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‘Girls Will Be Girls’ Wins Grand Jury Honor at IFFLA

Starring Kani Kusruti and Preeti Panigrahi, ‘Girls Will Be Girls’ is tagged as a coming-of-age drama, focusing on a 16-year-old girl and her complex relationship with her mother…reports Asian Lite News

Actors Richa Chadha and Ali Fazal’s production ‘Girls Will Be Girls’, which is directed by Shuchi Talati, has won the Grand Jury honour at the Indian Film Festival of Los Angeles (IFFLA).

This marks the third accolade for the film, having recently won Grand Jury prizes at the Transylvania International Film Festival in Romania and the Biarritz Film Festival in France.

Richa said: “Winning the Grand Jury Prize at IFFLA is an incredible honour. It’s gratifying to see the hard work and dedication of our entire team being recognised on such a prestigious platform. ‘Girls Will Be Girls’ is a story close to our hearts, and we are thrilled that it continues to resonate with audiences globally.”

She further added, “This is the third win for the film this month, which is huge. The response has been overwhelming, and the love the film is receiving is truly exceptional. We couldn’t have asked for a better debut as producers.”

Starring Kani Kusruti and Preeti Panigrahi, ‘Girls Will Be Girls’ is tagged as a coming-of-age drama, focusing on a 16-year-old girl and her complex relationship with her mother.

Ali Fazal said: “This journey has been nothing short of magical. From Sunburn to Cannes and now IFFLA, each accolade reaffirms our belief in the power of authentic storytelling.”

“We are grateful for the support and love we’ve received, and we’re excited to see where ‘Girls Will Be Girls’ will go next.”

Set against the backdrop of a strict boarding school in the Himalayas, the film delves into Mira’s journey of teenage love through the lens of societal judgment of female desire.

ALSO READ-A. R. Rahman’s ‘Headhunting to Beatboxing’ Debuts at IFFM 2024

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‘Kalki 2898 AD’ Receives High Praise from Celebrities

Rajamouli Lauds Prabhas, Amitabh, Kamal, and Deepika in ‘Kalki 2898 AD’

Auteur S.S. Rajamouli has heaped praise on the cast of the latest release ‘Kalki 2898 AD’, saying the film “transported me into various realms with its incredible settings”. 

Rajamouli took to Instagram Stories, where he shared a poster of the film featuring Prabhas that hit the screens on Thursday.

For caption, he wrote: “Loved the world-building of ‘Kalki 2898 AD’… It transported me into various realms with its incredible settings.”

Talking about Prabhas, he said: “Darling just killed it with his timing and ease…”

Rajamouli also praised megastar Amitabh Bachchan, Kamal Haasan, and Deepika Padukone for their performance in the film.

“Great support from Amitabh Bachchan ji , Kamal sir, and Deepika,” he wrote.

It was the climax that stunned Rajamouli, who also praised ‘Kalki 2898 AD’ director Nag Ashwin.

“The last 30 minutes of the film took me to a whole new world. Kudos to Nagi and the entire Vyjayanthi team and their unmatched efforts in executing it,” he wrote.

Directed by Nag Ashwin, ‘Kalki 2898 AD’ is inspired by Hindu scriptures and is set in a post-apocalyptic world in the year 2898 AD.

On the work front, Rajamouli’s his last directorial venture ‘RRR’ starring NTR Jr and Ram Charan turned out to be a blockbuster.

‘Kalki 2898AD’ Impresses Vijay Deverakonda

Vijay Deverakonda says Indian cinema’s new level unlocked by ‘Kalki 2898AD’

Mumbai, June 29 (IANS) Actor Vijay Deverakonda, who had a special appearance in Nag Ashwin’s ‘Kalki 2898 AD’, said that Indian cinema has unlocked a new level.

Vijay took to X and said that he was speechless after watching the film, where he has a cameo appearance as Arjuna, the third Pandava brother and a powerful archer.

“Just watched the film. I don’t know what to say… Overwhelmed. Indian cinema new level unlocked… Wth was that! I hope it makes 1000 crore and more… #Kalki2898AD,” he said.

On Saturday, veteran star Nagarjuna Akkineni also heaped praise on the Prabhas-starrer film.

The actor tweeted: “Congratulations to the team of Super duper #Kalki2898AD!! Naagi, you took us to another time and another place, entwining fiction with mythology and history so effortlessly!”

Nagarjuna then went on to talk about Amitabh Bachchan and Kamal Haasan, writing: “Amith Ji, the original mass hero… Sir, you are on fire. Can’t wait to see Kamalji in the sequel… did not get enough of him! Prabhas you did it all over again!! Deepika ji you look so ethereal and convincing as the divine mother!! And the rest of the team. Ashwini Dutt Garu, dear sweety and Swapna, God bless you! Indian cinema has done it again!!”

‘Kalki 2898 AD’, which was released on June 27, revolves around the tale of a select few who are on a mission to save the unborn child, Kalki.

‘Kalki 2898AD’ Earns High Praise from Nagarjuna

Veteran star Nagarjuna Akkineni has heaped praise on ‘Kalki 2898 AD’ and called megastar Amitabh Bachchan, who plays the role of Ashwatthama in the film, the “original mass hero.”

