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‘Godzilla Vs Kong’ sequel is set to shoot in Queensland

Legendary/Warner Bros’ ‘Godzilla Vs Kong’ previously shot in Queensland and went on to gross over $468M globally…reports Asian Lite News

A currently untitled sequel to 2021 blockbuster ‘Godzilla Vs Kong’ is set to shoot in Queensland, Australia, according to government agency Screen Queensland.

According to ‘Deadline’, State Premier Annastacia Palaszczuk said today that cameras will roll later this year in locations across the Gold Coast and the southeast on the Legendary picture which will be the fifth in its Monsterverse franchise.

Details of the sequel have been kept under wraps, although ‘Godzilla Vs Kong’ director Adam Wingard told Deadline last year he would “absolutely love to continue” with the franchise, reports ‘Deadline’.

He added, “The clear starting point we teed up (in GVK), exploring Hollow Earth, I think there is a lot more to do there. This is a pre-history of Planet Earth, where all the titans come from. We tee up some mystery in this film, things I want to see resolved and explored and pushed to the next level.”

Legendary/Warner Bros’ ‘Godzilla Vs Kong’ previously shot in Queensland and went on to gross over $468M globally. Prior to GVK, 2017’s Kong Skull Island also set up shop in the region.

Producer Eric McLeod commented, “The highly skilled crews, first-rate facilities, and unique locations make filming in Australia a great experience. The Federal government’s support has always been critical to our success in achieving a high level of filmmaking and an unparalleled audience experience.”

Added Palaszczuk, “The production is expected to inject more than double the $36.5 million that Godzilla Vs Kong brought to the state and is a welcome boost to our economy as we recover from the impacts of the global pandemic and southeast Queensland flooding events. These types of productions benefit our screen industry, deliver local jobs and provide a welcome boost to our small businesses and communities in and around our production sites.”

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‘I just want to be Batman the entire time’

Warner Bros. Pictures has released ‘The Batman’ pan-India on March 4 in Hindi, English, Tamil and Telugu…reports Asian Lite News

Hollywood star Robert Pattinson feels that he accidentally planted the seed with producer Dylan Clark for the role of Batman in the latest cape crusader film.

“I think I accidentally planted the seed. I was meeting Dylan for something else and then… Actually, to be honest, I think I definitely was angling after it, but I didn’t know what the status of the project was.

“But I remember talking to Dylan for a long time then just right at the end, being, “So what’s happening with The Batman?” But it didn’t really fit into the kind of stuff I was doing then. But for some reason, with Batman… It’s literally the only comic character I’d ever do. It’s by far the coolest one. And I thought it was completely out of reach as well.

He added: “So, I was like, “Oh, I might as well just throw my cap in the ring.” I didn’t realize that Matt was thinking about me for it as well, which is a lovely coincidence.”

What did Pattinson think about his take on this character when you first heard it, or read the script?

The actor said: It’s funny, because I didn’t quite realize why it felt so different at first, and I actually had to talk to him about it afterwards, and he’s like, “Oh, it’s because Bruce isn’t a playboy in it. He’s not a playboy and he hasn’t got control.”

” Normally in all the other movies, he has complete control of the delineation of when he’s Bruce in public, when he’s Bruce in private and when he’s Batman, and he can just change at will. Whereas in this film, he’s basically Batman the whole time, in a way; he’s just let Bruce disappear. I mean, Bruce feels nothing about himself, Bruce is just this afterthought to his life. Which is sad in a way.”

Sharing more details about his take on Bruce Wayne, Pattinson said: “But Bruce as a person starts to reawaken as the story goes along, but he just thinks, “I just want to abandon it all. I just want to be Batman the entire time. And I just sleep as Bruce,” basically.”

Warner Bros. Pictures has released ‘The Batman’ pan-India on March 4 in Hindi, English, Tamil and Telugu.

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Berlin Film Festival showcases Ukrainian history, calls for peace

The statement pointed out that the festival has, through its history, showcased films relating to Ukrainian history and culture…reports Asian Lite News

The Berlin Film Festival has called for peace over the situation in Ukraine, which is currently in a state of military conflict after Russian forces launched operations on Thursday morning.

“We — festival workers, artists, filmmakers — think fondly of our friends in Ukraine and we are by their side in a call for peace,” the festival said in a statement.

“One week ago, the Berlin International Film Festival was celebrating a complicated yet successful edition. Filmmakers, artists and journalists from all over the world gathered in Berlin to enjoy a collective and joyful experience. The feeling of being together again, with no distinctions of nationality, religion, or culture, transported us in a way that film festivals can accomplish,” the statement added.

