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The Red One (2024): A High-Stakes Christmas Adventure With A Twist

The Red One, a 2024 American action-adventure fantasy comedy, directed by Jake Kasdan and written by Chris Morgan, offers a thrilling twist on the classic Christmas story. The film follows an unlikely duo—a highly trained E.L.F. (Extremely Large and Formidable) operative and the world’s top tracker—as they embark on a daring mission to rescue Santa Claus after he is kidnapped, just days before Christmas Eve. When Santa, affectionately known as “The Red One” by his secretive North Pole team, is snatched away by a villain, chaos erupts at the North Pole. With the holiday season in jeopardy, the elves descend into panic, and Christmas itself hangs in the balance. As the fate of the world’s most beloved holiday teeters on the edge, the unlikely heroes must race against time to save Christmas and restore order to the North Pole. This action-packed Christmas adventure blends heartwarming holiday spirit with fast-paced thrills, promising to keep audiences on the edge of their seats as they root for the heroes to save the day in time for the most magical night of the year. A feature by columnist Riccha Grover for Asian Lite International.

The task of saving Christmas falls to the North Pole’s steadfast and formidable Head of Security, played by Dwayne Johnson. Known for his tough-as-nails demeanor, immense strength, and unwavering commitment to safeguarding the magic of Christmas, Johnson’s character has long been the silent protector of Santa and the smooth running of the holiday season. But this year, the stakes are higher than ever. With Santa’s sudden disappearance, the very essence of Christmas is at risk, and the pressure is on for him to protect everything he holds dear.

The Head of Security soon realizes that rescuing Santa is a task too big for him to tackle alone. Reluctantly, he’s forced to team up with the world’s most infamous and unpredictable bounty hunter, portrayed by Chris Evans. Evans’ character is everything the North Pole’s stoic protector isn’t—brash, sarcastic, and driven by a ruthless code of his own. A rogue with a reputation for bending (or breaking) the rules, the bounty hunter is known for getting the job done, no matter the cost or method. Operating outside the law, he tracks down dangerous criminals worldwide for the right price, with little regard for the holiday spirit or traditions. However, as the stakes of the mission escalate, even he might find that saving Christmas is a cause worth fighting for.

Despite their starkly different personalities, the two unlikely allies form a tense partnership and set off on a high-stakes, globe-trotting adventure that takes them far beyond the familiar, snow-covered confines of the North Pole. Their mission is clear: rescue Santa Claus from the hands of his elusive kidnappers and save Christmas before the world wakes up on December 25th to find empty stockings and cold chimneys.

The pair’s journey spans a variety of exotic and dangerous locations, from snow-capped mountains to dense forests and even bustling cities. Along the way, they must confront not only external threats but also their own vastly different approaches to problem-solving. The Head of Security believes in order, rules, and honor, while the bounty hunter thrives on chaos, improvisation, and a good fight. Their constant clashing leads to plenty of comedic moments, especially as they try to outwit each other in sticky situations, but their growing respect for each other’s strengths gradually transforms their working relationship.

The challenges they face are as diverse as they are perilous. From tracking down the leads on Santa’s whereabouts to battling rival factions who want to seize control of Christmas for their own gain, every step of the mission is a race against time. But amid the car chases, daring escapes, and hand-to-hand combat, the magic of Christmas still finds a way to seep into their journey. They encounter people around the world who are clinging to the hope that Santa will deliver presents on Christmas morning, reminding them of what’s truly at stake. Slowly, even the bounty hunter begins to realize that this mission is about more than just saving one man-it’s about preserving the hope, joy, and wonder that Christmas represents to millions of people.

At the heart of The Red One is the unlikely bond that forms between Johnson and Evans’ characters. While the Head of Security starts the mission determined to maintain control and keep things strictly professional, he’s gradually forced to loosen up and trust his impulsive partner. Similarly, the bounty hunter, who begins the story as a lone wolf driven solely by personal gain, finds himself rediscovering a sense of purpose and camaraderie as he becomes invested in saving Christmas. Their evolving partnership adds a layer of heart to the action, as the two characters realize that even the toughest missions can’t be accomplished without trust, teamwork, and a little holiday magic.

Of course, no Christmas movie would be complete without a few lighthearted, festive moments, and The Red One delivers in spades. Whether it’s a high-speed chase through a city decorated with twinkling lights, a fight scene in a toy factory filled with malfunctioning gadgets, or a race against time in the middle of a blizzard, the movie masterfully blends action with humor, keeping the tone lighthearted even as the stakes remain high. The film’s holiday setting is ever-present, with nods to traditional Christmas imagery, from candy cane weapons to sleigh-inspired vehicles, ensuring that even in the most intense scenes, the spirit of the season shines through.

As the duo edges closer to their goal, the mystery surrounding Santa’s kidnapping deepens. Why would anyone want to steal the world’s most beloved figure? And who is truly behind the plot to sabotage Christmas? The answers unravel in a thrilling climax that pits Johnson and Evans’ characters against a powerful enemy determined to rewrite the rules of the holiday. With time running out and the weight of the world’s expectations on their shoulders, the pair must give everything they’ve got to bring Santa home and restore the holiday magic before it’s too late.