Nagarjuna took to X and praised filmmaker Nag Ashwin for blending “fiction with mythology and history so effortlessly.”

“Congratulations to the team of Super duper #Kalki2898AD!! Naagi, you took us to another time and another place. entwining fiction with mythology and history so effortlessly!!” he wrote.

The actor then praised Amitabh, writing: “Amith Ji, the original mass hero… Sir, you are on fire.”

Nagarjuna also expressed his desire to see more of superstar Kamal Haasan, who plays the role of Supreme Yaskin, the proclaimed god of the Complex, and mentioned his anticipation for the second instalment.

“Can’t wait to see Kamalji in the sequel… did not get enough of him! Prabhas, you did it all over again!!”

Regarding Deepika Padukone and the rest of the cast, he wrote: “Deepika ji, you look so ethereal and convincing as the divine mother!! And the rest of the team. Ashwini Dutt Garu, dear Sweety, and Swapna, God bless you! Indian cinema has done it again!!”

‘Kalki 2898 AD’, which was released on June 27, is the first part of the ‘Kalki’ universe, which is set in a post-apocalyptic world in the year 2898 AD. Inspired by Hindu scriptures, it tells the tale of a select few on a mission to save the unborn child Kalki.

‘Kalki 2898 AD’ is set to touch Rs 150 crore domestic earnings on its third day of release, having minted Rs 149.3 crore on its second day after release.

ALSO READ-Deepika Dazzles in ‘Kalki 2898 AD’ Poster

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‘Kalki 2898 AD’: A Cinematic Triumph Blending Mythology and Sci-Fi

Amitabh Bachchan mesmerises as Ashwatthama, his restrained yet powerful performance adding gravitas to pivotal scenes. This is one of the best roles we have seen him in recently…reports Asian Lite News

‘Kalki 2898 AD’ directed by Nag Ashwin is a mesmerising journey into a dystopian future where mythology and technology collide.

Set against the backdrop of the last city on Earth, Kashi, in the year 2898 AD, the film boasts of a stellar ensemble cast led by Amitabh Bachchan, Kamal Haasan, Prabhas, Deepika Padukone, and Disha Patani. It promises a cinematic experience that blends epic action, profound mythology, and intricate character dynamics.

Prabhas delivers a tour de force performance, embodying the charismatic Bhairava with a surprising twist pivotal to the plot. His portrayal balances humour, intensity, and vulnerability, anchoring the film with his dynamic presence.

Amitabh Bachchan mesmerises as Ashwatthama, his restrained yet powerful performance adding gravitas to pivotal scenes. This is one of the best roles we have seen him in recently.

Deepika Padukone delivers a power-packed performance, infusing Sumathi with depth and resilience. Kamal Haasan commands the screen as the Supreme Yaskin, portraying the antagonist with chilling charisma.

Nag Ashwin’s direction is visionary, seamlessly blending sci-fi elements with mythological undertones from the Mahabharata. He masterfully crafts the narrative as it unfolds in layers, keeping viewers engaged with its intricate twists and emotional depth.

Kashi’s dystopian world is brought to life by Djordje Stojiljkovic’s breathtaking cinematography, capturing both the grandeur and grit of the cityscape.

The film’s production values overseen by Vyjayanthi Movies are top-notch, evident in the detailed art direction, impressive VFX, and intricate costume designs that enhance the immersive experience.

Santhosh Narayanan’s background score complements the narrative’s emotional beats and action sequences, though some songs may require repeated listening to resonate fully.

Kota Venkateswara Rao’s editing, while generally effective, could benefit from tighter pacing in the film’s first half to maintain momentum.

‘Kalki 2898 AD’ delves into such profound themes as identity, destiny, and the ethical dilemmas posed by scientific advances.

The film skilfully navigates between its high-octane action sequences and introspective character moments, culminating in a climactic showdown that leaves a lasting impact. The integration of mythological elements enriches the narrative, offering viewers a thought-provoking exploration of humanity’s future.

‘Kalki 2898 AD’ stands as a testament to pan-Indian ambition and creativity, pushing the boundaries of Indian cinema with its bold storytelling and compelling performances.

The film’s first half may seem a bit slow, but the payoff in the second half is worth the wait, delivering thrilling action sequences and poignant character arcs. Amitabh Bachchan, Kamal Haasan, Prabhas, and Deepika Padukone deliver standout performances, supported by a talented ensemble cast.

Nag Ashwin’s vision and direction elevate the film, making it a must-watch for fans of epic sci-fi adventures.

‘Kalki 2898 AD’ is a cinematic triumph that captivates with visuals, resonates with its themes, and leaves audiences eagerly anticipating future instalments. It is a journey that proves both exhilarating and thought-provoking, cementing its place as a milestone in Indian cinema.

Film: Kalki 2898 AD (Playing in theatres)

Duration: 180.56 minutes

Director: Nag Ashwin Star

Cast: Amitabh Bachchan, Kamal Haasan, Prabhas, Deepika Padukone, Disha Patani, Rajendra Prasad, Saswata Chatterjee, Brahmanandam, Anna Ben, Shobana, Mrunal Thakur, Dulquer Salmaan, and Vijay Deverakonda

Rating: ****

ALSO READ-Kalki 2898 AD’ Trailer Promises Epic Sci-Fi Adventure

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Aaryan Shines in Kabir Khan’s Latest Biopic

The bronze medal won by wrestler Khashaba Dadasaheb Jadhav of his village at the 1952 Olympics in Helsinki makes Murli start dreaming of winning one such medal in wrestling one day…reports Asian Lite News

Sports in any country inspire the young. And Hindi cinema and sports connect so well that as many as eight films are being scripted around this theme almost every year.

