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Bollywood Films Lite Blogs Music

Legendary Singer Lataji @91

Singer Lata Mangeshkar. (File Photo: IANS)

Lata Mangeshkar turned 91 on Monday, and celebrities took to social media to greet the living legend.

Actress Kangana Ranaut tweeted: “Wishing legendary #LataMangeshkar ji a very Happy Birthday, some people do what they do with such single mindedness and absolute focus that they don’t only excel in their work but also become synonymous to what they do. Bowing down to one such glorious Karma Yogi.”

Singer Shankar Mahadevan called Lata Mangeshkar “Maa Saraswati”.

“Happiest Birthday Ma Saraswati ! Please bless us and keep blessing us musicians so that we work hard and strive for excellence !! Loads of love,” Mahadevan wrote on Instagram.

Mumbai: Singer Lata Mangeshkar during the Master Dinanath Mangeshkar Purashkar in Mumbai on April 24, 2017. (Photo: IANS)

Shreya Ghoshal posted throwback pictures of Lata Mangeshkar and wrote: “My pranaams to Swar Samragyi Ma Saraswati #LataMangeshkar ji on her 91st Birthday.”

Filmmaker Madhur Bhandarkar shared that he listens to Lata Mangeshkar’s songs almost every day. “Wishing a very Happy Birthday to @mangeshkarlata didi, the voice that touches every heart, Not a single day in my life goes without listening to your songs. May Lord Ganesh bless you with long and healthy life,” Bhandarkar tweeted.

“#HappyBirthdayLataMangeshkar,” wrote actor Riteish Deshmukh, wishing the melody queen in Marathi.

Mangeshkar started her career at the age of 13 with the song “Naachu ya gade, khelu saari, mani haus bhaari…” for Marathi film “Kiti Hasaal” (1942). The 1989 Dadasaheb Phalke Award recipient has sung in mpore than a thousand Hindi films and recorded in over 36 Indian and foreign languages. She has sung mainly in Hindi, Marathi, Bengali and Assamese.

Lata Mangeshkar turns 91: Sister Asha Bhosle shares unseen childhood memory

In 2001, she was awarded Bharat Ratna, India’s highest civilian honour, and has so far been the recipient of three National Film Awards, besides numerous popular awards.

Her younger sister, playback icon Asha Bhosle, shared a slice of childhood memory on the occasion. Bhosle tweeted a black and white picture of the Mangeshkar sisters — Lata, Usha and Meena along with her.

“Birthday Greetings to Lata Didi who is 91 today. Remembering our childhood days through this picture where Didi can be seen seated left and Meena Tai and I are seen standing behind her,” she tweeted alomng with the picture, where Lata is seen sitting on a chair in a saree.

Wishes from celebrities continued pouring in all of Monday. “Everytime I hear your voice it brings out so many emotions. Lata didi, wishing you a healthy, safe and blessed year ahead,” Madhuri Dixit Nene wrote on Instagram Story.

“Happy birthday Lata didi,” Ayushmann Khurrana posted on Instagram Story, adding with his post a clip of Lata Mangeshkar’s evergreen hit “Piya tose naina laaga re”, from the 1965 film, “Guide”

PM Wishes

Prime Minister Narendra Modi on Monday conveyed birthday wishes to legendary playback singer Lata Mangeshkar, saying “I consider myself fortunate to have always received her affection and blessings”.

In a short telephonic conversation, the Prime Minister prayed for her long and healthy life. “Spoke to respected Lata Didi and conveyed birthday greetings to her. Praying for her long and healthy life. Lata Didi is a household name across the nation. I consider myself fortunate to have always received her affection and blessings,” the Prime Minister tweeted.

Lata Mangeshkar is one of the best-known and respected playback singers in the country.

Born on September 28, 1929, she has been awarded the Bharat Ratna, Padma Vibhushan and Padma Bhushan awards.

