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-Top News Afghanistan Culture

Will Taliban Keep Promise to Preserve Afghanistan’s Cultural Legacy?

There are many who pin their hopes on the US brokered talks between the Taliban and the Afghan Government hoping that the region’s past will be protected, but many others are growing anxious, reports S. Ravi

While there is a widespread speculation as to what awaits Afghanistan after the departure of the US-led foreign troops in the country, historians and heritage experts globally, are keeping their fingers crossed as to the fate of cultural legacy of the embattled nation.

The concern is justified since Afghanistan’s rich historical and cultural heritage dates back to several centuries. From being part of Indus Valley Civilisation to being invaded by Alexander, several empires including Greco-Bactrians, Kushans, Saffarids, Ghaznavids, Timurids, and Mughals among others have started from this region.

According to an article in National Geographic some cultural heritage experts are hopeful; others are growing anxious with the forthcoming departure of US and European forces.

The fear on the part of those who are tasked with taking care of the nation’s uniquely diverse cultural heritage is not unfounded. It is still fresh in their memory, as it is of others, when the Taliban in 2001, destroyed the planet’s largest statues, the Bamiyan Buddhas. They also vandalised the National Museum in Kabul and looted antiques from ancient sites. Their attitude towards the past relics, especially the pre-Islamic ones, portrayed them in a bad light at the international level.

This time, however, there appears to be a change as Taliban have given their word to respect the nation’s history. In a statement they commanded their followers to “robustly protect, monitor and preserve” relics, halt illegal digs, and safeguard “all historic sites.” But time will tell whether the commitment is only tactical, to reduce the resistance of the world community to their re-emergence or a genuine change of heart born out the bitter experience of the past.

Interestingly, they have forbidden selling of artefacts in the art market. Their statement said: “No one should try to disturb such sites or think about using them for profit.”

According to the NG article, the statement did not come as a surprise to Cheryl Benard of Washington-based Alliance for the Restoration of Cultural Heritage (ARCH). The write-up states that she told her group last fall that both sides need to address the issue.

ALSO READ: Civilians pick up arms as Taliban imposes new rules

Not everyone shares this optimism. Afghanistan’s Institute of Archaeology’s Noor Agha Noori is not convinced. He told NG: “To be honest, we are very worried about the future of cultural heritage were the Taliban to come into power,” he said while informing that Islamists were indulging in looting historical sites in order to raise finances.

Speaking in the same vein, Mohammad Fahim Rahimi, Director of Kabul’s National Museum observed: “Unfortunately the statement is not clear, especially concerning the pre-Islamic heritage. You know what happened to the collection during the civil war and in 2001.”

The museum conservators over the years painstakingly pieced together many wooden and stone sculptures which were broken deliberately.

There are many who pin their hopes on the US brokered talks between the Taliban and the Afghan Government hoping that the region’s past will be protected. Last year, the Government had said yes to discuss “ensuring the security of historical and Islamic sites” during their talks while the statement of February gives an indication on part of Taliban to do so as well
Nasratullah Hewadwall of the Kabul branch of ARCH remarked: “It’s a great and positive step.” He shared that last year the Taliban had distanced itself from the destruction of Bamiyan Buddhas in 2001 while blaming it on al Qaeda.

According to Hewadwall, the leadership of the group has realised the economic significance of ancient heritage and sites as tourist attractions while perceiving that destroying them damages their image.

In terms of historical significance, there is much to be lost in case Afghanistan’s cultural heritage is not preserved. Being at the geographical crossroads of Central Asia, the region has attracted traders, merchants, scholars, pilgrims, and armies since the arrival of Alexander the Great.

Afghanistan is from where Buddhism spread to China and it is this place where Zoroastrianism, Christianity, Judaism, and Hinduism flourished, both before and after the advent of Islam in the 7th Century AD.

Also as part of the Silk Road which connected India with China and Iran, it boasts of remains of several ancient cities, monasteries, and sarais, which housed travellers.

Besides the threat of the Taliban, a greater fear which grips cultural conservators is that of chaos that will follow after the departure of American and NATO troops that has already begun.

According to Jolyon Leslie, who is working as a preservationist at an ancient Buddhist stupa outside Kabul: “Our fears are less about a possible threat posed by the Taliban than the prospect of a breakdown in law and order.”