In India, judging by the number of sports biopics being made, any athlete or player who has had some glory associated with his or her name, makes an even more moving and motivating saga on celluloid. And the list of such sport stars seems to be growing every year.

Kartik Aaryan’s new film ‘Chandu Champion’ is yet another life story of a champion, this time of Murlikant Petkar, India’s first Paralympic gold medalist. Blending fictional elements into the 143-minute narrative, director Kabir Khan attempts to tell the incredible true story of Petkar, known fondly as Murli. Petkar’s journey, a remarkable example of victory over adversity, deservedly needed to be documented.

Born Murlikant Petkar (Kartik Aaryan) in 1944 in the Peth Islampur region of Sangli, Maharashtra, Murli showed early signs of rebellion if any of his classmates in school so much as laughed at his ambition of winning an Olympic medal some day.

The bronze medal won by wrestler Khashaba Dadasaheb Jadhav of his village at the 1952 Olympics in Helsinki makes Murli start dreaming of winning one such medal in wrestling one day.

Murli’s life is full of obstacles. Teased by his friends for dreaming big, he is nicknamed ‘Chandu Champion’, an epithet for a loser. It only eggs him on to be all the more determined.

His brother Jagannath (Anirudh Dave), who dotes on him, suggests he build his body first and enroll himself for wrestling training at the local akhara. After a foolhardy decision at the wrestling ring, he has no choice but to run away as the local politician sends his men after him to finish him off. That puts an end to Murli’s dream of becoming an Olympic wrestler.

Murli then manages to board a train on which a bunch of athletes are travelling to an Army recruitment camp. It was on this journey that he befriends Jarnail Singh (Bhuvan Arora), who guides him throughout. That journey also results in his joining the Corps of Electronics and Mechanical Engineers (EME) of the Indian Army as a craftsman-jawan.

At EME Secunderabad he trains to become a boxer and his coach, Tiger Ali (Vijay Raaz), who becomes his mentor. But life does not move according to Murli’s well-laid-out plans. He fights the 1965 India-Pakistan war, gets shot, spends two years in hospital and becomes paralysed waist below. He also loses his best friend, Jarnail Singh.

A long-drawn struggle and hindrances follow, but Murli’s spirit of survival and resilience helps him overcome his physical disability to emerge a winner. He takes up swimming and other sports. He plays table tennis at the 1968 Summer Paralympics in Tel Aviv and clears the first round, but doesn’t get much ahead.

At the next Summer Paralympics in Heidelburg, Germany, in 1972, Murli made history by returning home with a gold medal in swimming, becoming the first Indian Olympian to win gold.

‘Chandu Champion’ is now a real champion on the world stage.

Kabir Khan is not new to hits and successes — and his name spells class. To make a film on the life of a man who faced one adversity after another with an undying spirit of resilience should have been easy for a director of his calibre. One expected Khan to dig deeper into the emotional battle, besides his physical transformation, of Murlikant Petkar.

He is ably supported by a brilliant cinematographer Sudeep Chatterjee (Bhansali’s favourite), who adds enough heft to the frames. Whether it is the village terrain, the state-of-the-art athletic tracks, the boxing ring, or the hospital, all come to life through his seasoned lens.

The jarring background score by Julius Packiam as also the songs by Pritam only serve as irritants in a film that demanded pregnant pauses and silences to convey emotions.

Credited to Kabir Khan, Sumit Arora and Sudipto Sarkar as writers, the script is high on melodrama, notably in scenes where it was least needed. Aaryan tries hard to play Murli as best as he can. But he is limited in expressing and communicating the demands of an inner turmoils of a tormented character. It is the poor writing too that restricts his performance.

His transformation into Murlikant Petkar would have been commendable, had he reflected on portraying the character with more dedication. Merely embodying an athlete’s appearance is not enough.

Hindi film actors thrive on getting their physicality meant for a character they portray, right. The rest they leave it to the camera to carry forward.

When Murli participates in the Paralympics as a swimmer, special care is taken to make him look like the world-class swimmers Mark Spitz and Michael Phelps. With short cropped hair, chiseled jawline, and deadpan facial expressions, Aaryan attempts every possible angle to look like a world-class champ. If only he could act!

Film: Chandu Champion (Playing in theatres)

Duration: 143 minutes

Director: Kabir Khan

Cast: Kartil Aaryan, Vijay Raaz, Bhuvan Arora and Yashpal Sharma

Cinematography: Sudeep Chatterjee

Music: Pritam

Rating: **

ALSO READ-Aarambh Mumbai’s Fabulous 15th Year of Theatre Excellence

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Decades of Diwali Hits: Bollywood’s Biggest Holiday Weekend Releases

‘Hum Saath Saath Hain’ (1999): Sooraj Barjatya’s family film starring Salman Khan, Karisma Kapoor, Saif Ali Khan, Sonali Bendre, Tabu and Mohnish Behl, and many more stars, was a hit Diwali offering that families loved…reports Asian Lite News

For the past several decades, various films have been released on Diwali weekend, which has always been considered a prime slot.

