the benefits of inner peace, contentment and embracing the present.
Throughout almost 20 years of experience in the hair industry Bina’s vision for the calibre of service she wanted to offer her guests became clearer. Fast forward to now, the vision became reality.
The journey embarked at Jivan Room exhorts stillness to the mind creating a calm and tranquil aura. Allowing the hair mind and soul to be re-born.
Jivan Room, the hair sanctuary represents not only Bina’s passion and vision but also, the ethos and ethical values in nurturing oneself, all beings and the planet we live on. Bina’s pledge is an unwavering commitment to operating a business where sustainability is not just a consideration, but a guiding principle woven into every decision. Her dedication extends beyond mere service; it embodies excellence.
From classic high lighting to free hand brush stroke colouring techniques. We have fused our expertise and Natulique colour, an organic, vegan, cruelty-free and sustainably sourced Danish brand to create the ultimate tailored services.
The carefully curated selection of vegan, cruelty-free, and organic products underscores her profound focus on promoting responsible, eco-conscious practices in the realm of hair care, ensuring that every customer experience is a harmonious blend of quality, ethics, and environmental mindfulness.
‘I saw a gap in luxury haircare for the elite — and Jivan Room was born. A private sanctuary in Mayfair, Jivan Room offers an exclusive, tailor-made experience where every detail reflects our clients’ desires. Elevate your luxury with Jivan Room.” said, Bina.
Jivan Room is known for offering a luxurious and personalized experience for clients. The salon is often praised for its chic and stylish interiors, creating a relaxing atmosphere perfect for indulging in high-end hair care services.
Whether you’re seeking a simple trim or a complete transformation, Jivan Room’s skilled stylist Bina is renowned for her expertise and attention to detail.
Bina is described as highly skilled in both cutting-edge trends and classic techniques, ensuring that clients leave with a look that suits their individual style.Jivan Room also stands out for using premium hair care products, which contribute to the overall quality of the experience. The salon is especially popular for color services, with clients often commenting on the vibrant, long-lasting results. Overall quality of service and the upscale experience make it a top choice for those seeking a premium hair salon experience in Mayfair. Highly Recommended
Rohit Bal forays into home linens.(photo;IANSLIFE)
Bal was never just a designer; he was a storyteller who wrote his tales in fabric and thread, writes Soniya Kirpalani
In the vibrant tapestry of Indian fashion, some threads shimmer more brilliantly than others. I’ll never forget my first encounter with one such golden thread – a young man with dancing eyes and an infectious smile who simply said, “Hi, I am Rohit Bal, but you can call me Gudda.” Fresh from his triumphant debut show at Ensemble Mumbai, he stood before me, his talent radiating like sunshine through monsoon clouds, yet somehow unaware of his own brilliance.
Soniya Kirpalani
That day, I fell in love with his black jacket adorned with copper-gold paisley motifs – a piece that spoke of Kashmir’s soul in every stitch. He couldn’t even calculate the cost of the outfit. Few days later, he reluctantly and shyly quoted 36,000 INR. I gawked!! It was 1990, and at that time was the price of a suburban Mumbai apartment. He went on to give me a breakdown, patiently explaining the costs, right there I knew I was investing not just in clothing, but in a piece of history in the making. That’s who Gudda was – creating masterpieces before he even knew their worth. And most importantly, he wanted to offer value to his clients.
Bal was never just a designer; he was a storyteller who wrote his tales in fabric and thread. A history graduate who never really studied design, he spoke the language of Indian craftsmanship with native fluency, turning traditional motifs into contemporary poetry. His strength flowed from family – his brother managed his production, his sister standing steadfast beside him with the retail side – while pioneers like Rohit Khosla and Tina Tahiliani helped illuminate his path.
Our friendship was an unlikely harmony – me, a teetotal vegetarian, and him, fashion’s celebrated ‘Bad Boy.’ Behind the flamboyant persona that the world knew, I witnessed the gentle Kashmiri soul, contemplative and passionate, whose every creation was a love letter to his craft. I saw him fall in love and rise out of heartbreak and hold dignified loyalties. We were bound by something deeper: a fierce devotion to preserving India’s vanishing artistic heritage.
