For Russian-born American vocalist and trumpeter Ilya Serov, the segue into jazz from his formal education in classical music at St. Petersburg Conservatory was a natural move because music needs no labels. For his first time in India, he brings contemporary takes on jazz classics and some original compositions too…reports Asian Lite News
The last time I heard Beethoven’s “Pastoral” Symphony and exchanged notes with my fellow concertgoer after the encore, I remember being intrigued by how the thunderstorm in the fourth movement had evoked utterly disparate emotions in us, sitting inches away from each other. For her, the timpani, trombones and strings had harmonised to yield catharsis for a stormy phase of life. To my ears, it brought the promise of rain on a very sultry June evening. That’s music. It moves people differently. But move, it does.
The “Pastoral”, Mendelssohn’s “Italian”, Saint-Saëns’s “Organ Symphony” and Brahms’s Symphony No. 2 will all be played during the SOI Spring 2024 Season. Some of these belong to what’s called programme music while Brahms’s composition falls under absolute music. The former denotes music intended to evoke images, the latter, not so much. Do such categories, however, make any difference to the experience of a listener? Musicologist Suddhaseel Sen discusses this in the cover story of the February issue.
Sufi music, on the other hand, is meant to bridge the gap between mortals and the divine. The poetry, ghazals or Sufiana kalam of bards, minstrels and mystics is associated with an all-surrendering quality so pure, it breaks down the barriers that hold one back. The three-day festival of Sama’a holds that promise for those willing to surrender to the music.
For Russian-born American vocalist and trumpeter Ilya Serov, the segue into jazz from his formal education in classical music at St. Petersburg Conservatory was a natural move because music needs no labels. For his first time in India, he brings contemporary takes on jazz classics and some original compositions too.
Reimaging traditional movement to explore possibilities in the realm of dance encapsulates the spirit of Spectrum, the NCPA’s festival of dances from around India and the world. From a celebration of Lata Mangeshkar’s unforgettable melodies to aspects of human existence told in contemporary language, the line-up lives up to the title of the festival.
“We have all the time we’ve always had,” says Marriane to Roland in Nick Payne’s play, Constellations. The NCPA production, which returns to the Experimental Theatre with a new cast, brings the idea of the multiverse to the stage. Quantum mechanics is integral to the script but only to grapple with the enigma of human existence. In an ensemble of parallel universes, time acquires a new meaning. What if we indeed had all the time we’ve always had?
Hon Prime Minister, of Great Britain, Rt Hon Mr. Rishi MP, endorses the 7th annual World Music Conference on Music and Intelligence…writes Sruthi Ramakrishnan FRAS
The British Carnatic Choir hosted the 7th Annual virtual World Music Conference on 15th December 2023 under the esteemed patronage of the United Kingdom Commission for the UNESCO.
It is the flagship music conference in the Midlands, which aims to bring together artists and musicians of all ages, faiths, races, and cultural backgrounds, with the hope of sharing intercultural values, practices, knowledge, commonalities and to promote peace, harmony, and togetherness.
The conference is supported by the conference Chief Patron- His Excellency Dr. Shashank Vikram, IFS, Consul General of India in Birmingham, Cllr Chaman Lal, Lord Mayor of Birmingham and the Patron of the British Carnatic Choir, Mr. Andy Street, CBE, Combined Mayor of the West Midlands, Sir John Crabtree OBE, His Majesty’s Lord Lieutenant of the West Midlands, Dr. Paul Sabapathy CBE, Former Lord Lieutenant of the West Midlands and Patron of the British Carnatic Choir.
James Ömer Bridge, Secretary-General and Chief Executive of the UK National Commission for UNESCO says:
‘We were delighted to offer Patronage to the 7th World Music Conference held in December 2023. The conference brings together music communities from around the world to celebrate, share and learn from one another, thus upholding UNESCO’s constitution by building “…mutual understanding and a truer and more perfect knowledge of each other’s lives”.’
The WMC strives to create a platform that allows individuals and communities to develop musical skills, enhance cognitive competence and creativity, and ultimately foster a deeper appreciation of music.
Dr. Chithra Ramakrishnan, MBE, FRSA, FRAS, Founder, Director of The British Carnatic Choir, Founder, Curator of the World Music Conference comments on the theme of this year’s conference:
“The endorsement from our Hon Prime Minister, Rt.Hon. Rishi Sunak, MP is a tremendous honour and a testament to the significance of our most recent event. The Prime Minister’s recognition underscores the importance of exploring the intersection of music and intelligence, and we are grateful for the encouragement to continue our mission.
“We extend our deepest gratitude to the Right Honourable Prime Minister for supporting our cause. The endorsement not only adds prestige to our conference but also highlights the commitment to fostering discussions on the transformative power of music in enhancing intelligence and creativity. A Heartfelt Thank You to the Prime Minister, Rt Hon Rishi Sunak MP.