Big-ticket films reserved slots for a Diwali release to cash in on the holiday spirit and attract families to watch their cinematic offerings.

From ‘Baazigar’ (1993), starring Shah Rukh Khan, Kajol and Shilpa Shetty, ‘Andaz Apna Apna’ (1994) starring Aamir Khan and Salman Khan, ‘Dilwale Dulhania Le Jayenge’ (1995) starring Kajol and SRK, Aamir Khan’s ‘Raja Hindustani’ (1996) and ‘Ghatak’ starring Sunny Deol and Meenakshi Sheshadari, the list of Diwali releases is a long one.

Let’s take a look at some of the biggest, as well as some of the forgotten Bollywood Diwali releases of the past 24 years:

Yash Chopra’s ‘Dil Toh Pagal Hai’ (1997), released a day after Diwali, starring SRK, Madhuri Dixit and Karisma Kapoor, and had people thronging to the theatres.

‘Kuch Kuch Hota Hai’ (1998), Karan Johar’s debut film, starring SRK, Kajol and Rani Mukherjee, was a runaway hit.

‘Hum Saath Saath Hain’ (1999): Sooraj Barjatya’s family film starring Salman Khan, Karisma Kapoor, Saif Ali Khan, Sonali Bendre, Tabu and Mohnish Behl, and many more stars, was a hit Diwali offering that families loved.

‘Mohabbatein’ (2000): Adiya Chopra’s film, starring Amitabh Bachchan, and SRK, along with Jimmy Shergill, Uday Chopra, Shamita Shetty, Jugal Hansraj, Kim Sharma, and Preeti Jhangiani, focused on college romance and it was a huge hit.

‘Mission Kashmir’ (2000), directed and produced by Vidhu Vinod Chopra, the film starred Hrithik Roshan, Jackie Shroff and Sanjay Dutt. It did average business.

‘Pinjar’ (2003:) Directed by Chandraprakash Dwivedi, the film came out a bit before Diwali and at this point, is likely erased from the memories of many. It stars Manoj Bajpayee, Urmila Matondkar, Sanjay Suri, Kulbhushan Kharbanda, Isha Koppikar, Farida Jalal, Sandali Sinha, and Priyanshu Chatterjee. While a box office disaster, the movie received great acclaim.

‘Veer-Zaara’ (2004): A Yash Chopra film starring SRK, Preity Zinta and Rani Mukherjee, the film earned over Rs105 crore worldwide, and was the highest-grossing Indian film of the year.

Another major film that released that year during Diwali, ‘Aitraaz’, starring Akshay Kumar, Priyanka Chopra and Kareena Kapoor, did average business.

‘Garam Masala’ (2005) Director Priyadarshan’s Diwali flick was quite a hit and stars Akshay Kumar, John Abraham, Paresh Rawal, Rajpal Yadav and Rimi Sen.

‘Don – The Chase Begins’ (2006): Farhan Akhtar’s ‘Don’, a remake of the superhit 1978 film starring Amitabh Bachchan, stars SRK and Priyanka Chopra. It was a hit.

‘Om Shanti Om’ (2007): Farah Khan’s tribute to the world of Hindi Cinema, starring SRK, was Deepika Padukone’s debut film. It was a huge hit.

In contrast, Sanjay Leela Bhansali’s ‘Saawariya’, starring Ranbir Kapoor, Salman Khan and Rani Mukherjee, fared poorly at the box office the same year.

‘Golmal Returns’ (2008): Rohit Shetty’s film starring Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Kareena Kapoor and Shreyas Talpade, was one of the highest-grossing Hindi films of the year.

In contrast, Madhur Bhandarkar’s ‘Fashion’ starring Priyanka Chopra, released during the same Diwali time, did average business that year.

‘Golmaal 3’ (2010): Directed by Rohit Shetty, ‘Golmaal 3’, starred Ajay Devgn, Arshad Warsi, Mithun Chakraborty, Kareena Kapoor, Tusshar Kapoor, Shreyas Talpade, Kunal Khemu, Ratna Pathak Shah, and Johnny Lever, was a blockbuster hit.

Vipul Amrutlal Shah’s ‘Action Replayy’ starring Akshay Kumar and Aishwarya Rai on the other hand, fared very poorly at the box office.

‘Ra.One’ (2011): Director Anubhav Sinha’s sci-fi film ‘Ra.One’, starring Shah Rukh Khan in a dual role, Kareena Kapoor and Arjun Rampal, was a hit.

‘Jab Tak Hai Jaan’ (2012): Yash Chopra’s last directorial ‘Jab Tak Hai Jaan’ released on Diwali in 2012, and starring SRK, Katrina Kaif and Anushka Sharma, did decent business at the box office.

In 2012, another Diwali release was ‘Son of Sardar’, directed by Ashwni Dhir. A remake of Telugu film ‘Maryada Ramanna’ directed by S.S. Rajamouli, the Hindi film starring Ajay Devgn, Sanjay Dutt, Sonakshi Sinha and Juhi Chawla, was a hit.

