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Arts & Culture Lite Blogs

A Fusion of Art and Tradition

There are artisans coming from 22 states, including 65 national and state awardees and there will be 45 demonstrations…reports Asian Lite News

As Dastkari Haat Samiti enters its 38th year of dedicated work towards the preservation of India’s crafts heritage and sustaining the livelihoods of crafts people. It offers a new theme to the public at Dastkari Haat Samiti’s annual crafts bazaar at Dilli Haat this year from 1 st -15 th January, 2024.

Dastkari Haat Samiti has conducted over 150 bazaars over the years, created major interventions like conceptualising Dilli Haat and working for its continued service as a market for craftspeople. It has reintroduced calligraphy into crafts and created major online documentation of 52 crafts all over India for the Google Arts & Culture platform. Its’ artistic crafts maps of all the states of India are iconic as are its many publications on crafts practices and projects. A special feature at its Dilli Haat annual bazaar has been craft exchange workshops with Craftspeople from abroad. This has not been possible due to Covid uncertainties and travel restrictions.

To greet you,  170 stalls with a large range of weaves, hand block prints, embroideries, Lehariya, crafts in grass, bamboo, metal, wood and other plant material, leheriya, Jewellery, stationery, ceramic and terracotta, and traditional art from tribal Gond to Kalighat, Phads, Pattachitra. Brass from Orissa, West Bengal, Terracotta from Rajasthan, Ceramic from UP, Maharashtra and Delhi, Block Prints from AP and Rajasthan, Ikat from AP, Ajrak Printing from Gujarat, Weaving from UP and Gujarat,

There are artisans coming from 22 states, including 65 national and state awardees and there will be 45 demonstrations.

Some unique crafts from different states are:

Leaf Printing on textiles from Gujarat, Lehariya from Rajasthan, Jute products from Maharashtra, Cane and bamboo from Assam, Handcrafted mura from West Bengal, Bamboo leaf from Madhya Pradesh, Mud work and mirror from Gujarat, Leather work from Gujarat, Recycled products from Delhi, fine Soof embroidery from Kutch, Natural grass baskets from Orissa, Sholapith Flowers from West Bengal, Dry flower from Jharkhand and Phad painting, Rajasthan. The annual bazaar will also showcase stationery made of handmade paper in the most organic of raw materials including Elephant Poo from Jaipur.

While visiting the annual crafts bazaar be on the look out for these skills creating art including Sanjhi Craft from Uttar Pradesh, Terracotta from Rajasthan and Delhi, Madhubani Painting from Bihar, Pattachitra Painting from Orissa, and West Bengal, Gond Painting from Madhya Pradesh Miniature Painting from Rajasthan, Glass objects and jewellery from Firozabad, Pichwai painting from Rajasthan, Worli painting from Maharashtra and Basket making from Jharkhand and Uttar Pradesh.

Dastkari Haat Craft Bazar at Dilli Haat is known for its vivacious selection of cultural performances. This time you can find Rajasthani’s folk music and Kalbelia dance from Barmer, Rajasthan and Chaau Dancers, group of Bhiwani Kalindi from West Bengal. First time ever workshop combining concepts of Graphic Design with Traditional Art Forms is being conducted. This collaborative workshop will seamlessly intertwine the artistic finesse of graphic design with the skilled craftsmanship of artisans, fostering a dynamic synergy where structured creativity meets hands-on expertise. Participating craftspeople will delve into the world of visual storytelling, while also immersing themselves in practical techniques. The aim is to create a unique fusion of contemporary visual design pedagogy with tangible craftsmanship. This experiment is conceptualized and will be conducted by Dr. Dimple Bahl in collaboration with Dastkari Haat Samiti

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Arts & Culture Lite Blogs Music

Dissolving Boundaries Through Music and Art

Talking about the group’s process, singer Swati Minaxi stresses they try to be aware, transparent and be a medium, let songs take their shape, and try to not chase anything…writes Sukant Deepak

They say it is not intentional that they refuse to be slotted in a genre, just that it is the way they are…That they do not perceive music/art through filters. The TAPI Project group members insist their music is all about dissolving boundaries, labels and boxes.

“It is not only about music or art but the state of the world. We believe reinstating the already-drawn boundary creates deeper ones in people’s minds. Compassion and universality rather than individuality is the way forward,” say members Swati Minaxi (vocals), Yogendra Saniyawala (guitar/lyrics), Gaurav Kapadia (drums), and Biju Nambiar (keyboard/bass).

Launched in 2014, the group, whose sound is a mix of funk and folk on contemporary tribal groove recently released their single ‘Mehsoos’, which is now available across streaming platforms. They will also be performing at the forthcoming Jaipur Literature Festival’s (JLF) Jaipur Music Stage.

Speaking to IANS, lyricist Yogendra Saniyawala recalls that ‘Mehsoos’ came as a sudden realisation — of how badly trapped in the head he was, and numb to the immediate and vivid experience of life.

“Maybe because it is too immediate like the eye cannot see itself. I think it is representative of global consciousness and every one of us goes through it at some point in life,” he says.

Saniyawala adds that the single is an ode to the simple, the mundane, the uncomplicated, and sometimes undecorated things in life, and serves as a reminder that while the world turns and does a spin on us, we still find meaning, love and beauty around us.

Talking about the group’s process, singer Swati Minaxi stresses they try to be aware, transparent and be a medium, let songs take their shape, and try to not chase anything.