“It is our intention that this conference could springboard the redefinition of educational curriculums, positively impacting the way we currently go about teaching music to the younger generation. our conference seeks to explore the synergistic relationship between music and intelligence, with focus on world music. The WMC seeks to respect intercultural variation and promote appreciation through music.
“This theme is topical at present, especially with the rapid growth of AI and its proliferation into various fields, from manufacturing to healthcare. This year, the conference vowed to examine the utilisation of AI into music practice and performance, considering how these situations can be enhanced for all stakeholders involved.”
MUSIC AND INTELLIGENCE
This year’s goals were centred around the theme of “Music and Intelligence”.
Identifying and establishing the relationship between music and intelligence in various cultures, considering the following key themes:
The psychological and neurological impacts of music on the brain.
How practicing music can be modified to increase intelligence.
The role of Artificial Intelligence in music composition, appreciation, and understanding.
The conference aimed to achieve these through a series of interactive, hands-on workshops, performances, keynote speeches, by renowned global experts and professionals.
Some of the featured keynote speakers/presenters at the conference were
Professor Francisco Tigre Moura, Professor of Marketing, IU International University of Applied Sciences, Germany,
Professor Nassim Aissa Belbaly, Empathetic AI Founder, Professor of Artificial Intelligence, Australia
Dr. Shantala Hegde, Additional Professor (Neuropsychology) National Institute of Mental Health and Neurosciences, Bengaluru, India
Professor Islah Ali-MacLachlan, Associate Professor, Audio Engineering and acoustics, Birmingham City University, Birmingham, UK
Dr. Lakshmi Balraj- Indian classical vocalist, Chief Officer and Head, Indian Dental Association, Mumbai.
Diamond Duggal, British-Indian music producer, composer, musician and AI researcher. London.
Dr. Ramya Palacholla, Director, Digital Science and AI, AstraZeneca, U.S.
The conference featured a special highlight called ‘Global Young Trailblazers’, a segment by young musicians from different continents showcasing how they embraced AI in their music.
British Carnatic Choir Awards 2023-Celebrating Excellence in the Arts.
The 7th annual World Music Conference hosted the virtual awards ceremony of the 9th annual British Carnatic Choir Awards for arts and culture -2023.
The British Carnatic Choir (BCC) Awards for Arts and Culture honours individuals and organisations that have made a positive impact on society through their creativity and commitment.
The distinguished awardees for 2023 were-
1. Professor Linda Merrick CBE- Principal of the Royal Northern College of Music.
2. Mr. Vibhaker Baxi- Chairman and Managing Director of UK-based Navras Records Limited
3. Professor Adam Palma- Professor of Jazz Guitar and a Voting member of The Grammy Recording Academy
4. Lucas Pedrosa – Guitarist, producer and arranger at Igreja Batista Nações Unidas – United Nations Baptist Church, São Paulo, Brazil.
Colonial Cousins is the 90’s Indian musical duo comprising Hariharan and Leslee Lewis, who achieved immense success with their eponymous debut album, which went platinum in India and dominated music charts in 1996…reports Asian Lite News
“Bollyboom”, a Percept Live Intellectual Property, announced the most eagerly awaited ‘Bollyboom Arena Colonial Cousins India Reunion Tour 2024’ which will see legendary award winning Indian musicians Hariharan and Leslee Lewis reunite after a decade to take fans through a nostalgic journey with their music. The 11 city pan-India tour will see the artists visiting Pune, Bengaluru, Delhi, Hyderabad, Mumbai, Coimbatore, Chennai, Kochi, Jaipur, Indore and Kolkata.
Phase I of the multi-city Bollyboom Music extravaganza will kick off on 19 January, 2024 in Pune at the Phoenix Marketcity, followed by Bengaluru on 27 January, 2024 at Phoenix Marketcity, 2 February, 2024 at the V Club in Delhi, 4 February, 2024 in Hyderabad at HCC, to culminate in Mumbai on March 1, 2024. Phase II will see the ‘Bollyboom Colonial Cousins India Tour’ visit Coimbatore on 24 May 2024, Chennai on 26 May 2024, Kochi on 31 May 2024, Jaipur on 2 June 2024, Indore and conclude in Kolkata on 9 June 2024.
Colonial Cousins is the 90’s Indian musical duo comprising Hariharan and Leslee Lewis, who achieved immense success with their eponymous debut album, which went platinum in India and dominated music charts in 1996. They garnered numerous accolades including the MTV Asia Viewers’ Choice Award and the US Billboard’s Viewers’ Award. Renowned for pioneering Indian fusion music, they were the first Indian performers at MTV Unplugged. Their song ‘Krishna’ boasts 6.2 million views on YouTube. Hariharan, a renowned Indian playback, bhajan and ghazal singer, has sung over 15,000 notable songs in 10 languages and was honored with the Padma Shri in 2004 and is also a two-time National Award winner. Leslee Lewis, popularly known as ‘Lezz’, is one of the first Indian composers to have introduced the Indian audiences to Rock and Pop music, and was instrumental in conceiving and creating all the music for Coke Studio, MTV India’s debut season, besides composing and producing music for artists like KayKay and Sunita Rao.