In the end, The Red One is more than just an action-packed Christmas movie. It’s a story about the power of belief, the importance of teamwork, and the lengths we go to in order to protect the things we cherish. With its blend of explosive action, hilarious banter, and heartwarming moments, the film is destined to become a holiday favorite for years to come. Whether you’re watching for the thrill of the chase, the festive cheer, or the dynamic chemistry between Dwayne Johnson and Chris Evans, The Red One offers something for everyone, proving that even in the face of overwhelming odds, the magic of Christmas is worth fighting for.

After Santa Claus (code name: Red One) is kidnapped, the North Pole’s Head of Security (Dwayne Johnson) must team up with the world’s most infamous bounty hunter (Chris Evans) in a globe-trotting, action-packed mission to save Christmas.

The film stars Dwayne Johnson, Chris Evans, Lucy Liu, Kiernan Shipka, Bonnie Hunt, Nick Kroll, Kristofer Hivju, Wesley Kimmel, and J. K. Simmons. Johnson, Hiram Garcia, Dany Garcia, Morgan, Kasdan, and Melvin Mar are the film’s producers. The project is seen as the first of a Christmas franchise, produced by Amazon MGM Studios in association with Seven Bucks Productions, Chris Morgan Productions, and The Detective Agency. Red One was released internationally by Warner Bros. Pictures.

It’s a great Christmas movie for all! 

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THE BOAT: True story of a father forced to make a devastating choice

Writer/director Luke Morgan’s THE BOAT is based on a true story of a father whose daughter displays some troubling medical symptoms forcing him to make a devastating decision. This heart-breaking short film has qualified to be considered for the 97th Academy® Awards after winning the qualifying awards at the Foyle Film Festival and Cork Film Festival. This heart-rending film has also qualified to be considered for the 2025 Oscars®. A feature by columnist Riccha Grrover for Asian Lite International.

When Dhuckia’s father discovers that she is showing the early symptoms of leprosy, he must make a devastating choice. Based on a true story. Luke Morgan is an Irish writer and director. He was nominated for the Discovery Award at the Dublin International Film Festival in 2020, and was awarded the 2015 Screenplay Pitching Award at the Galway Film Fleadh. He is also an award- winning published poet. 

Producing duo Jake and Luke Morgan are the founders of Morgan Brothers based in the West Coast of Ireland. They specialise in film production, theatre, storytelling and music. Their projects are ambitious in scope, yet love is at the centre of everything they do.

The Mission To End Leprosy (TMTEL) is a global network of organisations sharing a passion to end the oldest known and still existing communicable disease in human history. Ken Gibson is the CEO at The Mission To End Leprosy, Dhukia was the very first young girl he met with Leprosy and her story compelled him to commit to doing everything to ensure that no dad ever has to face such a choice again. In that very real sense, Dhukia’s story has already had a global impact: it is the inspiration and the heart of TMTEL’s Global Leprosy Eradication Programme. It’s a story with the potential to bring healing to 50 million people and to prevent generations to come from the suffering and stigma that leprosy causes.

The stunning cinematography was created by Lakshika Serasinhe. Along with its great success at Cork and Foyle Film Festival this thought-provoking film has won many more accolades along the way including Best Short Film and Best Composer at the Worcester amongst many more. 

As THE BOAT embarks on its global journey, the Morgan brothers are committed to using their success to support organisations working towards eradicating leprosy. This Oscar qualifying is a catalyst for change, inspiring audiences to join the mission to end leprosy and break down the stigma associated with this age-old disease.

ALSO READ: The Taste Of Mango: Award winning Documentary about generational bonds

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‘Pathaan 2’ script is ready for dialogues, reveals Abbas Tyrewala

Recently, writer-director Abbas Tyrewala appeared on a podcast with Cyrus Broacha, and spoke about the film….reports Asian Lite News

The second part of the Shah Rukh Khan-starrer ‘Pathaan’ seems to be moving at a brisk pace. The spy action film, which starred SRK in the titular role, turned out to be one of the biggest blockbusters of all times. And now with ‘Pathaan 2’, the recent update is that the script of the film is ready for dialogues.

Recently, writer-director Abbas Tyrewala appeared on a podcast with Cyrus Broacha, and spoke about the film. He said, “I believe the script is almost ready for dialogue”. While he was at it, he also expressed hope that he would be offered to write the script of the action film. He also said that currently the shoot of ‘War 2’ is underway.

‘Pathaan’ marked the return of SRK to the silver screen after more than 4 years, and exploded at the box-office owing to its massy appeal, and the ‘dialoguebaazi’.

Prior to ‘Pathaan’, SRK was seen in his ambitious project ‘Zero’ which turned out to be a disaster and was unanimously panned by the critics. SRK made a return with a bang considering he fought a battle on the personal front as well with the arrest of his elder son Aryan Khan in connection with the Mumbai cruise drugs case early in October 2021.

Later, it turned out that the CBI filed a corruption case against Sameer Wankhede, the former NCB officer. He and four others are accused of seeking Rs 25 crore bribe for not framing Aryan Khan in the drugs-on-cruise case.

Meanwhile, SRK followed up the success of ‘Pathaan’ with an even bigger hit in the form of ‘Jawan’ in which he essayed dual roles of a father and a son.