“We believe in calling off the search and dissolving. For us, inspiration emerges in the form of tune or poetry from a deeper space. The key is to retain its essence in going through several arrangements, and its (arrangements’) changes. Yes, it’s a very thickly woven process.”

Excited about the kind of collaborations and spillages being witnessed in the art world, when many artists are no longer working in silos — like, painters collaborating with theatre makers, performance artists with writers; and Nambiar feels that the result can be brilliant as all forms came from the space of oneness and the spillage and collaboration is only natural.

“Art and these collaborations pave the way for societies to think beyond norms and, and push sub-cultures to develop, which in turn can create a harmonic and more connected emphatical world. After all, artists are frontrunners and representative of hope.”

Talk to them about how as a band they solve their creative differences, and Kapadia laughs, “By fighting as hard as we can! But also by having a very clear opinion. It is important to note that ‘opinion’ does not come from a space of ego, but rationality. Someone will come up with a point that eventually is agreeable. Sometimes, we need to take a break from each other as well.”

Minaxi feels that the present-day independent music scene in India is growing and is much better than what it was 15 years ago, however, it has a long way to be part of everyday life and make a strong impact on society and culture.

“Independent and mainstream music should become one, and there should be a space for all kinds of music. However, we think we are going towards that kind of culture sooner.”

Considering all members are self-taught and do not come from any discipline, and thus are seldom apprehensive when it comes to trying out new sounds, Saniyawala asserts, “We love to tread dangerous waters.”

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Goa’s First Mainstreet Art Festival: A Feast for the Senses

Main Street Art Festival is a truly inclusive event, welcoming furry friends to join in the festivities. The pet-friendly affair ensures that every member of the family can enjoy this one-of-a-kind art fair…reports Asian Lite News

Goa is going to witness the first ever Mainstreet Art Festival, an open-air extravaganza which promises an evening of artistic immersion, live music, delectable cuisine and a celebration of the arts against a backdrop of mesmerising sunsets. The festival promises a fusion of live art, talented artists and an electric mix of music to create an atmosphere that truly comes alive.

It will take place at W Goa’s hottest award-winning venue – Rockpool this 18th November 2023 from 5pm onwards.

A myriad of brands and artists showcasing at this festival includes Rey&I (swimwear), Brown Rice Studio (clothing), Pal’s Ado Handmade Gifts (live accessories maker), Clamistry Studio (accessories & jewellery), Dreamcatchers Goa (dreamcatchers), Nidra Arts (wind spinner), Asymmetry Anagha (mandala), Artlia (resin art), Elya (poke art), Shobhna (tarot card reader), Curiousletters (calligraphy), Vikram Paranjappe (speed artist), Ekaterina Tolmach (art & ceramics), to name a few.

As the sun sets over the coastal horizon, festivalgoers can witness the magic of art against the breathtaking Arabian Sea. The interplay of colours promises to be a visual feast for attendees with a delectable array of cocktails and gourmet delights.

Main Street Art Festival is a truly inclusive event, welcoming furry friends to join in the festivities. The pet-friendly affair ensures that every member of the family can enjoy this one-of-a-kind art fair.

Day & Date: Saturday, 18th November 2023

Time: 5PM onwards

Venue: Rockpool, W Goa, 495/2, Vagator Beach Rd, Vagator, Goa 403509, India

Price: INR 100/-

For Booking, check: https://insider.in/mainstreet-art-festival-nov18-2023/event

Address: Vagator Beach, Bardez, Goa, 403509

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Tales of Transcendence

For Akbar Padamsee, another master abstractionist, viewers will see his ‘Metascapes, among other charcoal works, which are grandiose and sweeping in their vision. They transcend the conventional representation of specific sites and geographical locations…reports Asian Lite News

Showcasing the rare and lesser-known aspects in the work of five celebrated artists Amrita Sher-Gil, Akbar Padamsee, Ganesh Pyne, Prabhakar Barwe, Jagdish Swaminathan, a significant group exhibition titled ‘Tales of Transcendence’, is running from November 16-19, 2023, at Mumbai’s first major art fair Art Mumbai. Hosted at Booth 51 of the fair by Progressive Art Gallery,  the exhibit showcases the works of five iconic artists of India whose works reflected an Indian form of modernism.

Included in the exhibition is a 1939 portrait of her husband Victor Egan, which may be her only portrait of him. Rendering an informal and sympathetic study of Victor Egan, it is a rare work, returning to Western techniques in realism, as would be natural in such a portrait. As she died in 1941, this may have been Sher-Gil’s last portrait.

Jagdish Swaminathan’s vibrant depictions of nature and indigenous art allow us to transcend the confines of the modern world. Four of his paintings in the series on ‘Bird, Mountain, Tree and Reflection’ find space in this exhibition — bearing witness to the phase in his artistic career when he introduces mountains or rocks in different hues of blues, beige and green, punctuated by the presence of a bird or a flower.

Prabhakar Barwe, an Indian modern artist born in 1936, is celebrated for his distinctive style and deep introspection. The exhibition showcases his mixed media works, which are minimal abstractions. His art is a testament to the power of minimalism and the subtle, often overlooked nuances of existence.

For Akbar Padamsee, another master abstractionist, viewers will see his ‘Metascapes, among other charcoal works, which are grandiose and sweeping in their vision. They transcend the conventional representation of specific sites and geographical locations.

Also on view are Ganesh Pyne’s ethereal compositions, such as those depicting the Mahabharata character Abhimanyu, and figures such as a money lender, and a Baul singer. ‘Abhimanyu’, painted in the year 2000 in tempera, ranks among the finest compositions by Pyne in his mature style. His work transports us to a realm where the subconscious meets the tangible, encouraging us to reflect on the mysteries of existence.

