Republic TV Managing director and Editor in Chief Arnab Goswami was released from the Taloja Central Jail in Raigad late on Wednesday night.
The development came hours after the Supreme Court granted him bail following his arrest on November 4 in a case of abetment to suicide of Mumbai architect Anvay M. Naik and his mother Kumud Naik on May 5, 2018 in Alibaug.
Returning from the jail, flashing a ‘V’ sign and punching in the air several times enroute his car, Goswami termed his arrest as “illegal” and said no forces could stop a journalist and his TV channel.
He was accorded a rousing, hero’s welcome by the Republic TV staff as he entered the office late on Wednesday with plans to go on air.
Goswami told mediapersons that he was “absolutely fine” and looking forward to work amid a thunderous applause outside his office building.
The Maharashtra Police’s Raigad unit on Wednesday morning raided the home of Republic TV owner and arrested its Chief Editor Arnab Goswami in an abetment to suicide case…reports Asian Lite News.
A senior police officer Sachin Vaze said that Goswami was arrested in the abetment to suicide case of 2018, which had been closed earlier and has now been reopened.
A police team swooped on the Republic TV’s chief and picked him up from his home even as his family protested while his colleagues started rushing to the spot for live coverage.
The channel strongly slammed the move for “parading the editor of a top Indian news channel like a criminal, pulled by the hair, threatened, not allowed to drink water” after 20-30 policemen barged there.
Speaking from one of the vehicles, Goswami said he was assaulted, even as his shaken colleagues made direct emotional appeals to Supreme Court and High Court judges “seeking justice” for what was happening right in the middle of Mumbai, in a telecast of the developments.
Goswami managed to speak from a police van that he was assaulted, his son was beaten and his in-laws were pushed aside, and he was likely to be taken to Alibaug in Raigad.
Social media is robbing everything away from us — time, health, peace, sleep, self-esteem, confidence, sense of security — everything. But its a boon too!
One can use it to influence the masses, help people and thus, we should be extremely grateful for that. So, it’s all about using it the right way either to influence people or to destroy your life. Just like we have good food, we know that too much of it, in excess becomes an obsession. An excess of anything is dangerous for our health.
While many have built successful businesses out of social media, found great connections others have spiralled into depression, loneliness and sadness; they’ve ruined their sleep, messed up their priorities, started questioning their self-worth and even felt inadequate when comparing their lives with others.
This technology-driven feature is accessible to all. Some make sure that they are using it to their advantage and not to their disadvantage. This brings us to the question, is developing a healthier relationship with social media even possible? Absolutely yes.
Here are few things Luke Coutinho, Holistic Lifestyle Coach – Integrative Medicine shares to remember while developing this relationship:
Know that things aren’t always how they look: Everything you see does not have to be real. The lives of most people appear to portray they have done well, but a lot of them are living off their parent’s wealth, living in the homes of or given by their parents, flaunting clothes, jewellery, cars, etc that don’t belong to them.
A lot of people own material things on loan, which in a way is not theirs until they pay off the loan. It’s easy to take loans and show the world a life that is not real. Many holidays, material things, etc that you see being flaunted on social media are sponsored or gifts and not really earned, so know that as well.
Then, of course, you have apps that can make you thin, add fake abs, decrease waistlines and increase bust lines etc and you see this in awe, then look at yourself and immediately feel inadequate. Today the medical world has a name for it – “Snapchat Dysmorphia,” . It refers to the psychological phenomena of patients bringing filtered selfies to their plastic surgeons to illustrate the desired surgical changes they want to achieve. Understand that it is all fake and no amount of surgeries will ever fill up low self-worth. If you don’t have solid self-worth, social media and society can negatively affect your life and health.
Haven an intention and set the time you want to spend on social media:Before you start your day with social media sit back and reflect on why you are on it or why you are going to spend time on it. Enter it with a mission. Do you want to post a picture, update a status, learn something, inspire someone, motivate, connect with someone or simply scroll and pass time? When we use social media without an intention and agenda, chances are we may end up spending a lot of time on it and gain nothing in return. Identify what is it that you want to gain out of spending time on social media, set time for it and disconnect when the purpose is met. You can use social media to learn, inspire, share, educate etc, and then you can use it to feel good about yourself or get locked into watching the lives of other people.
