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R-Day Parade: Fusion of power, culture and diversity

The security personnel were even checking the Covid vaccination certificates at the entrance of the Rajpath area…reports Asian Lite News

The teeth-chattering cold on Wednesday morning failed to dampen the spirits of the people coming to witness the Republic Day parade at the majestic Rajpath, here.

The people started arriving at the Rajpath as early as 5 a.m. in the morning, even as the parade begins at 10.30 a.m.

However, this year the rush compared to previous years was less, possibly owing to the fear of the latest Omicron variant of novel coronavirus. Notably this is the second time India is celebrating the Republic Day in a subdued manner.

Still almost every seat for the visitors at the Rajpath was occupied. It may be also mentioned that the seating arrangement was adhering to the Covid-induced protocol of keeping distance.

The security personnel were even checking the Covid vaccination certificates at the entrance of the Rajpath area.

People, who were standing in the queues, could be heard singing and chanting patriotic songs and slogans.

Amid chilly weather in the morning, the slogans “Bharat Mata Ki Jai” and “Vande Matram” injected the heat of patriotism in the veins of the people.

The parade was yet to start at the time of filing of this report.

Jal Jeevan Mission: Changing Lives

A sky blue, smiling, huge drop of water stands resting one a flowing tap right in front, with a traditional Ladakhi mud house behind it. On the one hand are happy Ladakhi people and on the other, the support teams, some women are testing water sources, some men are putting in pipelines in place and yet some, checking connections.

For the Jal Shakti Ministry to showcase its flagship project running in Mission Mode – Jal Jeevan Mission (JJM), its tableau, ‘Jal Jeevan Mission: Changing Lives’ at the Republic Day parade this year could not have been a better opportunity. And the location chosen was Ladakh.

The harshest of terrain and sub-zero temperatures, sometimes even minus 20 at night. Not only are the water sources frozen, but even the supply lines are inoperative because of extreme winter as sometimes the pipes are frozen or burst regularly.

It is in such inclement weather conditions and more than 11,000 feet average altitude that the JJM has sought to bring about a change. The JJM, as it is popular, aims at providing functional tap water connection to every rural household across India.

Ladakh has the lowest population density in the country (2.8 person / sq km), villages are scattered, and rainfall is scarce. It remains cut off from the rest of the country for a few months in a year due to closure of passes during winters. This affects the supply of materials badly. Further, most of the water sources are in inaccessible areas, in many areas of Ladakh the water bodies freeze in winters, a lot of labour is required for construction and help of animals & helicopters is taken to lift and transport the material.

“Due to freezing temperatures, in place of regular GI pipe, HDPE pipes are used, and main supply lines are laid below frost line. Wherever pipes come above the frost line, these are encased in 4″ dm of glass wool, wood, aluminium jacketing for insulation. Solar power plays an integral part in the water supply chain and ensures continuous flow of water in the pipeline,” said an official.

There are technical challenges as well to draw water from frozen water sources.

In such areas where people were forced to dig ice and drink it after melting, now getting clean tap water in the comfort of their homes, schools and anganwadis. “Not only that, through sensor-based IoT systems they know live data about quantity, quality and monitoring of the water supplied. Women in villages have been trained to test the quality of water using Field Test Kits (FTKs),” he added.

Ladakh was just a showcase. Across India, the JJM has trained more than 8.6 lakh women so far in ensuring clean tap water to homes with the help of FTKs. Water testing laboratories in the country are now open for the public to get their drinking water tested.

A digital board displaying live temperature and real time data about water supply, chlorination etc., and progress of the Mission is also presented.

Union Jal Shakti Minister Gajendra Singh Shekhawat said, “In a very short span of 29 months since its announcement in August 2019, Jal Jeevan Mission has provided tap water supply to more than 5.63 crore rural households, 8.4 lakh schools and 8.6 lakh anganwadi centres in India.a

At the time of announcement of the Mission, only 3.23 crore homes had tap water supply and today more than 8.87 crore homes have tap water connections.

Akin to Ladakh, the JJM Jal Jeevan Mission has been working in the most difficult terrain of the country to provide tap water to communities in high altitudes of Himachal Pradesh or Uttarakhand or in deserts of Rajasthan and Gujarat.

ROYAL FLYPAST

The flypast witnessing 75 aircraft and helicopters of the Indian Air Force and displaying a number of formations left people stunned at Rajpath during the Republic Day parade on January 26.

