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Kashmir:  An alcove of Sufis and Saints

He strived for Hindu-Muslim unity always. One of his prominent poems is “Duniyahas Aaye Baeji Baeji, Samith Karo Baejiwath”, which translates as We had come to the world so that we may live together just like brothers…reports Asian Lite News

Kashmir Valley is famous all over the world for its natural beauty, green meadows, Sonamarg, Gulmarg and Pahalgam, snow-capped mountains, apple and almond orchards, crafts and tourism, elegant Pashmina shawls, culture, heritage and hospitality. Amir Khusrao’s poetry is the best way in entire globe to describe the incredible beauty that nature has bestowed upon Kashmir.

“Agar Firdaus Bar Roo-e-Zameen Ast

Hameen ast-o Hameen ast-o Hameen ast”.

“If there is a paradise on earth, it is here, it is here, it is here”.

However, Kashmir is equally known as “Pir Waer” an alcove of Sufis and Saints. To establish an atmosphere of peace, love, compassion, togetherness, brotherhood, and communal harmony in Kashmir, Sufi Saints travelled great distances. The development of the Kashmiri ethnic identity has been significantly influenced by the Sufi humanistic philosophy.

The Kashmir valley’s socio-religious harmony, manifested in the form of a particularly rich and distinctive composite culture known as Kashmiriyat throughout the medieval period, was the result of the Sufis’ genuine promotion of humanism at the time.

Pandits and Muslims in Kashmir share a number of rituals and beliefs related to Sufism and both groups place a great deal of devotional value on the many Sufi shrines that dot the Valley. For many years, different communities coexisted peacefully in Kashmir.

Sufism’s dedication to the tolerance and non violent ideals of Islam, as prescribed by the Holy Quran, fosters religious harmony and brotherhood. Sufism as a whole offers a solution for improving the religious tolerance of a multi religious society like Jammu and Kashmir.

Sheikh Noor ud Din Noorani RA, the famous sufi saint of Kashmir spread his teachings or message through poems, commonly known as shruks. His poems have four to six lines each and evolve around religious themes, highlight moral principles and often call for peace.

He strived for Hindu-Muslim unity always. One of his prominent poems is “Duniyahas Aaye Baeji Baeji, Samith Karo Baejiwath”, which translates as We had come to the world so that we may live together just like brothers.

Likewise, the teachings of all other sufi saints promote peace, harmony among communities, and brotherhood. However, Kashmir is becoming a source of misery for both residents and non residents because of the uncertainty that has persisted for a decade and been promoted by fringe groups, The extremism is pulling apart the fundamental foundation of all of these things.

It is pertinent to mention that the ongoing conflict in Kashmir has fuelled the flames by shattering Kashmiriyat and communal harmony, which led to mass killings, genocides, and the exodus of Kashmiri Pandits from the valley.

Religious fanatics have proliferated in Kashmir over the past few years, demanding that Islam be brought back to its original purity. Out of a population of around 8 million, they currently boast of having more than 1.5 million followers. Foreign forces with a malicious religious agenda want to eradicate Sufi tradition and replace it with Extremism.

Sufism is a subset of Islam that Kashmiris have long accepted, as opposed to political Islam, in which Muslim Sufi saints’ advocated religious tolerance and pluralism.

As funded and spread extremist Islam made significant inroads into Kashmiri society, the insurgency there purged the society of its native characteristics. A variety of groups were active in Kashmir and it was simple for them to deceive the gullible people in Kashmir.

The gentle Sufi teachings are losing their resonance in Kashmir as some elements are bringing their own rigid form of Islam, and when many Kashmiris are setting aside their spiritual growth in favor of the rest of the things.

The mainstay of Kashmir’s tolerance and coexistence has been our Sufism, which has come under attack from forces opposed to tolerance and coexistence.

This is something that we, the people of Kashmir, must keep in mind. We cannot have a peaceful, tolerant and progressive society unless Sufism is brought back to its age-old splendour.

If the lost culture of Kashmiriyat/Sufism is revived and the gun culture is reduced, peace may return to the Valley. This realization and self-action must come from the state’s citizens.

For the benefit of their future generations, adherents of a Sufi Islam must find their voice. If the nation needs to find a solution to the Kashmir crisis, it might be time to leave them in limbo to make room for the moderate voices.

In this hour of crisis, the people of Kashmir must unite and support the administration’s efforts to impose peace in Kashmir, in order to put Jammu and Kashmir on the path of development and put an end to the senseless killings and bloodshed.

