The ‘Thalapathy 67’ shoot started on January 2 and is progressing at a brisk pace. It marks the reunion of Thalapathy Vijay and Kanagaraj, after the massive success of their previous outing together, ‘Master’…reports Asian Lite News
Following the blockbuster success of ‘Master’ and ‘Varisu’, 7 Screen Studio have flagged off their third collaboration with Thalapathy Vijay, the film production house officially announced on Monday.
The project, tentatively titled ‘Thalapathy 67’, is directed by Lokesh Kanagaraj, the Tamil hitmaker who last helmed the Kamal Haasan-starrer, ‘Vikram’. He is also the maker of ‘Kaithi’, which is being remade by Ajay Devgn as ‘Bholaa’.
The ‘Thalapathy 67’ shoot started on January 2 and is progressing at a brisk pace. It marks the reunion of Thalapathy Vijay and Kanagaraj, after the massive success of their previous outing together, ‘Master’.
The film will also feature the music of Anirudh Ravichandran, who was the man behind the score of ‘Kaithi’, ‘Master’ and ‘Beast’. More details on the cast and crew of ‘Thalapathy 67’ will be announced soon.
“It is only fair that your praises are equally shared amongst all members of the cast and crew, starting with Anirudh, Girish, editor Philomin and Anbuarivu, right till those whose names are not known…reports Asian Lite News
Actor Kamal Haasan, who plays the lead in director Lokesh Kanakaraj’s action entertainer ‘Vikram’, has gifted the director a Lexus car in the wake of the film’s phenomenal success.
Earlier in the day, Kamal tweeted a video in which he thanked audiences and his entire cast and crew of ‘Vikram’.
In the video, Kamal said, “Tamil fans have never failed to hold aloft quality cinema. The same can be said of talented, quality actors as well. We consider it our fortune that you have chosen me and our film ‘Vikram’ in that line up.
“It is only fair that your praises are equally shared amongst all members of the cast and crew, starting with Anirudh, Girish, editor Philomin and Anbuarivu, right till those whose names are not known.
“My younger brothers Vijay Sethupathi, Fahadh Faasil, Narain, Chemban Vinod were all important reasons for ‘Vikram’s’ success.
“Suriya, who appeared in just the last three minutes of the film and left theatres reverbrating with excitement, did so only for the sake of love. I have decided to showcase completely, our episode of thanking him in the next film that we will be working together.
“The love Lokesh has for cinema and for me was evident during each day of filming and in each frame of the film. The love of fans too is like that,” the actor said before signing off.
The Black Ops team begins its work. Of the three killings, the death of Karnan catches the attention of Amar as the other two are government servants…Reviewed by Manigandan K.R.
Duration: 174 minutes (Released in Theatres) Director: Lokesh Kanakaraj. Cast: Kamal Haasan, Vijay Sethupathi, Fahadh Faasil, Kalidas, Chemban Vinod Jose, Hareesh Peradi, Gayathrie, Suriya, Narain and Santhana Bharathi. (Rating: ***1/2)
‘Vikram’ is a reasonably good film that has a generous serving of action sequences and the unmistakable signature of director Lokesh Kanakaraj on it.
There have been situations earlier when directors, looking to please their lead actors, have ended up making films that are far from what they originally had in mind. But to his credit, Lokesh Kanakaraj seems to have held his nerve and more importantly, called the shots. The film leaves no one in doubt that he’s narrated the story the way he actually wanted to.
The story starts with a series of killings. A group of trained masked men, who claim to be fighting against the system, kill three people one after the other. The first of those killed is Prabhanjan (Kalidas Jayaram), a police officer actively involved in the seizure of a huge quantity of raw material required to prepare cocaine.
The next is a person identified as Stephen Raj (Hareesh Peradi) and the third is Karnan (Kamal Haasan), who is believed to be the adopted father of Prabhanjan.
The killings don’t look like stopping any time soon, leaving the police chief (Chemban Vinod Jose) worried. He chooses to bring in a specialised Black Ops team led by Amar (Fahadh Faasil) to track and eliminate the gang of masked murderers.
The Black Ops team begins its work. Of the three killings, the death of Karnan catches the attention of Amar as the other two are government servants.
He begins to carefully investigate the death of Karnan, eventually discovering that there is much more to what actually meets the eye. He figures out that Karnan had deliberately made himself appear like a womaniser, alcoholic and drug addict only to those around him to enable him to go after big fish without raising suspicions.
Eventually, he realises that Karnan is in fact Vikram and that he was going after Sandhanam (Vijay Sethupathi), a drug addict and a drug lord who has a huge family that includes three wives and an army of thugs.
Why is Vikram after Sandhanam? Is Vikram still alive? Who is Vikram in reality? Does Vikram manage to get the better of Sandhanam? What does Amar do? ‘Vikram’ answers questions like these — and more.
The film works as an action entertainer, but doesn’t leave you impressed or awe-struck. That is a tad disappointing, considering that it has so many heavy-duty performers such as Kamal Haasan, Fahadh Faasil and Vijay Sethupathi and expectations from the film were quite high.
Most action sequences are intense. but what they fail to establish is the emotional connect. One or two of the sequences that manage to establish the connect, work big time.
Take for instance the fight sequence in which a woman team member, identified as Tina, blows her cover as a maid to take on the thugs entering the house of Karnan to kill Vikram’s grandchild. This sequence works big time. But unfortunately for the makers, the same cannot be said of several other action sequences in the film.
One other aspect of the film that does not work in its favour is the narration. The manner in which the story is narrated in the first half makes it difficult for audiences to follow the plot.
It is not that the sequences don’t add up. They do. It is just that the audiences have to make a conscious and determined effort to keep all the details of the plot in mind if they wish to follow the story.
That apart, the film’s story has several elements in common with the story of one of Lokesh Kanakaraj’s previous films — ‘Kaithi’, giving room for boredom to set in.
For instance, ‘Kaithi’ too was about goons looking to reclaim drugs that had been confiscated by the authorities. ‘Kaithi’ also had the hero looking to use powerful arms and ammunition to wriggle out of a tight corner. There are several more similarities, but these must be good enough to make the point.
On the positive side, the film has some spectacular performances coming from its lead artistes. Kamal Haasan does a neat job of playing Vikram as does Vijay Sethupathi who plays Sandhanam. The characterisation of Sandhanam makes Vijay Sethupathi’s performance that much more appealing.
For instance, the mafia don, we are told, takes specific drugs for specific situations. If he is losing a fight he needs to win, he takes a specific drug. If he needs his senses to be alert to track a bomb that has been planted in his place, he takes another. Vijay Sethupathi just revels in this role.
But it is Fahadh Faasil as the Black Ops team lead Amar who steals the show. Sharp, smart and swift, Fahadh manages to hog all the attention, despite sharing screen space with some of the most powerful performers in the film industry.
The film has a decent background score by Anirudh and some exceptional visuals by Girish Gangadharan.
On the whole, ‘Vikram’ works if one looks at it as just an action entertainer. One cannot but heave a sigh of disappointment, however, when one realises that the film could have been so much more than what it has just been made into.
