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Film Review Films Hollywood

The Red One (2024): A High-Stakes Christmas Adventure With A Twist

The Red One, a 2024 American action-adventure fantasy comedy, directed by Jake Kasdan and written by Chris Morgan, offers a thrilling twist on the classic Christmas story. The film follows an unlikely duo—a highly trained E.L.F. (Extremely Large and Formidable) operative and the world’s top tracker—as they embark on a daring mission to rescue Santa Claus after he is kidnapped, just days before Christmas Eve. When Santa, affectionately known as “The Red One” by his secretive North Pole team, is snatched away by a villain, chaos erupts at the North Pole. With the holiday season in jeopardy, the elves descend into panic, and Christmas itself hangs in the balance. As the fate of the world’s most beloved holiday teeters on the edge, the unlikely heroes must race against time to save Christmas and restore order to the North Pole. This action-packed Christmas adventure blends heartwarming holiday spirit with fast-paced thrills, promising to keep audiences on the edge of their seats as they root for the heroes to save the day in time for the most magical night of the year. A feature by columnist Riccha Grover for Asian Lite International.

The task of saving Christmas falls to the North Pole’s steadfast and formidable Head of Security, played by Dwayne Johnson. Known for his tough-as-nails demeanor, immense strength, and unwavering commitment to safeguarding the magic of Christmas, Johnson’s character has long been the silent protector of Santa and the smooth running of the holiday season. But this year, the stakes are higher than ever. With Santa’s sudden disappearance, the very essence of Christmas is at risk, and the pressure is on for him to protect everything he holds dear.

The Head of Security soon realizes that rescuing Santa is a task too big for him to tackle alone. Reluctantly, he’s forced to team up with the world’s most infamous and unpredictable bounty hunter, portrayed by Chris Evans. Evans’ character is everything the North Pole’s stoic protector isn’t—brash, sarcastic, and driven by a ruthless code of his own. A rogue with a reputation for bending (or breaking) the rules, the bounty hunter is known for getting the job done, no matter the cost or method. Operating outside the law, he tracks down dangerous criminals worldwide for the right price, with little regard for the holiday spirit or traditions. However, as the stakes of the mission escalate, even he might find that saving Christmas is a cause worth fighting for.

Despite their starkly different personalities, the two unlikely allies form a tense partnership and set off on a high-stakes, globe-trotting adventure that takes them far beyond the familiar, snow-covered confines of the North Pole. Their mission is clear: rescue Santa Claus from the hands of his elusive kidnappers and save Christmas before the world wakes up on December 25th to find empty stockings and cold chimneys.

The pair’s journey spans a variety of exotic and dangerous locations, from snow-capped mountains to dense forests and even bustling cities. Along the way, they must confront not only external threats but also their own vastly different approaches to problem-solving. The Head of Security believes in order, rules, and honor, while the bounty hunter thrives on chaos, improvisation, and a good fight. Their constant clashing leads to plenty of comedic moments, especially as they try to outwit each other in sticky situations, but their growing respect for each other’s strengths gradually transforms their working relationship.

The challenges they face are as diverse as they are perilous. From tracking down the leads on Santa’s whereabouts to battling rival factions who want to seize control of Christmas for their own gain, every step of the mission is a race against time. But amid the car chases, daring escapes, and hand-to-hand combat, the magic of Christmas still finds a way to seep into their journey. They encounter people around the world who are clinging to the hope that Santa will deliver presents on Christmas morning, reminding them of what’s truly at stake. Slowly, even the bounty hunter begins to realize that this mission is about more than just saving one man-it’s about preserving the hope, joy, and wonder that Christmas represents to millions of people.

At the heart of The Red One is the unlikely bond that forms between Johnson and Evans’ characters. While the Head of Security starts the mission determined to maintain control and keep things strictly professional, he’s gradually forced to loosen up and trust his impulsive partner. Similarly, the bounty hunter, who begins the story as a lone wolf driven solely by personal gain, finds himself rediscovering a sense of purpose and camaraderie as he becomes invested in saving Christmas. Their evolving partnership adds a layer of heart to the action, as the two characters realize that even the toughest missions can’t be accomplished without trust, teamwork, and a little holiday magic.