I urge Kashmiris not to stray from their native identity, ethos, and culture and succumb to extremism, an alien ideology. Let’s work together to bring back Kashmir’s peace and tranquility.

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Tribute to J&K’s Sufi saint Mian Bashir Larvi

Mian Bashir devoted himself completely to his spiritual responsibility, preaching hadith, tafsir and other religious teachings. Being an influential orator he left a great impression on the listeners…reports Asian Lite News

Mian Bashir Ahmad Larvi was a prominent proponent of Sufism, distinguished author, social reformer, and an admired tribal leader of Jammu and Kashmir. He was a fearless maverick unafraid to challenge orthodoxy of religion and politics. His unyielding efforts and contribution towards the upliftment and empowerment of the Gujjars, Bakarwals (Goat herds) and other oppressed communities of Jammu and Kashmir earned him a Padma Bhushan, the third-highest civilian award by the Government of India in 2008.

Tribute to J&K’s Sufi saint and social reformer Mian Bashir Larvi

Born in 1923, Mian Bashir Larvi, lovingly known as Baba Saheb, was a multi-faceted personality who continued the legacy of Hazrat Mian Abaid Ullah Larvi, his grandfather and ‘Murshid’ (teacher), and his father Hazrat Mian Nizam-ud-Din Larvi, who had migrated from Hazara region in the 1800s. He was from the Naqshbandi order of Sufi tradition, a convention in the family. Named after Hazrat Bahaud-Din ‘Naqshband’ Bukhari, the order is renowned across the world in Sufi Islam.

Following his spiritual linage, Mian Bashir Ahmed habitually visited the shrine of Sirhand Shrief in Punjab, in veneration of a celebrated mystic and theologian and a respected guide in Naqshband order the Sheikh Ahmad Sirhindi (1564-1624). Baba Saheb worked relentlessly as a politician, spiritual leader, legislator, and emissary of peace. He was the head and Gaddi Nasheen of the revered shrine of Baba Abaid Ullah Larvi, popularly known as Babaji Saheb, at village Babanagari Wanghat in Ganderbal district of Kashmir, for about half his life.

The tribal areas of J&K were socially alienated and economically depreciated. Mian Saheb decided to bridge the gap between the tribal pastoralist nomads and political inefficiencies by joining politics to represent their cause. He was elected as an MLA in 1967, 1972, 1977 from Kangan, and 1983 from Darhal, Rajouri District. He served as a Minister in the State Cabinet in 1972 and 1977, as a Deputy Minister in 1971 and 1977, and as a Minister of State from 1977 to 1980.

No Kashmiri has witnessed a politically inclined man who has maintained his respect along with being a religious and spiritual leader. Mian Saheb was closely associated with the centre stage figures including Mahatma Gandhi, Pandit Jawahar Lal Nehru, Indira Gandhi, Maulana Azad, Hafeez Jallandari, Faiz Ahmad Faiz, Meera Behan, Abdul Gaffar Khan, and countless others.

He devoted himself completely to his spiritual responsibility, preaching hadith, tafsir and other religious teachings. Being an influential orator he left a great impression on the listeners. He was also the head of Gujjar Jirga, a local justice authority where the disputes are resolved amicably.

In the 1947, 1965, and 1971 India-Pakistan wars, Mian Saheb took up an enterprising role for peace in J&K and helped in rehabilitating thousands of people in the border areas. Mian Saheb was known as the most benevolent for his generosity and charity. His close followers swear that he has never counted money when giving to the needy. He also had the opportunity of representing the nation at United Nations, where he passionately leaded many delegations and presented India as global peacekeeper.

Mian Bashir Ahmad has penned a long list of books on spiritualism, mysticism, Sufism, Islamic theology, divine love, and poetry on Gujjar ethos and cultural heritage in Gojri, Urdu, and Punjabi. His most popular is the biographical account of three generations of Babaji Sahib Larvi (his grandfather) in a book ‘Mata e Faqar-o-Danish’. He also recorded his entire life in his dairies which is a historical account of his celebrated life in J&K, research and Sufi academia.

Many Gojri writers like Mian Ismail Zabi had started writing Gojri poetry in the early 1900s following Mian Saheb’s father’s footsteps. It was their family’s tradition to organize poetic events and literary gatherings at the shrine of Baba Abaid Ullah Larvi.

Not much later Mian Bashir Ahmed Larvi assembled “Neer Samundar”, a series of Gojri poetry books. It goes without saying that Gojri language and literature was officially established by Mian Bashir in J&K through radio and cultural academies.