‘Krrish 3’ (2013): A major film, Rakesh Roshan’s ‘Krrish 3’, starring Hrithik Roshan, Vivek Oberoi, Priyanka Chopra and Kangana Ranaut, was quite a hit.

‘Happy New Year’ (2014): The Farah Khan directorial produced by Gauri Khan under the banner of Red Chillies Entertainment, was a big hit. The film stars SRK, Deepika Padukone, Abhishek Bachchan, Sonu Sood, Boman Irani, and Jackie Shroff.

‘Prem Ratan Dhan Payo’: (2015) Sooraj Barjatya’s, starring Salman Khan, and Sonam Kapoor, was a hit.

‘Golmaal Again’ (2017): Rohit Shetty’s follow up to ‘Golmaal 3’, his comedy film starring Ajay Devgn, Parineeti Chopra, Tusshar Kapoor, Arshad Warsi and others, was loved by movie goers.

‘Thugs of Hindostan’ (2018): Produced by Aditya Chopra, and starring Aamir Khan and Amitabh Bachchan, was a box office disaster despite the hype around it.

‘Housefull 4’ (2019): The fourth installment to the comedy franchise directed by Farhad Samjhi and starring Akshay Kumar, Bobby Deol, Kriti Sanon, Ritesh Deshmukh, Pooja Hedge, and Kriti Kharbanda despite its negative reviews was a big hit grossing over Rs 296 crores.

‘Ludo’ (2020): Directed by Anurag Basu, the film featured a big ensemble cast starring Abhishek Bachchan, Aditya Roy Kapur, Rajkummar Rao, Pankaj Tripathi, Fatima Sana Shaikh, Sanya Malhotra, Rohit Suresh Saraf, and Pearle Maane. This film had a highly positive reception.

‘Sooryavanshi’ (2021): Directed by Rohit Shetty as part of his Cop Universe, the film stars Akshay Kumar, Katrina Kaif, Jackie Shroff, and Sikander Kher. A critical and commercial hit, the film was the biggest Bollywood film of the year.

‘Uunchai’ (2022): Directed by Sooraj Barjatya, the movie featured a powerful cast of Bollywood veterans which include Amitabh Bachchan, Anupam Kher, Boman Irani, Sarika, Danny Denzongpa, and Parineeti Chopra. Though not a massive hit, the movie earned a lot of positive reviews.

Another film which came out that year was ‘Monica O My Darling Monica’. Directed by Vasan Bala, the movie was an OTT release and stars Rajkumar Rao, Huma Qureshi, Sikander Kher, and Radhika Apte. It received a lot of positive reviews, becoming one of the most watched Bollywood films on Netflix.

ALSO READ-Kalki 2898 AD’ Trailer Promises Epic Sci-Fi Adventure

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‘Crew’ Soars with Tabu, Kareena, and Kriti in Heist Comedy

The owner of the airlines is Vijay Walia (Saswat Chatterjee). No prizes for guessing who he is modelled on!) Vijay Mallya, the ex-chairman of Kingfisher — a brand of that offered a line of beverages and an airline group — fled India for the UK…reports Asian Lite News

Hindi cinema has not written very many lead female characters who have careers, although to be fair to scriptwriters, many of the roles for women have been full of substance. And depth.

It is thoroughly interesting therefore to walk into a movie that is about the story of not one but three diligent friends who are working as cabin crew for the fictional Kohinoor Airlines.

Director Rajesh Krishnan helms a 122-minute joy ride in his heist comedy film Crew starring Tabu, Kareena Kapoor Khan and Kriti Sanon playing the leads.

Until their peaceful lives take a dramatic turn, all seems to be fine with the three rather glamorous women — Geetu (Tabu), Jasmine Kohli (Kapoor Khan) and Divya Rana (Sanon), who are a part of an airline crew aged between the 20s and the 40s — when they are unexpectedly caught in a difficult situation orchestrated by someone with ulterior motives. Now, they are trapped in a never-ending struggle, desperately trying to break free.

The owner of the airlines is Vijay Walia (Saswat Chatterjee). No prizes for guessing who he is modelled on!) Vijay Mallya, the ex-chairman of Kingfisher — a brand of that offered a line of beverages and an airline group — fled India for the UK.

Walia in the film leads a luxurious life and cons his way all the way while all along putting up a respectable front that commands tremendous admiration and deference.

The airlines staff hasn’t been paid for a year and the three women — as also other 4,000 members of the company — increasingly get impatient. A young mother cries her heart out to share that her daughter’s school fees has not been paid and that the school principal may rusticate the child.

Geeta has been the bread winner in her family while her loving husband Arun (Kapil Sharma) lives off her. As their in-flight supervisor, she is older than the rest, is tired of working so hard and is waiting for her provident fund to be cleared so that they move to Goa and start life afresh as a restaurateur.

Senior flight attendant Jasmine bonds well with her maternal grandfather (Kulbhushan Kharbanda) after her parents passed away. A sucker for life and money, she dreams of a life that’s rosy all the way. Divya Rana (Sanon) is the most educated of the lot and is a trained pilot.

When recession hit the world, she had to settle for a job as a flight attendant though she lies to her family that she has a job as a captain with the airlines. They all work very hard and their daily woes turn all the more unbearable when they don’t get their due on time.

Things hit rock bottom when they discover that their debt-ridden airline is on the verge of bankruptcy. And the three desperate women look for desperate measures to survive and fulfil their aspirations. for survival.