“While these memories remain fresh, other images have broken into our lives, bringing a darker perspective. The world is on a verge of a huge crisis. As a showcase of the free world, the Berlinale has always put at its centre the notion of freedom and the will to bridge East and West.”

The statement pointed out that the festival has, through its history, showcased films relating to Ukrainian history and culture.

This included the 2022 selection, Maryna El Gorbach’s ‘Klondike’, set in the Donetsk region of eastern Ukraine, where fighting is taking place on the nearby Russian-Ukrainian border in 2014.

The festival also showed ‘Terykony’ by Taras Tomenko, Oleg Sentsov’s “Numbers” in 2020, the films of Kira Muratova and the early short films of Myroslav Slaboshpytsky.

“Films cannot change the society and the course of history, but they can help in changing the minds of people. Films are telling us that the world is already in a too precarious condition to add even more suffering and destruction,” the statement concluded.

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Uncharted: Goes beyond expectations, tops box-office

The narrative navigates through a razor-thin script overloaded with mad-dash caper, propelled by actors you wish after a while had more meaningful things to exhibit…reports Troy Rebeiro

  • (Running in Theatres); Duration: 116 minutes, Director: Ruben Fleischer, Cast: Tom Holland, Mark Wahlberg, Sophia Ali, Tati Gabrielle, Antonio Banderas, Patricia Meeden, Sarah Petrick, 33 Rudy Pankow (Rating: **1/2)



‘Uncharted’ is an action-packed adventure film based on a video game series- of the same name. It is an origin story that introduces us to treasure hunter Nathan Drake. At the same time, it is an action thriller about two lethally competing scavenger-hunt teams.

Squeezing action sequences from the multiple games series, ‘Uncharted’ ironically does not waste any time- in explaining the backstories of any of its characters or unnecessary exposition. It directly plunges into action and adventure that takes place, in the air, on the water, and in the tombs.

Tom Holland plays Nathan Drake, an orphan whose only close relative is his brother Sam (Rudy Pankow), who he has not seen in years. Now older, Nathan works as a bartender and petty thief who snatches jewellery off his customers while waiting for them.

Then one day, he meets Victor “Sully” Sullivan (Mark Wahlberg), who recruits him to find the legendary stash of gold, which essentially is pirate booty that was dumped- by the survivors of the Magellan expedition in 1522. Sully also assures Nathan that they might find his long-lost brother Sam. The two of them soon plan an auction-house heist which does not go as planned.

It does not take long for them to meet other mercenaries and henchmen, whether they are allies or adversaries. Topping the list are; Santiago Moncada (Antonio Banderas)- the pair’s chief rival whose ancestors had funded the Magellan mission, Chloe Frazer (Sophia Ali) – an associate of Sully with whom Nathan shares a relationship, Jo Braddock (Tati Gabrielle) – an associate of Moncada, and the Scottish hooligan (Steven Waddington) whose brogue is so thick that it is virtually difficult to understand him. They all keep everyone in this world spinning on their toes.

The narrative navigates through a razor-thin script overloaded with mad-dash caper, propelled by actors you wish after a while had more meaningful things to exhibit.

On the performance front- Tom Holland pulls off Nathan Drake with aplomb. In a rough and beefed-up mode, Tom exhibits physical flair as well as the same boyishly ingratiating persona that he displayed as Peter Parker, but with a hint of darkness added.

On the other hand, Sully, Mark Wahlberg does a decent job of playing the wise-cracking mentor to Holland. Making his eyes go opaque, he has a funny way of simultaneously making you want to trust and distrust him that balances well with Holland’s goofy, clumsy nature.

Nevertheless, both display a fair amount of chemistry as their characters- try to solve clues leading to the treasure. However, very often, their banter seems forced to generate a laugh or distract the audience from the lacklustre, cat-and-mouse plot.

Antonio Banderas is spot-on as the ruthless Spanish tycoon who would do anything, even eliminate the members of his own family, who might come in his way of finding the loot. So is Tati Gabrielle as the sexy Jo Braddock, who has a penchant for using knives in combat.

Sophia Ali is competent as the unreliable Chloe Frazer, an off-and-on ally of Nathan.

Mounted with ace production values, the absurdity of the action set-pieces proves more exhilarating than exhausting. There is a breathless chase through Barcelona’s tourist sites, a flamboyant plane sequence that also involves – a falling car, helicopters in an action explosion, and a fair number of fights.

Overall, ‘Uncharted’ despite its flaws, is a popcorn blockbuster that you will enjoy if you keep your mind aside.