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Interview Lite Blogs

‘I Believe In My Classic Elegant Style’

Deepika Padukone. (File Photo: IANS)

Bollywood actress Deepika Padukone says fashion for her is being able to effortlessly blend what is in trend with her individual authentic style.

In an interview with us, Deepika, who has been roped in as the brand ambassador of ethnic brand Melange by Lifestyle, shares more about her fashion preferences, her style and more? Excerpts:

How would you define your style?

My personal style has certainly evolved over the years but inherently I believe my personal style is Classic and Elegant. I absolutely love traditional wear and the saree is my most favourite garment!

What is fashion for you?

Fashion for me is being able to effortlessly blend what is in trend with my individual authentic style.

Mumbai: Actress Deepika Padukone at the Red Carpet of 4th Lokmat Most Stylish Awards in Mumbai on Dec 18, 2019. (Photo: IANS)

What is your ideal work-from-home outfit?

Fabrics and silhouettes that allow me to feel comfortable.

Is it tough at times for you and your stylist to finalise a red carpet look?

We’ve never thought of it as tough. The most important criteria for us is to have fun and enjoy the process!

Ordinarily how long does it take for you to get ready for the day?

Not more than 10-15 minutes.

Mumbai: Actress Deepika Padukone at the birthday party of poet-lyricist-screenwriter Javed Akhtar, in Mumbai on Jan 17, 2020. (Photo: IANS)

Tell us about your collaboration with Melange?

Melange by Lifestyle is a brand that effortlessly combines modernity with traditionalism; attributes that resonate very strongly with my core values.

Whether you are looking for something festive or a casual day out, there is something for everybody. For years we’ve been conditioned to think of ethnic wear as something that one can only wear in the evenings or during celebrations, but Melange encourages you to rethink ethnic wear.

What do you like the most of it?

With this collection in particular, I’m excited about the fact that we have been able to marry ethnicity and modernity and believe that the linen kurtas, the Chikankari kurtas and the contemporary shirt kurtas in particular will be very well received.

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Bollywood Lite Blogs

Saqib Feels Proud To Be Part Of ‘Crackdown’

Saqib Saleem: ‘Crackdown’ a tribute to unsung heroes of the nation.

Actor Saqib Saleem enjoys being a part of the digital entertainment world, and says his upcoming show web series, Crackdown, is a tribute to unsung heroes of the nation.

“‘Crackdown’ is like a tribute to the unsung heroes of the nation and I am so proud that I have been given an opportunity to headline a show like this. Apoorva (Lakhia) is a fantastic director and he made sure that our preparation for this show was top-notch, whether it was our physical fitness, costumes, or even the locations that we shot in,” Saqib said.

The espionage thriller marks the digital debut of director Apoorva Lakhia and also features Shriya Pilgaonkar, Iqbal Khan, Waluscha De Sousa, Rajesh Tailang and Ankur Bhatia.

Lakhia said: “Although this is my directorial debut for an OTT platform, the treatment of ‘Crackdown’ is exactly like a Bollywood blockbuster and I am sure the audience is going to love it as much as we enjoyed making it.”

The show, which will premiere on Voot Select on September 23, is about a covert operations wing that investigates smaller decoys to expose a grand conspiracy that threatens national security.

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Bollywood Lite Blogs Travel & Tourism

Celebs On Wanderlust Amid Covid

Asha Negi

Sunday is World Tourism Day, and while the idea of travel for relaxation would seem like an impossible dream in the time of pandemic that we are going through, several actors shared how much they are craving to take off to their favourite locales.

Comedian-actress Bharti Singh wants to travel to Greece. “I miss travelling. I travelled during the New Year and returned on January 3. It’s been almost nine months since then. Itne me toh baby aa jata (a child would be born in this span of time). I really wanted to go to Greece and Ibiza,” she told IANS.