Of course, no Christmas movie would be complete without a few lighthearted, festive moments, and The Red One delivers in spades. Whether it’s a high-speed chase through a city decorated with twinkling lights, a fight scene in a toy factory filled with malfunctioning gadgets, or a race against time in the middle of a blizzard, the movie masterfully blends action with humor, keeping the tone lighthearted even as the stakes remain high. The film’s holiday setting is ever-present, with nods to traditional Christmas imagery, from candy cane weapons to sleigh-inspired vehicles, ensuring that even in the most intense scenes, the spirit of the season shines through.

As the duo edges closer to their goal, the mystery surrounding Santa’s kidnapping deepens. Why would anyone want to steal the world’s most beloved figure? And who is truly behind the plot to sabotage Christmas? The answers unravel in a thrilling climax that pits Johnson and Evans’ characters against a powerful enemy determined to rewrite the rules of the holiday. With time running out and the weight of the world’s expectations on their shoulders, the pair must give everything they’ve got to bring Santa home and restore the holiday magic before it’s too late.

In the end, The Red One is more than just an action-packed Christmas movie. It’s a story about the power of belief, the importance of teamwork, and the lengths we go to in order to protect the things we cherish. With its blend of explosive action, hilarious banter, and heartwarming moments, the film is destined to become a holiday favorite for years to come. Whether you’re watching for the thrill of the chase, the festive cheer, or the dynamic chemistry between Dwayne Johnson and Chris Evans, The Red One offers something for everyone, proving that even in the face of overwhelming odds, the magic of Christmas is worth fighting for.

After Santa Claus (code name: Red One) is kidnapped, the North Pole’s Head of Security (Dwayne Johnson) must team up with the world’s most infamous bounty hunter (Chris Evans) in a globe-trotting, action-packed mission to save Christmas.

The film stars Dwayne Johnson, Chris Evans, Lucy Liu, Kiernan Shipka, Bonnie Hunt, Nick Kroll, Kristofer Hivju, Wesley Kimmel, and J. K. Simmons. Johnson, Hiram Garcia, Dany Garcia, Morgan, Kasdan, and Melvin Mar are the film’s producers. The project is seen as the first of a Christmas franchise, produced by Amazon MGM Studios in association with Seven Bucks Productions, Chris Morgan Productions, and The Detective Agency. Red One was released internationally by Warner Bros. Pictures.

It’s a great Christmas movie for all! 

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Europe Film Review Films

THE BOAT: True story of a father forced to make a devastating choice

Writer/director Luke Morgan’s THE BOAT is based on a true story of a father whose daughter displays some troubling medical symptoms forcing him to make a devastating decision. This heart-breaking short film has qualified to be considered for the 97th Academy® Awards after winning the qualifying awards at the Foyle Film Festival and Cork Film Festival. This heart-rending film has also qualified to be considered for the 2025 Oscars®. A feature by columnist Riccha Grrover for Asian Lite International.

When Dhuckia’s father discovers that she is showing the early symptoms of leprosy, he must make a devastating choice. Based on a true story. Luke Morgan is an Irish writer and director. He was nominated for the Discovery Award at the Dublin International Film Festival in 2020, and was awarded the 2015 Screenplay Pitching Award at the Galway Film Fleadh. He is also an award- winning published poet. 

Producing duo Jake and Luke Morgan are the founders of Morgan Brothers based in the West Coast of Ireland. They specialise in film production, theatre, storytelling and music. Their projects are ambitious in scope, yet love is at the centre of everything they do.

The Mission To End Leprosy (TMTEL) is a global network of organisations sharing a passion to end the oldest known and still existing communicable disease in human history. Ken Gibson is the CEO at The Mission To End Leprosy, Dhukia was the very first young girl he met with Leprosy and her story compelled him to commit to doing everything to ensure that no dad ever has to face such a choice again. In that very real sense, Dhukia’s story has already had a global impact: it is the inspiration and the heart of TMTEL’s Global Leprosy Eradication Programme. It’s a story with the potential to bring healing to 50 million people and to prevent generations to come from the suffering and stigma that leprosy causes.

The stunning cinematography was created by Lakshika Serasinhe. Along with its great success at Cork and Foyle Film Festival this thought-provoking film has won many more accolades along the way including Best Short Film and Best Composer at the Worcester amongst many more. 

As THE BOAT embarks on its global journey, the Morgan brothers are committed to using their success to support organisations working towards eradicating leprosy. This Oscar qualifying is a catalyst for change, inspiring audiences to join the mission to end leprosy and break down the stigma associated with this age-old disease.