Bollywood actress Ananya Panday with fashion designer Rohit Bal and others during the finale of Lakme Fashion Week x FDCI, at The Imperial, in New Delhi. (ANI Photo/Ritik Jain)
The fashion world often painted Tarun Tahiliani and Rohit Bal as rivals, but reality told a different story. Their competitive spirit was overshadowed by their mutual respect and shared vision. Together with Gitanjali Kashyap and Ritu Kumar, they birthed the Fashion Design Council of India (FDCI) – not just an organization, but a sanctuary where Indian fashion could spread its wings and soar globally. It transcended its role as a mere industry body. It became a sacred space where ancient craftsmanship met contemporary innovation, where emerging talent and India’s artisans and weavers found their voice.
He understood that for Indian fashion to truly flourish, it needed more than just designers – it needed an ecosystem that nurtured creativity, preserved tradition, and built bridges between India’s artistic heritage and the modern world. This was Bal at his most visionary, creating pathways for future generations of designers, supporting the soul of Indian craftsmanship to emerge. Bal continued weaving a tapestry of cultures and talents that reshaped perceptions and my own life took me to new places. It was a transformative time for me too. Edged on by TT and Bal, I started my own venture: A Style Statement. This was Asia’s first online platform, a dream to unite diverse South Asian talent from India, Pakistan, Sri Lanka, and the UAE onto an international stage. This is when I realized how fiercely loyal Bal was. Rohit became my mentor and was one of the first to send his collections, setting a standard of excellence and trust.
Rohit’s work remained a touchstone—a tribute to the enduring beauty of friendship of an unparalleled designer. So, when I walked to pick up my 1st big film award in Cannes, I was wearing Rohit Bal, a fitting tribute to a man who brought India into the heart of global fashion. Then again for my most important moments in life, I wear either Rohit Bal or Tarun Tahiliani, it is my way of holding on to a legacy of artistry and innovation that continues to inspire mw. Sadly post 2020, I haven’t attended any shows, Rohit too took a back seat. Until his final show in October 2024.
“Kaaynaat: A Bloom in the Universe” this was pure poetry in motion. Roses, peacocks, and horses danced across fabrics, as did a visibly unwell Rohit bal. But it was a finale and fitting goodbye. Today November 1, 2024, as Rohit Bal passed away, it wasn’t just the end of a life, but the closing of a magnificent chapter in Indian fashion. Bal leaves behind not just collections, but constellations – each design a star lighting the way for future generations. In his creations, I see not just clothes, but dreams woven into reality, not just patterns, but passages of India’s artistic soul.
Rest in peace, dear Gudda. You didn’t just design fashion; you designed dreams, preserved heritage, and showed us that true style flows from the heart. Your legacy blooms eternal, like the flowers you so loved to embroider – forever beautiful, forever inspiring, forever changing the landscape of what Indian fashion could be.
With its three decades of unmatched excellence, Lajwanti has played a pivotal role in shaping the codes of Pakistani fashion since its inception. A feature by lifestyle columnist Riccha Grrover
The brand’s journey dates back to 1995, where the industry of fashion was a mere idea, and the design force was limited to three artisans of fashion, at best. Over the course of 30 years, Lajwanti has become a prominent name in the fashion world, gracing catwalks and venues with trunk shows as well as year-long pop-up stores across the globe. Some of these notable locations include London, the United States, Spain, Dubai, Paris, and Delhi.
At the helm of Lajwanti, Ana Ali, the esteemed CEO, and the guiding force behind the brand, stands as the matriarch of innovation. She collaborates closely with her daughter, Dania Syed, who, as the Creative Director, infused the brand with her unique creative brilliance upon joining us in early 2019. Together they skilfully marry time-honored wisdom with a contemporary understanding, thereby ensuring that Lajwanti remains not only aligned with the ever-evolving demands of the industry but also kindles the flame of curiosity that defines the brand’s spirit.
Today, Lajwanti finds itself at an exciting juncture in its journey. In a stride that defied geographical constraints, our brand has attained the esteemed recognition of an official registration within the United States of America, while maintaining its strategic foothold in the cosmopolitan hub of Dubai. This leap signifies not only their expanding global presence but also the cultivation of a nexus where creative horizons converge with boundless possibilities.
