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‘A Ranjith Cinema’ First Look Poster Out, Stars Join the Hype

Manju Warrier, the acclaimed Lady Superstar, had the privilege of unveiling the poster showcasing the female stars of the film, further enhancing the excitement surrounding this project….reports Asian Lite News

The anticipation for Nishant Sattu’s upcoming film, “A Ranjith Cinema,” is building as the first look posters have been unveiled. The excitement was shared not only by the film’s star cast but also by prominent figures in the Malayalam film industry.

Prithviraj Sukumaran took to his social media to release the first look poster, triggering a wave of excitement among fans and industry insiders. Lijo Jose Pellissery, Kunchacko Boban, Tovino Thomas, Suraj Venjaramoodu, Biju Menon, Unni Mukundan, Antony Varghese Pepe, and other leading stars joined in the promotion.

Lady Superstar Manju Warrier did the honours of revealing the poster featuring the female stars of the film, adding to the buzz surrounding this project.

“A Ranjith Cinema” boasts a talented ensemble cast, with Asif Ali, Saiju Kurup, Anson Paul, Namitha Pramod, Hannah Regi Kosi, and Jewel Mary in lead roles. The film promises to be a romantic family thriller set against a compelling family backdrop.

In addition to the stellar main cast, the film also features an array of renowned actors, including Harishree Asokan, Aju Varghese, Kalabhavan Nawaz, Ranji Panicker (of ‘Ustad Hotel’ fame), Kottayam Ramesh, Jayakrishnan, Mukundan, Krishna, Krishnan Balakrishnan, Santhosh George Kulangara, Jassi Gift Jordy Erathupetta, Sabita Anand, Shobha Mohanan, and many others in crucial roles.

Produced by Nishad Peachey and Babu Joseph under the banner Luminous Film Factory, the film is executive produced by Namit R and One Two Three Frames. Sunoj Velayudhan and Kunjunni S Kumar are handling cinematography duties, while Rafeeq Ahmed and Ajeesh Dasan have composed the lyrics, set to music by Mithun Ashokan.

The film’s crew includes Javed Chemb as Production Controller, Akhil Raj Chirail and Koyas as Art Directors, Rony Vellathuval as Makeup Artist, Vipindas as Costume Designer, and Nidad and Shalu Peyad as Stills Photographers. Collins Leophile is responsible for Advertising Art, and A S Dinesh and Rogin K Roy are managing Public Relations.

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-Top News Celebrity UAE News

Indian actor Dulquer Salmaan receives UAE Golden Visa

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Malayalam actor Dulquer Salmaan is the latest Indian personality to be honoured with a UAE Golden Visa…reports Asian Lite News

Introduced in 2019 by the UAE government, the ‘Golden Visa’ is a new system for long-term residence visas. It lets outsiders live, work and study in the Gulf states without the need of a national sponsor and with 100 per cent ownership of their business on the UAE mainland.

Dulquer has been feted with a 10-year Golden Visa by the Department of Culture and Tourism, Abu Dhabi Government, reports gulfnews.com.

Indian actor Dulquer Salmaan receives UAE Golden Visa

The actor posted a picture on Instagram on receiving it.

“Had the privilege and honour of receiving my golden visa from His Excellency Saood Abdul Aziz in the presence of Mr Yusuf Ali,” Dulquer captioned the image.

ALSO READ: Mammootty, Mohanlal receive UAE’s Golden Visa

“It was wonderful to hear of all the future plans of the Abu Dhabi govt to promote film and production activities, and also to encourage new talent locally and internationally. Looking forward to productions, shoots and spending more time in Abu Dhabi and the UAE,” he added.

Last month, his father and superstar Mammootty also received his UAE Golden Visa, which was given to him at the same time as Malayalam cinema’s other superstar, Mohanlal.

Malayalam actors Prithviraj Sukumaran and Tovino Thomas too received their UAE Golden Visa this month.