ALSO READ: The Taste Of Mango: Award winning Documentary about generational bonds

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Films London News Woman

The Taste Of Mango: Award winning Documentary about generational bonds

Taste of Mango, a documentary that affirms the power of generational connections while celebrating the new generation’s drive to question, challenge, and seek answers has won Best Documentary Audience Award at BFI London Film Festival 2023 and Best Debut Director Award, BIFA 2023. It is set to be released in UK and Irish Cinemas on 29th November 2024. The Taste of Mango is symbolic, invoking both the literal fruit and its metaphorical connection to the character’s search for roots, meaning, and sweetness amidst life’s struggles. The Taste of Mango is a beautiful, heartfelt exploration of belonging and identity. A feature by columnist Riccha Grrover for Asian Lite International. 

This astonishingly personal documentary about a young female filmmaker’s inter-generational trauma and healing across 3 generations of women – her mother, grandmother and herself, won both the BFI LFF Best Documentary audience award & Best Debut Director Award at the BIFAs. 

Conic is delighted to announce that the BIFA and BFI London Film Festival award-winning documentary ‘The Taste of Mango’ will be released in UK and Irish cinemas from 29th November 2024.

Director Chloe Abrahams’ debut feature documentary ‘The Taste of Mango’ won the Best Debut Director Award at the 2023 BIFAs and the Best Documentary Audience Award at the 2023 BFI London Film Festival.

In this hypnotically cinematic love letter flowing through time and generations, director Chloe Abrahams probes raw questions her mother and grandmother have long brushed aside, tenderly untangling painful knots in her family’s unspoken past.

‘The Taste of Mango’ is an enveloping, hypnotic, urgently personal meditation on family, memory, identity, violence and love. At its centre are three extraordinary women: the director’s mother, Rozana; her grandmother, Jean; and the director herself. Their stories, by turns difficult and jubilant, testify to the entangled and ever-changing nature of inheritance and the ways in which we both hurt and protect the ones we love.

Director Chloe Abrahams said: “I’m thrilled to be bringing The Taste of Mango to audiences in partnership with the wonderful team at Conic who consistently champion the best in independent cinema. I made this film as a way of connecting three generations in my own family, and I hope it helps to open up healing conversations across the U.K. and Ireland.”

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Bollywood Films India News

Celebs Shower Gauri Khan with Love on 54th Birthday

Farah took to Instagram and posted some goofy pictures with Gauri to wish her a happy birthday….reports Asian Lite News

On Gauri Khan’s 54th birthday on Tuesday, her close Farah Khan wished the producer and designer. The  filmmaker and choreographer said that she loves

the fact that their effortless friendship fits in perfectly with laziness. 

Farah took to Instagram and posted some goofy pictures with Gauri to wish her a happy birthday.

She captioned the post with birthday messages, “Happy Birthday @gaurikhan. I love that our effortless friendship fits in perfectly with laziness, needless to say. I love you.”

Moreover, ace fashion designer Manish Malhotra also shared a story where he uploaded an adorable picture with Gauri with a birthday note, which read: “Dearest and the bestest @gaurikhan, happy birthday stay the wonderful, hard working and focused person that you are always, lots of love for you always.

In another story, Malhotra shared an exquisite picture of Gauri, who is the wife of Bollywood superstar Shah Rukh Khan, with the caption “Happy birthday Gauri”.

Gauri and Shah Rukh’s love story began in the 1980s when they met at a friend’s party. Then after several years of dating, they tied-the-knot in1991, in a grand celebration that blended both cultural traditions. The two share three children.

They welcomed their first born Aryan in 1997. They had Suhana in 2000. The couple had AbRam via surrogacy and announced his arrival in 2013.

Talking about Shah Rukh, the actor has been basking on the success of his films “Pathaan”, “Jawan” and “Dunki”. He reportedly next be seen in “King”. He will be seen sharing screen space with his daughter Suhana, who made her acting debut with Zoya Akhtar’s “The Archies.”

It is said that the film is set to begin production in January 2025. The action thriller film is directed by Sujoy Ghosh. The film is described as an out-and-out action thriller revolving around Shah Rukh, Suhana and Abhishek Bachchan, who will play an antagonist, according to reports.

It will be shot in Europe. ‘King’ is said to be released in 2026.

ALSO READ: ‘Thalapathy 69’ kicks off with grand Muhurat Puja

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Bollywood Films India News

‘Bhool Bhulaiyaa 3’ May Move to Dodge ‘Singham’ Conflict

Asked about the films getting released on the same day and who according to him will win the box-office clash, Desai said that it all depends on which film gets the matinee show and how the audiences react to it.

