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Bollywood Films Lite Blogs

Pankaj Reveals Important Tools Of Artistes

For Pankaj Tripathi, acting is a spiritual process. The actor says he is not always serious while working on the set but his inner focus is always actively immersed in his craft.

Asked if there has ever been a role that took a lot from him as a person, Pankaj said: “Gurgaon (2017) was really difficult and even Guruji (in Sacred Games) was tough. Artistes have two tools, their personal experiences and the more important one, their imagination.”

“These roles were tough because they were different from my life experiences and I had to imagine a lot. Acting is now a spiritual process for me. If you see me on the sets you might feel I’m goofing around and I’m not serious but at the same time my inner focus is always active,” he added.

Mirzapur 2 makers issue apology to author Surender Mohan Pathak for hurting sentiments. (Photo: Twitter@excelmovies)

At the moment, he is earning plaudits for his role in Mirzapur as Kaleen Bhaiya and in the latest film Ludo.

“I genuinely enjoyed playing Kaleen Bhaiya. The way he handles people and especially his hypocrisy. So during the performance, I thought his hypocrisy was very entertaining,” he said.

Opening up about one scene that stood out for him, Pankaj said: “I remember the scene where Kaleen Bhaiya meets the Chief Minister and Lalit is with him. I was really unwell during that scene. If you look closely you will see my face is swollen. I remember the humour of the scene and how Kaleen Bhaiya turns out to be so brutal by the end. There was also a scene where Kaleen Bhaiya along with Maqbool goes to the doctor and I remember I fell off the chair while reading the scene. It was too funny. We wanted it to be shot on a serious note so that the audience can enjoy it.”

Asked why he chose to do Mirzapur, Pankaj said: “I liked the writing when I heard it. I thought it was an interesting role. I enjoyed the first scene where Kaleen is built up. How this character is so powerful for the outsiders but falls weak in his personal life. OTT didn’t have that much significance back then but for me the platform never matters. The performance does.”

Pankaj got attracted towards Ludo because of director Anurag Basu.

“Anurag Basu is my favourite director. The world he creates in his movies is really different. I haven’t watched many films. I think in total I must have watched around 50 films in my life. I think because of this I don’t have much of a reference point of cinema but only my real life experiences,” he said, adding: “During ‘Ludo’, we didn’t know the script at all. I enjoyed it immensely and I had surrendered myself completely to Dada (Anurag Basu).”

Pankaj also shared his admiration for late actor Irrfan Khan, and the void he has left behind.

“I really liked Irrfan Khan and was very sad when we lost him, and even today I am (sad) because he inspired me. I watched Maqbool, Warrior and almost all his films. I think he is the only Indian actor whose every film I’ve seen. I felt like he was doing something different and this is the impact acting should have,” Pankaj said during a conversation on IMDb On The Scene.

Also Read-Bilal Abbas Khan: Good Acting Inspires To Refine Our Craft

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Bollywood Films Lite Blogs

Niece Mallika Goes Back To SSR Memories

It is five months that Sushant Singh Rajput has passed away, and his niece Mallika Singh posted a picture on Saturday to remember the late actor.

Sushant was found dead at his Mumbai residence on June 14. While the investigation into his death is still on, Mallika has posted a photo of Sushant with her.

In the photo, Sushant is seen holding her tightly while smiling at the camera. “God has you in his keeping, I have you in my heart. 5 Months,” she wrote along with the photo posted on Instagram Stories.

Sushant Singh Rajput.

Mallika often uses Instagram to remember the late actor or respond to the occasional trolls who attack their family.

In August, she had replied to trolls who pointed “unfair fingers” at Sushant’s sister Meetu Singh.

Meanwhile, Sushant’s other sister Shweta Singh Kirti also took to Instagram Stories to share fan posts regarding the actor.

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Bollywood Films Lite Blogs

‘It is difficult to be a woman with voice’

Actor Vikrant Massey, who shared screen space with Deepika Padukone in Chhapaak earlier this year, says is tough to be a female superstar like her in this country.