Riccha Grrover in an exclusive interview with the brand’s creative director: DANIA SYED
RG-Can you tell us about your journey in the fashion industry and what inspired you to get to becoming a creative director?
DS-My journey in the fashion industry is deeply intertwined with the legacy of Lajwanti. The brand was established in 1995 by my parents as Pakistan’s first luxury bridal couture brand, with a focus on handcrafted garments that stood out in the market. Growing up, Lajwanti was more than just a brand to me—it was a lifestyle. I spent my childhood playing at the factory, observing my mother tirelessly working with her team, and engaging with our artisans out of sheer curiosity. This early exposure to the fashion world sparked a passion in me that only grew stronger over time.
After completing my degree in fashion marketing from the London College of Fashion, I returned to Lahore, Pakistan, with a vision. My goal was to collaborate with my mother to evolve the brand, blending her traditional expertise with the fresh perspectives of a new generation. This journey, from a curious child to a passionate fashion professional, inspired me to take on the role of Creative Director, determined to carry forward my mother’s legacy while bringing my own ideas to the table.
RG- Who are your biggest influences in fashion, both globally and within Pakistan?
DS- When it comes to fashion influences, Lajwanti has always been at the core of my journey, almost like a sibling I grew up with. However, stepping into my role at the forefront of Lajwanti allowed me to appreciate a variety of other artists that inspire me. Within Pakistan, I admire the work of designers like Rastah which lies beyond the bridal community however tells stories about Pakistans culture and roots through its craft. On the global stage, I find inspiration in the creations of artists and fashion designers alike and some of those include Zuhair Murad, Iris Van Herpen and Misha Japanwala, among others. These artisans, each in their own unique way, have influenced my perspective of fashion.
RG-How would you describe the unique identity and ethos of your brand?
DS- Lajwanti’s unique identity and ethos are built upon the inspiration drawn from a 150-year-old heirloom bridal ensemble that belonged to my great-great-grandmother. This piece showcased handwork techniques that were on the brink of extinction, which Lajwanti has revived and reintroduced into modern bridal silhouettes which are up to date with global trends and fashion forecasts. At Lajwanti, we offer garment customizations that have become increasingly rare in today’s fashion world, where “what you see is what you get” has become the norm. However, we believe that every garment should be tailored to the wearer, which is why we require a consultation appointment before placing an order. This personalized approach ensures a thorough collaboration between bride and brand, allowing us to bring your unique vision to life.
The brand’s vision reimagines the subcontinent as never having been colonized, allowing age-old design methods to influence our bridal collections. The intricate handwork, particularly embodied in our bridals, epitomizes the brand’s identity. These pieces take nearly six months to create, with six artisans dedicating 800 hours in rotational shifts, using the finest number 26 and 28 needles to produce handwork embroidery that is unparalleled in its intricacy.
RG-What key elements do you believe set your brand apart from other Pakistani fashion brands?
DS-The key elements that set Lajwanti apart from other Pakistani fashion brands are rooted in its history and commitment to craftsmanship. As the pioneers of bridal couture in Pakistan, established in 1995, Lajwanti has a legacy that few can match. While fast fashion has become increasingly common in Pakistan, Lajwanti remains steadfast in its dedication to handcrafted garments. This commitment to traditional handwork is our unique selling point, allowing us to stand out in an ever-evolving fashion landscape.
RG-How do you balance traditional Pakistani fashion elements with contemporary trends?
DS-Balancing traditional Pakistani fashion elements with contemporary trends at Lajwanti is achieved through our adaptive business model and bespoke couture pieces. Regardless of the garment, handcraft remains a signature staple in everything we create. The balance between tradition and modernity is mainly achieved through the silhouette and color scheme, while our handcrafted techniques seamlessly adapt to both traditional and contemporary designs.
RG-How do cultural heritage and local traditions influence your designs?
DS-Cultural heritage and local traditions deeply influence our designs at Lajwanti. Our bridals are often inspired by elements that carry a rich story, like in our “Laal Bahaar” collection. Each bridal piece in this collection draws inspiration from a specific historic architectural monument built by the Mughal Emperor Jehangir – from its structure to its inlays and interior motifs. These stories and cultural references serve as the foundation for our designs, allowing us to create pieces that resonate with the depth and beauty of our heritage.