Veteran film exhibitor Manoj Desai has shared that the upcoming film “Bhool Bhulaiyaa 3” might get postponed by a week to avoid the “big clash” with Rohit Shetty’s “Singham Again”.

In an exclusive chat with IANS, spoke about Kartik Aaryan-starrer “Bhool Bhulaiyaa 3” and “Singham Again” headlined by Ajay Devgn.

He said: “It is a big clash.”

“Looking at the star cast and the five minute trailer I am myself having cold feet on what will happen. Let’s see.”

Desai also shared that the release of the third installment of the “Bhool Bhulaiyaa” franchise, which also stars Triptii Dimri and Vidya Balan may get pushed.

“I have also heard that there is a chat with the producers and the release of ‘Bhool Bhulaiyaa 3’” might get postponed by a week. I don’t know how true that is. It is the public who knows everything. This has come to me through the industry itself. But I don’t know how much truth is in it.”

Asked about the films getting released on the same day and who according to him will win the box-office clash, Desai said that it all depends on which film gets the matinee show and how the audiences react to it.

The trailer of “Bhool Bhulaiyaa 3” will be launched in Jaipur’s iconic Raj Mandir Cinema. The event will feature the film’s star cast including Kartik, Triptii and Vidya Balan, who played the character of Manjulika in the first installment of the franchise, which first released in 2007.

Directed by Anees Bazmee, “Bhool Bhulaiyaa 3” will see Vidya Balan reprise her role as ‘Munjulika’ while Kartik Aaryan as ‘Rooh Baba’. The film is scheduled to release in theatres during Diwali, November 1, 2024.

“Bhool Bhulaiyaa 3” serves as the third installment of the eponymous franchise after “Bhool Bhulaiyaa” in 2007 and “Bhool Bhulaiyaa 2” in 2022. In the film, Rooh Baba ventures into a haunted mansion in Kolkata and clashes with Manjulika, a vengeful spirit.

ALSO READ: ‘Thalapathy 69’ kicks off with grand Muhurat Puja

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Bollywood Films Lite Blogs

Raaj Kumar: The moody master of the drawn-out, deadly dialogue

In an industry known for idiosyncrasies, Raaj Kumar was in a league of his own.

Urdu poet Jigar Moradabadi could have never conceived that the opening couplet of his ghazal placing man at the centre of the cosmos would achieve such fame — but as an iconic Bollywood dialogue performed by a rather unlikely hero whose spare frame, unconventional looks, and signature diction were, however, offset by an evident aura of over-the-top superiority.  

“Hamko mita sake ye zamaane mein dam nahi/Hamse zamana khud hai zamaane se ham nahi,” declaimed Raaj Kumar, playing an idealistic professor in the academic crime thriller ‘Bulundi’ (1981), making the sher his own. It would be added to the list of his trademark, crowd-pleasing, one-liners he regularly delivered over his nearly half-a-century film stint.

In an industry known for idiosyncrasies, Raaj Kumar, born Kulbhushan Pandit to a Kashmiri Pandit family on this day (October 8) in Balochistan in 1926 and a Sub-Inspector of police in Bombay’s Colaba or Mahim before joining films, was in a league of his own.

Added to his grating and drawn-out but by no means unpleasant style of speaking, prefixed with ‘Jaani’, was a penchant for his flamboyant outfit, especially white shoes, the way the camera introduced him on screen, and clear choices with whom he would work — or not. There was a story that he was offered the role Amitabh Bachchan would go on to make famous in ‘Zanjeer’, but turned it down because he could not abide the smell of the oil that the director (Prakash Mehra) used in his hair, or alternatively, he did not like his face!

However, ace filmmaker B. R. Chopra, who brought Raaj Kumar to prominence with his lost-and-found epic ‘Waqt’ (1965) and ‘Hamraaz’ (1967), termed him an “an absolute delight to work with.”

“He was totally a director’s actor who put in that extra little something which only belongs to the greats. The only little difficulty that takes place is right at the beginning. He needed exactly 48 hours to discuss the script with the writers. If he was satisfied with the role, he would sign on immediately. He always needed to be approached properly. He always arrived well prepared and was most punctual. When I heard about his problems with other directors, I used to chuckle to myself. They must have allowed themselves to be taken for granted,” he wrote in a piece for a film magazine after the actor’s demise in 1996.