‘Jawan’ was the highest grossing Hindi film of all time until the Shraddha Kapoor and Rajkummar Rao-starrer ‘Stree 2’ beat its record at the box-office.

ALSO READ: Roshan: The Man Who Brought Classical Music to Bollywood

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It’s a wrap for Pooja Hegde, Shahid Kapoor-starrer ‘Deva’

In the picture, Shahid Kapoor and Pooja Hegde can be seen cutting the cake along with the choreographer duo Bosco-Caesar…reports Asian Lite News

The upcoming Shahid Kapoor and Pooja Hegde-starrer movie ‘Deva’ has wrapped up its filming. The makers of the film took to Instagram on Wednesday and shared a picture from the wrap-up of the film.

In the picture, Shahid Kapoor and Pooja Hegde can be seen cutting the cake along with the choreographer duo Bosco-Caesar.

The makers wrote in the caption, “And it’s a wrap! Get ready to witness Deva’s electrifying action soon. #SongWrap #Deva in cinemas on 14th February 2025.”

The film is directed by acclaimed Malayalam filmmaker Rosshan Andrrews and produced by Siddharth Roy Kapur and promises an action-packed roller-coaster ride full of thrill and drama. The action spectacle wrapped up with a high-energy song sequence and was shot over the last four days in Mumbai.

The song is choreographed by Bosco Martis. With this, the excitement surrounding the film has reached a new level.

In the movie, Shahid will be seen playing a defiant police officer, while Pooja Hegde stars as the leading lady in the role of a journalist.  The film also stars Pavail Gulati. For the film, he underwent a physical transformation and moved from a slender build to a muscular body. The actor, who plays the role of a cop in ‘Deva’, gained 3 kgs and has cut down on fat.

For him, the journey of physical transformation has been about more than just transforming his physique, it’s been about discipline, and trying new things.

He had earlier mentioned that he has been working to gain muscle weight to complement the role of a cop in the film. “I have so far gained around 3 kgs of muscle and cut down on fat! Extremely hard for me because I have a tendency to lose weight! I have been training with Amar Pendunkar to achieve the fitness that is required for the movie and my role,” he added.

Produced by Zee Studios and Roy Kapur Films, ‘Deva’ is set to be released on February 14, 2025.

ALSO READ: iFestival 2024: Showcasing Futuristic Design and Sustainability

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‘Girls Will Be Girls’ Wins Grand Jury Honor at IFFLA

Starring Kani Kusruti and Preeti Panigrahi, ‘Girls Will Be Girls’ is tagged as a coming-of-age drama, focusing on a 16-year-old girl and her complex relationship with her mother…reports Asian Lite News

Actors Richa Chadha and Ali Fazal’s production ‘Girls Will Be Girls’, which is directed by Shuchi Talati, has won the Grand Jury honour at the Indian Film Festival of Los Angeles (IFFLA).

This marks the third accolade for the film, having recently won Grand Jury prizes at the Transylvania International Film Festival in Romania and the Biarritz Film Festival in France.

Richa said: “Winning the Grand Jury Prize at IFFLA is an incredible honour. It’s gratifying to see the hard work and dedication of our entire team being recognised on such a prestigious platform. ‘Girls Will Be Girls’ is a story close to our hearts, and we are thrilled that it continues to resonate with audiences globally.”

She further added, “This is the third win for the film this month, which is huge. The response has been overwhelming, and the love the film is receiving is truly exceptional. We couldn’t have asked for a better debut as producers.”

Starring Kani Kusruti and Preeti Panigrahi, ‘Girls Will Be Girls’ is tagged as a coming-of-age drama, focusing on a 16-year-old girl and her complex relationship with her mother.

Ali Fazal said: “This journey has been nothing short of magical. From Sunburn to Cannes and now IFFLA, each accolade reaffirms our belief in the power of authentic storytelling.”

“We are grateful for the support and love we’ve received, and we’re excited to see where ‘Girls Will Be Girls’ will go next.”

Set against the backdrop of a strict boarding school in the Himalayas, the film delves into Mira’s journey of teenage love through the lens of societal judgment of female desire.

ALSO READ-A. R. Rahman’s ‘Headhunting to Beatboxing’ Debuts at IFFM 2024

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‘Kalki 2898 AD’ Receives High Praise from Celebrities

Rajamouli Lauds Prabhas, Amitabh, Kamal, and Deepika in ‘Kalki 2898 AD’

Auteur S.S. Rajamouli has heaped praise on the cast of the latest release ‘Kalki 2898 AD’, saying the film “transported me into various realms with its incredible settings”. 

Rajamouli took to Instagram Stories, where he shared a poster of the film featuring Prabhas that hit the screens on Thursday.

For caption, he wrote: “Loved the world-building of ‘Kalki 2898 AD’… It transported me into various realms with its incredible settings.”

Talking about Prabhas, he said: “Darling just killed it with his timing and ease…”

Rajamouli also praised megastar Amitabh Bachchan, Kamal Haasan, and Deepika Padukone for their performance in the film.

“Great support from Amitabh Bachchan ji , Kamal sir, and Deepika,” he wrote.

It was the climax that stunned Rajamouli, who also praised ‘Kalki 2898 AD’ director Nag Ashwin.