“As you explore ‘Tales of Transcendence’, you will bear witness to the remarkable journeys of these artists. Their works invite us to transcend the limitations of the present and embark on a voyage of introspection and discovery. We hope this exhibition inspires you to contemplate the profound and appreciate the beauty in the world and ourselves,” said Dr. Geeti Sen, critic and curator of the exhibition.

Calling the well-curated exhibition a celebration of the artistic brilliance of five extraordinary individuals, Progressive Art Gallery Director Harsh Vardhan Singh said, “This exhibition, aptly titled, takes you on a captivating journey through their works, each a tale of transcendence in its own right. Art, in its most profound form, is a medium through which artists transcend the boundaries of the ordinary and the expected. Through their creativity, these five remarkable artists have achieved precisely that – transcending the confines of convention and offering us a glimpse into the limitless expanse of human imagination and expression.”

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The Art of Space Enhancement

Enter the wonderful world of pendant lights, where artistic illumination becomes the focal point of imaginative designs. The enigmatic touch of these lighting solutions transforms ethereal lighting styles into bedside wonders…writes Janavi Javeri

As urban dwellings shrink in size, every inch of space has become ever more valuable. And what space deserves more attention than the sanctuary of our bedrooms? The quest for a harmonious blend of functionality and aesthetics often leads us to explore innovative alternatives to traditional table lamps. Enter the realm of wall and pendant lights, where intelligent design and artistic expression converge to create a truly refined and captivating ambiance. In the pursuit of enhancing bedside aesthetics, here are the hidden advantages of wall and pendant lights over traditional table lamps.

Practicality Meets Aesthetics:

By donning the walls with sleek and tasteful lighting fixtures, bedside tables are unburdened from the confinement of table lamps. This liberates additional surface area, allowing for essential bedside items like books, alarm clocks, or personal mementos to be effortlessly showcased. Wall lights with adjustable arms ensure the perfect blend of functionality and charm, providing adjustable task lighting without needing a dedicated table.

Space Sculpting with Pendant Lights:

Enter the wonderful world of pendant lights, where artistic illumination becomes the focal point of imaginative designs. The enigmatic touch of these lighting solutions transforms ethereal lighting styles into bedside wonders. Incorporating pendant lights above nightstands or hanging them gracefully from the ceiling brings a sense of whimsy and sophistication to every quiet corner. The pendant light’s soft, diffused glow blankets the room, setting a tranquil atmosphere while eliminating the need for space-consuming table lamps.

Aesthetic Flourishes:

Wall and pendant lights accentuate the overall aesthetic of a bedroom. It is an opportunity to embrace and declutter bedside surfaces, creating a clean and minimalist look. The strategic placement of these fixtures ensures that the room appears more extensive and open, suggesting an air of tranquil luxury. The versatility of these lighting solutions offers an enticing array of designs that seamlessly blend into various interior themes, ensuring that personal taste and style are never compromised.

Versatility Redefined:

Wall and pendant lights transcend the boundaries of traditional lighting fixtures, with their flexibility extending far beyond the confines of the bedside table. These luminaires can be strategically positioned to create a sense of balance and harmony in the room, elevating its overall atmosphere. Furthermore, their versatility makes them ideal for smaller spaces, where every square inch must be utilized intelligently. Wall and pendant lights transform even the most tiny bedrooms into inviting sanctuaries by spreading a warm and inviting glow throughout the room.

As we step back from the world of optimized bedside spaces illuminated by the mesmerizing allure of wall and pendant lights, one truth becomes abundantly clear: they represent the pinnacle of intelligent design and refined aesthetics. Through their ability to save space, offer intimate illumination, elevate aesthetics, and redefine versatility, these ingenious lighting alternatives have carved a niche in interior design.

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India Art Festival’s Cultural Oasis in Delhi

The India Art Festival has been a nurturing ground for young and emerging artists who push the boundaries of imagination. This year, visitors can expect to be captivated by an array of mediums, subjects, and styles that reflect the unbridled form of artistic expression from all corners of India…reports Asian Lite News

Prepare for a breathtaking burst of colours and an exuberant celebration of boundless creativity as the India Art Festival makes a grand return to the heart of Delhi this November! With 400 talented artists presenting 3,500 exquisite artworks across 100 captivating booths at the Constitution Club of India on Rafi Marg, this year’s edition of the India Art Festival promises to deliver an immersive sensory experience like no other.

From November 2nd to 5th, 2023, the Constitution Club of India will be transformed into a cultural oasis, offering not only a visual feast but also a multitude of fusion shows, live music performances, mesmerizing live painting demonstrations, and captivating film screenings. A standout feature of the event is the enlightening film “The Eternal Canvas – 12,000 Years Journey through Indian Art,” a cinematic exploration of India’s rich artistic heritage spanning millennia. This cinematic journey provides a sweeping overview of the evolution of Indian art, from prehistoric times to contemporary expressions.

Founded in 2011, the India Art Festival has emerged as a premier contemporary art fair in India, especially for emerging, mid-career artists along with mid-level art galleries. While this marks the 8th edition of the India Art Festival in New Delhi, it’s a significant milestone as the 25th edition of this celebrated event, hosted across Delhi, Mumbai, and Bengaluru. With a strong presence in three major metropolitan cities, the India art festival has become a coveted platform for young and emerging artists, mid-level art galleries, art collectors, and art enthusiasts alike.