Along with the Colonial Cousins popular music tracks that will take fans on a nostalgic trip down memory lane, Bollyboom will also offer a 360-degree live entertainment experience for Bollywood music fans. Said Hariharan and Leslee Lewis of the Colonial Cousins, “We are so looking forward to getting on the road again after a hiatus of over a decade. This will be the first ever tour of the Colonial Cousins where we are really excited to meet our fans who have supported us over all these years and take them down memory lane with songs like Sa no dha pa, Krishna, Indian rain and each of our own songs. It will be a night to remember forever. That’s a promise.”
Joji George, CEO, Percept Live said, “Bollyboom stands for global Indian sounds, and who better than the legends Hariharan and Leslee Lewis of the Colonial Cousins. We are delighted to be the ones to bring them both together on this reunion tour. Anyone who is from the 80’s and 90’s can’t miss this one. Come with your kids and introduce them to music that has stood the test of time.”
‘Bollyboom’, a Percept Intellectual Property, is the world’s first and biggest Bollywood Dance Music IP, offering a scintillating blend of music, dance and entertainment. Bollywood music has been an intrinsic part of every Indian and combined with a large than life production, infusion of dance music and incredible SFX, Bollyboom provides a completely new twist to this genre of popular music to create a unique live entertainment experience for Bollywood music fans across the globe.
Bollyboom offers a blend of Trance, House, Hip Hop, Electro Funk, Synthetic, Pop, Club Music, Techno, Trance, Hardstyle, Sufi and Dubstep music. The concerts belt out popular Bollywood numbers combined with visually mesmerizing SFX and state-of-the-art technology, thereby enhancing the entire musical experience. Bollyboom has been seen in multiple variants across India such as Arenas, Club Nights, Mini Arenas, and has also hosted a couple of Pop Up Parties with an exclusive guest list offering customers a unique and fresh nightclub experience. Bollyboom also offers a holistic Bollywood experience with shopping zones, food courts, and a host of fun and interactive activities thereby creating a magical and memorable experience for Bollywood music aficionados.
Bollyboom is a Percept Intellectual Property. Percept is at an enviable leadership position in the Entertainment, Media and Communications domain with a team of over 200 people and 28 offices across India and the Middle East.
Percept Live, established in the year 2012, is the live entertainment division of Percept Limited. It owns and manages all the Intellectual Properties created in the Live Entertainment, Sports, Fashion, Digital and Media space. Percept has been in the ‘Ideas’ business for the past 35 years and has been instrumental in creating many legendary ‘Intellectual Properties’ in the past for its clients. The creation of a dedicated ‘Intellectual Properties’ business was but a further extension to Percept’s existing knowledge and expertise in the Entertainment, Media and Communications domain with a vision to convert path breaking innovative ideas into Assets in order to create long term value for all its Stakeholders. IPs owned by Percept Live include Sunburn, Bollyboom, Solaris, EPL (Eat Play Love), Windsong, IMS (India Model Search) and XCC (Xtreme Combat Championship).
Percept Live is a Percept company. With a team of over 200 people and 28 offices across India and the Middle East, Percept is at an enviable leadership position in the Entertainment, Media and Communications domain.
The singer, who performed to a full house at the festival venue is known for his ‘innovations’, one of the primary issues that purists have being that he renders varnams (traditionally introductory pieces) in the middle of a concert…writes Sukant Deepak
He says growing up in an environment at home where questioning and debating was encouraged, where one had the space to put forth his thoughts, no matter how radical, have been instrumental in shaping him the person he is.
Ramon Magsaysay Award winner TM Krishna, who is not just a musician and author, stresses, “And then I went to a Krishnamurti School that further cemented the resolve that you cannot remain quiet, that you are part of the question…”
“The duet of the outside and inside, and that is what pushes me to constantly engage with what we encounter politically and socially, “ he tells IANS on the sidelines of the ongoing Kerala Literature Festival (KLF), Asia’s largest literature festival.
For someone, whose performing career began at the age of 12, he has multiple books to his credit including ‘Sebastin And Sons’, where he talks about the integrity of the Mridangam on the Karnatik stage and the Dalit Christian communities involved in the making of percussion instrument, and ‘Reshaping Art’, where he raises questions about how art is made, performed and disseminated, and addressing issues as caste, class, and gender within society while exploring the contours of democracy, culture, and learning.
“Currently I am finishing a book which has been pending for a long time on the symbols of India — the anthem, flag, preamble of the constitution, the emblem, and motto. Now it is on the edit desk and I am excited to get it done,” he says.
Stressing that being a musician, his life, and therefore all thoughts evolve from sound, Krishna adds, “Therefore all my inquiries in the public space emerge from what I learn in music, and what it offers me as experiences. It gives me many answers too. So when someone asks me how my music and writing come together — sounds help me answer questions. I don’t see them as disparities. I feel a continuum.”