“The last 30 minutes of the film took me to a whole new world. Kudos to Nagi and the entire Vyjayanthi team and their unmatched efforts in executing it,” he wrote.

Directed by Nag Ashwin, ‘Kalki 2898 AD’ is inspired by Hindu scriptures and is set in a post-apocalyptic world in the year 2898 AD.

On the work front, Rajamouli’s his last directorial venture ‘RRR’ starring NTR Jr and Ram Charan turned out to be a blockbuster.

‘Kalki 2898AD’ Impresses Vijay Deverakonda

Vijay Deverakonda says Indian cinema’s new level unlocked by ‘Kalki 2898AD’

Mumbai, June 29 (IANS) Actor Vijay Deverakonda, who had a special appearance in Nag Ashwin’s ‘Kalki 2898 AD’, said that Indian cinema has unlocked a new level.

Vijay took to X and said that he was speechless after watching the film, where he has a cameo appearance as Arjuna, the third Pandava brother and a powerful archer.

“Just watched the film. I don’t know what to say… Overwhelmed. Indian cinema new level unlocked… Wth was that! I hope it makes 1000 crore and more… #Kalki2898AD,” he said.

On Saturday, veteran star Nagarjuna Akkineni also heaped praise on the Prabhas-starrer film.

The actor tweeted: “Congratulations to the team of Super duper #Kalki2898AD!! Naagi, you took us to another time and another place, entwining fiction with mythology and history so effortlessly!”

Nagarjuna then went on to talk about Amitabh Bachchan and Kamal Haasan, writing: “Amith Ji, the original mass hero… Sir, you are on fire. Can’t wait to see Kamalji in the sequel… did not get enough of him! Prabhas you did it all over again!! Deepika ji you look so ethereal and convincing as the divine mother!! And the rest of the team. Ashwini Dutt Garu, dear sweety and Swapna, God bless you! Indian cinema has done it again!!”

‘Kalki 2898 AD’, which was released on June 27, revolves around the tale of a select few who are on a mission to save the unborn child, Kalki.

‘Kalki 2898AD’ Earns High Praise from Nagarjuna

Veteran star Nagarjuna Akkineni has heaped praise on ‘Kalki 2898 AD’ and called megastar Amitabh Bachchan, who plays the role of Ashwatthama in the film, the “original mass hero.”

Nagarjuna took to X and praised filmmaker Nag Ashwin for blending “fiction with mythology and history so effortlessly.”

“Congratulations to the team of Super duper #Kalki2898AD!! Naagi, you took us to another time and another place. entwining fiction with mythology and history so effortlessly!!” he wrote.

The actor then praised Amitabh, writing: “Amith Ji, the original mass hero… Sir, you are on fire.”

Nagarjuna also expressed his desire to see more of superstar Kamal Haasan, who plays the role of Supreme Yaskin, the proclaimed god of the Complex, and mentioned his anticipation for the second instalment.

“Can’t wait to see Kamalji in the sequel… did not get enough of him! Prabhas, you did it all over again!!”

Regarding Deepika Padukone and the rest of the cast, he wrote: “Deepika ji, you look so ethereal and convincing as the divine mother!! And the rest of the team. Ashwini Dutt Garu, dear Sweety, and Swapna, God bless you! Indian cinema has done it again!!”

‘Kalki 2898 AD’, which was released on June 27, is the first part of the ‘Kalki’ universe, which is set in a post-apocalyptic world in the year 2898 AD. Inspired by Hindu scriptures, it tells the tale of a select few on a mission to save the unborn child Kalki.

‘Kalki 2898 AD’ is set to touch Rs 150 crore domestic earnings on its third day of release, having minted Rs 149.3 crore on its second day after release.

ALSO READ-Deepika Dazzles in ‘Kalki 2898 AD’ Poster

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‘Kalki 2898 AD’: A Cinematic Triumph Blending Mythology and Sci-Fi

Amitabh Bachchan mesmerises as Ashwatthama, his restrained yet powerful performance adding gravitas to pivotal scenes. This is one of the best roles we have seen him in recently…reports Asian Lite News

‘Kalki 2898 AD’ directed by Nag Ashwin is a mesmerising journey into a dystopian future where mythology and technology collide.

Set against the backdrop of the last city on Earth, Kashi, in the year 2898 AD, the film boasts of a stellar ensemble cast led by Amitabh Bachchan, Kamal Haasan, Prabhas, Deepika Padukone, and Disha Patani. It promises a cinematic experience that blends epic action, profound mythology, and intricate character dynamics.

Prabhas delivers a tour de force performance, embodying the charismatic Bhairava with a surprising twist pivotal to the plot. His portrayal balances humour, intensity, and vulnerability, anchoring the film with his dynamic presence.

Amitabh Bachchan mesmerises as Ashwatthama, his restrained yet powerful performance adding gravitas to pivotal scenes. This is one of the best roles we have seen him in recently.

Deepika Padukone delivers a power-packed performance, infusing Sumathi with depth and resilience. Kamal Haasan commands the screen as the Supreme Yaskin, portraying the antagonist with chilling charisma.