Asha Negi

Actress Devoleena Bhattacharjee, who wowed fans on “Bigg Boss 13”, had her plans chalked out, but had to cancel them owing to the Covid-19 scare.

“After ‘Bigg Boss’ I had to travel but I didn’t go anywhere because of the Covid scare. I could not even travel to my hometown in Assam,” Devoleena said.

Hoping to visit London soon, South star Nidhhi Agerwal eagerly awaits returning to the film set. “I definitely miss travelling, considering I travel so much for work. Eating on the streets — Oh God, I miss the experience! I would like to go back to shoot whenever things get better — can’t wait,” she wished.

“Pavitra Rishta” fame Asha Negi is an avid mountain lover, and she misses the fresh air of the mountains.

‘Aladdin’ star Siddharth Nigam

“I love the mountains. Last year, I celebrated my birthday in the mountains. I wanted to do the same this year but then Covid happened. I hope to get back to mountains soon,” Asha said.

Actor Siddharth Nigam, who is a part of “Aladdin: Naam Toh Suna Hoga”, would love to be in Dubai for a while. “I love going to new places, and I have been missing that a lot these days. I also have a few shoots scheduled out of India that have been put on hold. One of my favourite tourist destinations is Dubai. The last time I was there, it was on Independence Day. I was mesmerised by the fountain show that takes place near Burj Khalifa. That day, India’s flag lit up on Burj Khalifa and Shah Rukh Sir’s songs were played. It was an amazing experience that made my night,” he recalled.

For actor Tarun Khanna, nothing works like a few good days with friends in London.

Tarun Khanna ( IANS)

“I love travelling and I am glad I got projects where I would have to travel a lot, in and around India. I would love to travel as much as I can in this life. London is one of my most favourite places. I am in love with the city and places around it. There are a lot of beautiful villages outside of London and the only difference between the city and these villages is that there are no tall buildings in the villages, rest everything is same. Ipswich and Bath near London are the most breathtaking places,” he said.

“All of my childhood friends live in London and this one time we decided to meet up and go around the city. We went pub crawling, covered Bond Street, Oxford Street and Soho. It was a different experience and I really miss that,” Tarun added.


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Bollywood Lite Blogs Music

Sivamani- Big B Combo To Enthrall Music Lovers

Sivamani.

Renowned percussionist Shivamani made his debut as a film music director with the recent OTT release, Atkan Chatkan, and among his glittering line-up of playback singers was screen icon Amitabh Bachchan.

He says he could only think of Bachchan’s voice after composing the song “Daata shakti de” for the film, to bring alive the number’s spiritual, motivational and inspirational tone.

“I have to mention how the whole song happened and why Mr Bachchan sir. We wanted to create a song that goes beyond a religious song and be more of a spiritual, motivational, inspirational song. Especially the crisis that we have been through in the last few months, we need music that makes us stand up, motivate to fight and not give up. ‘Daata shakti de’ came from that thought,” the master percussionist told.

While composing, he thought of Amitabh Bachchan “because for so many decades, even right now, at this very moment, he is an inspiration for people across the country”.

Actor Amitabh Bachchan. (File Photo: IANS)

“To try my luck, I had a word with him and sent the song to him with a request if he would like to lend his voice,” he said, adding: “I cannot emphasise enough how lucky I felt that he heard the composition and very happily sung the song for us. He is a very good singer, I would say.”

“I would also like to mention that he did not charge any money! It was the same thing with Hariharan anna and Sonu Nigam ji (other leading singers who recorded for the film), because, again, they are also some of the greatest talents of the nation. But they were so generous with me that they lent their voice because they believed in the song and the story of the film,” Shivamani noted.

The song is written by Runaa Rizvii Shivamani who, incidentally, made her debut as a film lyricist with the number.

“This was my first written song, composed by Shivamani and sung by Amitabh Bachchan. I could not have asked for more. Initially, some prominent lyricist was supposed to write the song but since they were occupied and could not accommodate time, Shiv ji said why not me,” recalled Runaa.