Chaos already exists, informs Hewadwall, especially in rural areas. The twin factors of lack of security and shifting alliances, has enabled poverty-stricken villagers, gangs, different militia and Taliban to steal artefacts for smuggling them.

Many place their hopes on the Afghan officials who have so far done well to preserve the sites, museums and artefacts from decay and destruction. The article quotes NG’s archaeologist Fredrik Hiebert, who talking about Afghan officials said: “They will be good caretakers. I have total confidence in them.” According to him, they have braved arrest and even death in their call of duty.

It also finally boils down to normalcy returning to Afghanistan ravaged by civil war and battles for years. Murtaza Azizi, a senior Ministry official averred: “Once lasting peace comes to our country, we are eager to share this heritage with the world. We hope our tourism industry — and with it, the economy — will grow, not only in Balkh, but all over Afghanistan.” But given the Taliban’s idiosyncrasies of the past, and the strong connection of some of powerful factions, such as the Haqanni network with Pakistan’s ISI, few will guarantee that the Taliban’s basic DNA has changed

(This content is being carried under an arrangement with indianarrative.com)

ALSO READ: Taliban warns foreign troops will be at risk as occupiers

Categories
-Top News Culture India News

Tributes to Guru Hargobind Sahib Ji

Guru Hargobind introduced the process of militarization to Sikhism, likely as a response to his father’s execution and to protect the Sikh community. He symbolized it by wearing two swords, representing the dual concept of mīrī and pīrī (temporal power and spiritual authority)

Indian leaders greet the Sikh community on the occasion of Guru Hargobind Ji Parkash Purab 2021. Guru Hargobind Ji revered as the sixth Nānak, was the sixth of ten Gurus of the Sikh religion. He had become Guru at the young age of eleven, after the execution of his father, Guru Arjan, by the Mughal emperor Jahangir.

Guru Hargobind introduced the process of militarization to Sikhism, likely as a response to his father’s execution and to protect the Sikh community. He symbolized it by wearing two swords, representing the dual concept of mīrī and pīrī (temporal power and spiritual authority).

In front of the Harmandir Sahib in Amritsar, Guru Hargobind constructed the Akal Takht (the throne of the timeless one). The Akal Takht represents the highest seat of earthly authority of the Khalsa (the collective body of the Sikhs) today.

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-Top News Culture India News

Inter-Gen Katha Fest Goes Digital Way

The festival was launched on 15th May on International Family’s Day which broadcast the first set of inter-generational videos created during the pandemic in 2020-21. The videos were launched on Folklogue Studios and Arunima Kumar Dance company’s social media platforms and will be available for 5 days to connect diverse audiences across the world. It will be available at YouTube/Folk Log

London witnessed the launch of a unique digital folk story dance project which links grandparents separated from their grandchildren during the lockdown. Katha festival (Story festival) is an innovative family learning digital project, based on folk stories from India and the rest of the world, envisioned, produced & directed by Arunima Kumar Dance Company, the largest institution of Kuchipudi dance in the UK.

Sudha Murty joins the programme by narrating a story – Inter-Gen Katha Festival Goes Digital Way

The Katha project is in association with Folklogue Studios, one of the most authentic organisations of India striving to protect and preserve the indigenous storytelling forms supported by British Council India in its endeavour. The Katha project is supported by the Arts Council England’s Culture Recovery Fund and DCMS. 

Katha was a dream come true as we could share the love between three generations through ancient forgotten folk stories which are passed on orally through generations. It enabled children to engage with their grand-parents on what they love most. These stories based on ancient literature, folk stories, local languages and texts may remain forgotten if not passed through generations through the ancient art of oral storytelling

The festival was launched on 15th May on International Family’s Day which broadcast the first set of inter-generational videos created during the pandemic in 2020-21. The videos were launched on Folklogue Studios and Arunima Kumar Dance company’s social media platforms at 11 am IST and will be available for 5 days to connect diverse audiences across the world. It will be available at YouTube/Folk Log

The project is conceptualized and executed by Kuchipudi dancer, teacher, choreographer Arunima Kumar.