Before you start your day with social media sit back and reflect on why you are on it or why you are going to spend time on it. Enter it with a mission, be it to learn, share, inspire, motivate, pass time or is it because it’s going to fill some void in you? Know this and be mindful.
It is a virtual world: All the likes, hearts, comments, appreciation, trolling you receive from social media, know that it is coming from a virtual world. You can have a million followers on your page, but that does not mean you are also the most loved or the happiest. A lot of people search for validation on social media, and that’s the worst place to get validation from. You need to connect with reality and unfortunately, for the most part, the virtual world is nowhere close to the real world. If you need to look to social media for constant advice on how to dress, how to date, whom to date, then you need to work at less social media time and more time just being you and living the real you etc.
Truly experience what it is to “Fast” from social media: A lot of people who once thought they cannot do without social media have taken up fasting only to realise how good it feels to be off it for some time. Time and again, take a detox from social media. Shut down completely for a day and experience what it feels like. Improved sleep, better relationships, a happier mind, increased self-worth, having ample time to complete the tasks you have always procrastinated are some of the short and long-term benefits of a social media detox.
In short, social media is a boon as well as a curse and that depends on how you use it. Use social media if you want to, it can give you a lot in return, but use it in balance and use it well.
The horror comedy Laxmmi Bomb, starring Akshay Kumar, is all set to release on November 9, and director Lawrence, who makes his Bollywood debut with the film, says he felt compelled to tell the story of the transgender community in the film.
The film is a remake of the Tamil horror comedy, “Muni 2: Kanchana”, which Lawrence made in 2011.
“I run a trust and few transgenders approached my trust for help. When I heard them out, I felt like I wanted to tell their story to everyone, first through the character of Kanchana and now with Laxmmi in this movie. After watching the film, the audience will know what I am talking about. For the first time I tried to involve an important social message about transgenders in the horror comedy genre. The characters are created in such a way that the audience can enjoy different variations of the characters on the screen,” Lawrence said.
Co-starring Akshay in the film are Kiara Advani, Ayesha Raza Mishra, Tusshar Kapoor and Sharad Kelkar.
“After Kanchana released in Tamil, the movie received huge appreciation from transgenders. They directly came to my home and blessed me. So in Hindi, when Akshay sir is playing the role, I believe that the message will reach an even wider audience. My special thanks to Akshay sir for accepting and playing this role,” the director said.
The film releases on the OTT platform Disney+Hotstar
If OTT has directly benefitted in terms of viewership owing to lockdown, the outcome of the situation has also served digital content well. A bunch of films and web series drawing plot ideas from lockdown have flooded OTT platforms. You have a new instance in the Tamil anthology, Putham Pudhu Kaalai (translates to A New Dawn).
Five well-known filmmakers down South have collaborated to direct a story each in this episodic film. These films do not have any link with each other except the fact that all five are set against the backdrop of lockdown. Overall, the idea obviously was to make a feel-good commercial film that reaches out to the largest possible audience, drawing advantage of OTT’s burgeoning global reach, so none of the five stories probe any facet of human relation too deeply.
The first of five stories, Sudha Kongara’s Ilamai Idho Idho (Youth, Here We Come), sets a light mood. Francis Thomas and Shruti Ramachandran’s writing is evenly paced as the widower Rajeev (Jayaram) invites girlfriend Lakshmi (Urvashi) to stay with him for a few days. Twist in the tale comes when lockdown is suddenly announced even as Lakshmi is still at Rajeev’s place, and his daughter and son-in-law arrive. A not-too-heavy narrative scores primarily due to Kongara’s simplistic storytelling. The director uses a younger set of actors (Kalidas Jayaram and Kalyani Priyadarshan) to enact Rajeev and Lakshmi every time they feel young and romantic in each other’s company. The charming little rom-com is enriched by good acting and interesting use of music (GV Prakash).
Gautham Vasudev Menon directs Avarum Naanum (Him And Me), a story about a young girl (Ritu Varma) who comes to stay with her grandfather (MS Bhaskar) amid lockdown. The two have been estranged for years, and the story (Reshma Ghatala) moves along predictable lines to narrate how the girl discover her ‘thaata’ all over again, and misconceptions are cleared. Strictly, it is not a story that demanded the backdrop of lockdown, but the film is well shot (PC Sreeram) and the two protagonists share a few remarkable moments.