Occupying almost a ‘rockstar’ space, Krishna laughs that his exposure, and learning so much, becoming a writer and activist has also helped him with a diverse understanding of life and that has lent him the position he has today.”
The singer, who performed to a full house at the festival venue is known for his ‘innovations’, one of the primary issues that purists have being that he renders varnams (traditionally introductory pieces) in the middle of a concert.
“Now there is a double side to it, and of course, that is where my privilege comes in. But if I cannot hold myself against the pressure, what is the point of it all. Imagine the people who have the ideas to push but cannot — so it opens possibilities for them — they should be able to ask those questions.”
Krishna, who performed at Shaheen Bagh during the peak of the protests, and believes that art by its very nature is a social being, says the movement moved him immensely.
“I sometimes expect people to do what I am doing, and maybe that is not fair. However, I am sure that it is possible within their way to try and go to spaces or touch upon ideas that make them uncomfortable. If you cannot do that, you are not making art. Also, let us not forget that several torch bearers are completely invisible. Just because they are not speaking the social language of activism, does not mean they are not hard at work to ensure instrumental changes.”
Talk to him about self-censorship, and he asserts that at one level we all are self-censoring — the greatest fear being that we do not know when it starts to become ‘normal’. “My peeve with artists of privilege is when they try to give financial reasons for not speaking up. I have had many concerts cancelled and several organizers backing out…”
Pandit Vishwanath took center stage on day two, presenting soulful Thumris and poignant Dadras, leaving the audience captivated…reports Asian Lite News
The music of Thumri and Dadra resonated through the Kamani Auditorium as Sahitya Kala Parishad, Department of Art, Culture, and Language, Delhi Government hosted the annual Thumri Festival from 26th to 28th December 2023. The festival, a three-day musical adventure, featured the best performers of Thumri, enthralling the crowd with performances that combined creativity and tradition.
Day One: A Symphony of Tradition and Creativity
The inaugural day commenced with the ethereal notes of Smt. Padmaja Chakraborty, who skillfully intertwined the audience with the cultural richness of Thumri and Dadra. Her sublime fusion of tradition and innovation showcased enchanting renditions, starting with Thumri’s ‘Pardesi Balam, Preet Kiye Chala Jaaye’ in Raga Mishra, Kafi-Pilu, and Jat Taal. The mesmerizing evening continued with the soulful renditions of Padma Shri recipient, Dr. Soma Ghosh, from Banaras Gharana. She presented ‘Piya Ke Avan Ki Aas,’ ‘Aiso Nithur Mora Shyam Na Aaye,’ ‘Holi Khele Nahi Jaane,’ ‘Aare Rama Rimjhim Barse Paniya’ in Mishra Pilu Thumri, Khamaj Thumri, Raga Khafi, and Kajri Geet. She continued her performance with a Tappa- ‘Virade Janiya’ in Raag Kafi and concluded it with a Dadra- Humri Atariya Pe Aao’. The first day concluded with the captivating voice of Vidushi Ashwini Bhide Deshpande, representing the Jaipur-Atrauli gharana. She presented Bandish in Raag Des, followed by Nirguniya Bhajan in Taal Dadra. As the evening continued, she sang two Dadras in Raag Chandrakauns and in Deepachandi Taal, respectively.
Day Two: Spellbinding Renditions and Musical Heritage
Pandit Vishwanath took center stage on day two, presenting soulful Thumris and poignant Dadras, leaving the audience captivated. Vidushi Shruti Sadolikar-Katkar followed, weaving an enchanting musical aura with her soulful performance presenting compositions like Kafi, Dadra, Pilu, capturing the essence of Thumri with finesse and grace. The dynamic duo of Padmabhushan Pt. Sajan Misra and Shri Swaransh Mishra brought the curtains down on day two, showcasing the rich heritage of Benaras Gharana, performing Thumris in Mishra Khamaj in Dipchandi Taal, Mishra Tilang in Jat Taal, and Bhairavi in Addha Taal.