Nag Ashwin’s direction is visionary, seamlessly blending sci-fi elements with mythological undertones from the Mahabharata. He masterfully crafts the narrative as it unfolds in layers, keeping viewers engaged with its intricate twists and emotional depth.

Kashi’s dystopian world is brought to life by Djordje Stojiljkovic’s breathtaking cinematography, capturing both the grandeur and grit of the cityscape.

The film’s production values overseen by Vyjayanthi Movies are top-notch, evident in the detailed art direction, impressive VFX, and intricate costume designs that enhance the immersive experience.

Santhosh Narayanan’s background score complements the narrative’s emotional beats and action sequences, though some songs may require repeated listening to resonate fully.

Kota Venkateswara Rao’s editing, while generally effective, could benefit from tighter pacing in the film’s first half to maintain momentum.

‘Kalki 2898 AD’ delves into such profound themes as identity, destiny, and the ethical dilemmas posed by scientific advances.

The film skilfully navigates between its high-octane action sequences and introspective character moments, culminating in a climactic showdown that leaves a lasting impact. The integration of mythological elements enriches the narrative, offering viewers a thought-provoking exploration of humanity’s future.

‘Kalki 2898 AD’ stands as a testament to pan-Indian ambition and creativity, pushing the boundaries of Indian cinema with its bold storytelling and compelling performances.

The film’s first half may seem a bit slow, but the payoff in the second half is worth the wait, delivering thrilling action sequences and poignant character arcs. Amitabh Bachchan, Kamal Haasan, Prabhas, and Deepika Padukone deliver standout performances, supported by a talented ensemble cast.

Nag Ashwin’s vision and direction elevate the film, making it a must-watch for fans of epic sci-fi adventures.

‘Kalki 2898 AD’ is a cinematic triumph that captivates with visuals, resonates with its themes, and leaves audiences eagerly anticipating future instalments. It is a journey that proves both exhilarating and thought-provoking, cementing its place as a milestone in Indian cinema.

Film: Kalki 2898 AD (Playing in theatres)

Duration: 180.56 minutes

Director: Nag Ashwin Star

Cast: Amitabh Bachchan, Kamal Haasan, Prabhas, Deepika Padukone, Disha Patani, Rajendra Prasad, Saswata Chatterjee, Brahmanandam, Anna Ben, Shobana, Mrunal Thakur, Dulquer Salmaan, and Vijay Deverakonda

Rating: ****

ALSO READ-Kalki 2898 AD’ Trailer Promises Epic Sci-Fi Adventure

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Aaryan Shines in Kabir Khan’s Latest Biopic

The bronze medal won by wrestler Khashaba Dadasaheb Jadhav of his village at the 1952 Olympics in Helsinki makes Murli start dreaming of winning one such medal in wrestling one day…reports Asian Lite News

Sports in any country inspire the young. And Hindi cinema and sports connect so well that as many as eight films are being scripted around this theme almost every year.

In India, judging by the number of sports biopics being made, any athlete or player who has had some glory associated with his or her name, makes an even more moving and motivating saga on celluloid. And the list of such sport stars seems to be growing every year.

Kartik Aaryan’s new film ‘Chandu Champion’ is yet another life story of a champion, this time of Murlikant Petkar, India’s first Paralympic gold medalist. Blending fictional elements into the 143-minute narrative, director Kabir Khan attempts to tell the incredible true story of Petkar, known fondly as Murli. Petkar’s journey, a remarkable example of victory over adversity, deservedly needed to be documented.

Born Murlikant Petkar (Kartik Aaryan) in 1944 in the Peth Islampur region of Sangli, Maharashtra, Murli showed early signs of rebellion if any of his classmates in school so much as laughed at his ambition of winning an Olympic medal some day.

The bronze medal won by wrestler Khashaba Dadasaheb Jadhav of his village at the 1952 Olympics in Helsinki makes Murli start dreaming of winning one such medal in wrestling one day.

Murli’s life is full of obstacles. Teased by his friends for dreaming big, he is nicknamed ‘Chandu Champion’, an epithet for a loser. It only eggs him on to be all the more determined.

His brother Jagannath (Anirudh Dave), who dotes on him, suggests he build his body first and enroll himself for wrestling training at the local akhara. After a foolhardy decision at the wrestling ring, he has no choice but to run away as the local politician sends his men after him to finish him off. That puts an end to Murli’s dream of becoming an Olympic wrestler.

Murli then manages to board a train on which a bunch of athletes are travelling to an Army recruitment camp. It was on this journey that he befriends Jarnail Singh (Bhuvan Arora), who guides him throughout. That journey also results in his joining the Corps of Electronics and Mechanical Engineers (EME) of the Indian Army as a craftsman-jawan.

At EME Secunderabad he trains to become a boxer and his coach, Tiger Ali (Vijay Raaz), who becomes his mentor. But life does not move according to Murli’s well-laid-out plans. He fights the 1965 India-Pakistan war, gets shot, spends two years in hospital and becomes paralysed waist below. He also loses his best friend, Jarnail Singh.

A long-drawn struggle and hindrances follow, but Murli’s spirit of survival and resilience helps him overcome his physical disability to emerge a winner. He takes up swimming and other sports. He plays table tennis at the 1968 Summer Paralympics in Tel Aviv and clears the first round, but doesn’t get much ahead.