 

Inter-Gen Katha Festival Goes Digital Way

“During the harsh and lonely months of the pandemic, it was challenging for children, families and communities to weather the storm of coronavirus, stay connected creatively and stay positive,” said Arunima. “Katha was a dream come true as we could share the love between three generations through ancient forgotten folk stories which are passed on orally through generations. It enabled children to engage with their grand-parents on what they love most. These stories based on ancient literature, folk stories, local languages and texts may remain forgotten if not passed through generations through the ancient art of oral storytelling.

“The grandparents narrated the stories online (some in local languages with subtitles in English) while the children dramatized them through Indian dance and music. We are honoured to have grandparents participate so generously including the inspirational Sudha Murty who has narrated a story that she has written.” 

The most special aspect of the project is that it has enabled young children to stay creatively engaged with their elderly, who were lonely & isolating due to social distancing restrictions and lived far away in India. It has kept families motivated and happy, enabling physical and mental well-being of families through a powerful creative outlet.

Arunima Kumar , Artistic Director Arunima Kumar Dance Company

Arunima says the innovative artistic initiatives such as Katha are critical to keep communities connected and positive during global catastrophes.

“We are grateful to Arts council England for their support and faith in us,” she added. “With more and more culture being curated online, and with the severe social distancing restrictions, we hope that in this time we stay connected and positive and cherish the ways culture can unite us.”

Katha will also raise funds for Covid relief for folk artists in India. 

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Categories
-Top News Culture London News

VAN GOGH COMES TO LONDON

360-degree, large-scale digital art experience will offer visitors a total immersion in Van Gogh … reports Asian Lite News

This Autumn, Van Gogh: The Immersive Experience, a 360 degree digital art experience, will debut in London. The exhibit invites visitors to step into more than 300 of Van Gogh’s sketches, drawings, and paintings by using floor-to-ceiling digital projections, made possible by state-of-the-art video mapping technology.

VAN GOGH COMES TO LONDON

As well as the two-story tall central projection area, the exhibition also includes a one-of-a-kind VR experience in a separate gallery. This multi-sensory experience guides the viewer through a ten-minute journey on “a day in the life of the artist”, providing a chance to discover the inspiration behind some of his most beloved works including Vincent’s Bedroom at Arles, and Starry Night Over The Rhone River.

A drawing studio and additional galleries that explore the life, works and techniques of Van Gogh, create a truly immersive experience that provides its audience with a new, intimate understanding of the post-impressionist genius and his work.

The work of entertainment producer Exhibition Hub together with Fever, the leading entertainment discovery platform, Van Gogh: The Immersive Experience, first premiered in a cathedral in Naples, Italy, in November of 2017. Since then, Exhibition Hub has presented the experience in Brussels, Beijing and Tel Aviv, and it is currently operating exhibits in Austria and Belgium. Following its success in Europe, the highly anticipated experience will also launch in multiple cities across the US this year, including New York, Washington DC, Philadelphia, Dallas, Atlanta, Miami, Boston & Houston. The first to open is the experience in Atlanta this May, where the event sold out over 100,000 tickets in the first week after release.

Animated visuals for Van Gogh: The Immersive Experience were created in collaboration with the world-renowned digital media artists Dirty Monitor whose work has been the centerpiece of events such as the Bordeaux Wine Festival, the Beijing International Film Festival, and the new year’s celebrations at the Burj Khalifa in Dubai.

VAN GOGH COMES TO LONDON

Immersive and educational, Van Gogh: The Immersive Experience provides a COVID-safe digital experience and great day out for adults and children alike.

The exact location for the experience will be announced in the coming weeks, but will be a unique and inspirational venue in the heart of the city, with at least 20,000 square-feet of space to enjoy, and 30 foot ceilings.

Exhibition Hub is a curator, producer and distributor of large exhibitions across the world, from Brazil to China to Paris to Moscow. They deliver edutainment experiences to wide audiences and adapt their productions to the venue creating each time an original experience  from museums, exhibition centres, galleries to shopping malls, old churches, historical buildings and other unique spots.

Nowadays, Exhibition Hub focuses more and more on immersive experiences. They offer a spectacular 360° video, light and music experience and a one of a kind virtual reality experiences each a compliment to the immersive experiences, didactic introduction galleries allowing the visitor to immerse himself/herself into the artist before experiencing the spectacular larger than life projections all synchronized to an original score of music.