Day Three: A Grand Finale with Legends
The festival’s final day witnessed the vibrant vocal of Sushri Pooja Goswami who started her presentation with a traditional thumri ‘Nadia bairan bhai’ in Raag Des, followed by a Bandish ki thumri by Wajid Ali Shah ‘Mohan rasiya aaye bagiya’ and concluded with a Dadra ‘Kanha ne anguri maror dayi re.’ The evening continued with the distinct flair of Sushri Sucheta Ganguly. She started off with a Thumri in Misra Khamaj – ‘Kare matware manharlino shyam’ then a Chaiti in Raga Misra Pahari – ‘Chait mas bolele Koyelia.’ This was followed by a Dadra in Raag Mishra Kausikdhwani – ‘Shayam tohe najaria lagjayegi’ and ended her performance with Mishra Shivranjani – ‘Pat rakho na rakho.’ The legendary Pandit Ajay Pohankar concluded the festival with a grand flourish. He sang Thumries such as ‘Bagon main pade zhoole,’ ‘Naina more taras gaye,’ and ‘Babul mora’ and many other in Ragas Khamaj and Kafi. The unique point of this recital was that he was collaborating with his son famous Indian classical Keyboardist Shri Abhijit Pohankar who is the only Indian to play classical music on a keyboard, thus bringing a new flavour to this genre. The father son duo since last 2 decades have created a new audience all across the world for a liking for their albums like ‘Piya bawari’
The soul-stirring tunes of Thumri and Dadra were honoured during the Sahitya Kala Parishad’s Thumri Festival, which left an enduring impression on Delhi’s cultural landscape. This three-day annual celebration ensured Thumri’s continuous resonance in the hearts of music lovers across generations.
The NCPA Summer Fiesta is a longstanding tradition that offers arts and cultural experiences for children during the holidays…reports Asian Lite News
As the year-end is approaching it’s time to reflect on the year gone by, and appreciate the journey along with planning for what to look forward to in 2024. Here is a list of events that the NCPA is looking forward to in 2024 in their Theatre & Films and Indian Music Department.
Theatre & Films in 2024:
Connections (11 – 15 January)
The National Centre of Performing Arts (NCPA), Mumbai is proud to associate with the National Theatre, London, to bring an exciting and unique youth theatre initiative – Connections India, for the second time to schools in Mumbai. The holistic theatre programme offers
students across age groups the opportunity to perform in a festival of fantastic new plays written for young people by acclaimed playwrights. In its second rendition, Connections India will witness 10 schools from around Mumbai, present their theatre experience on stage at the Experimental Theatre, NCPA between the 11th to the 15th of January 2024.
Constellations (15 -18 February)
The play will be presented at the NCPA in February with a new cast – Aahana Kumra and Kunal Roy Kapoor will take centre stage as Marianne and Roland respectively.
Marianne and Roland meet at a barbecue. They are single, recently single in a relationship or married? Perhaps they go on a date and fall in love, or perhaps it doesn’t go well. Maybe they get together, and they break up? After a chance encounter at a dance lesson preparing for an upcoming wedding, they get back together, or maybe Marianne reveals that she’s now engaged to someone else. Or perhaps Roland is engaged. Or what if Roland and Marianne navigate all of this and get married? Or what if their time together is cut tragically short?
“In the quantum multiverse, every choice, every decision you’ve ever and never made exists in an unimaginably vast ensemble of parallel universes.” Does free will exist? Or are we playing out one of a multitude of predetermined possibilities? Two people. One relationship. Infinite possibilities.
Perfect Murder (Marathi – 350th Show in February)
The play will have a milestone performance at the NCPA.
Darpan 2024 (February)
After the success in its 1st year, the Darpan Marathi writing contest will shortlist a set of plays for year two and the winners will be announced after a short preview of their work by the panel. The winning play will then get into production for its premiere show at NCPA’s Annual Marathi Theatre Festival – Pratibimb
Pratibimb (May 2024)
Born out of the objective to inspire, encourage and support Marathi theatre, NCPA’s stages will be filled with plays, talks, readings, tours and workshops given by celebrated figures in Marathi theatre. This will be the 11th edition of the festival and it promises to build on the success of the 2023 edition, with a mix of popular and experimental pieces celebrated here at NCPA.
Summer Fiesta (June 2024)
The NCPA Summer Fiesta is a longstanding tradition that offers arts and cultural experiences for children during the holidays. This community-focused festival aims to inspire and empower young minds by providing interactive workshops conducted by local and national talent in areas such as acting, public speaking, music, and writing. The Summer Fiesta not only provides entertainment but also promotes the value of performing arts by offering high-quality workshops that are affordable for families.
Children’s poetry by Gurudev Tagore with Gulzar, Shantanu Moitra, Shaan, Mahalakshmi Iyer, a group of children and others
A concert with Ustad Zakir Hussain & Niladri Kumar (12 January)
In this recital, the artistes explore the sonic space together with each other, leaving aside the conventional hierarchy of either one of the instruments.
Sama’a (February)
Sama’a: The Mystic Ecstasy is a celebration of Sufi music at the NCPA, since 2009, which embraces the expansive ocean of Sufi thought through musical traditions, poetic forms and visual presentations. Finding its genesis in the Sufi practice of gathering to listen, Sama’a hopes to be the place where words become music.
Living Traditions (March)
India is perhaps the most musical and musically diverse region in the world. This diversity is evident in the folk traditions associated with different regions. Through this festival, we try to showcase the folk traditions of different regions.
In 2024 the focus will be on Jharkhand.
Saz – E – Bahaar (April)
The Indian subcontinent abounds in a variety of musical instruments, and a considerable specialisation is displayed in their usage. Instruments present music solos, provide melodic or rhythmic accompaniment or produce drones.