Rajendra Patil, the founder director of India Art Festival, who also serves as the President of the Bombay Art Society, one of the oldest Indian art institutions founded in 1888, and Editor & Publisher of the Indian Contemporary Art Journal, a quarterly art magazine, says, “The primary inspiration behind initiating the India Art Festival back in 2011 was to create a platform that showcases and promotes contemporary art in India, with a particular focus on young emerging artists and mid-level art galleries, as it is often challenging for them to access such platforms or enter the art fair circuit due to huge cost factor.”

This year’s India Art Festival in New Delhi will feature performances by renowned artists and musicians, including Padma Shri Pandit Satish Vyas (Santoor), Vasudeo Kamath (Visual Art), S Akash (Flute), Prakash Bal Joshi (Visual Art), Mehtab Ali Niazi (Sitar), Ranjit Sarkar(visual art), Kamal Devnath(visual art) and many others. Yashvant Vaishnav will accompany the celebrations with the tunes of Tabla.

A diverse array of art galleries will be exhibiting at the festival, including names like Artecious Gallery, Artifire, Aura Planet, Eminent Art Gallery, Healing Art Foundation, MagicSimSim, Rang Mirage Art Gallery, Speaking Art Foundation, Studio 55 Art Gallery, Sudha Art Creations and Uchaan (all Delhi-NCR) ArtSage, Artvista, Bouquet of Art Gallery, Kalastrot, Nitya Artists Centre, Rhythm Art, Studio Pankaj Bawdekar, Traditions Art Gallery, Kavetaartz (Dubai), Narendra Art (Udaipur), Visual Line Gallery (USA-New Delhi), and Arpitam Kala Mandir (Kolkata), SUVIDA(Uttarakhand). Each gallery promises to bring a unique perspective to the world of contemporary art.

This year’s festival brings together a rich tapestry of artistic styles and expressions. Notable artists and their captivating works are showcased in carefully curated booths, making the India Art Festival a must-visit event for art lovers.

From stylized figurative to abstract compositions, traditional Flavors, architectural grandiosity, landscapes, religious art, and wildlife art, the festival promises something for everyone. The works on display range from the delicate and the physical to abstract compositions and intricate details that beckon viewers to take a closer look.

Kalastrot Gallery stands out, showcasing a curated selection of exquisite artworks in various styles and mediums. The featured artists, including Arti Vora, Atish Mukherjee, Deepali Sarde, Dhiren Sasmal; not to forget Nalini Joshi who is presenting captivating pieces that pay homage to bygone eras, evoking the nostalgia of rotary dial telephones, vintage Vespa scooters, and the cherished simplicity of life.

Rang Mirage Art Gallery takes viewers on an intriguing journey with a carefully curated booth featuring the best of the best. Artists like Ajay Samir, Amit Bhar, Kishor Roy, Malvika Kapoor, Pulakesh Mandal, Ram Onkar, Ranjit Sarkar, Savya Jain, Shambhu Nath Goswami, Shyamal Mukherjee, Sukant Das, Uma Shankar Pathak, and many more are exhibiting works that promise to captivate, each with their unique background and style.

SUVIDA, the Society for Upliftment of Villagers and Development of Himalayan Areas, offers a unique experience by showcasing traditional art fusion, created by artists from the region. This fusion art draws inspiration from various Indian provincial schools, offering a rich tapestry of creativity.

Uchaan Gallery takes visitors on a journey through figurative and semi-abstract works. Here, you can explore the creations of artists like Ayush Agarwal, Marcel Wissing, Salony Garg, Sonal Johar, and a solo exhibition by the talented artist Smita Jain.

Studio 55 from New Delhi introduces a diverse range of artists working in different styles, including Anjali Mittal, Bhavna Sagar, Deepshikha Gupta, Monica Singh, and Shashi Lata, each presenting their unique artistic perspectives.

Rhythm Art presents a meticulously curated selection of artists, including Arvind Mahajan, Dnyaneshwar Mane, K Prakash, Manoj Das, Paras Parmar, Rajan Raghavan, and Suhas Vyavarkar, among others. The booth is a must-visit for art enthusiasts.

Bouquet of Art Gallery from Mumbai, the brainchild of Anjali Arora, offers an interesting mix of figurative, abstract, and traditional art. Visitors can expect to be captivated by the range of artistic expressions on display.

Narendra Arts from Udaipur takes pride in its traditional art, offering a glimpse into the rich heritage of Indian artistic traditions. The Speaking Art Foundation showcases artworks in various mediums, featuring artists like Neeraj Sharma, Ashoo Malik, Deeksha Bajaj Thapar, Mahua Sinha, Manomoy Das, Monika Dewangan, Priyanka Bardhan, Remi Poddar, Remya Brijesh, and Swati Deb from different parts of India, offering a diverse and eclectic range of artistic perspectives. Artvista from Mumbai is showcasing eclectic mix of artworks by artists like Kumar Gaikwad, Subrata Malakar, Mohit Bhardwaj, Vishwajeet Naik and others.

The India Art Festival has been a nurturing ground for young and emerging artists who push the boundaries of imagination. This year, visitors can expect to be captivated by an array of mediums, subjects, and styles that reflect the unbridled form of artistic expression from all corners of India.

The festival showcases a breathtaking landscape, featuring lush green grass, serene water bodies adorned with lotus flowers, and captivating landscape paintings. Artists such as Nisha Dial, Sriparna Sinha, Sanjiv Nath, Burmadevi Barkha, Anubha Kaw, Sachin Deep Singh, Sourabh Pramanik, Sunil Gupta, Kalaiarasi Abhilash, Yogesh Barve, and Rahul Naskar, offer an immersive experience into the beauty of the natural world.