“It is hard to be a Deepika Padukone in our country. It is difficult to be a woman with a voice. She is the biggest star and an icon in our country. If she can be subjugated to this, then anyone could. Unfortunately, there is no public discourse today. I stand by what I said,” said Vikrant.

Deepika Padukone. (File Photo: IANS)

Deepika was in the midst of controversy around the release of Chhapaak in the month of January after she visited Jawaharlal Nehru University (JNU) in Delhi in a bid to show solidarity with the protest against CAA. Her action infuriated many on social media, and the hashtags BoycottChhapaak and BlockDeepika had started trending back then.

Vikrant recalls working with Deepika and Chhapaak director Meghna Gulzar with fondness.

“I always wanted to work with Meghna Gulzar. I was able to pull that off so early in my career and it is almost like a dream come true. With regards to Deepika, I have fond memories as her co-actor. As I always say, she is one of the most incredible people I have ever met,” he said.

Vikram, who was recently seen in the Netflix film Ginny Weds Sunny, also spoke of how he is often compared with actress Radhika Apte, adding that he loves the comparison.

“I am very fond of Radhika Apte. She is a very amazing actor and is exceptionally hard working. She has ruled the OTT space and is now going to Hollywood. I would love to follow that path and reach where she is,” said Vikrant.

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Films Hollywood Lite Blogs

Korean Zombie Thriller Ready To Release In India

The Korean zombie thriller, Peninsula, a sequel to the 2016 hit, Train To Busan, will release on the big screen in India on November 27.

An official Cannes Film Festival 2020 Selection, the film was set to make its world premiere at the festival. Directed by Yeon Sang-ho, who also directed the prequel, the movie stars Gang Dong-won and Lee Jung- hyun.

The sequel is set four years after the virus outbreak in Korea as shown in Train To Busan, and follows a former soldier who is sent along with his team to retrieve a truck full of money from the wastelands of the Korean peninsula, which is now inhabited by zombies.

“I imagined what Korea would look like after the outbreak depicted in ‘Train To Busan’ and what kind of scenarios would unfold. It is also the culmination of all the anticipation from fans all over the world. I wanted to tell the story of modern people who live in a rational society, and how they react to a new world enveloped in barbarism and contrasted humanism,” said the director while talking about creating his own Zombie universe.

The film is being released in India by Zee Studios and Kross Pictures.

“Korean films have a growing fanbase in India and going by the popularity of its predecessor ‘Peninsula’ promises to top that experience. We are confident that this film will be one of the best theatrical experiences our audiences will have this year,” said Shariq Patel from the Zee Studios.

To this, Hyunwoo Thomas Kim, CEO of Kross Pictures, added: “We hope the film will be a great cinema experience for Indian audiences coming out of the long lockdown.”

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Films India News

Legendary Actor Soumitra Chatterjee Passes Away

Veteran Bengali actor Soumitra Chatterjee passed away on Sunday and the medical board at the Kolkata hospital where he was for over a month announced the news. He was 85.

“We declare with heavy heart that Shri Soumitra Chattopadhyay breathed his last at 12.15 p.m. at Belle Vue Clinic today (15 November 2020). We pay our homage to his soul,” the bulletin from Kolkata’s Belle Vue Hospital said.

Chatterjee’s health condition was “extremely critical” and he was “not responding at all” to treatment, critical care expert and head of the medical board Arindam Kar had said just minutes back.

The octogenarian actor’s health condition “extremely” deteriorated since Friday.

“The team of doctors including neurologist, nephrologist, cardiologist, those from critical care medicine, infection disease specialist, both from public and private sectors, every one has put their effort to get the legend back from the critical stage, but it is not working,” Kar told IANS around 10 a.m.

He said that the doctors have tried really hard to “revive” Soumitra. “We are very sorry to say that he is not responding at all.”

The Dadasaheb Phalke awardee was admitted in the Intensive Care Unit (ICU) of Kolkata’s Belle Vue Hospital for almost 40 days and his consciousness level went down significantly since Friday. The condition of the veteran actor had remained a matter of concern owing to co-morbidities and advanced age. His key problem was Covid-19 encephalopathy, doctors said.