Among the Hindi film actors, Sanjay Dutt received the UAE Golden Visa, owing to his contribution to the world of arts, culture, and cinema.

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Lite Blogs

Pothan’s Joji, a replica of Macbeth

Faasil’s Joji is clearly the weakest in every way among the three sons of a rich plantation owner, Kuttappan (Sunny PN). Screenwriter Syam Pushkaran draws up Joji, youngest of the brothers, as a loser…writes VINAYAK CHAKRAVORTY

Joji (film on Amazon Prime); Cast: Fahadh Faasil, Baburaj, Unnimaya Prasad, Joji Mundakayam, Sunny PN, Alister Alex; Direction: Dileesh Pothan; Rating: * * * and 1/2 (three and a half stars)

Just when you’d think another fresh take on William Shakespeare’s “Macbeth” couldn’t possibly be done, comes “Joji”. Fahadh Faasil’s new collaboration with director Dileesh Pothan retains the basic outline of human avarice and slant at violence, but sheds Shakespearean grandeur of the story in favour of restraint as it builds up the crime drama.

“Macbeth” and its innumerable retellings (including Vishal Bhardwaj’s magnificent “Maqbool”) have traditionally banked on a singular tragic flaw while spelling doom for the towering Shakespearean antihero — his ambition. Pothan’s film underplays that bit, and gives the titular protagonist (played by Faasil) the persona of a weakling, ridden by inferiority complex.

Faasil’s Joji is clearly the weakest in every way among the three sons of a rich plantation owner, Kuttappan (Sunny PN). Screenwriter Syam Pushkaran draws up Joji, youngest of the brothers, as a loser. He is an engineering dropout and while he dreams of being a wealthy NRI he has no clue how to go about it. Twist in the story comes when Kuttappan, on returning home after a stroke, clearly refuses to give Joji any inheritance whatsoever. Angered, Joji quietly changes his father’s medication, which leads to the latter’s death. As the narrative moves ahead, a paranoid Joji sets on a frantic bid to cover his tracks, only complicating his situation further.

Pothan and Pushkaran have tried interesting departures from what defines the “Macbeth” storyline. Among the most pertinent re-jigs is Lady Macbeth, imagined here as Bincy, played with cold precision by Unnimaya Prasad. Bincy, wife of the second son Jaison (Joji Mundakayam), is an accomplice of brother-in-law Joji more by chance than design. Her role is restricted to playing along, because she sees possible subsequent advantage that she could draw out of Joji’s nefarious plan of action.

Unlike “Macbeth” and almost all of its interpretations, the Lady Macbeth track here is restricted to greed. There is no sexual or marital subtext of any consequence in Bincy’s equation with Joji. The idea lets Pothan craft a narrative that stays singleminded in its focus on Joji’s mind games.

That sort of an approach is also the reason this film has done away with the symbolism that renders “Macbeth” much of its textual richness. Parallels to blood on the hands, supernatural apparitions, the Three Witches, or the Birnham Wood coming to Dunsinane are either negligibly touched upon or done away with, in sync with the frills-free cinematic treatment of “Joji”.

The biggest departure, of course, has to be Fahadh Faasil’s reorganised Macbeth. As the low-key Joji, he strikes an antithesis of the heartless killer the protagonist will eventually turn out to be, executing the role with impeccable restraint.

Faasil gets ample support from the prop cast. Baburaj as the eldest of the brothers, Jomon, an alcoholic divorcee and single father, is aptly cast, as is Joji Mundakayam as Jaison, the mild-mannered second brother.

“Joji” strikes subtly as it delivers impact, through Shyju Khalid’s impersonal cinematography that almost functions as a discreet onlooker in a household of disquiet, and through Justin Varghese’s soft background score that leaves a note of menace.

The film was shot in the Covid era, and Pothan has crafted an exquisite “Macbeth” in the time of wearing masks. The characters of “Joji” wear their masks not just literally but metaphorically, too.

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