RG- What innovative techniques or materials are you most excited about incorporating into your future collections?
DS-As a heritage brand, Lajwanti is committed to carrying forward the rich textile craft of Pakistani heritage. However, as we expand, we’re excited to incorporate historical textile methods from different parts of the world. For instance, if we open a store in China, we would integrate Lajwanti’s signature techniques with handcrafted textile methods that were practiced during historical periods in China. This approach allows us to blend our heritage with global influences, creating innovative designs that honor both our roots and the cultural richness of the places we reach.
RG-Where do you draw inspiration from when creating a new collection? (e.g., travel, art, nature)
DS- When creating a new collection at Lajwanti, we draw inspiration from a diverse range of sources. At a fundamental level, our collections are inspired by history and heritage. However, we also layer this with inspiration from the world around us, which includes everything from folktales and travel experiences to the fantastical elements of nature. With many creative minds involved in the ideation phase, our inspiration parameters are vast and varied, allowing us to craft collections that are rich in both tradition and imagination.
RG- What are your future goals for the brand in the next five years?
DS- Three decades ago, Lajwanti emerged as one of the pioneering brands to introduce fashion in Pakistan, setting the stage for a thriving industry. Today, we are committed to ensuring that Pakistan earns the global recognition it deserves, not just in sports, media, and music, but also through the art of fashion. Over the next five years, our goal for Lajwanti is to establish it as a global phenomenon, making it one of the most sought-after luxury labels around the world. Currently, Lajwanti is registered in the United States and has a store in Dubai, but we aim to expand further.
Our mission is to collaborate with international platforms and grace the catwalks of fashion capitals like Milan, New York, and Paris, bringing our beloved country to the forefront. After all, it is the handcrafted artistry of Pakistan that truly deserves global praise.
RG- How do you think the Pakistani fashion industry will evolve in the next decade?
DS-The Pakistani fashion industry is likely to continue its rapid growth over the next decade, driven by a surge of talented young professionals who are shaping both garments and mindsets. As the industry evolves, there’s hope that the appreciation for handcrafted garments will remain strong, maintaining the value of artisanal skills amidst increasing modernization and innovation.
RG- How do you stay motivated and creative in such a dynamic industry?
DS- Staying motivated and creative in a dynamic industry is facilitated by the constant presence of new stimuli and the growth of your brand. Surrounding yourself with the right people and maintaining a steadfast focus helps ensure that your motivation remains strong.
RG- What advice would you give to aspiring fashion designers and entrepreneurs?
DS-To aspiring fashion designers and entrepreneurs, I would advise you to stay focused on your dream and vision. Embrace failures as learning opportunities and motivation to keep going. Remember, if you don’t pursue your goals, someone else will. Take inspiration from a beetle’s determination; no matter how many times it falls off the wall, it keeps climbing until it reaches the top!
Each garment crafted by passionate third-generation artisans narrates a tale deeply rooted in pre-partition handcraft, Lajwanti endeavors to preserve and honor the rich heritage of Pakistani craftsmanship. Highly Recommend this handcrafted luxury label.
Kriti Sanon has shared pictures of herself from the recently concluded London Fashion Week in which she can be seen rocking different outfits….reports Asian Lite News
Bollywood actress Kriti Sanon, who was recently seen in the heist comedy ‘Crew’, has shared pictures of herself from the recently concluded London Fashion Week. The actress took to her Instagram, and shared a string of pictures in which she can be seen rocking different outfits.
In one of the pictures, the actress can be seen wearing a trench coat which is draped around her sleeves with added drama from the faux fur sleeves.
The actress then donned a monochromatic black look as she paired the fit to flare black dress with knee high boots and silver accessories, and looked absolutely stunning.
Lastly the actress sported a turtle neck blue checks dress, she paired the dress with an olive bag and knee high boots once again with a pair of sunglasses and looked mesmerising.
Her appearance has struck the perfect balance between grace and sophisticated style. Earlier, this year in July, the actress bought a 2000 sq ft plot of land in the celebrity capital of Mumbai Metropolitan Region (MMR), Alibaug. The land is situated in a prime location, and is less than 20 minutes away from Mandwa jetty.