And that was borne out by his performances over the years, whether he played a hapless peasant or a debauched nawab or zamindar with skeletons in his closet, a dedicated police officer or a canny gangster, a committed doctor or a resigned patient.

During his stint as a Bombay cop in the 1940s, Raaj Kumar was reportedly urged by his friends to take the plunge into films and he finally agreed. However, sometime in the late 1940s, he is said to have point-blank refused an offer made by the legendary Sohrab Modi, who spotted him among the audience at a cinema, was impressed, and approached him. Raaj Kumar debuted with ‘Rangeeli’ (1952) but that and his next three bombed badly.

He finally came to prominence as the hapless handicapped husband of Nargis in Mehboob Khan’s ‘Mother India’ (1957), the rebellious elder son of the unswervingly righteous Sultan of Iran in Sohrab Modi’s ‘Naushervan-e-Adil’ (1957) — which showed that the filmmaker had forgiven him his earlier refusal, and then, the elder brother of Dilip Kumar in ‘Paigham’ (1959).

Raaj Kumar went on to solidify his prowess with tear-jerker ‘Dil Apna Aur Preet Parai’ (1960) — the first of a quartet of hit films with the talented Meena Kumari till ‘Pakeezah’ (1972) where his observation on the heroine’s feet became legendary too, romantic drama ‘Dil Ek Mandir’ (1963) — which fetched him a Filmfare Award for Best Supporting Actor, and ‘Godaan’ (1963), based on Munshi Premchand’s story.

However, it was ‘Waqt’ that propelled him to fame with dialogues like “Chinoy seth, jinke apne ghar sheeshe ke hote hain, woh doosron pe patthar nahin phenka karte” and “Ye bachchon ki khelne ki cheez nahin, haath kat jaaye to khoon nikalne lagta hai” and earned him his second Filmfare — in the same category as the first.

‘Mere Huzoor’ and ‘Neel Kamal’ (both 1968), ‘Heer Raanjha’ (1970), where he shone as the entire dialogue was in verse, the dark ‘Lal Patthar’ (1971), war drama ‘Hindustan Ki Kasam’ (1973), where he vows revenge on the enemy in the opening scenes, and reincarnation drama ‘Kudrat’ (1982) were other highlights of his career.

These overshadow the rest of Raaj Kumar’s work across the 1980s and the mid-1990s, even as he delivered bombastic dialogues one after the other, most notably on the intention, place, and timing of revenge in ‘Saudagar’ (1991).

ALSO READ: Skincare secrets for modern man

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Events Films India News

‘Thalapathy 69’ kicks off with grand Muhurat Puja

The official makers took to their X account (formerly known as Twitter) and shared a series of pictures with ensemble cast and crew members….reports Asian Lite News

Thalapathy Vijay’s upcoming film, tentatively titled ‘Thalapathy 69’ commenced with a traditional puja ceremony on October 4, 2024.

The official makers took to their X account (formerly known as Twitter) and shared a series of pictures with ensemble cast and crew members.

The makers wrote a caption, “Pictures layum seri adha paathutu iruka unga face layum seri Happy Smiles irukunu we know #Thalapathy69Poojai stills SET 1 idhoo. Updates inum mudiyala.. SET 2 incoming”.

(I know that there are happy smiles by adding pictures and looking at your boss. Updates are still not complete… Set 2 Incoming”.)

The event brought together an impressive ensemble of cast and crew, including Thalapathy Vijay, Bollywood actor Bobby Deol, and Pooja Hegde. Following this auspicious start on the second day of Navratri, filming is set to begin tomorrow leads the next step for Thalapathy Vijay’s historic project.

In addition to the lead actors, the film boasts a stellar cast that includes renowned filmmaker-actor Gautham Vasudev Menon, National Award-winning actress Priyamani, veteran actor Prakash Raj, and ‘Premalu’ fame actor Mamitha Baiju.

The film is helmed by ‘Theeran Adhigaaram Ondru’ fame director H. Vinoth with his band of brothers that includes cinematographer Sathyan Sooryan, editor Pradeep E Ragav, action choreographer Anlarasu, art director Selva Kumar, and costume designer Pallavi Singh.

The film also marks the dynamic collaboration between the director and the music composer as it will be helmed by music sensation Anirudh Ravichander, best known for his power-packed work in films like, ‘Master’, ‘Kaththi’, ‘Jailer’, ‘Leo’ and others.