Anthology films have a dead giveaway. The placement of your film often becomes an indication of how appealing it is, compared to the others in the collection. In a film comprising five stories, for instance, it doesn’t take much to realise the placed bang in the middle could be the weakest link.
Suhasini Maniratnam’s Coffee, Anyone? would seem to face that disadvantage, although the film has been co-written by Suhasini along with her husband, the masterly Mani Ratnam. You find the odd Mani Ratnam trademark moment as two sisters (Anu Hasan and Suhasini) visit their mother, who lies in a coma. Much to the disapproval of the two women, their father (Kathadi Ramamurthy) has brought their mother home when hospital care would perhaps seem practical. The film tries to make a point about the power of love and familial bonds to heal, but ends on a rather contrived note. Also, you don’t spot any reason why this story should be set in the time of lockdown.
Andrea Jeremiah brings alive the fourth story, Reunion, directed by Rajiv Menon, who also co-writes along with Adhithya KR and Krishnaswamy Ramkumar, and functions as cinematographer. Vikram, an affluent surgeon (Gurucharan), lives with his mother (Leela Samson) and their life is about to be thrown in a turmoil when Sadhana (Andrea), a bar singer and an old friend of Vikram turns up. The young doctor returns from hospital to discover he has come in contact with a Covid patient, so he isolates himself in the house. With lockdown announced, Vikram’s mother suggests Sadhana stay with them, and the girl agrees. Of course, there is a twist about Sadhana that pushes the plot. Menon uses music (Nivas K. Prasanna) to subtly define Sadhana’s past bond with Vikram, as well as take the story forward. Watching Reunion, it would seem like the story needed a longer runtime to come alive. Menon does adequately while narrating his tale in the short format, though he fails to add an impressive punch in the end.
Anthology films often reserve the best for the last, and this surely happens here. Writer-director Kartik Subbaraj’s Miracle is a winner all the way, a brilliant parting shot. A couple of smalltime goons (Bobby Simha and K. Muthu Kumar) are in dire need of money. Amidst lockdown chaos they figure out a crooked way to get their hand on a big stash. Of course, there is a catch in what happens next. Miracle is the sort of story you don’t want to reveal much, except that it is smart, funny and ironic. Shreyaas Krishna’s camera makes interesting use of bright hues and darkness to bring alive various phases of the tale, and the film is deftly cut by Vivek Harshan.
No matter how you react to the rest of the stories, Miracle is guaranteed to leave you in a merry mood.
Putham Pudhu Kaalai manages to entertain within the limitation and challenges of the short film format. Although not an outstanding effort, the film overall is an entertaining, and certainly worth one watch.
The Shah Rukh Khan and Kajol starrer, Dilwale Dulhania Le Jayenge, is all set to complete 25 years in Hindi cinema on October 20. Actor Uday Chopra, who was an assistant on the set, recalled how the film started the trend of Behind The Scene (BTS) videos in Bollywood.
DDLJ, as the film is popularly known, marked the directorial debut of Uday’s elder brother Aditya Chopra, known as Adi in Bollywood circles.
“Adi wanted to do something that no one had ever done before in India with DDLJ. He asked me to be in charge of directing the ‘making’, and since this had not been done before, I had to pretty much invent how to go about it. Having just returned from film school in California, I decided this would be a great opportunity to try my hand at another aspect of filmmaking,” Uday said.
He added: “The first thing we needed was lots of footage on set and back then S-VHS was the only viable option. So, apart from being an assistant on the set I also became the videographer for the BTS footage!”
Uday shared that he would literally have a camera in one hand and the clap in the other, with a utility belt to keep batteries, charging cables and other spare parts.
“I was quite a sight on the set! The advantage, which I later discovered was that all artists were very comfortable with me being right in their faces! This made for some really interesting and intimate shots, which helped the BTS footage tremendously,” he recalled.
“DDLJ was the film that started a trend which is now popularly called BTS or Behind The Scenes. Back then, we just called it ‘The Making’,” informed Uday.
Released in 1995, the film is directed by Aditya Chopra. The story revolves around the characters Raj and Simran, who meet during a trip across Europe and fall in love.
Amid the present crisis of pandemic, several studies found that the industry of newspaper is on the verge of collapse. But the fact is, people still rely on newspapers to get authentic information.
More than two thirds or 66.5 per cent of respondents said that the newspaper is still the most important source of information, according to the IANS C Voter Media Tracker. 29.2 per cent respondents disagreed with the construct at an all India level while 66.5 per cent agreed.