Several booths at the festival are bound to leave a lasting impression. Shruthi Challani’s stylized still life, Seema Sethi’s traditional-inspired paintings, and Prateek Kushwaha’s exceptional wildlife art are some of the highlights. Artist Pooja Bansal’s exploration of vintage wooden doors, windows, and furniture, Shruti Kasana’s artworks capturing a diverse spectrum of human emotions, along with Amrish Malvankar’s distinctive perspectives, will make the viewer take a second look at them. Artists with diverse backgrounds, such as Kanishka Mehra, a dentist turned artist creating a fusion of the delicate and the physical, where interwoven strings find their anchor in pins, resulting in captivating, three-dimensional pieces. Anuja Aggarwal’s abstract compositions capture the essence of flowing alcoholic inks, while Gunjan Garg’s works beckon viewers to explore intricate details and captivating beauty.

Honey Gupta’s abstract art involves the convergence of ropes, jute, paper, and raw canvas, transcending boundaries and celebrating the unrefined beauty of life. Meanwhile, Manju Srivatsa’s watercolors tell enchanting tales through polychromatic flowers on paper. Neha Jhunjhunwala’s creations of Buddha and dreamy landscapes not only infuse colors but also imbue character into the spaces they adorn, providing a sensory experience that transcends the ordinary.

Among the exhibiting artists, Nisha Ballani shines through her remarkable ability to craft white-on-white abstract floral sculptures on canvas, while artist Reena Nasik’s stylized hyper-realistic oil paintings reflect her commitment to self-discipline and perfection. Simi Biswas and Varun Kumar are on a mission to revive the exquisite hand embroidery traditions of ancient India and fuse them with their lifelong love for mythology through their brand Magicsimsim. Dr. Simple Mohanty Pani’s enduring passion for capturing nature’s captivating beauty is evident in every brushstroke, whereas Dhanashree Wazalwar introduces her latest art series, ‘Energy of Stags and Antler,’ aiming to captivate the essence of strength, gentleness, innocence, and more through the enigmatic image of the stag displayed at the art fest. Kavita Sachdev explores the raw energy and beauty of horses through her stylized works, while Om Thadkar captures the beauty of black-on-black in his charcoal paintings. Pankaj Bawdekar’s religiously inebriated musicians in the dance procession and Alka Pandey’s mixed media creations delve into themes of faith, spirituality, and the intricate sociocultural tapestry, offering highly symbolic works. Antra Srivastav’s highly symbolic works are a visual poetry that requires multiple readings. As a known name in the world of art, Antra Srivastav has been a part of the India Art Festival for over a decade. Ratnesh Dubey, exhibiting at the art festival, specializes in woodcut prints, while Meenakshi Dubey showcases her wooden sculptures, adding unique elements to the art fest.

There are many other artists exhibiting in the artists’ pavilion at the India Art Festival, including legendary artist Prabhu Joshi, artist Nisha Sehjpal, Sapna Gupta, Nikita Tater, Srinidhi Dabriwal, Pawani Nagpal, Shruti Gupta, Atul Gendale, Anaya Jetha, Prashant Yampure, Paridhi Jain, Mousmi Sarkar, Neena Makhija, Vinayak Sarwankar, Nagesh Devkar, Pradip Ghadge, Subir Das, Naveen Dholkhediya, Ritu Kwatra, Lalit Patil, Katalin Steger, Kakali Nag Das, Manish Kumar, Supriya Kaluskar, Aanchal Garg, Sudha Adarsh, Pallavi Gangwal, Ghanshyam Gupta, Rupali Khanna, Cheena Madan, Shaleen Khandelwal, Gautam Das, Parmesh Pal, Om Rajput, Prakash Bal Joshi, Kevin Massey, Sangeeta Pamnani, Alka Seth, Navya Kwatra, Rupesh Pawar, Asmita Shah, Beenu Tandon, Neha Vadehra, Shashikant Patade, R K Bhatnagar, Suvvro Basu, Collins Osemeke, and many others.

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A Tribute to West Bengal’s Culture

The tram on the Tollygunge route covers all the famous areas known to have historic and significant Pujo pandals, making it the ideal choice for this transformation…reports Asian Lite News

In a heartfelt tribute to the vibrant culture and people of West Bengal, Asian Paints has orchestrated a magnificent transformation of Kolkata’s iconic tram from Tollygunge to Ballygunge into a living canvas, celebrating Kolkata tram’s 150th year and for the first time ever, has launched a special heritage-inspired festive pack for their luxury interior paint, Royale Glitz. Additionally, Both these unique creations encapsulate the very essence of West Bengal’s vibrant culture and traditions, which have been a constant source of inspiration for Asian Paints.

For nearly four decades, the brands has been an inseparable part of Kolkata’s vibrant Durga Pujo celebrations through its beloved initiative, Asian Paints Sharad Shamman. The company’s deep understanding and connection with Bengali culture has allowed it to be an integral part of the creative evolution and artistic enhancement of Durga Pujo celebrations. As the festive season approaches, 
 

Kolkata’s iconic tram, dating back to 1873, is a symbol of the city’s history and charm. To celebrate this milestone, it has given the tram from Tollygunge to Ballygunge a remarkable makeover coinciding with Kolkata’s most important month of celebration. The tram on the Tollygunge route covers all the famous areas known to have historic and significant Pujo pandals, making it the ideal choice for this transformation.