Kriti, who has been increasing her real estate portfolio, purchased the plot at Sol De Alibaug, which is India’s first signature land development and embodies exquisite design, lush green surroundings, and top-notch amenities. The recently inaugurated Mumbai Trans Harbour Link further enhances connectivity for the high profile investors seeking retreat in Alibaug’s real estate landscape.
The sewerage and stormwater drains will be developed by HoABL while the actual construction of the property will have to be undertaken by plot owners.
Her other real estate investments include one in a commercial space in Bangalore and a villa in Goa.
The actress revealed that her co-star Suniel Shetty would have to wait there in the same position to continue the shot…reports Asian Lite News
Bollywood actress Raveena Tandon took a trip down memory lane and recalled how she just took three to four seconds to shoot for the iconic track “Shehar Ki Ladki” from the 1996 film “Rakshak”.
Raveena in an interview on bbc.co.uk was seen talking about the making of the song, which she described as a “favour to a friend”.
She said: “I remember shooting this and enjoying every bit that was actually done as a favour to a friend because their movie was stuck.”
When asked if she agreed on the wig, Raveena said: “Yeah, I was the one who decided all the looks. The thing about these looks that you see we used to change in three to four seconds flat because you remember these top block shots where he is doing ‘hi how are you?’ And then I come in one change and in an instant there is another change.”
The actress revealed that her co-star Suniel Shetty would have to wait there in the same position to continue the shot.
“So, Suniel had to wait there with his hand till I ran into the van, changed and came back. So everybody says that she is the fastest ever to get ready and come back on the set because he would just have to hold like that.”
“That is called stop blocks and then I would come in again and give another shot and then Suniel would wait till I come again. So, that is how we shot that song,” she added.
Talking about “Rakshak”, the action thriller film directed by Ashok Honda, was a remake of the Tamil film “Honest Raj”. It also featured Karisma Kapoor, Raghuvaran, Sonali Bendre, Alok Nath and Aruna Irani.
Taapsee has collaborated with the fashion label Suta and is embracing the vibrant colours of France while donning stunning sarees…reports Asian Lite News
Actress Taapsee Pannu, who has two films lined up to release this month, has shared her newfound appreciation for sarees and how they have helped her discover a different side of her personality.
Taapsee revealed that wearing sarees, which are a traditional part of Indian attire, has introduced her to a new aspect of herself and also shared that it’s truly ‘comfortwear’.
The actress said: “I think I discovered a new side of my personality. When I embraced wearing sarees, and by sarees, I don’t mean the ones that people generally wear on red carpets or special occasions or festivals. I’m talking about the daily wear sarees.”
Taapsee, who is currently in Paris enjoying the Summer Olympics, has been seen strolling around in her avant-garde sarees.
The actress recently attended the hockey match between India and Great Britain, which India won, securing a spot in the semi-finals against Germany.
Taapsee has collaborated with the fashion label Suta and is embracing the vibrant colours of France while donning stunning sarees.
The actress noted, “I realised a different side of my personality started showing when I wore these sarees. Over time, as I liked what I saw in the mirror, I became more and more comfortable wearing them.”
On the professional front, Taapsee will next be seen in ‘Phir Aayi Hasseen Dillruba’ and ‘Khel Khel Mein’.
‘Phir Aayi Hasseen Dillruba’ is a sequel to her 2021 film ‘Haseen Dillruba’ and will be released on Netflix on August 9.
‘Khel Khel Mein’, a theatrical release, features Taapsee alongside Bollywood stars Akshay Kumar, Fardeen Khan, Pragya Jaiswal, and Aditya Seal, and will hit theatres on August 15.
The ‘Heeramandi’ actress continued: “The zardozi, beadwork, and intricate threadwork make it traditional with a huge sense of being relaxed in the contemporary. It reflects the rich legacy of Hyderabad’s craftsmanship.”…reports Asian Lite News
Actress Aditi Rao Hydari dazzled as the showstopper for fashion designer Jayanti Reddy’s collection at the FDCI India Couture Week.
Aditi exuded elegance and royalty in a golden sharara set, featuring a blouse with long sleeves, a deep neckline, and pleated details.
