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Aaryan Shines in Kabir Khan’s Latest Biopic

The bronze medal won by wrestler Khashaba Dadasaheb Jadhav of his village at the 1952 Olympics in Helsinki makes Murli start dreaming of winning one such medal in wrestling one day…reports Asian Lite News

Sports in any country inspire the young. And Hindi cinema and sports connect so well that as many as eight films are being scripted around this theme almost every year.

In India, judging by the number of sports biopics being made, any athlete or player who has had some glory associated with his or her name, makes an even more moving and motivating saga on celluloid. And the list of such sport stars seems to be growing every year.

Kartik Aaryan’s new film ‘Chandu Champion’ is yet another life story of a champion, this time of Murlikant Petkar, India’s first Paralympic gold medalist. Blending fictional elements into the 143-minute narrative, director Kabir Khan attempts to tell the incredible true story of Petkar, known fondly as Murli. Petkar’s journey, a remarkable example of victory over adversity, deservedly needed to be documented.

Born Murlikant Petkar (Kartik Aaryan) in 1944 in the Peth Islampur region of Sangli, Maharashtra, Murli showed early signs of rebellion if any of his classmates in school so much as laughed at his ambition of winning an Olympic medal some day.

The bronze medal won by wrestler Khashaba Dadasaheb Jadhav of his village at the 1952 Olympics in Helsinki makes Murli start dreaming of winning one such medal in wrestling one day.

Murli’s life is full of obstacles. Teased by his friends for dreaming big, he is nicknamed ‘Chandu Champion’, an epithet for a loser. It only eggs him on to be all the more determined.

His brother Jagannath (Anirudh Dave), who dotes on him, suggests he build his body first and enroll himself for wrestling training at the local akhara. After a foolhardy decision at the wrestling ring, he has no choice but to run away as the local politician sends his men after him to finish him off. That puts an end to Murli’s dream of becoming an Olympic wrestler.

Murli then manages to board a train on which a bunch of athletes are travelling to an Army recruitment camp. It was on this journey that he befriends Jarnail Singh (Bhuvan Arora), who guides him throughout. That journey also results in his joining the Corps of Electronics and Mechanical Engineers (EME) of the Indian Army as a craftsman-jawan.

At EME Secunderabad he trains to become a boxer and his coach, Tiger Ali (Vijay Raaz), who becomes his mentor. But life does not move according to Murli’s well-laid-out plans. He fights the 1965 India-Pakistan war, gets shot, spends two years in hospital and becomes paralysed waist below. He also loses his best friend, Jarnail Singh.

A long-drawn struggle and hindrances follow, but Murli’s spirit of survival and resilience helps him overcome his physical disability to emerge a winner. He takes up swimming and other sports. He plays table tennis at the 1968 Summer Paralympics in Tel Aviv and clears the first round, but doesn’t get much ahead.

At the next Summer Paralympics in Heidelburg, Germany, in 1972, Murli made history by returning home with a gold medal in swimming, becoming the first Indian Olympian to win gold.

‘Chandu Champion’ is now a real champion on the world stage.

Kabir Khan is not new to hits and successes — and his name spells class. To make a film on the life of a man who faced one adversity after another with an undying spirit of resilience should have been easy for a director of his calibre. One expected Khan to dig deeper into the emotional battle, besides his physical transformation, of Murlikant Petkar.

He is ably supported by a brilliant cinematographer Sudeep Chatterjee (Bhansali’s favourite), who adds enough heft to the frames. Whether it is the village terrain, the state-of-the-art athletic tracks, the boxing ring, or the hospital, all come to life through his seasoned lens.

The jarring background score by Julius Packiam as also the songs by Pritam only serve as irritants in a film that demanded pregnant pauses and silences to convey emotions.

Credited to Kabir Khan, Sumit Arora and Sudipto Sarkar as writers, the script is high on melodrama, notably in scenes where it was least needed. Aaryan tries hard to play Murli as best as he can. But he is limited in expressing and communicating the demands of an inner turmoils of a tormented character. It is the poor writing too that restricts his performance.

His transformation into Murlikant Petkar would have been commendable, had he reflected on portraying the character with more dedication. Merely embodying an athlete’s appearance is not enough.

Hindi film actors thrive on getting their physicality meant for a character they portray, right. The rest they leave it to the camera to carry forward.

When Murli participates in the Paralympics as a swimmer, special care is taken to make him look like the world-class swimmers Mark Spitz and Michael Phelps. With short cropped hair, chiseled jawline, and deadpan facial expressions, Aaryan attempts every possible angle to look like a world-class champ. If only he could act!

Film: Chandu Champion (Playing in theatres)

Duration: 143 minutes

Director: Kabir Khan

Cast: Kartil Aaryan, Vijay Raaz, Bhuvan Arora and Yashpal Sharma

Cinematography: Sudeep Chatterjee

Music: Pritam

Rating: **

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‘Saina’ is a special project’

Today, as the biopic of ace shuttler Saina Nehwal is ready for release, Amaal is “nervous and excited at the same time”…writes Samarth Goyal.

Lockdown was surely a period of creativity for most of the artists .Composer-singer Amaal Mallik is thankful for lockdown in a way. It gave him time to create the score of “Saina”, particularly the anthem song “Parinda”.

“Honestly, it was a bit frustrating at times, but it did give me that time to experiment with the music. I wanted to, for example, do something different for ‘Parinda’, since it is the anthem for the film. It was only possible during lockdown, because the film had gotten delayed that I got the time to work on it and that’s when I decided to work with Macedonian Symphonic Orchestra for the film. Overall, the four years didn’t really mean that I had to change the sound a lot,” he says.

The music took four years to be completed. Mallik admits that was “frustrating”, but at the same time was totally worth it “because I got the chance to work with Macedonian Symphonic Orchestra”.

Today, as the biopic of ace shuttler Saina Nehwal is ready for release, Amaal is “nervous and excited at the same time”.

“I am really nervous and excited at the same,” he laughs as he talks over the phone. “It is a special project and everything was really done with a lot of passion. I am really looking forward to seeing how people react to the music in the film,” adds Mallik, who has not only composed the songs in the film, but also created the background score.

This is the first time that the 30-year-old was asked to create a background score for a film. The process, Mallik says, helped him create his songs even better.

“It was a really big deal for me that I got to work on both — the songs and the background score. How it helped me in creating songs was that I knew what kind of music would accompany before and after a particular song. So I knew the exact emotion, the exact soundscape, and that really helped me a lot when it came to the songs,” he says adding that creating background score is not as easy.

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“It (background score) is a challenge for sure. I remember learning a lot of things about background music from Salim Merchant sir (of Salim-Suleiman composer duo), and he told me the importance of silences. Sometimes, silence conveys more about a particular situation than music, and understanding that part of background scoring is very important,” he says.

“In a movie like Saina, which is a biopic on one of the biggest athletes in India, there are many highs and lows. The approach, to create music cannot be linear. You have to make music that is not only inspiring and passionate, but also real,” he adds.

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