Vintage, as well as current modern aircraft and helicopters like Rafale, Sukhoi, Jaguar, Mi-17, Sarang, Apache and Dakota, displayed different formations, including Rahat, Meghna, Eklavya, Trishul, Tiranga, Vijay and Amrit.

Precision at tremendous speeds was on display and thundering aerobatics done with professional skills at Rajpath in the national capital.

The Rahat formation comprising five LHA flew in five ‘Arrowhead’ formations. The formation flypast over the water channel North of Rajpath.

The Meghna formation comprising CH-47 Chinook in lead and four Mi-17 1V in echelon, flew in the five ‘Arrowhead’ formation.

The Eklavya formation consisting of Mi-35 in lead with four Apache heptrs in echelon flew in five ‘Arrowhead” formation.

The Tangail formation comprising a Dakota in lead with two Dornier in echelon flew in Vic’ formation.

The Traan formation comprising 1C17 with two C 130A in echelon flew in Vic formation.

Netra formation would comprise one x AEW & C with two MiG 29 UPG and two Su-30 MKI in echelon flew in the Arrowhead formation, after Traan formation.

Vinaash formation comprising five Rafale flew in Arrowhead formation after Netra formation.

Thereafter, Baaz formation consisting of one Rafale, two Jaguar, two MiG-29 UPG and Su-30 MI in seven ‘Arrowhead’ formations.

Trishul formation comprising three Su-30 MKI flew in Vic formation, one minute after Baaz formation approached the dias. The formation pulled up and outward for the Trishul maneuver.

Varuna formation comprised one P8-i with two MiG-29K in echelon and flew in Vic formation behind Trishul formation.

Five Sarang (ALH) flew in ladder formation streaming Tricolour after Varuna formation.

One Rafale flew in at 900 kmph behind Tiranga formation. Approaching the dias, the aircraft pulled up for Vertical Charlie and carried out 21/2 turns.

In the end, the Amrit formation comprising 17 Jaguar made a figure of 75 aircraft and helicopters.

The parade culminated with the national anthem and the release of Tricolour balloons.

ALSO READ-India @ 73: PM greets nation on special day

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Australia News World

Indigenous Australians given say on new cultural protection laws

Indigenous groups from around Australia will shape the country’s cultural heritage protection systems under a new agreement…reports Asian Lite News

The government on Monday announced a partnership with the First Nations Heritage Protection Alliance, under which Aboriginal and Torres Strait Islander people will have a direct say in reforming heritage laws.

Australia’s Indigenous culture heritage protection systems have faced intense criticism since mining giant Rio Tinto destroyed culturally significant 46,000-year-old rock shelters at Juukan Gorge in Western Australia last year, Xinhua news agency reported.

Indigenous Australians given say on new cultural protection laws

A parliamentary inquiry in October slammed state and federal legislation as inadequate, calling for a new legislative framework to better protect sites of cultural significance.

Minister for Indigenous Australians Ken Wyatt said on Monday that the views of Indigenous people needed to be central to the overhaul of protection laws.

“Indigenous Australians should have the right to determine the heritage that is important to them, the ability to access applicable policies and laws to safeguard that heritage, and the choice of how they generate revenue on their land,” he said in a statement.

“As we look to modernise Indigenous protection, it is fundamentally important that we are working in partnership with Indigenous Australians and recognising the rights of traditional owners to manage their land and heritage as they deem fit.”

The alliance will represent more than 30 Indigenous groups from across the country and consult with many others.

ALSO READ: No more ‘anonymous’ trolls in Australia

It will be chaired by Kado Muir, the chair of the National Native Title Council, who welcomed the opportunity to help design the reforms.

“It is important that our cultural heritage places are recognised and protected on the basis of inherent cultural heritage values, and not as an element of land access and development approvals,” he said.

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Community India News Lite Blogs

National Tribal Festival: An Artistic Retaining of Tribal Identity

Competing for a reward of Rs five, three and two lakhs, the participating tribal groups exhibited the best of the culture through dance performances on wedding ceremonies, traditional festivals, and rituals, social dances like harvest dance, among others…reports Asian Lite News.

India’s tribal culture came to life as the second edition of the National Tribal Dance Festival was inaugurated at the Science College Ground, Raipur, by Chhattisgarh Chief Minister Bhupesh Baghel in presence of the Chief Guest Hemant Soren, Jharkhand Chief Minister; Tamradhwaj Sahu, Chhattisgarh Tourism Minister; Amarjeet Bhagat, Chhattisgarh Culture Minister and other dignitaries.