Fever is the leading global entertainment discovery platform. Fever has revolutionised the world of entertainment since 2015, inspiring over 40 million people every month to discover the best experiences in their cities. Fever empowers event organizers to create amazing experiences, with successful examples such as the “Candlelight Concert Series” attended by over 1 million guests, the Los Angeles based “Stranger Things: The Drive-Into Experience”, or the “Mad Hatter G&T Party” in multiple cities across the US. Through the use of its technology, Fever works alongside organisers, promoters and brands to create unique and original experiences.

VAN GOGH COMES TO LONDON

Fever is currently present in more than 50 cities, with offices in London, at Camden Market, as well as New York, Hollywood, Chicago,  Paris, Madrid and Barcelona, with a team of over 350 people. Fever is backed by leading institutional investors, including Rakuten Capital (investors of Pinterest and Lyft, among others), Accel (investors in tech companies such as Facebook, Slack and Spotify), Fidelity and Atresmedia (producers of successful TV shows such as Money Heist).

Categories
-Top News Culture India News

SPECIAL: Birmingham Thyagaraja Festival 2021

The festival is a genuine attempt by Shruthi UK and its founder “Dr Chithra Ramakrishnan to preserving the unique cultural heritage of India in the Midlands … reports Asian Lite International

The 7th annual festival, organised by ShruthiUK, is a celebration of Indian classical music and dance to commemorate the 174th birthday of the South Indian Singing Saint & Composer Thyagaraja.  The festival is vibrant and colourful and reminds us of our rich cultural heritage and our respect towards the legendary composer for his contribution to Carnatic Music.

Pranathi Ramadorai – Birmingham Thyagaraja Festival 2021

The Birmingham Thyagaraja Festival (BTF) is the most popular annual festival of Indian Classical Music and Dance held in the West Midlands. The festival was virtual this year which brought artists, professionals and young music aspirants together from across the globe.

The 10-hour long festival featured over 100 performances of Indian Classical/ Folk music and dance from across continents showcasing their brilliant talents with great enthusiasm, to honour and pay homage to the great Singing Saint Thyagaraja.

The BTF 2021 is in partnership with the Consul General of India in Birmingham, Mr Andy Street CBE, Combined Mayor of the West Midlands, Touchwood in Solihull, Solihull Chamber of Commerce, Asian Business Chamber of Commerce, The Royal Asiatic Society and a host of other premier partners. The festival is supported by Mr Sridhar Ranganathan, CEO and Founder of Shankar Mahadevan Academy and the excellent support of the legendary Bollywood Musician and Composer Padma Shri Mr. Shankar Mahadevan as Special Festival Partners.

Dr Chithra Ramakrishnan FRSA FRAS is the Founder and Artistic Director of ShruthiUK, and Curator of Birmingham Thyagaraja Festival. Birmingham Thyagaraja Festival is the annual festival of Indian Classical /Folk music and dance celebrated in the honour of the great South Indian Saint and Composer Thyagaraja.

The festival received video messages of support from His Excellency Dr Shashank Vikram IFS, Consul General of India in Birmingham, Mr John Crabtree OBE, Her Majesty’s Lord Lieutenant of West Midlands, Dr Paul Sabapathy CVO CBE, Her Majesty’s Former Lord Lieutenant of West Midlands, Patron, ShruthiUK, Mr Andy Street, CBE, Combined Mayor of the West Midlands,  Cllr Stuart Davies, Mayor of Solihull, Mr Tony Elvin, President of Solihull Chamber of Commerce, and Patron, Birmingham Thyagaraja Festival, Mr Jason Wouhra OBE, Director, East End Foods, President, Asian Business Chamber of Commerce,

The festival was presided by His Excellency Dr Shashank Vikram IFS, Consul General of India in Birmingham as the Chief Guest.

Group dance- Disciples of Acharya Dr Vasant Kiran – Sreelakshmi S, Ameya S, Kaveri S Pavitra P, Jeethika – Birmingham Thyagaraja Festival 2021

Women achievers

Every year, at the BTF, in lieu of International Women’s Day honours women achievers at the awards ceremony, recognizes outstanding women, who have made a positive impact and contribution to the society through their skills and passion.