‘Thalapathy 69’ will be bankrolled by Venkat K. Narayana under the banner of KVN Productions. The film will be co-produced by Jagadish Palanisamy and Lohith N. K as well.

The ‘Mersal’ fame actor’s recently released ‘The Greatest of All Time’ is currently available for streaming on Netflix. The film helmed by Venkat Prabhu also features Sneha, Meenakshi Chaudhary, Prabhu Deva, Prashanth, Mohan, Ajmal Ameer, Yogi Babu and Premgi Amaren in pivotal roles.

The action-thriller was bankrolled by Kalapathi S. Aghoram, Kalapathi S. Ganesh and Kalapathi S. Suresh under the banner of AGS Entertainment.

ALSO READ: Skincare secrets for modern man

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Bollywood Celebrity Events

I did shopping and strolled in Ruwi, recalls Bollywood actor Vivek Oberoi

Vivek Oberoi’s his first film “Company” in Hindi was with Mohanlal and after nearly two decades he debuted in a Malayalam film “Lucifer” with Lalettan, writes Vinod Raghavan

MUSCAT : Bollywood actor Vivek Oberoi, was moved by the young dance performers of Delicious Academy for Dance and The Kings United, which took him back to the memory lanes of his younger days as a child dancer who performed way back in the 80s in Muscat.

The “Company” actor, who was in Muscat as Chief Guest for the closing ceremony of the first ever European Union Film Festival, organized by the French Embassy in Oman in collaboration with the IFFO, minutely watched the steps on Bollywood numbers, reminded him his earlier days as a child dancer who performed on stage in the capital city of Oman.

Remembering the bygone era, “Saathiya” fame actor recalled that he first performed in the capital city of Oman and revealed, that, “I used to practice a lot and work very hard on stage and also used to assist my seniors at the backstage for which we used to get TA, DA for our performance, which I saved and used to go to Ruwi and do shopping.”

“I used to stroll in Ruwi and do small shoppings of buying chocolates and fancy items, (those days foreign made goods were in great demand back home), reveals the “Krrish” actor.

In a Tete with Journalist Anirban Ray

“The Shootout at Lokhandwala”, actor had special words for Omani singer, Jihad Al Raisi, and added, that nowadays, the word Jihad is wrongly interpreted, but here is the singer Jihad from Oman, who spreads love and brotherhood. He loved Oman and said Omanis are peace loving people and known for their hospitality.

In his recent south Indian Malayalam film “Lucifer” he played a villain’s character, was all praise for the veteran Malayalam actor Mohanlal, addressing him as Lalettan (Big Brother), he said, “coincidentally my debut film “Company” in Hindi was with with the great actor and now my first Malayalam film “Lucifer” is also with Lalettan.

The ardent devotee of “Lord Ayappa” took questions from the audience and replied elegantly. He also had kind words for the host of the evening Piya Pawani, who is a model and also acted in a South Indian Tamil film and short films viz. “The Broken Nest”, “Art That Hurts” amongst them in Oman.

ALSO READ: Over a dozen films showcased at EU Film Fest in Oman, concludes in style  

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Arab News Events Films

Over a dozen films showcased at EU Film Fest in Oman, concludes in style

The young dancers from the Delicious Academy for Dance and Kings welcomed the “Lucifer” actor with his numbers, on which Vivek Oberoi was moved and recalled his days as young dancer performing on stage and that too in Muscat, writes Vinod Raghavan

MUSCAT : THE weeklong European Union Film Festival (EUFF) held in Muscat, Oman, pulled down its curtain after showcasing over a dozen films on Sunday evening amidst distinguished personalities ranging from Bollywood and Omani actors, dignitaries from foreign embassies and movie buffs at the Vox Cinema in Mall of Oman.

During the week-long festival which was first of its kind in the Sultanate of Oman, drew good crowd to watch about 15 films from the participating nine European Union countries viz. France, Italy, Cyprus, Spain, Romania, Netherlands, Germany, Austria, and Hungary in the posh VOX cinema, was organized by the French Embassy in Oman in collaboration with the International Film Foundation of Oman (IFFO). 