And they resort to crime.

The best part of the storyline credited to Nidhi Mehra and Mehul Suri is the element of unapologetic behaviour of the three who by the way, could pass of as sexy ramp models.

But they are not dishonest; they seem to be go-getters, if at all. Behaving as outrageously nonchalant, blunt and unrepentant as any Smart-alecky man would be their age, they can take on the might of anyone- man or woman to prove their righteous mind.

What’s more, they have fun all the time. Visiting pubs in their free time, shopping and cracking jokes countering sexism with loaded and equally offensive fun repartees, they live to the full.

Although, make no mistake, underneath the cheery upbeat narrative lies the handling of serious middle-class issues that all families face in our country. Be it the woman feeding her jobless brother and husband or the need for a single woman to find the right match to live with, all are mentioned in passing albeit while driving home a point.

Powerhouse performer Tabu, the veteran among the three, is not seen in too many of these light-hearted frothy films. She, like the other two, has a lot of fun and holds her own wonderfully well. Kareena too looks ravishing and performs with a dare-me-not attitude. Sanon gets a lot of action too and nails it with her spunkiness, not to mention her drop-dead gorgeous looks.

To be fair to the men, both Kapil Sharma as Tabu’s gentle understanding but jobless husband, and Diljeet Dosanjh as the customs officer Jai Singh Rathor who studied in the same school as Divya, have clearly defined roles to play.

That Sharma is a fine actor too, besides a great standup has already been proven in Nandita Das’ ‘Zwigato’. Here, he has a special appearance but manages to leave a mark. Chatterjee and Dossanjh are both well-cast and acquit themselves well.

The technical aspects of the film are first-rate. Anuj Rakesh Dhawan’s cinematography gives us the believable feel of the insides of an aircraft as much as the razzmatazz of bars and cafes fills our eyes.

Songs by Diljeet, Badshaah, Romy, Shrushti Tawade and others that are catchy and foot-tapping. One of veteran duo Laxmikant Pyarelal’s old hits, “Choli ke peechhe kya hai”, and Ila Arun’s “Ghaghra” as remakes are already chartbusters.

The film has its wild moments throughout, but after taking off with a lot of promise, it slides to a tepid landing. Nevertheless, it’s honest, breezy and a joyride!

Film: Crew Duration: 122 minutes

Director: Rajesh A Krishnan Cast: Tabu, Kareena Kapoor Khan, Kriti Sanon, Kapil Sharma Diljeet Dosanjh and Saswat Chatterjee

Music: John Stewart Eduri Cinematography: Anuj Rakesh Dhawan

Duration: 122 minutes

Rating: ***

ALSO READ-Tabu to Star in Prequel Series ‘Dune: Prophecy’

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Venom: The Last Dance’ Trailer Unleashed

As the symbiote takes over, the horse turns into a beast running across the mountains and different landscapes…reports Asian Lite News

It starts off with Tom Hardy’s character of Eddie Brock warning the henchmen of the possible dangers if they mess with him. When they don’t pay heed, the symbiote shields Eddie from their attack and flips the situation on its head as he devours them.

As Eddie and the symbiote are on the loose being tracked by the authorities, they turn fugitives as they travel across the planet. However, the symbiote soon reveals that those from his home planet have traced his exact location and are now planning an invasion on Earth.

As the trailer progresses high-adrenaline sequence atop an aircraft makes for a compelling watch. The last sequence has the symbiote taking over a horse after Eddie asks him how fast he can run. The symbiote has only one answer, “Only one way to find out.”

As the symbiote takes over, the horse turns into a beast running across the mountains and different landscapes.

The film also stars Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Peggy Lu, Alanna Ubach and Stephen Graham. It is directed by Kelly Marcel from a screenplay she wrote, based on a story by Hardy and Marcel. The film is produced by Avi Arad, Matt Tolmach, Amy Pascal, Kelly Marcel, Tom Hardy and Hutch Parker.

Sony Pictures Entertainment India will exclusively release ‘Venom: The Last Dance’ in Indian cinemas on October 25, 2024, in English, Hindi, Tamil and Telugu.

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Ladakhi Filmmaker Explores Identity in Cannes-Screened ‘In Retreat’

The idea of the film emerged from an incident he “witnessed or heard” when he was around 12 years old. Someone had come back to his hometown (Ladakh) after a long time and was trying to make small talk with people around…writes Sukant Deepak

He says when one moves physically to another place, it is not just the body that displaces. And when one comes back, he may suddenly become an ‘outsider’.

Questions of identity and the ‘insider-outsider’ dilemma have always fascinated Ladakhi filmmaker Maisam Ali, whose debut feature film ‘In Retreat’ is the first ever Indian film to be screened in Cannes’ ACID sidebar where 14 filmmakers viewed several hundred movies and decided on nine from different countries for the category.

Shot during winters in Ladakh, and mostly at night, the film revolves around the protagonist (played by Harish Khanna), now in his 50s, who returns home to Ladakh. Having missed his brother’s funeral, he lingers at the threshold of his old home, maybe to delay one more night of his arrival.

The idea of the film emerged from an incident he “witnessed or heard” when he was around 12 years old. Someone had come back to his hometown (Ladakh) after a long time and was trying to make small talk with people around.