This will be the 11th edition of the Indian Instrumental Music Festival
Symphony Orchestra of India (SOI) with the three Indian music maestros enthralled UK audiences says, Rahul Laud
The UK audience was overwhelmed as the vast sea of music-loving audience clapped, cheered, and gave an overwhelming standing ovation to India’s three living legends table maestro Ustad Zakir Hussain, Sitarist Niladri Kumar, and flutist Rakesh Chaurasia. The recently concluded tour of the Symphony Orchestra of India (SOI witnessed the UK premiere of these three artists in London, Birmingham, and Edinburgh. The musical extravaganza was conducted by the Indian-born award-winning British conductor, Alpesh Chauhan OBE. Alpesh, currently Principal Guest Conductor of the Düsseldorfer Symphoniker, demonstrated his mastery and skilfully allowed the three maestros to display their mastery of their craft.
(All Pics Credit: Rahul Laud)
Zakir Hussain is an undisputed Ustad at fusion and playing with Symphonies and Western musicians. He is undoubtedly one of the world’s best at fusion music. His 50 years with the Shakti band with world-renowned virtuoso British guitarist John McLaughlin, and his Crossing the Borders music with Chris Potter, an American jazz saxophonist, composer, and multi-instrumentalist, and Dave Holland one of the most versatile and prolific bassist/composers in jazz history, is well known and received with thundering applause by global audiences. Niladri with his powerful strumming on the sitar and Rakesh with his soft soothing phrases on the bansuri gave the audience a rich musical experience. The audience wanted more and stayed mesmerized by the power of their music.
Following the Autumn 2023 Season in Mumbai, India’s first and only professional orchestra, the Symphony Orchestra of India (SOI), performed recently in seven cities including Coventry, London, Cambridge, Croydon, Bradford, Birmingham, and Edinburgh.
The 17-year-old orchestra returned to the UK after its well-received maiden tour of the country in 2019. The tour exhibited the orchestra’s caliber in playing complex classical compositions and its unique strength in showcasing a signature piece, specially commissioned by the orchestra, that represented a meeting of the classical traditions of South Asia and the West.
The SOI ushered in its Autumn 2023 Season in September, one of its most ambitious seasons. It featured esteemed conductors Alpesh Chauhan OBE and Richard Farnes, pianist Pavel Kolesnikov, and welcomed celebrated cellist, Steven Isserlis, for his India debut. The world premiere of the SOI-commissioned Triple Concerto by Zakir Hussain in September recorded two sold-out shows and received an overwhelming response. The orchestra’s UK Tour was an extension of the SOI Autumn 2023 Season featuring the same artists.
Khushroo N. Suntook, Co-founder, of Symphony Orchestra of India and Chairman, of NCPA, expressed, “The SOI’s seventeenth year has been special. The SOI co-founder and Music Director Marat Bisengaliev and I are pleased to witness the orchestra’s journey and hope that this is only the beginning. The Autumn 2023 Season was a great success assisted by the excitement around the NCPA’s commissioning of a Triple Concerto for the tabla, sitar, and bansuri played by the three great maestros. We can safely say that it was one of the most successful seasons of the SOI in living memory. The tour was a remarkable musical celebration.”
Brinda Khatau from NCPA Mumbai
In the true NCPA style with its Parsi warmth hostess Brinda Khautau, who was accompanied by Nandita Anjaria, Xerxes Unwala, and Farhanaz Irani from the NCPA Mumbai team ensured that all the guests at the different concerts relaxed at the pre-event-reception-and-concerts-were-seamlessly executed.
Talking about the group’s process, singer Swati Minaxi stresses they try to be aware, transparent and be a medium, let songs take their shape, and try to not chase anything…writes Sukant Deepak
They say it is not intentional that they refuse to be slotted in a genre, just that it is the way they are…That they do not perceive music/art through filters. The TAPI Project group members insist their music is all about dissolving boundaries, labels and boxes.
“It is not only about music or art but the state of the world. We believe reinstating the already-drawn boundary creates deeper ones in people’s minds. Compassion and universality rather than individuality is the way forward,” say members Swati Minaxi (vocals), Yogendra Saniyawala (guitar/lyrics), Gaurav Kapadia (drums), and Biju Nambiar (keyboard/bass).
Launched in 2014, the group, whose sound is a mix of funk and folk on contemporary tribal groove recently released their single ‘Mehsoos’, which is now available across streaming platforms. They will also be performing at the forthcoming Jaipur Literature Festival’s (JLF) Jaipur Music Stage.
Speaking to IANS, lyricist Yogendra Saniyawala recalls that ‘Mehsoos’ came as a sudden realisation — of how badly trapped in the head he was, and numb to the immediate and vivid experience of life.
“Maybe because it is too immediate like the eye cannot see itself. I think it is representative of global consciousness and every one of us goes through it at some point in life,” he says.