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‘Cinema has never been more thrilling than it has a chance to be’

Gal Gadot and Kenneth Branagh-starrer ‘Death on the Nile’ is all set to release in India on February 11…reports Asian Lite News

Kenneth Branagh, the director of the upcoming murder mystery ‘Death On The Nile’, recently spoke about how with changing times the tonal quality of movies is also changing.

The director also shared his thoughts about his shooting experience while travelling to holiday hotspots like Egypt, where a major chunk of the film has been shot.

The director said, “For me, the escapism and the transportation are so total. It is a wonderfully immersive, illusory experience that is very full and thick. The depth, the detail, the chance to replicate the experience of the human eye is absolutely at its premium.”

He further said, “And it is a very unusual and unique opportunity (especially in the wake of what we’ve all been through recently, the pandemic) to share the experience of community in the telling of a story in a socially distanced, smaller audience-auditorium with a massive wall of communication and picture and sensory stimulation.”

Talking about the dynamism in cinema, he added, “Cinema has never been more attractive. Cinema has never been more vital and cinema has never been more thrilling than it has a chance to be, coming out of lockdown and coming into stories like ‘Death on the Nile'”.

‘Death on the Nile’ is based on Agatha Christie’s novel of the same name and is a follow up to ‘The Murder On The Orient Express’. Produced by 20th Century Studios, the film features an ensemble cast which includes Kenneth Branagh, Tom Bateman, Gal Gadot, Ali Fazal and Emma Mackey in pivotal roles among others. The movie is set to arrive in Indian theatres on February 11 in English and Hindi.


‘Death on the Nile’ to release in India on February 11

Gal Gadot and Kenneth Branagh-starrer ‘Death on the Nile’ is all set to release in India on February 11.

The cast includes names such as five-time Academy Award nominee Kenneth Branagh, Armie Hammer, Gal Gadot, Margot Robbi, Tom Bateman, Ali Fazal, Leititia Wright, Annette Bening, Russell Brand, Rosie Leslie, among a host of other eminent actors.

The plot tells the tale of a perfect couple’s honeymoon on a cruise, however things take an awry turn after a murder takes place on the ship. The movie is set on the picturesque locales of the Giza pyramid and sandy desert vistas.

It revolves around Poirot’s search for the deadly murderer as Gadot’s character shares wih him that she’s not safe and “doesn’t trust” anyone who’s aboard the cruise.

Based on the 1937 novel by Agatha Christie, ‘Death on the Nile’ is a daring mystery-thriller about the emotional chaos and deadly consequences triggered by obsessive love.

The film which reunites the filmmaking team behind 2017’s global hit ‘Murder on the Orient Express’, is written by Michael Green, adapted from Christie’s novel, and is produced by Ridley Scott, Kenneth Branagh, Judy Hofflund, and Kevin J. Walsh, with Mark Gordon, Simon Kinberg, Matthew Jenkins, James Prichard and Mathew Prichard serving as executive producers.

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Rihanna reportedly ready to tie knot with boyfriend

“She has always wanted to get married and A$AP is her forever person”…reports Asian Lite News

Singer Rihanna is reportedly set to marry her rapper boyfriend A$AP Rocky in Barbados after the birth of their baby.

The singer and her rapper partner, both 33, announced they were expecting this week as she showed off her blossoming baby bump in a heart-warming New York photoshoot, reports dailymail.co.uk.

The couple are said to be planning to marry in Rihanna’s home country with the pop star lining up Prime Minister Mia Mottley, 56, as the newborn’s godmother.

A source told the Sunday Mirror: “Rihanna is totally smitten with A$AP. They have a very close bond and Rihanna has always been quite traditional. They will be married, for sure. She has told pals she wants to be with him for ever, and he has said the same.

“There are no plans yet as to when the nuptials will be but it won’t be before the baby is born.

“She has always wanted to get married and A$AP is her forever person”.

The insider added the wedding will be in Barbados because of the family being there and it holds a “special place in their hearts”.

The couple shared their baby news with a striking photoshoot as the singer bared her blossoming baby bump and in an open pink coat, during a walk through the streets of New York this week.

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‘Mission: Impossible’ 7 and 8′ to release after 2022

Mission: Impossible’ films involve complex shoots as they are replete with stunts and effects, with the filmmaking team relying very less on the ‘green screen’…reports Asian Lite News

The release dates of two films from the Tom Cruise-starrer spy action series: ‘Mission: Impossible 7’ and ‘Mission: Impossible 8’ have been pushed in view of the Covid surge in the US and across Europe.