“Everyone said he was so polite… it left me very sad for him. This has always stayed with me. You know I do not even remember if I had seen the man or just heard about him. But this very glimpse, a snippet of a memory played on me. All I knew was that I had to make the film on what transpired/ did not with him,” this 35-year-old tells IANS.

Trapezing on the edge of grimness, this very personal film with almost a poetic treatment dwelling on ‘belonging’ has much to do with the director’s lived experience, who was born in Iran where his father had gone to work.

“I came back to Ladakh after a few years. Of course, my parents and relatives are from here. But my great-grandfathers were traders who would travel with animals to China, Central Asia, Amritsar and Kashmir. Guess the question of ‘belonging’ is deep in my DNA,” he smiles.

A qualified engineer, Ali was part of the group assigned to make a film at college. “It was a very amateur one, and we did not know anything. However, writing dialogues was a thoroughly enjoyable process. There was an intense pull towards the medium. Also, I was watching a lot of films during that time, and did theatre, and I knew that this was my true calling. I was never a good engineering student, but back then the time I was born, it was not so ‘fashionable’ to follow your passion,” he smiles.

Ali, who enrolled at FTII two years after completing his engineering degree (“after wandering around”) stresses that it was more than filmmaking that he learnt there. Adding that it was a place where he found his voice, he says craft is not something he looks forward to.

“One can learn the techniques in six months. But, a school must help you find your expression. Anyone can learn the technicalities, however, at the end of the day, you have to know why you are doing what you are.”

Interestingly, the film stays away from the tourist gaze, avoiding wide-angle shots of Ladakh’s stunning landscape. Instead, the viewer is pushed into labyrinths, closed alleyways, tiny cafes, and the very mundane.

“As filmmakers, we are always in search of the real experience. But then, the real always escapes us, and we are constantly striving to capture it. So, when you are making a personal film, it is paramount to stay away from postcard images. As an artist, I felt that was not my reality,” he opines.

However, he does capture the almost surrealistic Ladakhi nights where the texture of light changes during peak winters. The director feels it was important to shoot during those hours.

“The story demanded it. I arrived at a certain plot, where I felt the lead actor was ‘in the night’, as he did not want to be seen. Nights can be long, and you do not have to worry about the consequences of the day. Under the sun, the mainstream society rules, it is only during the night that someone like my lead character can be present, and at the same time absent,” says Ali, who is director Payal Kapadia’s batchmate, the first Indian to win the Grand Prix for her film ‘All We Imagine As Light’.

Although nothing ‘grand’ takes place in the film, and many things are left unanswered, it is tough to get distracted while watching ‘In Retreat’. The filmmaker asserts he has never been interested in plot-chasing narratives, but believes in offering a complete experience.

“The atmospherics must precipitate a feeling that a lot of things are happening, or maybe nothing is. That makes a movie more universal.”

Influenced by works of directors like Robert Bresson, Yasujiro Ozu and Abbas Kiarostami, he feels that for all these masters, an ideal film is one where one can celebrate life by looking at the simple and natural, and not running behind a fantasy.

“Such films have always excited me. The whole discourse of realism around cinema has always been fascinating, like Andrei Tarkovsky said – ‘People go to watch films in search of lost time’.”

Made on a shoestring budget, Ali’s batchmates from the film school worked without a fee for his movie. Remembering his excitement when he got a video call from Cannes ACID, he says: “It was not easy for the jury to select this film considering it is so unconventional, and the audiences nowadays want more palatable cinema. But I am glad a space exists for fragile movies.”

While Ali may not want to make ‘boxed’ films on political issues, the going on in his native land do disturb him. Talk to him about engineer and innovator Sonam Wangchuk’s recent 21-day strike and he says that when Ladakh was part of the erstwhile state of Jammu & Kashmir, they enjoyed a fair amount of autonomy.

“Owing to red-tapism and bureaucratic lethargy, we wanted the territory to be a Union Territory. The whole idea was that people would be free to make their own decisions. But the reverse has happened. In fact, we have gone backwards. The decision-makers should be from here. There was a Hill Council before that would make important decisions, and people trusted them. Yes, we are getting a lot of funds now, but then that is not everything.”

Concerned about unregulated tourism, he feels that the place cannot become another Goa. “The locals understand that there is a paucity of water and many other resources. Those who visit do not. There has to be a system in place so that the fragile ecosystem is not disturbed,” he hopes.

Hoping to get an opportunity to release the film in India, even if it is on an OTT platform, he feels there is an audience for such movies in the country.

“It is just that somebody has to devise an out-of-the-box distribution channel for such movies. And yes, I am looking forward to showing the film in Ladakh and hearing what they have to say about it. Some may not like it, but at least there will be a discussion. Remember, I did not make it as a complete insider. A filmmaker goes to the other side, behind the camera to gaze from the outside.”

While he is at an early stage of developing his next movie, which will have a “bit of Ladakh” and also travel to other places including Kashmir, Ali says, “For me, it is important not to be overwhelmed by all the chatter around my debut and ensure that I continue making responsible cinema.”