The outfit was richly embellished with pearl detailing along the borders.
Her makeup was glamorous, with red lips, a highlighted face, and her signature brows.
Her long tresses were left straight open.
The actress accessorised the look with a choker pearl necklace, with a massive pendant in the centre.
Talking about her ensemble and the collection, Aditi said: “I am happy that Jayanti has picked something contemporary in her silhouettes. It’s so chill, so fun, and her work with shimmer is really beautiful, so rooted in India and its traditions.”
The ‘Heeramandi’ actress continued: “The zardozi, beadwork, and intricate threadwork make it traditional with a huge sense of being relaxed in the contemporary. It reflects the rich legacy of Hyderabad’s craftsmanship.”
Jayanti’s eponymous luxury label that portrays old-world charm celebrates women through its classy and chic couture collections.
Speaking about her show, Jayanti said: “My collection is called ‘threads to legacy’, and it is inspired by the Nawabs and Nizams. I am from Hyderabad, and the city is so culturally rich.”
The Fashion Design Council of India (FDCI) shared Aditi’s runway walk on Instagram, noting, “Aditi Rao Hyadri turned showstopper for Jayanti Reddy at the Hyundai India Couture 2024. Jayanti Reddy’s collection, ‘Evocative Nawabi Canvas’, was inspired by the rich cultural heritage of Hyderabad. The collection featured heritage textiles in conversation with antique motifs, revisiting India’s regal past. Traditional embroideries, informed by the lavish lifestyles of the royals, were showcased in approximately 40 looks.”
Aditi, born into the Tyabji-Hydari family, made her film debut in 2006 with the Malayalam film ‘Prajapathi’. She has since appeared in films such as ‘Delhi 6’, ‘Dhobi Ghat’, ‘Rockstar’, ‘Murder 3’, ‘Wazir’, ‘Bhoomi’, and ‘Padmaavat’.
The actress has also starred in Tamil films like ‘Sringaram’, ‘Chekka Chivantha Vaanam’, ‘Kaatru Veliyidai’, ‘Psycho’, and ‘Hey Sinamika’. She has done Telugu films like — ‘Sammohanam’, ‘Antariksham 9000 KMPH’, ‘V’, and ‘Maha Samudram’.
Most recently, she appeared in the period drama web series ‘Heeramandi: The Diamond Bazaar’, created and directed by Sanjay Leela Bhansali.
The series transports the viewers to the 1940s and the lives of the courtesans, filled with love, betrayal, power, and the fight for independence.
It also stars Sonakshi Sinha, Manisha Koirala, Richa Chadha, Sanjeeda Sheikh, and Sharmin Sehgal in the lead.
The series is airing on Netflix.
Aditi’s upcoming projects include the silent film ‘Gandhi Talks’, directed by Kishor Pandurang Belekar, starring Aravind Swami, Vijay Sethupathi, and Siddharth Jadhav, and the historical drama ‘Lioness’, written and directed by Kajri Babbar.
Sonakshi wore a pastel pink coloured blingy off-shoulder gown with noodle straps. The gown had a thigh-high slit, accentuating the oomph factor…reports Asian Lite News
The newlywed bride of Bollywood, Sonakshi Sinha, on Saturday evening turned muse for fashion designer Dolly J as she walked for her collection at the FDCI India Couture Week 2024.
Speaking about the outfit, the ‘Dabangg’ actress said: “It speaks for self and because it’s so blingy, we kept it minimal. I am feeling extremely glamorous. And I think that’s the beauty of the designers when they make outfits like this which make a woman feel good inside.”
“I feel it’s very glam, very pretty, very feminine and just flowing so I think that’s how an outfit should make a woman feel beautiful,” she shared.
Sonakshi wore a pastel pink coloured blingy off-shoulder gown with noodle straps. The gown had a thigh-high slit, accentuating the oomph factor.
For the makeup, she went all matte — nude pink lips, pink and silver eyeshadow, and blushed cheeks. Her long tresses were kept open in a side partition and were styled in soft waves.
The ensemble was rounded off with silver accessories – earrings and matching rings.
Sonakshi, who tied the knot with actor Zaheer Iqbal on June 23, also opened up on her wedding look.