Two bogies of the tram have been beautified. The exteriors of the first bogie capture the extraordinary 38-year journey of Asian Paints Sharad Shamman (APSS) in Kolkata. It features hand-painted artworks honouring Kumartuli – the traditional potters’ quarter in North Kolkata where Durga idols are sculpted. It also encapsulates Sindoor khela and Dhunuchi dance. The exterior artwork showcases the first print advertisement and the first winning pandal. The bogie also highlights the unique stories featured in ‘People of Pujo’ – a documentary series capturing the lives and passions of those who make Pujo the celebration what it is! On the tram we see a visually impaired artist who has commendable skills and women dhakis who challenge the masculine stronghold of the performing arts.

Inside the bogie, the makeover includes Pujo decor with cane installations, Alpona art, and a museum-style visual narrative of APSS’ transformative journey. Interactive elements and QR codes engage visitors with “People of Pujo” stories, allowing consumers to explore the stories of the people behind Durga Pujo festivities as they enjoy the tram ride.

Stepping into the second bogie which is the Royale Glitz bogie transports passengers to a heritage Kolkata location, mirroring the luxurious appeal of the paint. The interiors boast the ultra-sheen finish of Royale Glitz and offers a Glitz photo booth for an immersive experience. The exteriors are inspired by West Bengal’s culture and landmarks, featuring augmented reality elements. The artwork on this bogie reflects the dramatic elements of the packaging.

West Bengal is a treasure trove of mesmerising experiences, and the brand’s latest creation, the heritage-inspired limited edition festive pack for Royale Glitz with in mold labelling (IML) packaging, perfectly captures this essence. The packaging features an exciting, augmented reality (AR) integration, allowing customers to immerse themselves in the rich cultural tapestry of West Bengal. With a simple scan of the Royale Glitz can, consumers can embark on a virtual journey through the state’s heritage, witnessing its art, music, cuisine, dance, and architecture come to life in stunning augmented reality. The artwork in the AR features the Royal Bengal Tiger, the Howrah Bridge, the ever-famous Ilish fish, Bankura Horse, Chau Dance, Alpana Art and more. This innovative packaging is more than just a can of paint; it’s a gateway to the soul of West Bengal.

Speaking on this occasion, Amit Syngle, CEO and MD, Asian Paints Limited, shared, “Since 1985, Asian Paints has been an integral part of West Bengal’s Durga Puja festivities through Asian Paints Sharad Shamman. It has been able to add to infuse creativity & thematic excellence across Pujo Pandals & allowed us to be a part of the celebration in a special way. This year, we are taking our celebrations to the next level with creative initiatives that pay tribute to the culture and traditions of West Bengal. The unique packaging for Royale Glitz seamlessly blends the wonders of technology with the timeless allure of West Bengal’s beauty. We have taken inspiration from native elements of West Bengal like the Bengal Tiger, Tram, Howrah Bridge & Baul to name a few and used it on our Pujo packaging for Glitz. We’ve also undertaken a complete transformation of the tram from Tollygunge to Ballygunge, turning it into the talk of the town just in time for Kolkata’s most revered Durga Pujo festival. We believe in making art accessible for all and we are sure with this tram beautification initiative it will also add back to the legacy of Bengal in an extremely meaningful way.”

Asian Paints onboarded XXL Collective from the St+art India family as creative partners for the unique transformation of the tram. Sharing more insights into the artwork, Arjun Bahl, Founder, XXL Collective said, “As we step aboard this tram ride through the streets of Kolkata, we get a glimpse of a journey that is a tribute to the city’s rich cultural heritage. This project, creatively led by XXL Collective, is a labour of love aimed at celebrating the 40-year odyssey of Asian Paints Sharad Shamman and the unveiling of their latest creation, Royale Glitz. Our collaboration with Asian Paints underscores our shared vision of making art more accessible and immersive. This was a milestone for us as well, transforming a simple tram ride into a cultural experience, reimagining the possibilities of public spaces in our city. As we pay homage to the past and embrace the future, we aspire for Kolkata to become a canvas where art and culture thrive, bringing this experience closer to every resident.”

Speaking on the launch of the Tribute to West Bengal initiatives, leading Bengali actor, Abir Chatterjee said, “I would like to applaud Asian Paints for their meaningful tribute to West Bengal and its vibrant culture. Asian Paints Sharad Shamman, often dubbed the ‘Oscars of Pujo,’ holds a special place in my heart. Having had the privilege of judging in 2015 and 2018, I’ve experienced the magic they bring to Durga Puja firsthand. Their tireless efforts have elevated this celebration, making it even more extraordinary and inspiring for pandals. This year, they’ve taken creativity a notch higher with the makeover of Kolkata’s quintessential tram, a truly wonderful way to celebrate the culture and the people of West Bengal.”

Sharing her views on the occasion, popular Bengali actor, Sohini Sarkar said, “I would like to express my heartfelt appreciation to Asian Paints for its ‘Tribute to Bengal’ initiative. I must say that I’m absolutely in love with the concept behind the unique packaging design for Royale Glitz’s festive pack and the integration of augmented reality. It’s centred around the vibrant culture and people of West Bengal and is a brilliant way to celebrate the essence of this beautiful state.”

As styles, trends, and attitudes evolve over the decades, one thing has remained constant in West Bengal —the spirit of celebration. Throughout these years, Asian Paints Sharad Shamman has proudly maintained its status as Kolkata’s beloved Pujo Awards since 1985. It symbolizes a commitment to nurturing, inspiring, and championing creativity and aesthetic excellence in Durga Puja pandals. It has been at the forefront of transforming pandals from simple setups to vibrant hubs of art, culture, and limitless creativity.