Soumitra Chatterjee tested positive for coronavirus on October 5 and got admitted to the hospital the very next morning.

He was shooting for a documentary titled “Abhijan” directed by actor Parambrata Chattopadhyay. Last time he attended the shooting floor at Bharatlaxmi Studio was on October 1. The next shooting schedule was fixed on October 7.

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Arts & Culture Books Lite Blogs

‘I Enjoy Writing For Children’

A prolific author and philanthropist, Sudha Murty is quite content at often being addressed as “Mrs Narayana Murthy”, as she presides over the Rs 400 crore Infosys Foundation that works among the less privileged sections of society and practices what she preaches — that “money alone does not bring satisfaction” and that “satisfaction comes from the heart”….writes VISHNU MAKHIJANI

And it is from the heart that she has penned close to 40 books in Kannada and English, some of them translations and the bulk of them for children, with her latest offering “Grandparents’ Bag of Stories” (Puffin), an ode to keeping your spirits up in the midst of the Covid-19 pandemic – a story a day keeps all troubles away – to be released on Children’s Day, November 14.

“My journey has taught me so many things, particularly to understand the difficulties of the human being. I enjoy writing for children…..they make me aware and to be sensitive to many, many issues,” Murty, the mother-in-law of Britain’s Chancellor of the Exchequer Rishi Sunak, told IANS in an interview.

Tracing her journey in the world of writing, she said it “started when I was very young. I used to write in Kannada and changed to English only when I was 50 years-old (she is now 71)”.

“English translations, or writing in English, both helped me a lot because I could reach out to more people; a lot more people can read (English than Kannada),” Murty added.

Does she write to a pattern?

“I don’t plan anything about what is the road ahead for me. When my experiences are full, and I cannot just keep it in my mind then I start writing. I don’t plan, that I should write this book or that book but I always look at what I have and whether I will be able to pen down with more honesty and more compassion,”

To that extent, Murty’s latest book is an exception in that it is follow up to the iconic and one of her best-loved books, “Grandma’s Bag of Stories”, that has sold over 300,000 copies. Featuring fascinating tales and endearing characters, especially the grandparents – who exemplify comfort and nostalgia of childhood stories and profusely illustrated by Priya Kurian, the book contains positive and timeless stories that inculcate values of compassion, resilience and sharing. It’s an absolute must-have for every young Indian reader’s bookshelf.

It’s 2020 and children are stuck indoors as the novel coronavirus has found its way to India. A nationwide lockdown is announced, and amidst the growing crisis, Ajja and Ajji welcome their grandchildren and Kamlu Ajji into their house in Shiggaon (Murty’s birthplace).

From stitching masks, sharing household chores, preparing food for workers to losing themselves in timeless tales, the lockdown turns into a memorable time for the children as they enter the enchanting world of goddesses, kings, princesses, serpents, magical beanstalks, thieves, kingdoms and palaces, among others. The myriad stories told by their grandparents become the biggest source of joy, making the children compassionate, worldly-wise and more resilient than ever.

“It was wonderful to work on this book during the lockdown period due to Covid-19. It was a joy to create something memorable and positive for the children, especially in this unprecedented time when most of us are restricted to home,” Murty said.

“Writing this book was a delight and took me on a trip down memory lane where I once again became a child listening to stories from my grandparents and spending time with my cousins. I hope my young readers enjoy reading this book and find themselves having fun in this new world of simple and enchanting stories,” she added.

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Bollywood Celebrity Lite Blogs

Bilal: Good Acting Inspires To Refine Our Craft

Pakistani actor Bilal Abbas Khan says he recently binge-watched the Indian web series Mirzapur and admits his all-time favorite film is Chak De! India, adding that Bollywood superstar Shah Rukh Khan inspires him to become a better actor.

“While it is quite tough for me to choose one actor or film that inspires me the most, as an artiste I would say that observing the performances of several Indian actors inspires me,” Bilal, who recently appeared in the web series Ek Jhooti Love Story, told IANS.

“If you ask me my current favourite, I watched the new season of the web series Mirzapur, and I just loved the story and the acting of the actors in the show. They are such fine performers. Watching such good acting inspires us actors to refine our craft. I was waiting for the release of the show and when it did, I watched it at one go! I loved Mirzapur!”