She added: “Being a singer and coming from a musical family, I always had a flair of writing in Hindi and Urdu. But I am a vocalist, and had never written anything professionally. So I wasn’t sure. However, everything fell in place and the song came out right.”

The film is on a 12-year-old chai delivery boy named Guddu, whose passion is to observe, listen and create new sounds. Rising beyond his daily mundane life, he forms a band with three other street children.

Shivamani on Amitabh Bachchan singing his composition in ‘Atkan Chatkan’.

The film featured child pianist Lydian Nadhaswaram, who is also a protege of music maestro AR Rahman, who has presented the film.

Asked about his reunion with Rahman for the film, Shivamani replied: “Rahman is my brother, what do you mean by reuniting? We are always exchanging (ideas), and have never lost touch. Yes, the intention behind the film was to celebrate dreams. Most web series and shows online are very toxic in nature. He was very happy to watch the film, and that is why decided to present the film. Rahman met me when he was 10 years old, and I am just a couple of years elder to him. In a way, we have grown up as friends, together. He is family.”

“Atkan Chatkan” streams on Zee5.

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Arts & Culture Lite Blogs

‘We Are Always Working’

Of art merging America and Rajasthan

An art exhibition showcasing works by American born photographer Waswo X. Waswo, in collaboration with Rajasthani miniaturist Rajesh Soni and traditional terracotta sculptor Shyam Lal Kumhar, is open for viewing at a Delhi-based gallery.

Part portraiture from Waswo and Soni’s well-known Studio in Rajasthan series, and part spoof on both the studio process and the photographer himself – this exhibition by Gallery Latitude 28 will call attention to the place of performance, or the “stage”, upon which studio photography is enacted.

Of art merging America and Rajasthan

The title, ‘We Are Always Working’, references the ongoing process Waswo and his studio engage in, both physically, as well as in a wider philosophical discourse concerning his practice and methods. The exhibition is curated by Bhavna Kakar.

Waswo X. Waswo’s career in India has spanned almost two decades, utilizing the medium of studio photography is a method of self-discovery, navigating between personal revelation and inspired fantasy. With traditionally hand-painted backdrops, the photographic studio became a quasi-diorama in which Waswo and his models playfully devised a series of tableaux. His elaborate processes, involving casting local people as ‘models’ in the photo shoots, are akin to co-operative theatre performances.

Waswo’s sepia photographs, hand painted by Udaipur based photo hand colourist Rajesh Soni, take on a dream-like quality, which harks back to ethnographic photography of bygone eras while maintaining temporal roots in the contemporary. Interplay develops between the villagers who populate his work, the caricature of Waswo himself and ‘artefacts’, which he inspects under a magnifying glass.

Of art merging America and Rajasthan



As the protagonist of many of the photographs, dressed incongruously in a white suit and fedora hat, he takes on the role of ‘The Orientalist’, interspersed throughout the exhibition.

The origins of ‘The Orientalist’ caricature can be found in previous collaboration between Waswo and miniaturist R. Vijay, as Waswo himself states, “He created a character which was supposed to represent me, and my adventures in India, but as time went on he became sort of an ‘everyman’. I stopped thinking of him being explicitly myself, or specifically myself. Now [the character] has leaped back into the photographs. He’s literally become me, I now find myself acting the role of the little man in the miniatures. I’ve adopted the very character that I’ve created and now personify him in some of the photographs.”

Of art merging America and Rajasthan

The Orientalist’ as a concept plays with the notions of otherness, ethnic stereotyping and Western fetishisation of the developing world, however the driving force is that in this day and age a stereotype has been made of ‘The Orientalist’ himself. He is now encapsulated in the very same diorama as his subjects, playing out scenes in which the symbolic figure offers itself up for scrutiny, generalisation, categorisation, and questioning.

The exhibition runs from August 28-September 28. Visitation is by appointment only.