From creative pandals, Asian Paints has also gone behind the scenes to recognize and celebrate the people who make Durga Puja memorable for all. Sharad Shamman stands tall almost four decades on, due to the efforts of every artisan, artist, sculptor, committee members who works tirelessly behind the scenes. In tribute to these remarkable people and the pandals that have been a part of the Asian Paints Sharad Shamman journey over the last four decades, Asian Paints has released a short video.

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Arts & Culture Lite Blogs

Art Meets Fashion

Femme Coutureshowcases celebrating and inspired by womenwill be one to watch out with names such as One Infinite Presents Faabiiana, Vvani by Vani Vats, Bhumika Sharma. Mahima Mahajan, Kalki and more will be see presenting mesmerizing collections…writes Tanya Banon

The autumn fashion calendar is on in full swing, and the Lakmē Fashion Week X FDCI kicked off with the opening show – Lakmē Glitterati X Raw Mango in New Delhi on 10th October 2023. The show was the launch of Lakmē’s all new Glitterati Collection and the return of Sanjay Garg’s Raw Mango on the runway.

Here’s are some of the key highlights from the season to give you an idea of what’s on show at the event.

Lakmé Glitterati – Inspired by the brand’s new collection, the theme – ‘Glitterati’, is equal parts reminder and invitation to let a touch of sparkle do the talking this Winter-Festive season. In a first, the ongoing edition will see Lakmé unveil a series of makeup and skin trends. The first of the two Lakmé showcases for the season was the Lakmé Glitterati show which took place on 10th October and the second event will culminate with the House of Lakmé Grand Finale on 15th October, marking the homecoming of an Indian designer, whose work over the years has transcended cultural and geographical boundaries. The designers will be announced subsequently.
 

Marquee Collaborative Showcases: Brands across the spectrum will be seen coming together with leading designers and present a seamless blend in the fashion space with a lineup that includesBirkenstock presents Grounded in Nature by Shivan and Narresh, NEXA presents Amit Aggarwal, Kohler presents Tarun Tahiliani, R|Elan ™ presents Varun Bahl, TRESemme respents Falguni Shane Peacock, Titan Raga presents Pankaj & Nidhi, Caprese Presents Gauri Nainika.


 

Sustainability takes a front row seat on Day 2 at LFW X FDCI: Reputed for driving important conversation around sustainable fashion in India, Sustainable Fashion Day will host a range of showcases such as 11:11, Payal Pratap, Reliance Brand Presents Abraham & Thakore while culminating for the day with the coveted R|Elan ™ presents Circular Design Challenge in partnership with United Nations in India that will witness finalists from across the globe compete for the title
 

If textiles could tell a story: from the Atelier opening by Samant Chauhan’s Ice Watch collection featuring Bhagalpuri Silks to 11:11’s Hand Spun to Not So Serious By Pallavi Mohan’s collection that reflects her journey starting out as textile designer Varun Bahls choice of R|Elan™ fabrics, there is a fresh take by designers on playing with textiles and creating fabrics that allow minimum waste
 

Nurturing new and emerging talent: with talent discovery initiatives and showcases planned spanning through the 5 days of fashion including INIFD presents GenNext, NEXA presents The Spotlight, INIFD Launchpad and FDCI X Pearl Academy First Cut will give a national platform to young design talent across India
 

Femme Couture: showcases celebrating and inspired by womenwill be one to watch out with names such as One Infinite Presents Faabiiana, Vvani by Vani Vats, Bhumika Sharma. Mahima Mahajan, Kalki and more will be see presenting mesmerizing collections
 

A few showcases to watch out for, amongst many others (refer schedule): FDCI Fashion Wears Art, FDCI Showcase Pero, Ka:Sha, Verandah, Kaveri, Geisha Designs, Da Belle, 431-88, Guapa, Ashish N Soni, NoughtOne, Aseem Kapoor, Tasva, Park Avenue and more

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Interview Lite Blogs

An Artistic Exploration of Architectural Silence

As the conversation veers towards her latest exhibition’s title, she recalls that towards the end of the ideation phase, while rendering 3D iterations of the show, she realised that parts of her broader research within her practice were interwoven with the work in this exhibition…reports Sukant Deepak

The inner silence of buildings is translated into a script of the physical. Whispers continue to resound. In the endless corridors of meanings, sub-texts and contemporary relevance, artist Ayesha Singh creates tangible thoughts celebrating/uncelebrating multiple possibilities with reality at its most profound.

In her dialogues with the past and present, many things are left unsaid only to be felt. Singh’s first solo exhibition at Delhi’s Nature Morte ‘Monumental Turns’ held recently, where she created three new sculptural installations, responding to the spaces of the gallery has been inside her for three years in the making.

She says in these times of continuous ideological shifts, the significance of monuments and memories has become more prominent in her readings and conversations.

“Since 2017, I have been researching monument aesthetics, to unpack their visuality and connotations. The pandemic further propelled me to delve into 3D software where I began to skew historical architecture to create totemic forms akin to the ‘Hybrid Amalgamations’ drawings on view at the exhibition. Today, three years later, this exhibition brings together the culmination of these explorations,” she tells IANS.