On his favourite actor, he said, laughing: “Obviously Shah Rukh Khan, yeh koi poochhne ki baat hai (is there even a doubt)? I love Shah Rukh! There are several films that I loved watching SRK in but my all-time favourite is Chak De! India. When I watched the film, I hasn’t even started working. His performance and character were too good!”

The Pakistani webs series Ek Jhoothi Love Story is directed by Mehreen Jabbar and also features Madiha Imam, Mohammad, Mariam Saleem, Kinza Razzak, and Beo Zafar. Even as the show streams in India, Bilal is preparing for his new project, Abdullahpur Ka Devdas.

Sharing details of his new project, he said: “It is a male-centric love story in which I am playing the title role of Devdas. The story is set in a village named Abdullahpur.”

Did he watch SRK’s Devdas for inspiration? “I watched Devdas but my character is different, so there is no reference point. SRK’s Devdas is on a different level altogether,” he replied.

Does he feel lucky to play a Devdas on-screen like SRK? “Well, I am an SRK fan and I like him, I am also playing a character named Devdas, ye sachcha fanhood hai (this is true fanhood),” Bilal laughed.

Ek Jhoothi Love Story streams on the OTT platform Zee5.

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Bollywood Lite Blogs

Anup Soni Asks For stricter laws against animal cruelty

Actor Anup Soni has joined Ayesha Jhulka’s movement for the wellbeing of animals. The actress has started an online campaign demanding stricter laws against animal cruelty.

Jhulka’s dog Rocky was allegedly killed at her farmhouse in Lonavala by her caretaker a while back. The accused was arrested, and granted bail within hours.

“It is sheer madness if we do not value the lives of those that cannot fight for their rights,” said the actor while talking about his decision.

“The caretaker who killed my Rocky and tried to pass it off as drowning is out on bail. We all saw the inhumanity in Noorie rape. But Rocky and Noorie are merely those that came out. Thousands of others suffer at our hands. We need stringent punishment for putting an end to crimes against animals,” said Jhulka, who is associated with Society For Animal Safety, India.

To this, animal welfare activist Nitesh Khare said: “Each of us needs to speak out. It is high time. We need to stop being mute spectators, watching animal cruelty and thinking a comment on Facebook is all it takes to express solidarity.”

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Books Lite Blogs

‘The South Caucasus’: A Bird’s Eye View Of Immensely Diverse Region

The timing could not have been more perfect: The South Caucasus: Transition from Subjugation to Independence by Ambassador Achal Kumar Malhotra, just published by the Indian Council of World Affairs (ICWA) not only plugs an important gap in domain knowledge in India, but becomes instantly compelling coming as it does against the Armenia-Azerbaijan war which has caught the attention of Indians for the first time.

It is surprising that the region of the South Caucases – so strategic in location, sitting on the cusp of Europe and Asia on important energy and freight transit routes, so mythical in beauty, so chequered in history, so diverse in its ethnic makeup, and so endowed in natural resources — figures so little on India’s strategic radar. As a corollary little literature is available on the region and its three states – Armenia, Azerbaijan and Georgia.

The author has served as India’s ambassador to both Armenia and Georgia and this is arguably the only book on the South Caucases published in India. Of course, the author acknowledges that the book is only a bird’s eye view of this immensely diverse region. But it comprehensively traces its evolution over the past 150 years, which includes its multiple transitions from subjugation under the then medieval powers — the Persian, the Ottomans and Tsarist Russia — to finally independence for all the three states in 1991, rising from the debris of the former USSR.



Malhotra succinctly puts it: “…in the course of seventy years of Soviet rule, the South Caucasus region underwent difficult times…….. Overshadowing their individual identities as Armenians, Azerbaijanis or Georgians. Freedom of speech and religion was severely curtailed.”

The book’s main focus of course remains the region’s modern history, and it explores and analyses the circumstances under which the three states charted such distinct domestic trajectory. Georgia and Armenian are chaotic democracies while Azerbaijan continues to see dynastic rule of the Alieyev family. Their foreign policy orientation is similarly diverse: “Armenia and Azerbaijan opted in favour of joining the Commonwealth of Independent States (CIS) as founding members, whereas Georgia opted out.”