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Lite Blogs

When Performance Gets Censored

Censorship can be quite oppressive for artists: Sunil Shanbag.

Back in the early 1970s, Marathi playwright Vijay Tendulkar’s play ‘Sakharam Binder’ — which features the character of a bookbinder who ‘takes in’ women abandoned or dejected by other men and uses them as domestic help and sexual partners — struggled with the Stage Scrutiny Board (the censor board) and sections of society. In 2020, a play explores the idea of censorship in the arts through this story.

Titled ‘Sex, Morality, and Censorship’, the play is based on Vijay Tendulkar’s theatre classic ‘Sakharam Binder’s struggle with censorship. Recapturing the essence of Maharashtra’s folk arts ‘Tamasha’ and the spirit of the 1970s, the play offers a mix of theatre, live music, dance, and video. Play director Sunil Shanbag and co-writer Irawati Karnik this week hosted a guided viewing of the performance of the play recorded at the iconic Prithvi Theatre in Mumbai. The viewing took place on Paytm Insider’s theatre initiative, Front & Centre in collaboration with Studio Tamaasha’s monthly series – TheatreNama.

The play also looks at the parallel theme of the “sanitisation” the folk arts, namely Maharashtra’s Tamasha tradition, by conservative sections of society, director Sunil Shanbag told.

Asked how censorship has impacted free expression of ‘taboo’ topics on stage, Shanbag shares: “Interestingly only two states in India still retain the equivalent of the outdated colonial law of 1876, the Dramatic Performances Act. These are Maharashtra and Gujarat. In Maharashtra there are several examples of both official censorship of theatre by the stage scrutiny board, and unofficial censorship by non-state players, and mobs. The latter, unofficial censorship, follows no rules or procedures, and is unpredictable, hence very dangerous to deal with. Of late we do worry that official censorship too seems inclined towards conservatism which can be quite oppressive for artists.”

(Photo: Unsplash)

In the guided viewing, the makers took the audience on the journey of what began as an idea to do a play about censorship, slowly developed and evolved into a full-fledged theatre production. “This process took about a year of work, and involved many collaborators, which included the actors. We shared these rich experiences and memories with the audience and showed them extensive excerpts from a performance of the play to illustrate and illuminate what we were saying,” shared Shanbag.

Varun Khare – Business Head, Live Entertainment (IPs & Partnerships) at Paytm Insider, said, “Censorship has long plagued the sharp-edged satire and other nuances that are characteristic of Tamasha. Sex, Morality and Censorship, brings forth a fresh perspective on decades-old folk arts, with popular folk artists presenting their views on the art form, the ruthless civil censorship, and insights into the play itself.”

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Education India News Lite Blogs

Indian Games Boost Kids’ Skills

In a new approach to developing everyday skills into children with special needs, for instance, children with dyslexia, the Madras Dyslexia Association (MDA) has experimented with supplementing usual occupational therapy with native Indian games, to help with their development.

In the radio program ‘Mann Ki Baat’, Prime Minister Narendra Modi brought to focus an important pedagogical tool that is playing with toys. This successful and continued practice of this pedagogy by MDA opens a unique line of thought and practice to practitioners working in the child development field.

MDA has adopted traditional games in their remedial techniques for teaching special children. The MDA special educators have witnessed significant improvements with the use of traditional games, which are so vital in developing the pre-skills for all children. The improvements include areas such as the children’s overall focus, fine motor skills from playing some of these games.

According to MDA, significant improvements were recorded in key areas such as children’s overall focus and concentration besides in motor skills as a result of playing some of these traditional games, such as playing with a top and thread (‘lattu’) and hopscotch.

“Most of the approaches used with children with Specific Learning Disabilities (SLD) are western. In Chennai, one session of occupational therapy used with children with special needs can cost between Rs 800-1000. Parents often find it difficult to afford all the recommended number of sessions.