Bollywood actor Vivek Oberoi came down specially for the closing ceremony and enthralled audience with his forthcoming film teaser Mr & Mrs Grey. He was accompanied alongwith with the film producer Shikha Ahluwalia. Omani actor Sami Sarang, who acted in number of Malayalam films including “Raasta” and in Anirban Ray’s short film “Des Pardes” was also invited. Noted Omani singer Jihad Al Raisi rendered a Bollywood, on which Vivek Oberoi was very much moved and acknowledged his soulful voice.

Speaking at the glittering ceremony, Sudha Sha, President, IFFO, expressed her heartfelt gratitude to all the embassies, participants, official partner and particularly Vox Cinema. She also thanked the wonderful audience that made the festival a resounding success.

Sha, who has been involved in many film projects since for long, praised the collaborative spirit fostered by Vox Cinema, highlighting the remarkable venue, high-quality technical screens, and exceptional hospitality, and reaffirmed IFFO’s commitment to nurturing global cinematic partnerships.   

Qasim Al Sulaimy Vice President of Arabwood welcomed the guests and said, Oman is looking forward for more such film projects to be launched in the near future.

Deputy Ambassador French embassy Luciano, addressing the esteemed invitees, reflected on the successful festival and introduced the final screening of the French film ‘Divertimento’ . Representatives from all nine participating embassies—France, Italy, Cyprus, Spain, Romania, Netherlands, Germany, Austria, and Hungary—were present at the event, marking the end of a remarkable cultural exchange through cinema.

Omani actor Sami Sarang with Vivek Oberoi

One of the evening’s highlights was the much-anticipated release of the concept teaser for an exciting anthology movie from Oman, created in collaboration with international partners. This unique project, initiated by Arabwood, aims to explore themes that unite and divide humanity, showcasing diverse stories from across the world. The concept teaser was officially unveiled by the “Company” actor. Arabwood International Patron Dr. Mohamed Khan (Khan Media City, Dubai), proposed anthology production spectrum partner Abdul Aziz Barudgar, and IFFO President Sudha Sha.

Adding to the star-studded night, Vivek Oberoi also released the teaser for his latest film, Mr & Mrs Grey accompanied by producer Shikha Aluwahlia and special guest Cham Majolica, Managing Director of The Diplomatic Club. The dual teaser launches underscored the exciting cinematic developments that lie ahead, both locally and internationally.

Earlier, the young dancers from the Delicious Academy for Dance and Kings welcomed the “Lucifer” actor with his numbers, on which Vivek Oberoi was moved and recalled his days as young dancer performing on stage and that too in Muscat.

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Events Films UK News

‘Santosh’ selected as UK’s Oscar entry

Santosh premiered earlier this year at the Cannes Film Festival in the Un Certain Regard section, where it received a lot of attention…reports Asian Lite News

Britain has chosen Santosh, an Indian police procedural directed by Sandhya Suri, as its official entry for the 2025 Oscars in the Best International Feature category, according to The Hollywood Reporter.

The film stars Shahana Goswami as Santosh, a young Hindu widow who inherits her late husband’s position as a police constable through a government scheme. As she steps into the role, she becomes entangled in institutional corruption. She teams up with veteran detective Inspector Sharma, played by Sunita Rajwar, to investigate the murder of a teenage girl from the lower-caste Dalit community.

Santosh premiered earlier this year at the Cannes Film Festival in the Un Certain Regard section, where it received a lot of attention. North American distribution rights were quickly picked up by Metrograph Pictures.

Santosh marks Sandhya Suri’s first narrative feature after her acclaimed documentary I For India (2005) and her award-winning short film The Field, which won Best International Short at the Toronto International Film Festival in 2018 and earned a BAFTA nomination in 2019.

The U.K. has been nominated for the Best International Feature category at the Academy Awards three times, winning its first Oscar earlier this year with Jonathan Glazer’s Holocaust drama The Zone of Interest.

The film was made by Good Chaos, in collaboration with co-producers Razor Film and Haut et Court, and is financed by the BFI and BBC Film. The UK regularly selects non-English language films for this category, as it is a requirement for the Best International Feature Film submission.

Written and directed by Suri, Santosh is a gripping investigative thriller. The film will now compete against Laapataa Ladies and several other submissions from around the world for a chance at an Oscar nomination. The final five nominees will be announced by the Academy in January 2025.

The shortlist for the 2025 Oscars, including contenders for Best International Feature, will be announced on December 17, 2024, with official nominations to follow on January 17, 2025. The 97th Academy Awards will take place on March 2, 2025. (ANI)

ALSO READ: New UK-Kenya investment partnership rings in UK trade visit