At the next Summer Paralympics in Heidelburg, Germany, in 1972, Murli made history by returning home with a gold medal in swimming, becoming the first Indian Olympian to win gold.

‘Chandu Champion’ is now a real champion on the world stage.

Kabir Khan is not new to hits and successes — and his name spells class. To make a film on the life of a man who faced one adversity after another with an undying spirit of resilience should have been easy for a director of his calibre. One expected Khan to dig deeper into the emotional battle, besides his physical transformation, of Murlikant Petkar.

He is ably supported by a brilliant cinematographer Sudeep Chatterjee (Bhansali’s favourite), who adds enough heft to the frames. Whether it is the village terrain, the state-of-the-art athletic tracks, the boxing ring, or the hospital, all come to life through his seasoned lens.

The jarring background score by Julius Packiam as also the songs by Pritam only serve as irritants in a film that demanded pregnant pauses and silences to convey emotions.

Credited to Kabir Khan, Sumit Arora and Sudipto Sarkar as writers, the script is high on melodrama, notably in scenes where it was least needed. Aaryan tries hard to play Murli as best as he can. But he is limited in expressing and communicating the demands of an inner turmoils of a tormented character. It is the poor writing too that restricts his performance.

His transformation into Murlikant Petkar would have been commendable, had he reflected on portraying the character with more dedication. Merely embodying an athlete’s appearance is not enough.

Hindi film actors thrive on getting their physicality meant for a character they portray, right. The rest they leave it to the camera to carry forward.

When Murli participates in the Paralympics as a swimmer, special care is taken to make him look like the world-class swimmers Mark Spitz and Michael Phelps. With short cropped hair, chiseled jawline, and deadpan facial expressions, Aaryan attempts every possible angle to look like a world-class champ. If only he could act!

Film: Chandu Champion (Playing in theatres)

Duration: 143 minutes

Director: Kabir Khan

Cast: Kartil Aaryan, Vijay Raaz, Bhuvan Arora and Yashpal Sharma

Cinematography: Sudeep Chatterjee

Music: Pritam

Rating: **

ALSO READ-Aarambh Mumbai’s Fabulous 15th Year of Theatre Excellence

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Decades of Diwali Hits: Bollywood’s Biggest Holiday Weekend Releases

‘Hum Saath Saath Hain’ (1999): Sooraj Barjatya’s family film starring Salman Khan, Karisma Kapoor, Saif Ali Khan, Sonali Bendre, Tabu and Mohnish Behl, and many more stars, was a hit Diwali offering that families loved…reports Asian Lite News

For the past several decades, various films have been released on Diwali weekend, which has always been considered a prime slot.

Big-ticket films reserved slots for a Diwali release to cash in on the holiday spirit and attract families to watch their cinematic offerings.

From ‘Baazigar’ (1993), starring Shah Rukh Khan, Kajol and Shilpa Shetty, ‘Andaz Apna Apna’ (1994) starring Aamir Khan and Salman Khan, ‘Dilwale Dulhania Le Jayenge’ (1995) starring Kajol and SRK, Aamir Khan’s ‘Raja Hindustani’ (1996) and ‘Ghatak’ starring Sunny Deol and Meenakshi Sheshadari, the list of Diwali releases is a long one.

Let’s take a look at some of the biggest, as well as some of the forgotten Bollywood Diwali releases of the past 24 years:

Yash Chopra’s ‘Dil Toh Pagal Hai’ (1997), released a day after Diwali, starring SRK, Madhuri Dixit and Karisma Kapoor, and had people thronging to the theatres.

‘Kuch Kuch Hota Hai’ (1998), Karan Johar’s debut film, starring SRK, Kajol and Rani Mukherjee, was a runaway hit.

‘Hum Saath Saath Hain’ (1999): Sooraj Barjatya’s family film starring Salman Khan, Karisma Kapoor, Saif Ali Khan, Sonali Bendre, Tabu and Mohnish Behl, and many more stars, was a hit Diwali offering that families loved.

‘Mohabbatein’ (2000): Adiya Chopra’s film, starring Amitabh Bachchan, and SRK, along with Jimmy Shergill, Uday Chopra, Shamita Shetty, Jugal Hansraj, Kim Sharma, and Preeti Jhangiani, focused on college romance and it was a huge hit.

‘Mission Kashmir’ (2000), directed and produced by Vidhu Vinod Chopra, the film starred Hrithik Roshan, Jackie Shroff and Sanjay Dutt. It did average business.

‘Pinjar’ (2003:) Directed by Chandraprakash Dwivedi, the film came out a bit before Diwali and at this point, is likely erased from the memories of many. It stars Manoj Bajpayee, Urmila Matondkar, Sanjay Suri, Kulbhushan Kharbanda, Isha Koppikar, Farida Jalal, Sandali Sinha, and Priyanshu Chatterjee. While a box office disaster, the movie received great acclaim.

‘Veer-Zaara’ (2004): A Yash Chopra film starring SRK, Preity Zinta and Rani Mukherjee, the film earned over Rs105 crore worldwide, and was the highest-grossing Indian film of the year.

Another major film that released that year during Diwali, ‘Aitraaz’, starring Akshay Kumar, Priyanka Chopra and Kareena Kapoor, did average business.