The inspiring women honoured during the BTF 2021 were:

Diana Crabtree, Country President, St John’s Ambulance

Deborah Cadman OBE, Chief Executive, Birmingham City Council

Henrietta Brealey, Chief Executive, Greater Birmingham Chambers of Commerce

The Patron and the governing members of ShruthiUK would like to express their heartiest congratulations to all three inspiring women who were honoured this year.

Aishwarya and Soundarya- Great grand daughters of Bharat Ratna Dr M.S. Subbulakshmi, Grand daughters of Sangeeta Ratnakara Mrs Radha Viswanathan- Birmingham Thyagaraja Festival 2021

“I am once again delighted to be able to support ShruthiUk and the Birmingham Thyagaraja Festival in bringing its wonderful Indian Classical Music & Dance to a wider audience and to celebrate bringing together musicians and dancers from all over the world to perform in Solihull.  My congratulations on your7th festival and I wish you all the best for a very successful celebration,” said Councillor Stuart Davis, Mayor of Solihull

Every year, the festival supports a charity and helps to raise funds for a noble cause.  This year, the BTF is proud to support the Ronald McDonalds House Charities in Birmingham for the amazing work to help parents of terminally ill children by providing accommodation to be with their children whilst they are undergoing hospital treatment

“Festivals such as the BTF, further strengthens the cultural links between the UK and India, defining India’s unique cultural heritage and its national identity and help preserving them in the years to come. The format of the festival being online is completely new to us. Curating the festival required a lot of coordination and planning.

It has enabled successful partnerships and to connect with people from across the globe.

These classical Indian festival and art forms have evolved and passed on from many generations n and are still practised with great respect and fervour globally and to wider Communities, making it culturally diverse and distinct. It helps them give the rich experience to learn, enjoy and to unite all of us through the Indian classical art forms.

Dr Chithra thanked the team for their wholehearted support.

“A huge thanks to the team, and everyone involved in putting together this amazing event at such challenging times. The festival would not be possible without the wonderful support of the participants from across the globe,” she said in a statement.

Dr Chithra Ramakrishnan

ShruthiUK is a South Asian arts organisation, established in Leeds in 2005 and now based in Solihull. This is a non-profit organisation  promoting South Indian classical music and dance in the Midlands and elsewhere in the country.

Dr Chithra Ramakrishnan FRSA FRAS is the Founder and Artistic Director of ShruthiUK, and Curator of Birmingham Thyagaraja Festival. Birmingham Thyagaraja Festival is the annual festival of Indian Classical /Folk music and dance celebrated in the honour of the great South Indian Saint and Composer Thyagaraja.

Categories
COVID-19 Culture Travel & Tourism

Pandemic Transformed Social Behaviour

The pandemic has affected tourists’ attitudes and behaviours in unforeseen ways, often subconsciously, said a new study.

The study, published in the journal Annals of Tourism Research, indicated that post-pandemic tourism could curb our motivation for new adventures.

“We found that a Covid-19 threat also made people overestimate the crowdedness of public spaces and feeling uncomfortable in crowded places like restaurants or shopping malls,” said researcher Florian Kock from Copenhagen Business School.

“Understanding the long-term psychological impact of the pandemic will be a crucial success factor for businesses during and long after the Covid-19 era,” Kock added.

For the study, the team implemented two survey-based studies at the start of the pandemic with 960 travellers to understand the deep-rooted changes of travel attitude and behaviour, gathering empirical insights.

They found that feeling vulnerable to Covid-19 activates a so-called ‘behavioural immune system’ that in turn makes people engage in various behaviours that helped our ancestors survive when facing a disease.

In the first study, the authors measured the degree to which individuals perceive a higher infection risk of Covid-19.

They found that those who fear Covid-19 are more prone to being nationalistic and xenophobic, meaning that they favour those who are like themselves and avoid foreigners.

In the second study, they found that those tourists who perceive Covid-19 as a big threat, subconsciously engage in behaviours in order to lower their travel-related risk perceptions.

As such, tourists found strategies to mitigate the travel risk by, for example, travelling in groups, buying travel insurance, and visiting the places they had visited before, thereby increasing destination loyalty.