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NYIFF Screens ‘Fire’ and Hosts Shabana Azmi Tribute

This is the second physical edition of the festival after the Covid-19 pandemic. The 2021 and 2022 editions were held virtually, with the festival returning to its physical form last year…reports Asian Lite News

The 24th edition of the ongoing New York Indian Film Festival (NYIFF) is set to host a panel discussion between veteran actress Shabana Azmi and filmmaker Mira Nair on Sunday at Theatre 2, Village East by Angelika in New York.

Festival director Aseem Chhabra spoke with IANS from New York and shared that the discussion will be preceded by the screening of ‘Fire’, which starred Shabana and Nandita Das. The screening and the panel discussion will honour Shabana, who has completed 50 years in cinema.

NYIFF is the oldest Indian film festival in North America, focusing mainly on independent films from India.

Aseem told that, with films from across 16 Indian languages this time, the idea is to cover all of India with 49 films.

The festival opened with the film ‘Dear Jassi’, directed by Tarsem Singh. The film is a co-production of companies from India, Canada, and the US. Based on a real-life incident, the film follows the story of Jaswinder Kaur Sidhu, a Punjabi Canadian woman who faced conflict with her family when she fell in love with and chose to marry a working-class man they did not approve of.

This is the second physical edition of the festival after the Covid-19 pandemic. The 2021 and 2022 editions were held virtually, with the festival returning to its physical form last year.

When asked if there has been a change in the tastes of cinephiles and festival-goers due to the widespread content consumption triggered by OTT platforms, Aseem told IANS that the audience cultivating a taste for masala movies is a very Indian phenomenon, and the diaspora community of festival attendees is still unfazed by the change in taste towards cinema.

He said that the film festival celebrates films that have an essence of India; they can be from India and about India.

The festival is set to close with the Sanya Malhotra-starrer film ‘Mrs’, directed by Arati Kadav. The film is adapted from the acclaimed Malayalam film ‘The Great Indian Kitchen’, starring Nimisha Sajayan. It also stars Nishant Dahiya and Kanwaljit Singh in pivotal roles and presents a captivating account of a woman’s strength and resilience.

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‘Chhota Bheem and the Curse of Damyaan’ Delivers Epic Adventure

With Guru Shambu’s guidance, Bheem must now confront Damyaan and prevent his apocalyptic plans. The movie’s second half is a roller-coaster of action-packed scenes and time-travel escapades as Bheem and friends race against time to save humanity…reports Asian Lite News

Chhota Bheem and the Curse of Damyaan’ is a delightful animated adventure that brings to life beloved characters from Indian folklore. Directed by Rajiv Chilaka, this film takes audiences on an epic journey filled with action, magic and friendship, starring Yagya Bhasin, Anupam Kher, Makarand Deshpande, Sanjay Bishnoi, and a talented supporting cast.

The narrative thrusts Bheem and his friends into an epic time-travelling journey 1,000 years into the past, to the enigmatic land of Sonapur. Their mission is to prevent the malevolent demon Damyaan from achieving immortality, a quest that will determine the fate of mankind.

The film begins with Skandi and Takshika’s dark quest to resurrect Damyaan. They realise they need a brave and pure-hearted soul, which leads to the introduction of Chhota Bheem in a breathtaking sequence where he battles wolves in a snowy mountain setting, with the invigorating ‘Dum Hai’ score enhancing the dramatic value of the scene.

Back in Dholakpur, Bheem’s companions — Kalia, Dholu Bholu, Chutki, Jaggu and Raju — engage in their usual mischievous antics. Bheem’s return heralds a new adventure as Raja Indravarma tasks them with exploring Sonapur, which is rumoured to be brimming over with gold. Their journey takes a perilous turn when they unwittingly free Damyaan, ensnaring the world in imminent danger.

With Guru Shambu’s guidance, Bheem must now confront Damyaan and prevent his apocalyptic plans. The movie’s second half is a roller-coaster of action-packed scenes and time-travel escapades as Bheem and friends race against time to save humanity

Yagya Bhasin captures the essence of Chhota Bheem with a charismatic and engaging performance. Anupam Kher’s portrayal of Guru Shambu is a standout, bringing wisdom and gravitas to the role. Makarand Deshpande and the rest of the supporting cast, including Navneet Kaur, Megha Chilaka and Mukesh Chhabra, add depth and vibrancy to the story.

Rajiv Chilaka, the creator of Chhota Bheem, transitions his vision seamlessly from animation to live-action. His direction ensures that the film remains true to its roots even as it offers a brand new cinematic experience. The visual effects are impressive, elevating the fantastical elements of the story and creating a vivid, immersive world.

Raghav Sachar’s musical composition is a nostalgic trip for long-time fans, with familiar tunes like the Chhota Bheem theme song and ‘Jamboora; woven into the soundtrack.

The film’s VFX are top-notch, particularly in the action sequences. They bring the epic battles and mystical landscapes to life.

‘Chhota Bheem and the Curse of Damyaan’ is an enthralling family entertainer that delivers on multiple fronts. It is an action-packed adventure filled with fun, high-quality visual effects and a nostalgic charm that will delight audiences of all ages. This film is an excellent pick for family outings, especially during school holidays and the summer season.

Film: Chhota Bheem and the Curse of Damyaan Duration: 145 minutes

Director: Rajiv Chilaka Cast: Anupam Kher, Makarand Deshpande, Sanjay Bishnoi and Yagya Bhasin

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