‘Garam Masala’ (2005) Director Priyadarshan’s Diwali flick was quite a hit and stars Akshay Kumar, John Abraham, Paresh Rawal, Rajpal Yadav and Rimi Sen.

‘Don – The Chase Begins’ (2006): Farhan Akhtar’s ‘Don’, a remake of the superhit 1978 film starring Amitabh Bachchan, stars SRK and Priyanka Chopra. It was a hit.

‘Om Shanti Om’ (2007): Farah Khan’s tribute to the world of Hindi Cinema, starring SRK, was Deepika Padukone’s debut film. It was a huge hit.

In contrast, Sanjay Leela Bhansali’s ‘Saawariya’, starring Ranbir Kapoor, Salman Khan and Rani Mukherjee, fared poorly at the box office the same year.

‘Golmal Returns’ (2008): Rohit Shetty’s film starring Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Kareena Kapoor and Shreyas Talpade, was one of the highest-grossing Hindi films of the year.

In contrast, Madhur Bhandarkar’s ‘Fashion’ starring Priyanka Chopra, released during the same Diwali time, did average business that year.

‘Golmaal 3’ (2010): Directed by Rohit Shetty, ‘Golmaal 3’, starred Ajay Devgn, Arshad Warsi, Mithun Chakraborty, Kareena Kapoor, Tusshar Kapoor, Shreyas Talpade, Kunal Khemu, Ratna Pathak Shah, and Johnny Lever, was a blockbuster hit.

Vipul Amrutlal Shah’s ‘Action Replayy’ starring Akshay Kumar and Aishwarya Rai on the other hand, fared very poorly at the box office.

‘Ra.One’ (2011): Director Anubhav Sinha’s sci-fi film ‘Ra.One’, starring Shah Rukh Khan in a dual role, Kareena Kapoor and Arjun Rampal, was a hit.

‘Jab Tak Hai Jaan’ (2012): Yash Chopra’s last directorial ‘Jab Tak Hai Jaan’ released on Diwali in 2012, and starring SRK, Katrina Kaif and Anushka Sharma, did decent business at the box office.

In 2012, another Diwali release was ‘Son of Sardar’, directed by Ashwni Dhir. A remake of Telugu film ‘Maryada Ramanna’ directed by S.S. Rajamouli, the Hindi film starring Ajay Devgn, Sanjay Dutt, Sonakshi Sinha and Juhi Chawla, was a hit.

‘Krrish 3’ (2013): A major film, Rakesh Roshan’s ‘Krrish 3’, starring Hrithik Roshan, Vivek Oberoi, Priyanka Chopra and Kangana Ranaut, was quite a hit.

‘Happy New Year’ (2014): The Farah Khan directorial produced by Gauri Khan under the banner of Red Chillies Entertainment, was a big hit. The film stars SRK, Deepika Padukone, Abhishek Bachchan, Sonu Sood, Boman Irani, and Jackie Shroff.

‘Prem Ratan Dhan Payo’: (2015) Sooraj Barjatya’s, starring Salman Khan, and Sonam Kapoor, was a hit.

‘Golmaal Again’ (2017): Rohit Shetty’s follow up to ‘Golmaal 3’, his comedy film starring Ajay Devgn, Parineeti Chopra, Tusshar Kapoor, Arshad Warsi and others, was loved by movie goers.

‘Thugs of Hindostan’ (2018): Produced by Aditya Chopra, and starring Aamir Khan and Amitabh Bachchan, was a box office disaster despite the hype around it.

‘Housefull 4’ (2019): The fourth installment to the comedy franchise directed by Farhad Samjhi and starring Akshay Kumar, Bobby Deol, Kriti Sanon, Ritesh Deshmukh, Pooja Hedge, and Kriti Kharbanda despite its negative reviews was a big hit grossing over Rs 296 crores.

‘Ludo’ (2020): Directed by Anurag Basu, the film featured a big ensemble cast starring Abhishek Bachchan, Aditya Roy Kapur, Rajkummar Rao, Pankaj Tripathi, Fatima Sana Shaikh, Sanya Malhotra, Rohit Suresh Saraf, and Pearle Maane. This film had a highly positive reception.

‘Sooryavanshi’ (2021): Directed by Rohit Shetty as part of his Cop Universe, the film stars Akshay Kumar, Katrina Kaif, Jackie Shroff, and Sikander Kher. A critical and commercial hit, the film was the biggest Bollywood film of the year.

‘Uunchai’ (2022): Directed by Sooraj Barjatya, the movie featured a powerful cast of Bollywood veterans which include Amitabh Bachchan, Anupam Kher, Boman Irani, Sarika, Danny Denzongpa, and Parineeti Chopra. Though not a massive hit, the movie earned a lot of positive reviews.

Another film which came out that year was ‘Monica O My Darling Monica’. Directed by Vasan Bala, the movie was an OTT release and stars Rajkumar Rao, Huma Qureshi, Sikander Kher, and Radhika Apte. It received a lot of positive reviews, becoming one of the most watched Bollywood films on Netflix.