“Children with SLDs also get tired and lose focus while working with an occupational therapist for a while. Instead of pushing them, we found it useful to introduce native traditional games to supplement occupational therapy. The results have been promising,” Chennai-based Swetha Chandrasekhar, who developed this concept for MDA, told IANSlife over phone.

According to D. Chandrasekhar, President, MDA and a distinguished alumnus awardee of IIT Madras, “After a long day of school, children with dyslexia come for remedial classes, and then they attend therapy classes, after which they’re tutored at home and they finish their homework and whatever little time left, they’d like to spend it in front of the screen or playing against it.”

“Therefore, at Ananya (their fulltime remedial centre) when we make our individualised education plan, we try and add in a pinch of a traditional games in order to tweak their pre-skills, which are vital for the academic development. When working with these traditional games, we realised that they were naturally multi-modal and multi-sensory and usually cater to more than one skill. These games can be easily adapted to suit the strengths and the needs of each child.”

In order to make a real-time difference in the development of children, traditional games have a way of seamlessly teaching physical growth and development, social-emotional development, sensory motor development, communication skills, problem solving, concept building skills, understanding and processing skills, executive functions, perceptual readiness for learning, listening, reading and writing besides several life skills, including social skills.

Native Indian games a promising supplement for kids with special needs.

Some of the practices and games and their benefits include hopscotch, which helps develop balance, gravity control and focus, among other skills; kite flying, which helps develop large motor movement, muscle tone, spatial orientation; and mancala which helps develop numeracy skills, fine motor and grapho-motor skills, midline crossing, attention and focus.

Traditional practices adopted include the ritual bath, which helps develop gravity control, body awareness and midline crossing.

India is a country really rich in culture and the cultural aspects of India are not confined to art, music and architecture but also extends to play. These games do not require any expensive props and everybody could play them regardless of age or gender. They cater to specific developmental aspects needed for children, keeping in mind the geographical and cultural backdrop, Chandrasekhar concluded.

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Lite Blogs UK News

London singer Sanjoy Dey raises funds for Durga Puja idol makers

After a successful move to raise funds for victims of Amphan, one of the finest Indian singers in Europe Sanjoy Dey and his organisation NEOM is now raising funds for one of the most vulnerable people of this time – the idol makers in India who have lost their job for this lockdown – reports Arundhati Mukherjee for Asian Lite

One of the finest singers, composer and music director Sanjoy Dey, has already earned respect and recognition from the UK and Europe audience. During this tragic time of global pandemic, he has taken up this exemplary initiative to aid the idol makers of West Bengal, India. Restriction in small and big religious festivals in India and abroad, especially that of Ganapati Puja and upcoming Durga Puja this year has resulted in severe loss of business for the idol makers in India. Survival of the artists, and thereby this exclusive art, is at stake.

Artiste Sanjoy Dey has come forward and arranged for a digital concert on 26th of September, 2020 in association with his organisation Robi Bharoti and Sahayogi Seva – NEOM. The event will start at 4:30pm BST. ‘An Evening with Sanjoy Dey’ is being presented by one of the prominent music production company of India, Srinivas Music. Funds raised from this charity event will go to support the idol makers of India during this difficult time.

Dey has always been involved and led charity events as such. His organisation NEOM had successfully raised funds for the victims of Amphan cyclone of West Bengal, earlier this year, through a mega concert. Artistes from all around the globe including UK, UAE, India and Bangladesh had taken part in that unique mega concert.

Rabindra Bharati University alumni, Sanjoy Dey has earned the RD Burman Award for his contribution in Indian music. He has performed in the celebrated NABC conference in 2000 in Baltimore. Apart from NEOM – New Era of Music, and Robi-Bharati, he also has established Sanjoy academy, Robika and Wave to introduce and nurture Indian music in the in UK. His work with the new generation of BAME community, specially the kids demands credits.