Saniyawala adds that the single is an ode to the simple, the mundane, the uncomplicated, and sometimes undecorated things in life, and serves as a reminder that while the world turns and does a spin on us, we still find meaning, love and beauty around us.
Talking about the group’s process, singer Swati Minaxi stresses they try to be aware, transparent and be a medium, let songs take their shape, and try to not chase anything.
“We believe in calling off the search and dissolving. For us, inspiration emerges in the form of tune or poetry from a deeper space. The key is to retain its essence in going through several arrangements, and its (arrangements’) changes. Yes, it’s a very thickly woven process.”
Excited about the kind of collaborations and spillages being witnessed in the art world, when many artists are no longer working in silos — like, painters collaborating with theatre makers, performance artists with writers; and Nambiar feels that the result can be brilliant as all forms came from the space of oneness and the spillage and collaboration is only natural.
“Art and these collaborations pave the way for societies to think beyond norms and, and push sub-cultures to develop, which in turn can create a harmonic and more connected emphatical world. After all, artists are frontrunners and representative of hope.”
Talk to them about how as a band they solve their creative differences, and Kapadia laughs, “By fighting as hard as we can! But also by having a very clear opinion. It is important to note that ‘opinion’ does not come from a space of ego, but rationality. Someone will come up with a point that eventually is agreeable. Sometimes, we need to take a break from each other as well.”
Minaxi feels that the present-day independent music scene in India is growing and is much better than what it was 15 years ago, however, it has a long way to be part of everyday life and make a strong impact on society and culture.
“Independent and mainstream music should become one, and there should be a space for all kinds of music. However, we think we are going towards that kind of culture sooner.”
Considering all members are self-taught and do not come from any discipline, and thus are seldom apprehensive when it comes to trying out new sounds, Saniyawala asserts, “We love to tread dangerous waters.”
The band experiments with intricate genres in music like folk, trip-hop, jazz, and ambient textures and uses folk instruments as an essential part of their band…reports Sukant Deepak
As Jaipur prepares for the 17th edition of the Jaipur Literature Festival (JLF), the Jaipur Music Stage (JMS), which will run concurrently with the festival has unveiled its line-up of performers.
JMS will present a diverse array of artists from the Indian subcontinent including singer, songwriter, and poet Alif (Mohammad Muneem) will be performing on the first evening. He is the recipient of multiple awards, including the Dada Saheb Phalke Film Festival Award for the single Lalnawat, IRAA Award for the single Like a Sufi, and the IIMA Award for ‘Best Folk Song’ – ‘Ride Home’.
The evening will also feature The Tapi Project, comprising Yogendra Saniyawala (acoustic & bass guitar, lyrics, composition), Swati Minaxi (voice), Gaurav Kapadia (drums) and Biju Nambiar (keyboards, bass, and drums).
The band experiments with intricate genres in music like folk, trip-hop, jazz, and ambient textures and uses folk instruments as an essential part of their band.
The second evening of JMS will feature Prabh Deep, a Delhi-based multi-faceted artist. While ‘Class-Sikh’ was a deeply autobiographical project, Deep showcased his ability to craft intricate and vivid narratives that spoke to larger audiences in subsequent releases. This can be seen on his ‘K I N G’ EP and his critically acclaimed ‘Tabia.’
The second evening will also feature a performance by The Revisit Project, a group that unravels the complexity and rigor of jazz with a distinctive and characteristic twist. Their music combines a solid groove, old-school funk, and rhythmic jazz.
The final evening will witness singer-songwriters Harpreet and Salman Elahi. Harpreet is a versatile artiste who sings original musical compositions in Hindi, Punjabi, Bengali, Assamese, Rajasthani, and Haryanvi. Mumbai-based musician Salman Elahi writes and sings primarily in Urdu and Hindi, and believes in using his music to express his thoughts about life and self-discovery.
The evening will also showcase the band When Chai Met Toast (WCMT). The band consists of vocalist Ashwin Gopakumar, guitarist Achyuth Jaigopal, keyboard player Palee Francis, and drummer Pai Sailesh.
This program makes available NCPA’s archival recordings to lovers of Indian classical music. We have planned a session based on the rarely heard recordings of the legendary vocalist, Madurai Shanmukhavadivu Subbulakshmi…reports Asian Lite News
Indian music with its rich legacy of over three millennia, has always had a place of pride in the realms of art and culture. The NCPA embraces the diversity of Indian music and continues to feature a wide spectrum of artistes ranging from emerging to established performers. The consciously curated programming includes classical, and semi-classical to devotional, light, regional, folk and cross-over music. The unique thematic element associated with each property makes it exclusive. Over the past decade, the NCPA’s Indian music festivals have been appreciated by artistes as well as audiences worldwide.
Upcoming Events in December 2023:
Music Mirror: A-6 AKASH GANGA
What: Documentary screening on Annapurna Devi with English subtitles
Where: Godrej Dance Theatre
When: Friday, 1 December – 6.30 pm
Duration: 81 minutes
Entry: on a first come first served basis.