ALSO READ: Kashmir youth forum organises Sufism conference

For the Gujjar-Bakarwal tribe Mian Saheb’s life was the epitome of Godliness. Through his life he worked to educate the tribes of J&K and empowered them politically and economically. As a visionary he stressed on a community building, self-respect, and individual awareness among the tribes. His personal commitment towards the grant of Scheduled Tribe status to Gujjars and Bakarwals of J&K led the Union Governments to award them this rank in 1991.

The saint passed away on 14 August 2021 at the age of 98 in his native village, leaving a deep influence in the Kashmiri society. About 50,000 people from J&K attended his funeral. He took away with him Kashmir’s turbulent history wherein he played a cataclysmal role. His body was buried at his grandfather’s shrine at Wanghat Kangan, Ganderbal. His son Mian Altaf Ahmad, a former Minister and distinguished Gujjar leader, is the new Gaddi Nasheen of the Shrine as per Mian Saheb’s wish. The death of Mian Saheb is an end of an era for J&K but his story, his legacy, his contribution and teachings is a saga of humility and nobility, and will continue to guide seekers of knowledge for generations.

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‘Kathak is like a meditation, a sadhana’

Sufi is not a practice, it is a thought. To blend with Sufi in one colour without any discrimination is a way to connect with the supreme power above…Rani interacts with Siddhi Jain.

Dance is a passion for many. An astute Kathak danseuse of the Lucknow Gharana, Rani Khanam has dared to differ in her dance practice. Integrating Islamic verses and Sufiana Kalam of mystic Sufi poets in her Kathak practice for over 20 years, she has carved a global niche as a pioneering Muslim Kathak classical dancer. She has also used choreographed productions as a medium to raise awareness on causes like HIV/AIDS, rights of women, including Muslim women, and persons with disabilities.

The founder-director of ‘Aamad Kathak Dance Centre’ in east Delhi, Khanam recently performed on the compositions of Bulleh Shah and Hazrat Amir Khusrau. Excerpts from an interview with her on the sidelines:

How did you take to dancing and Kathak?

I have been dancing since childhood. Everything I have done so far is a contribution to this field. In fact, since a very early age, I have seen and understood things through dance’s perspective. I pursued Kathak as it is one of the classical dances of the North and carried on with it since then. For me, Kathak is like a meditation, a sadhana that is there in my everyday practice.

You are a practicing Sufi, how do you incorporate it into your dance practice? Please also tell us about the historical research undertaken by you on the Islamic influence on Kathak.

Sufi is not a practice, it is a thought. To blend with Sufi in one colour without any discrimination is a way to connect with the supreme power above – the almighty. Sufi has a very simple way, let it be through devotion or Sufi, it’s the same thing. Alongside, I have done the research and been working on Islamic verses, Sufiana kalam of renowned poets for the past more than 20 years. I have performed on it at an international level and collaborated with international artists and Sufi dancers.

You have defied many odds during your dance career…

Every artist, every human has odds in their life and it is very natural. But when you are focused on your goals you don’t realize when you have surpassed those odds. Being a Muslim, I had few obstacles as at those times dancing was not pursued openly. But with conviction, power, and passion I was able to overcome all these and till today I am working in society by maintaining all due respect.

How did you keep refining your practice during 2020’s lockdown? What did it mean to you?

For the past year, due to Covid, life has given us time to think positively. Being an optimistic person, I believe that if things go wrong there must be a good reason behind it. It needs us to improve. This was a refinement period for me. I took classes, participated in virtual programmes with the kids and other artists. I have been a part of various online discussions. So, last year I tried to be as constructive as possible.

You performed Holi Khelungi Keh Ke Bismillah’ by Bulleh Shah at Kathak Kendra. Please tell us about it.

Kathak Kendra’s event ‘Swadheenta Ke Rang, Phalgun Ke Sang’ is a very nice concept where they have invited all the Kathak artists along with artists from other art fields on the occasion of Holi. I performed a few Bandish, one of them was of Hazrat Amir Khusrau’s and is based on Raag Basant Bahar Mishr. The second bandish was by Baba Bulleh Shah’s Holi Khelungi Keh Ke Bismillah’. The way I portrayed was the Almighty is the actual painter who has painted the entire world with the colour of love. He combined all the true colours of love and unity and came with a rainbow. All the colours on the earth like sea, leaves are all given by God. I am glad that people admired my performance during the show.

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