‘Mission: Impossible 7’, which was earlier supposed to make its debut on September 30, will now premiere on July 14, 2023, reports ‘Variety’. ‘Mission: Impossible 8’, which was slated for a July 7, 2023, release, will instead open on June 28, 2024.

This is not the first time that the release of ‘Mission: Impossible 7’ has been pushed back. The film, co-produced by Skydance and Paramount Pictures, was originally scheduled to open on July 23, 2021, but has been postponed multiple times.

The production companies said in a joint statement quoted by ‘Variety’: “After thoughtful consideration, Paramount Pictures and Skydance have decided to postpone the release dates for ‘Mission: Impossible 7 & 8’ in response to delays due to the ongoing pandemic. … We look forward to providing moviegoers with an unparalleled theatrical experience.”

‘Mission: Impossible’ films involve complex shoots as they are replete with stunts and effects, with the filmmaking team relying very less on the ‘green screen’. The team also jets from one foreign port of call to another (the latest films, for instance, have been shot in the U.K., Italy and Poland, to name a few locations), an exercise which seems to have been severely affected in the post-pandemic world, according to ‘Variety’.

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Spider-Man is now the sixth-highest grossing movie in history

Despite concerns about Covid-19, specifically its more transmissible Omicron variant, ‘Spider-Man: No Way Home’ has stayed a box office force across the globe…reports Asian Lite News

Tom Holland-starrer ;Spider-Man: No Way Home’ has become the sixth-highest grossing movie in history with $1.69 billion at the worldwide box office.

According to variety.com, it passed ‘Jurassic World’ ($1.67 billion) and ‘The Lion King’ ($1.66 billion) to secure the spot.

Despite concerns about Covid-19, specifically its more transmissible Omicron variant, ‘Spider-Man: No Way Home’ has stayed a box office force across the globe.

The movie has been so popular, ‘Saturday Night Live’ poked fun in a skit with US President Biden (portrayed by James Austin Johnson) practically begging people to stop seeing ‘Spider-Man’ in order to curb the virus.

‘Spider-Man: No Way Home’ next box office challenge may be harder to surpass.

That’s because spots one through five on all-time box office charts, consisting of ‘Avatar’, ‘Avengers: Endgame’, ‘Titanic’, ‘Star Wars: The Force Awakens’ and ‘Avengers: Infinity War’, have each cracked $2 billion.

Without China, it may be unrealistic for ‘No Way Home’ to reach that benchmark.

The superhero epic, starring Holland as Marvel’s neighbourhood web-slinger, opened in December 2021 and has generated $721 million at the domestic box office and $970.1 million internationally.

Outside of the UnS, where ‘No Way Home’ ranks as the fourth-biggest movie ever, Spidey’s latest adventure has done especially well in the UK — Holland’s birthplace — amassing $116 million to date.

Other top-earning territories include Mexico with $73.4 million, South Korea with $60.6 million and France with $59.9 million.

It’s notable that ‘No Way Home’ has managed to shatter records and smash expectations without playing in China, which is the world’s biggest moviegoing market.

Elsewhere at the international box office, Universal’s animated musical comedy ‘Sing 2’ brought in $12.8 million from 59 overseas territories.

The family-friendly film, which opened around Christmas, has generated $112 million internationally and $241 million globally.

Those ticket sales are far less than 2016’s ‘Sing’, which made $634 million worldwide. But in Covid times, it’s actually the highest-grossing animated film of the pandemic.

‘Sing 2’ surpassed Disney’s ‘Encanto’ ($223 million) and Universal’s ‘Croods: A New Age’ ($227 million) to reach that milestone.

Paramount’s slasher sequel ‘Scream’ managed to scare up crowds as well, collecting $10.2 million from 54 overseas markets. So far, the movie has earned $33.6 million at the international box office and $51 million in North America, which is a pretty good result given its $25 million price tag.

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The King’s Man: An action-packed period drama on spy genre

Rhys Ifans is entertaining as the villainous Russian monk Rasputin. He mesmerises the audience with his sunken kohl-laden eyes, bad table manners, and his skill of combining fighting moves with Russian dance spins…writes Troy Ribeiro

(Duration: 133 minutes.) Director: Matthew Vaughn. Cast: Ralph Fiennes, Gemma Arterton, Djimon Hounsou, Harris Dickinson. Rhys Ifans, Matthew Goode, Tom Hollander, Daniel Bruhl and Charles Dance. (Rating: ***)

‘The King’s Man’ is an action-packed period drama filled with humour that is spectacularly and uniquely British.