This Delhi-born artist, who completed her MFA in Sculpture at the School of the Art Institute of Chicago and BFA from the Slade School of Fine Art in London, works with drawings, performance, installation, sculpture and video to question the assumed permanence of buildings and the histories omitted during construction and restoration. Her work involves subversive actions that highlight existing socio-political hierarchies and the assertion of established systems of power in architecture.

The works in the latest exhibition stress the fact that the ancient continues to breathe, consistently shaping our present, specifically ‘Frayed Continuum’ which is a machine that dips nine 50-90-year-old wooden architectural fragments into cement, speaking to continuous alteration and the assertion of the past beneath the facade of new construction.

“‘Monumental Turns’ also delves into the opposite simultaneously, drawing references to ways in which our past is altered by present value systems and the dominating ideologies. The works here point to so many of the complexities we encounter in cities, including shifting power dynamics, the desire for belonging, imagined futures, and erasures,” she adds.

Talking about Delhi, a vast city, that she says is spread in a way that one cannot fully know each crevice of it, Singh asserts that she does have a strong sense of belonging to many spaces there, albeit transient. 

“My research often takes me to areas I may not have encountered before, or rediscover a familiar space through changed perspectives such as revisiting the Qutub Complex for ‘Skewed Histories’.”

Singh, who reveals the politics and power in a building’s layers, believes scale, material and form affect how we maneuver through and around architecture. From spaces of worship to governance, the way we behave and the subconscious relations we develop with a building are initially, and intentionally, dictated via design.

“While architecture is often perceived as passive, it plays a far more active role in our everyday experience of a city. My work often looks at those personal experiences of larger decision-making that surpass individual agency, and the connotative functioning of their construction. To further that, towards questioning accepted histories, collective fact-making, and their proven malleability through architecture,” she says.

And it is the construction and ornamentation of a building that fascinates her. She often finds herself looking at the material used, especially when facades that look like brick are made with polyurethane foam and window sills that look like wood are plastic panels. 

“The creation of facade, ideals, and aspirations speak through material and form, I often find myself delving into those details,” says the artist.

As the conversation veers towards her latest exhibition’s title, she recalls that towards the end of the ideation phase, while rendering 3D iterations of the show, she realised that parts of her broader research within her practice were interwoven with the work in this exhibition.

“This includes my involvement in a reading group focused on the notion of the public and the nomenclature of public art, and my collaborative research and writing with political scientist Dr. Davies. The title of the exhibition was therefore one of the final decisions made after the work had been created.”

Remembering her encounter with British art aesthetics during her BFA, Singh recounts that when she was learning about art history in the global west, including Bourriaud’s ideas about relational aesthetics, she sought out reading groups on post-colonial theory, and worked with an artist-book publisher and a gallery from South Asia, outside of the university curriculum. 

“The ideas in each experience later evolved to alter the figurative paintings I was making in high school, to walk-around installations made with found objects, including carpets and cable trays, to foam, photographs, and drawings during my BFA.”

A co-founder of Art Chain, an active marketplace for artists, showcasing their work under the hashtag #ArtChainIndia started during the pandemic, the artist stresses that in the post-pandemic world, the range of resources accessible to all has been broadened, encompassing knowledge-sharing on art law and intellectual property in India. 

“There have been mentorship, workshops, and session opportunities for ACI artists and the wider public. We look forward to unveiling new developments and exciting updates for our audiences soon.”

On her next project, she smiles, “It is an adventure I would be happy to announce once I reach there!”

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Lifestyle Lite Blogs

Mastering the Art of Mindfulness

Sama Vritti means equal thought. Here this pranayama requires one to breathe in and out with equal duration. This has its effects on one’s thoughts. The practice of this helps one to work towards an ‘equal state’ and balanced state of mind…reports Asian Lite News

It’s crucial to stop for a moment and simply observe the circumstances when the strains of work or life start to get to you. At first, everything could seem extremely overwhelming, but the mind can be trained. Over time, humans develop a set of conditioned responses to stressful situations. While it might seem difficult to change, our minds are capable of being reprogrammed with intentional effort.

Let’s look at some yogic techniques provided by JetSynthesys’ ThinkRight Master Nishtha Bijlani to assist you in overcoming difficult situations:

Brahmari Pranayama

Brahmari or the humming bee breath is a very soothing and tranquilizing pranayama. It instantly calms the racing thoughts and allows space for clarity.

Techniques: In any seated position, close your eyes, Take the thumbs to shut your ears and the other four fingers to close your eyes. Inhale fully and exhale to release a humming sound through pressed lips. Feel the vibrational effects all over the body & mind. Repeat this 5-10 times.

Sama Vritti Pranayama

Sama Vritti means equal thought. Here this pranayama requires one to breathe in and out with equal duration. This has its effects on one’s thoughts. The practice of this helps one to work towards an ‘equal state’ and balanced state of mind.

Techniques: Choose any seated position. Simply close your eyes. Give yourself counts of 3 for inhale and 3 for exhale. Gradually you can increase to 4 and 5 counts.

Meditation with affirmations

Affirmations are a very powerful way to reinstate or replace a thought in your mind. It challenges faulty thought processes and encourages better self-talk.

Techniques: Come in a seated position. Close your eyes. Start first to observe your body, and make the adjustments to relax. Then check on the state of your mind and breath. Take a moment to observe the inner chaos, allow it to just be. Try to simply witness your state of mind.

After a few moments, repeat affirmations. First mentally then loudly. Examples of it can be “I am in charge of my life”, “I choose to be patient with myself”, “I trust god’s/life’s process”, “I am brave but I allow myself to feel afraid”, “I am good enough”.

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