About the music screening: Annapurna Devi, fondly called “Maa” by her disciples, was a legendary surbahar exponent and an unparalleled Guru. Daughter and disciple of the celebrated Allauddin Khansaheb who founded the Maihar-Senia gharana, she was destined to rule the world of music but in the 1950’s, she shuttered her music in silence, refusing all recordings and concerts.
Nityanand Haldipur, her disciple, sets out on a journey to tell her story. Cutting through the myths that have surrounded her, he attempts to find an answer to the question – can a musician exist without an audience?
Nirmal Chander has worked in the field of non-fiction since 1996 as an editor, director and producer. A recipient of three National Film Awards, his documentary Moti Bagh was submitted for the Oscars in 2019
The screening will be followed by a Q&A session with the director.
Nad Ninad: From Our Archives
Listening Session on the Artistry of Dr. MS Subbulakshmi
Guided by RK Shriramkumar, supported by Amritha Murali and Sriraam Subbaraman
When: Thursday, December 7 – 6.30 pm
Where: Little Theatre
Entry: on a first come first served basis.
About the show: This program makes available NCPA’s archival recordings to lovers of Indian classical music. We have planned a session based on the rarely heard recordings of the legendary vocalist, Madurai Shanmukhavadivu Subbulakshmi (1916 –2004), some of which were specially recorded for our archives during 1978. MS Amma, as she was popularly known, was a naturally gifted musician who grew up in an environment conducive to learning the nuances at a very early age from doyens of the Carnatic (South Indian) world. Starting her career at the young age of 13, she went on to become one of the most celebrated exponents of Carnatic music, besides acting in a few films. Eventually, she came to be recognised as the iconic voice of devotion in the Independent India.
The event will be guided by the eminent violinist, RK Shriramkumar, who has had the privilege of accompanying the legendary vocalist in live concerts as well as for some commercial recordings. Based on this association, he will share his valuable insights into the music of MS Subbulakshmi. His presentation will include recordings and live demonstrations.
Born in an illustrious family of violinists, Shriramkumar was trained by his grandfather, RK Venkarama Shastry. Besides performing solo concerts at home and overseas, he has had the honour of accompanying several doyens of Carnatic music. Marked by the gayaki style of violin playing, his music is recognised for its soul-stirring quality. Furthermore, he is also renowned as a skilled composer for several music and dance productions featuring celebrated artistes. With his innate musicality and vast experience in the world of music, Shriram Kumar is rightly regarded as a fine orator and an illustrious Guru. The list of awards and accolades received is equally impressive.
In this presentation, he will be supported by his disciple, Amritha Murali, who is also a talented vocalist. Sriraam Subbaraman will lend rhythmic support to mridangam.
Citi NCPA Aadi Anant: From here to eternity
The 13th edition of the Citi NCPA Aadi Anant festival seeks to celebrate the vitality of the guru-shishya tradition
About the Show: As trendsetters in their respective fields, Citi and NCPA stand committed to uphold the Indian heritage. Together, we are proud to present the thirteenth edition of ‘Citi NCPA Aadi Anant Festival’ with five events spread across two cities: Mumbai and Delhi.
This edition of the festival features presentations that include artistes of four different generations coming together to showcase genres from classical (art) and semi-classical, to folk and other lighter forms that collectively define the broad spectrum of music traditions in India.
Come, join us and explore the exciting soundscapes from here to eternity!
#Aadi Anant Concert 1 – Ft. Zakir Hussain, Sabir Khan, Debopriya Chatterjee
When: Saturday, 9 December – 6.30 pm
Where: Tata Theatre
Duration: 90 mins approx
Performed By Zakir Hussain (tabla) with Sabir Khan (sarangi) & Debopriya Chatterjee (bansuri)
Tickets: BookMyShow
About the show: In this presentation, Hussain will showcase the versatility of the tabla by performing solo pieces as well as exploring the sonic space together with the other two instrumentalists, leaving aside the conventional hierarchy of either one of the instruments. The spontaneous improvisations are bound to lead up to a musical dialogue that will take the listeners on a journey moving from classical to lighter genres, showcasing the capability of Indian instruments to express myriad shades of sound and emotion.
#Aadi Anant Concert 2 – Remembering the Divas: Gauhar Jaan, Begum Akhtar, M. S. Subbulakshmi, Shobha Gurtu, Noor Jahan, Kishori Amonkar
An NCPA Presentation
Conceived, curated and presented by Kaushiki Chakraborty & a group of musicians
When: Sunday, 10th December – 6.30 pm
Where: Jamshed Bhabha Theatre
Duration: 90 minutes approx
Tickets: BookMyShow
Age Suitability: 6+
About the show: Besides presenting some memorable compositions associated with these six divas, the ensemble led by Kaushiki Chakraborty will also attempt to present some new compositions, keeping in mind the individual style of these divas.