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Books Lite Blogs Woman

Self-Exploring Through Writing

Being a female author can come with its own set of challenges, especially when one is trying to juggle a career in the demanding field along with a personal life. From burning the midnight oil to pursue writing to managing multiple roles, budding authors share how they used writing as a tool for empowerment.

‘Four Dances of the Moon’ author Shikha Rinchin Tiku explains how every journey is different and so are the challenges. “I got my inspiration for writing from my father, who wrote poetry in his spare time. I wrote my first poem when I was just eight. It was only last year when I was about to become a mother, I felt this urge of fulfilling my goal of becoming a published author, and I embarked on the journey of publishing my first ever poetry book. As they say, it’s never too late. There were a few challenges that I had to overcome during my publishing journey.

“Writing a book requires immense discipline and time management. I am a full time working professional, so setting time aside to create and edit my work was a task. I spent all my weekends working on the book, so that I could get it published by the target date. It was the time when Covid-19 had just hit us, so keeping myself composed was also something that I had to do. I kept myself emotionally resilient to keep at it. I was soon going to be a mother, so managing work, my health, and my book was a challenge. But when you have a burning desire to fulfill your goals, you always find a way,” she told.

There has been an interesting rise in the number of young and empowered women authors who are using the power of their mind and pen to put their thoughts out in the world.

For some authors the journey is more important than the destination. Author Subhashini Prasad, who wrote ‘Not Really Indian’ has this story to tell: “Three years ago, I sat in my office in a commercial bank, running through financial analysis and numbers, when I thought: ‘Is this what I want to do for the rest of my life?’ The answer as you see today was obvious. Since I was 11, I wanted to be an author. Days of reading Enid Blyton and Harry Potter inspired me to create stories of my own. When I was at the crossroads of choosing between a stable job and writing, I chose the latter. I decided that if I don’t act on my passion now, I will always regret it. That was the kickstart to my writing journey and has led to my debut book: Not Really Indian. I have also written my first kids book, titled Hoo and Hau, on Storyweaver.”

Challenges, according to Prasad, of becoming an author were aplenty. “Self-doubt and learning to view failures as stepping stones have been the toughest challenges. As women, we have it tougher than the rest. Society expects more out of us and we expect the impossible out of ourselves. So, when I first decided to pursue writing, I always thought I was not good enough to be an author. As a mother of two, I also feel torn between spending time with the kids and finding no-distraction time to write. But as I read other women writers, I realized believing in one’s work is of utmost importance and key to success. And that it is always possible to find time for doing what you love.”

Tanya Walia, Author of ‘Forever’ shares that she had that “writer’s bone” in her from the word go. “I used to keep a journal and I used to write plays for class projects, one time I wrote a poem for someone else and he was appreciated. But I never pursued it from the fear of people’s opinions. Then at 23, I read “The Diary Of A Young Girl’ by Anne Frank and it blew me away how in such a situation she had dreams and hopes of becoming a writer,” she told.
“When I started, I was preparing for a government job and there was a lot of pressure, managing both wasn’t easy. But I think the biggest challenge for me was finding the right publisher because I was new and I didn’t have anyone to guide me. Don’t let the pressure around you break your spirit. If you are happy write and if you are sad write more. Start finding the right publisher from the beginning and not when the book is complete. It can save you a lot of time.”

Young author Anamika Mishra, a motivational speaker and author of ‘For The Sake Of Love” says she was obsessed with stories and storytelling since childhood, and has been writing from school days.

“I remember once when I was a kid, after completing a novel (‘David Copperfield’ by Charles Dickens), I was so inspired by it that I immediately told my mom that I want to write books. I think this kept on hitting my mind. I read more, I wrote more – poems, stories, articles, shayaris.”

Spurred on by her parents to pursue writing as a career, Anamika finds inspiration to be an author in their words even if they’re not here anymore.

As the writers conclude, authors are rarely made overnight, so be patient and persistent until hard work bears fruit.