Based on a graphic novel developed by Mark Millar and Dave Gibbons, this is the third film of the franchise and a prequel to its earlier two films — ‘Kingsman: The Secret Service’ (2015) and ‘Kingsman: The Golden Circle’ (2017).

‘The King’s Man’ therefore is the origin story of ‘The Kingsmen’, the elite club of British spies operating independently of the government, from their headquarters that fronts as a bespoke tailor’s shop on Savile Row in the City of Westminster.

Apart from telling us how the organisation was formed, the core of this film’s narrative gives us an insight into attempts made to weaken the King of England’s power and make the sun set on the British Empire.

The film begins with a dramatic prologue. In the wilderness of South Africa, Orlando Oxford (Ralph Fiennes), an aristocrat who regrets his part in plundering Britain’s colonies and is now working for the Red Cross, promises his dying wife that he would protect their son Conrad and never let him see war again.

But 12 years later, Europe is in turmoil. Against the backdrop of World War I and the Russian Revolution around the corner, the narrative focuses on Conrad, who is keen on joining the war against the wishes of his widowed father.

Orlando and his servants Polly Wilkins (Gemma Arterton) and Shola (Djimon Hounsou), with the blessings of King George V, meanwhile, are dragged into an espionage drama that may force the American President to enter the war, thereby strengthening their side. All this forms the crux of the narrative.

The plot is fascinating and relatable as it ingeniously weaves in real-life historical moments and figures. Tom Hollander plays three major monarchs — King George V of Britain, Kaiser Wilhelm II of Germany and Tsar Nicholas II of Russia. They were cousins and grandsons of Queen Victoria. Tom is captivating and entertaining in each character that he portrays.

Rhys Ifans is entertaining as the villainous Russian monk Rasputin. He mesmerises the audience with his sunken kohl-laden eyes, bad table manners, and his skill of combining fighting moves with Russian dance spins.

Djimon Hounsou as Shola and Gemma Arterton as the plucky housekeeper-turned-spy have relatively little to do.

Ralph Fiennes, as the dashing superhero Orlando Oxford, plays his character straight and plain. His stern and strict father performance cum deathly spy when need be, is conventional yet rousing.

Compared to the earlier two editions of the franchise, this film is much more robust in terms of narration and tone. Despite being stylishly mounted, the first two editions were satirical and comical in their outlook, and this one seems like a historical epic.

Like most origin stories, ‘The King’s Man’, too, suffers from pacing issues. All the minor drawbacks, however, are compensated by marvellous production values, attention to historical details, and brilliantly choreographed action sequences.

Overall, ‘The King’s Man’ is an entertaining film that will appeal to history buffs.

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Jonathan Nolan to direct Amazon’s ‘Fallout’ series

The ‘Fallout’ Amazon series was first announced as being in the works in July 2020 with a series commitment penalty attached, reports variety.com…reports Asian Lite News

Television series ‘Fallout’ will be directed by Jonathan Nolan, brother of award-winning filmmaker Christopher Nolan.

Variety has confirmed that Geneva Robertson-Dworet and Graham Wagner are now attached to serve as co-showrunners on the video game adaptation.

Nolan and Lisa Joy were previously announced as executive producers on the project under the Kilter Films banner, reports variety.com.

Robertson-Dworet is best known for her work on the screenplays for the 2018 ‘Tomb Raider’ film starring Alicia Vikander and for the 2019 Marvel film ‘Captain Marvel’. Wagner’s past credits include ‘Silicon Valley’, ‘Portlandiaa’ ‘Baskets’, and ‘The Office’.

The ‘Fallout’ Amazon series was first announced as being in the works in July 2020 with a series commitment penalty attached, reports variety.com.

The series hails from Amazon Studios and Kilter Films in association with the games’ producers Bethesda Game Studios and Bethesda Softworks. Nolan and Joy will executive produce alongside Athena Wickham for Kilter Films, with Todd Howard as an executive producer for Bethesda Game Studios, and James Altman for Bethesda Softworks.

Lionsgate is also executive producing the series. Robertson-Dworet and Wagner will executive produce and serve as co-showrunners. Nolan and Joy signed a substantial overall deal with Amazon in 2019.

The ‘Fallout’ games are set in a world where the future envisioned by Americans in the late 1940s explodes upon itself through a nuclear war in 2077.

The first game was released in 1997. The most recent instalment in the franchise, the prequel ‘Fallout 76’, was released in 2018. The games have proven incredibly popular throughout their run and have been met with positive reviews by both critics and fans.

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