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‘Crew’ Soars with Tabu, Kareena, and Kriti in Heist Comedy

The owner of the airlines is Vijay Walia (Saswat Chatterjee). No prizes for guessing who he is modelled on!) Vijay Mallya, the ex-chairman of Kingfisher — a brand of that offered a line of beverages and an airline group — fled India for the UK…reports Asian Lite News

Hindi cinema has not written very many lead female characters who have careers, although to be fair to scriptwriters, many of the roles for women have been full of substance. And depth.

It is thoroughly interesting therefore to walk into a movie that is about the story of not one but three diligent friends who are working as cabin crew for the fictional Kohinoor Airlines.

Director Rajesh Krishnan helms a 122-minute joy ride in his heist comedy film Crew starring Tabu, Kareena Kapoor Khan and Kriti Sanon playing the leads.

Until their peaceful lives take a dramatic turn, all seems to be fine with the three rather glamorous women — Geetu (Tabu), Jasmine Kohli (Kapoor Khan) and Divya Rana (Sanon), who are a part of an airline crew aged between the 20s and the 40s — when they are unexpectedly caught in a difficult situation orchestrated by someone with ulterior motives. Now, they are trapped in a never-ending struggle, desperately trying to break free.

The owner of the airlines is Vijay Walia (Saswat Chatterjee). No prizes for guessing who he is modelled on!) Vijay Mallya, the ex-chairman of Kingfisher — a brand of that offered a line of beverages and an airline group — fled India for the UK.

Walia in the film leads a luxurious life and cons his way all the way while all along putting up a respectable front that commands tremendous admiration and deference.

The airlines staff hasn’t been paid for a year and the three women — as also other 4,000 members of the company — increasingly get impatient. A young mother cries her heart out to share that her daughter’s school fees has not been paid and that the school principal may rusticate the child.

Geeta has been the bread winner in her family while her loving husband Arun (Kapil Sharma) lives off her. As their in-flight supervisor, she is older than the rest, is tired of working so hard and is waiting for her provident fund to be cleared so that they move to Goa and start life afresh as a restaurateur.

Senior flight attendant Jasmine bonds well with her maternal grandfather (Kulbhushan Kharbanda) after her parents passed away. A sucker for life and money, she dreams of a life that’s rosy all the way. Divya Rana (Sanon) is the most educated of the lot and is a trained pilot.

When recession hit the world, she had to settle for a job as a flight attendant though she lies to her family that she has a job as a captain with the airlines. They all work very hard and their daily woes turn all the more unbearable when they don’t get their due on time.

Things hit rock bottom when they discover that their debt-ridden airline is on the verge of bankruptcy. And the three desperate women look for desperate measures to survive and fulfil their aspirations. for survival.

And they resort to crime.

The best part of the storyline credited to Nidhi Mehra and Mehul Suri is the element of unapologetic behaviour of the three who by the way, could pass of as sexy ramp models.

But they are not dishonest; they seem to be go-getters, if at all. Behaving as outrageously nonchalant, blunt and unrepentant as any Smart-alecky man would be their age, they can take on the might of anyone- man or woman to prove their righteous mind.

What’s more, they have fun all the time. Visiting pubs in their free time, shopping and cracking jokes countering sexism with loaded and equally offensive fun repartees, they live to the full.

Although, make no mistake, underneath the cheery upbeat narrative lies the handling of serious middle-class issues that all families face in our country. Be it the woman feeding her jobless brother and husband or the need for a single woman to find the right match to live with, all are mentioned in passing albeit while driving home a point.

Powerhouse performer Tabu, the veteran among the three, is not seen in too many of these light-hearted frothy films. She, like the other two, has a lot of fun and holds her own wonderfully well. Kareena too looks ravishing and performs with a dare-me-not attitude. Sanon gets a lot of action too and nails it with her spunkiness, not to mention her drop-dead gorgeous looks.

To be fair to the men, both Kapil Sharma as Tabu’s gentle understanding but jobless husband, and Diljeet Dosanjh as the customs officer Jai Singh Rathor who studied in the same school as Divya, have clearly defined roles to play.

That Sharma is a fine actor too, besides a great standup has already been proven in Nandita Das’ ‘Zwigato’. Here, he has a special appearance but manages to leave a mark. Chatterjee and Dossanjh are both well-cast and acquit themselves well.

The technical aspects of the film are first-rate. Anuj Rakesh Dhawan’s cinematography gives us the believable feel of the insides of an aircraft as much as the razzmatazz of bars and cafes fills our eyes.

Songs by Diljeet, Badshaah, Romy, Shrushti Tawade and others that are catchy and foot-tapping. One of veteran duo Laxmikant Pyarelal’s old hits, “Choli ke peechhe kya hai”, and Ila Arun’s “Ghaghra” as remakes are already chartbusters.

The film has its wild moments throughout, but after taking off with a lot of promise, it slides to a tepid landing. Nevertheless, it’s honest, breezy and a joyride!

Film: Crew Duration: 122 minutes

Director: Rajesh A Krishnan Cast: Tabu, Kareena Kapoor Khan, Kriti Sanon, Kapil Sharma Diljeet Dosanjh and Saswat Chatterjee

Music: John Stewart Eduri Cinematography: Anuj Rakesh Dhawan

Duration: 122 minutes

Rating: ***

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