To emphasise the importance in Covid times, 63.1 per cent said reading newspapers has become more important to the readers after Corona while 31.2 per cent disagreed.
75.5 per cent said they prefer newspapers for a holistic coverage of all news and current affairs while only 12.5 disagreed with the notion.
In comparison with TV news channel debates, as many as 72.9 per cent respondents said that a newspaper report gives more information than a shouting TV channel debate while 21.5 per cent disagreed.
The survey found that news is shared actively over the phone as 68.1 per cent said that, “When I read something important, I forward to others on phone”.
However, given the reach of TV, 40 per cent identified TV news channels as the most trustworthy source of information, 29.2 per cent said it was newspapers, 14.9 per cent said it was social media, 4.5 per cent said radio and FM and 2.5 per cent said it was websites.
On advertising trends, 76.5 per cent disagreed that “I buy things just because of advertisement in TV channels” while 19.3 per cent agreed.
74.5 per cent said that advertisements in TV channels are more for entertainment value while 18.5 per cent disagreed.
67.5 per cent said there are way too many ad breaks during IPL matches while 12.7 disagreed and 65.2 per cent said given a chance they would like to watch cricket matches without ad breaks.
52.2 per cent respondents said even after watching a match live they like to read about it in the newspaper while 30.2 per cent disagreed. 65 per cent said advertisements in newspapers are more useful while 24.6 per cent disagreed.
The survey had a sample size of of 5,000 plus respondents across India covering all districts in all the states, representing the demographic profile according to latest census figures.
The interviews were conducted in last week of September and first week of October 2020.
The margin of error is +/- 3% at National level and +/- 5% at regional levels. Data is weighted to the known Demographic profile.
In a sensational revelation, the Mumbai Police claimed to have busted a major fraud of manipulating TRP (Television Rating Point) data by at least three TV channels and nabbed two persons, Commissioner of Police Param Bir Singh said here on Thursday.
The channels allegedly indulging in the fraudulent activities include Republic TV, Fakt Marathi and Box Cinema, and the action follows a complaint registered by the Crime Branch recently.
Singh said the owners of the 3 channels involved in the alleged scam have been charged with criminal breach of trust and cheating for ‘fixing data’.
“While 2 channels owners are arrested, the police will question the Republic TV owners/directors soon. Nobody will be spared and stringent action will be taken,” Singh warned.
Hitting back at the Mumbai Police, Republic TV’s Editor-in-Chief Arnab Goswami said it was an attempt to target the channel for its coverage of the Maharashtra government.
Threatening to slap a criminal defamation case against Singh, he accused the police chief of making “false allegations” against the Republic TV because the channel had questioned him in the investigations of the Sushant Singh Rajput case.
Addressing the media, Singh said that following a complaint, one person working for Hansa Research Group Pvt. Ltd., a company which is part of the Broadcast Audience Research Council (BARC) was arrested from Malad.
He along with another person are accused of misusing confidential data that was entrusted with them for “wrongful gains by various TV channels” which in turn led to losses to advertisers and advertising agencies.
“Preliminary probe revealed that they manipulated the sampling metering services by inducing the barometer users and paying them periodically to watch particular TV channel/s,” Singh said.
Some of the people in whose homes these barometers have been installed have confessed that they were paid Rs.500 for keeping their TV sets switched on even if they didn’t actually watch.
The Kandivali Police Station has registered a case, arrested the two accused persons before a Magistrate Court which has remanded them to police custody till October 9.
“Param Bir Singh’s investigation in the Sushant Singh Rajput case is under a cloud and this is a desperate measure because of Republic TV’s reportage on Palghar, the Sushant Singh Rajput case or any other case. This kind of targeting only strengthens the resolve of everyone at Republic TV to push for the truth even harder,” Goswami added.
“Param Bir Singh stands completely exposed today since BARC has not mentioned Republic in any single complaint. He should issue an official apology and get ready to face us in court,” said the channel.
A high-level team led by Joint Police Commissioner Milind Bharambe, DCP Nandkumar Thakur and DCP Akbar Pathan, along with other officers are investigating the matter.
An official said that several teams have fanned out across India to nab some other absconders in the matter.
The police have said that certain witnesses have come forward confessing that they were given monthly monetary inducements by the accused in the matter.