The heart of the exhibition lies in the vivid portrayal of Bhutanese Buddhist iconography, featuring exquisite thangkas that breathe life into the myths and legends intrinsic to this Himalayan kingdom…reports Asian Lite News
The rich tapestry of Bhutanese Buddhism is presented in full glory in ‘The Wheel of Life. This extraordinary showcase immerses you in the intricate world of Buddhist thangkas, offering a glimpse into the profound mythological narratives that have flourished in the serene landscapes of Bhutan. Thangkas often overflow with symbolism and allusion. Because the art is explicitly religious, all symbols and allusions must be by strict guidelines laid out in Buddhist scripture.
The Wheel of Life takes its name from the centerpiece of the exhibit, a magnificent depiction of Buddhist cosmology known as the Wheel of Life.
As the focal point, it illustrates the continuous interplay of birth, life, death, and rebirth. The intricate details of Bhutanese thangkas reveal a cosmic choreography, weaving narratives that transcend the physical world and invite contemplation on the interconnectedness of all living beings. This pivotal artwork is a visual anchor, guiding visitors through the interconnected cycles of existence and enlightenment.
The heart of the exhibition lies in the vivid portrayal of Bhutanese Buddhist iconography, featuring exquisite thangkas that breathe life into the myths and legends intrinsic to this Himalayan kingdom. Among the celestial beings adorning the canvases are the revered Goddess Tara, the enchanting Dhakinis, the benevolent Zambala, and the mystical Goddess Dem Kurukulle.
Each painting is a testament to the skilled craftsmanship and spiritual devotion of the Bhutanese artists who are trained precisely in spiritual verses and their proficiency at conquering and translating the learnings onto canvas. The finesse of brushstrokes, the brilliance of colour palettes, and the precision of composition underscore the profound dedication and spiritual devotion inherent in every stroke.
Wheel of Life is a visual and spiritual odyssey that invites viewers to contemplate the profound teachings encapsulated in these sacred artworks. Each thangka unfolds a narrative that transcends time, inviting reflection on the timeless wisdom encapsulated in the artistry of Bhutanese thangkas.
The exhibition is particularly noteworthy for the series of spectacular sculptural masterpieces from southern India that will be exhibited to the public for the first time, including newly discovered works of art from ancient monastic sites in the Deccan….reports Asian Lite News
Opening at The Metropolitan Museum of Art on July 21, 2023, the exhibition Tree and Serpent: Early Buddhist Art in India, 200 BCE–400 CE illuminates how the religious landscape of ancient India was transformed by the Buddhist presence. Featuring more than 125 objects, including major loans from India, the exhibition consists of stone sculptures associated with the adornment of the stupa—the monumental dome structures that housed the Buddha relics—as well as metalwork, ivory, ceramics, paintings, and jewelry. It presents a series of evocative and interlocking themes to reveal both the pre-Buddhist origins of figurative sculpture in India and the early narrative tradition that was central to this formative moment in early Indian art.
The exhibition is particularly noteworthy for the series of spectacular sculptural masterpieces from southern India that will be exhibited to the public for the first time, including newly discovered works of art from ancient monastic sites in the Deccan.
Max Hollein, Marina Kellen French Director of The Met, said: “Buddhism inspired an extraordinarily innovative and beautiful flowering of art in ancient India. It is a tremendous honor to present this stunning exhibition—and to introduce new discoveries from this pivotal moment in the history of art—to our global audience. We express a special thanks to the Government of India and the six state governments in India, who have all been generous lenders to this pioneering exhibition, along with institutions in Europe and the United States.”
Govind Mohan, Secretary, Ministry of Culture, Government of India, remarked: “It gives me immense pleasure to learn that this international exhibition is being organized by The Met, in joint collaboration with a consortium of Indian museums to enhance cultural exchange between India and the United States of America. The exhibition will most definitely reinvigorate interest in India’s cultural heritage through its artefact wealth and will lead to deeper understanding of cultural diversities of two nations and appreciation among the people. I wish the exhibition a grand success.”
Randhir Jaiswal, Consul General of India, New York, commented: “We are truly delighted to partner with The Met in bringing this important Buddhist art exhibition to the U.S. This exhibition will allow the Museum’s audiences to delve deep into India’s ancient past and understand how Buddhist thought and culture shaped our imagination and progress. That this exhibition is being held at a time when India celebrates 75 years of its independence, ‘Azadi Ka Amrit Mahotsav’, makes the event truly memorable, and I wish it every success.”
John Guy, Florence and Herbert Irving Curator of South and Southeast Asian Art at The Met, said: “This exhibition presents the story of the origins of Buddhist art through the lens of newly discovered masterpieces from early India. It showcases the beginnings of Buddhist art in southern India and presents it in a wider landscape of early Buddhist devotional practice, centered on honoring the Buddha and his relics. Buddhist monasteries were places for meditation but were also, on occasions, places for noisy festivals, the air heavy with the fragrance of fresh flowers and perfumes. The lived traditions of early Buddhism are foregrounded here, along with the role of beautiful stories that found expression in the art adorning the stupa. This is an exhibition that celebrates the senses, just as Buddhist worship does.”
Much of the earliest Indian art was produced in the service of Buddhism, a religion that emerged in northern India in the 4th century BCE as a result of the teachings of the Buddha Shakyamuni. This thematically organized exhibition explores the pre-Buddhist nature cults of India that influenced early Buddhist art, the role of stupas and relic worship, the role of patrons, and the influence of India’s global position, including its international trade with the Roman world. The resulting art was cosmopolitan and new, and devoted above all to the celebration of the Buddha and his message.
Highlights include sublimely beautiful renderings of stupas, sections of ceremonial gateways, and processional railings protected by awesome rearing cobras (nagas). Housed within are the precious relics marking the Buddha’s presence, honored through these sculptural adornments— masterpieces of early Buddhist art.
The magnificent exhibition, which traces the history of Buddhist art, was made possible by Reliance Industries Limited and founder and chairperson Reliance Foundation, Nita Ambani. Ambani has been a lifelong and ardent supporter of the museum. In 2019, she was designated an Honorary Trustee of The Met, making her the first Indian individual to serve on the board of trustees. She has continued to promote the best of Indian art to audiences throughout the world in this capacity.
Commenting on the occasion, Nita Ambani said, “I come from India, the land of the Buddha, and it is a huge honour for me to support ‘Tree & Serpent’ through Reliance Foundation’s partnership with The Met. This historic exhibition traces the origins of early Buddhist art from 2nd century BC to 4th century AD, with over 125 objects from ancient India. With the ‘Tree & Serpent,’ we take immense pride in showcasing the deep-rooted connection between Buddhism and India. The teachings of Buddha are entwined with Indian ethos and continue to shape global thought. I hope people from around the world come and enjoy this one-of-a-kind experience. We remain committed to bringing the best of India to the world, and the best of the world to India.”