Georgia is determinedly Eurocentric – especially after its 2008 war with Russia — and longs to be included in EU and NATO; Armenia is resolutely pro-Russia but has cordial relations with the Western world, while Azerbaijan keeps equi-distance from both the West and Russia but as the resuscitation of the conflict with Armenia proves has decided to move into the Turkish orbit under the slogan ‘Two states, one nation’.

In tracing the region’s modern history, Malhotra has successfully introduced the reader to the many conflicts that emerged in the post-Soviet space, all having their genesis in the Soviet Union: in the arbitrarily drawn borders ignoring ethnic and other crucial linkages, resulting in enclaves clamouring for the right of self-determination as the USSR collapsed. Therefore, “Despite being geographically contiguous, the region remains one of the least integrated regions in the world, widely varied and individualistic republics.”

Of these the Armenian-Azerbaijan conflict over the disputed region of Nagorno-Karabakh is most known to us because of the recent flare-up that may just have ended with Armenia agreeing to an agreement which its Prime Minister Nikol Pashinyan described as ‘painful’.

Written though it was before the current round of violence broke out between the two neighbouring states, Malhotra’s words seem prescient today: “So can we presume that the status quo suits all: those who are in conflict and also those who are involved in resolving…It cannot be ignored at the same time that Azerbaijan, backed by revenues from energy resources, is spending considerable funds on its military build-up; it could possibly be nurturing the idea of recovering occupied territories by use of force at some appropriate time……”

But there are other frozen and simmering conflicts in the region �- of South Ossetia and Abkhazia which broke away from Georgia and have been recognised as sovereign states by Russia alone.

The volume ends with two chapters on India’s footprint the region. It summarises the centuries old ties that bound India with the region, but the current state of India’s bilateral relations the Caucasian states reflects the changed circumstances and current geo-political realities.

“India has been guided by the degree of inclination shown by these countries in reaching out to India (and) ……how each one has responded to India’s concerns and interests such as on the Kashmir issue, India’s nuclear policy, and its aspirations to be elected as a Permanent Member of the UN Security Council. At times India has found itself constrained by the need to maintain a balance between two conflicting countries in the region, e.g. Armenia and Azerbaijan. Finally, India has also had to take into account its strategic partner Russia’s sensitivities in the region, particularly….. Russia’s strained relations with Georgia.”

Armenia is the country that India has the closest relations with, encapsulated by the 1995 Treaty on Friendship and Cooperation. But trade relations with Azerbaijan and Georgia overshadow that.

The book flags an important issue that Indian policymakers will need to seriously reflect on and formulate policy for a complex region where new players – Turkey, Iran, China — are entering the fray with increasing implications for India’s own defence, security and connectivity.

This volume could not have come at a better time.

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Jharkhand Commemorates Freedom Fighter Birsa Munda

Prime Minister Narendra Modi on Sunday greeted Jharkhand’s people on its Statehood Day and also paid tributes to 19th-century freedom fighter and tribal leader Birsa Munda on his birth anniversary.

In a tweet in Hindi, the Prime Minister extended wishes for the happiness, prosperity and good health of people of Jharkhand on the occasion.

Modi also dubbed Birsa Munda a true ‘messiah’ of the poor, saying that “he struggled throughout his life for the welfare of the exploited and deprived”.

“Birsa Munda’s contribution in the freedom movement and his efforts for social harmony will always inspire the countrymen,” the Prime Minister said.

A century after Birsa Munda’s death, Jharkhand was carved out of Bihar on his birth anniversary on November 15, 2000.

Born in 1875 in Ulihatu in then Bengal Presidency in Ranchi district of current Jharkhand state, Birsa Munda from the Munda tribe had challenged the British rule and is credited with mobilising the tribals against the empire.

The freedom fighter died in British custody at the age of 25 and attained a folk hero status. His portrait hangs in the Indian Parliament Museum. He is the only tribal leader to have been so honoured.

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