“I didn’t really stress out myself. I wanted to be a simple and a very beautiful bride, and that’s going to be the forthcoming trend for sure,” she said.
“It took me five minutes to choose my outfit. I was very clear in my head that I wanted to wear a red saree, and for signing the papers I wanted to wear my mother’s saree and her jewellery, which was exactly what I did. So, it was all in my head, and we just brought it to life that day,” added Sonakshi.
On the work front, she was last seen in the spooky comedy ‘Kakuda’ which also stars Riteish Deshmukh, Saqib Saleem, and Aasif Khan in key roles.
She also made a special appearance in ‘Bade Miyan Chote Miyan’ starring Akshay Kumar and Tiger Shroff in the titular roles.
Sonakshi next has ‘Nikita Roy and The Book of Darkness’ in her kitty.
Tytler launched his fashion brand in 2002, and his collection exudes sophistication and elegance, boasting ensembles that showcase interesting structures, bold colours, and sharp cuts…reports Asian Lite News
Model-actress Malaika Arora on Friday turned muse for fashion designer Siddartha Tytler as she walked the ramp for his collection at the FDCI India Couture Week.
Malaika upped the hotness quotient in a black and golden glittering lehenga.
For makeup, the ‘Chaiyya Chaiyya’ girl went all glam with glossy lips, golden eyeshadow, kohl-rimmed eyes, and contoured cheeks.
Her long tresses were left open with a silver tiara as the hair accessory. She opted for silver bangles and matching ‘jhumkas’ to round off the look.
Actor Rahul Khanna too walked the ramp for Tytler’s collection wearing a black velvety sherwani.
Tytler launched his fashion brand in 2002, and his collection exudes sophistication and elegance, boasting ensembles that showcase interesting structures, bold colours, and sharp cuts.
Meanwhile, on the work front, Malaika has been the judge on reality shows like ‘India’s Best Dancer’, ‘MTV Supermodel of the Year’, and ‘India’s Got Talent’.
She last featured in the show ‘Moving in with Malaika’.
On the other hand, Rahul made his Bollywood debut with Deepa Mehta’s ‘1947 Earth’ (1999) alongside Aamir Khan and Nandita Das.
He has since been a part of projects like ‘Elaan’, ‘Raqeeb’, ‘Tahaan’, ‘Love Aaj Kal’, and most recently, ‘Lost’
Rahul also featured in the dystopian series ‘Leila’ starring Huma Qureshi in the lead.
Soon after his graduation, Amit showcased his collections through student competitions around the world and began working with some of the country’s most accomplished designers, such as Tarun Tahiliani…reports Asian Lite News
Designer Amit Aggarwal, who recently showcased his collection at India Couture Week, has revealed that his collection is inspired by philosophy, science, religion, mythology, and math, all of which represent different aspects of time.
His collection, named Antevorta after the Greek goddess of the future, was showcased by Bollywood stars like Fatima Sana Shaikh and Abhay Deol.
Amit has had a long journey in the world of fashion. He is an alumnus of the National Institute of Fashion Technology in New Delhi.
Soon after his graduation, Amit showcased his collections through student competitions around the world and began working with some of the country’s most accomplished designers, such as Tarun Tahiliani.
As he showcased his designs at India Couture Week, the designer said: “The collection is inspired by the five concepts of time — philosophy, science, religion, mythology, and math. Each section was designed as one philosophy around time. I believe in the cyclic nature of time, and I feel that the past, present, and future continue into an eternal loop.”
His collection includes Banarasi sarees in a new form.
Talking about this, Amit said: “By using pre-owned Banarasi sarees, we have tried to give them a new lease of life by using new techniques, saving them, and creating a new form of the sarees.”
When asked about the inception of these designs and when he started thinking about them, Amit said that his overall narrative for design is a continuous flow, so he can’t pinpoint an exact time when the collection started
“It’s mostly a journey of evolution. More than the audience, I focused on the sentiment. For me, beauty is the epitome of creation or feeling, and that is all I wanted to evoke — something that makes you feel beautiful. I don’t look at the body as a definition of design. It is pretty much the soul, the emotion, and what it makes you feel,” he added.