An initiative of the Chhattisgarh Tourism Board under the tourism development plans of the state government, the inaugural day witnessed participation of tribal dance groups from various states and Union Territories of India and international participation from Nigeria, Palestine, Kingdom of Eswatini (Swaziland), Uzbekistan and Mali portraying and celebrating their respective tribal folk culture.

The festival began with a procession of all tribal groups in traditional outfits through the venue. Tribal dance forms from Chhattisgarh, Madhya Pradesh, Andhra Pradesh, Orissa, Tamil Nadu, Telangana, Jharkhand, Gujarat, Assam, Uttarakhand, Himachal Pradesh, Ladakh and Jammu & Kashmir showcased the vibrant and diverse culture of India.

Competing for a reward of Rs five, three and two lakh, the participating tribal groups exhibited the best of the culture through dance performances on wedding ceremonies, traditional festivals, and rituals, social dances like harvest dance, among others.

The dance forms in the wedding ceremony category featured Gour Sing from Chhattisgarh, Karma from Madhya Pradesh, Dhimsa from Andhra Pradesh, Gojari from Jammu & Kashmir, Kadsa from Jharkhand, Guryaballu from Andhra Pradesh, among others.

The dance forms in the category of traditional festivals and rituals featured Karma from Chhattisgarh, Gussadi Dhimsa from Telangana, Urav from Jharkhand, Sidi Goma from Gujarat.

International participation featured dance groups from the Kingdom of Eswatini (Swaziland), Nigeria, Mali, Palestine and Uzbekistan who introduced the audiences to their respective cultures through their high-energy dance forms.

The Tribal conclave, an important component of the festival is a confluence of experts, scholars and practitioners to explore new ideas that can create opportunities for the tribal communities of Chhattisgarh. The first day of the conclave delved into topics from responsible tourism to tribal art and craft, and the market to popularizing local cuisine and wellness.

In the panel discussion ‘Responsible Tourism in the Post-Covid World’, Yashwant Kumar, Managing Director, Chhattisgarh Tourism Board; Jeet Singh Arya, Founder of travel start-up ‘Unexplored Bastar’; Sunny and Deeptie Raj, owners of the eco-resort Bhoramdeo Jungle Retreat and Anjuna Dhir, Executive Director, The Responsible Tourism Society of India, moderated by Yasmin Kidwai, Festival Curator and Event Director highlighted on the need to create valuable experiences for domestic tourists and the importance of making tourism sustainable by involving local communities.

Tribal art and crafts and the market talked about the need for revival and preservation of traditional crafts. Panelists Ayush Shrivastav and Gaurav Kushwaha, Founders of Lokabazar.in Bastar’s first handicraft e-commerce start-up; Rashmi Dhanwani, Founder of Art X Company; Chaitsi Ahuja, Founder of Brown Living and Asif Khan, Founder of Nature Escape, discussed how digital platforms can be combined with traditional crafts to create opportunities for artisans to explore new markets.

Food is an important way of retaining a cultural identity. In the panel ‘Popularizing Local Cuisine’ Manish Mehrotra, the Celebrity Chef of the renowned restaurant Indian Accent; Anoothi Vishal, Culinary Historian, Author, and Curator; Prateek Sadhu, Executive Chef and Co-owner of Mumbai-based restaurant Masque and Raziya Shaikh, Director of Bastar Foods talked about the ways in which local cuisine can be highlighted to enhance the tourist experience. This engaging discussion delved into the avenues that can be created to popularize the cuisine of Chhattisgarh and encourage food entrepreneurs.

ALSO READ-Tribal rights activist Stan Swamy dies awaiting bail

READ MORE-Sighting vax team signals Odisha tribals to run into forests

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-Top News India News

Indian Army officers learn Tibetan culture, language

About the course’s benefits, the officer said that it helps in analysing information, and collating that information to help the force understand what they are dealing with in a particular situation…reports Asian Lite News.

Amid border tensions with China on the Line of Actual Control, young and mid-level Indian Army officers deployed in Arunachal Pradesh are undergoing a short orientation course on Tibetan culture, language and topography, and will subsequently “assist in military operation capability”.

“They are undergoing Tibetology Orientation Cadre course at the Central Institute of Himalayan Culture Studies, at Bomdila in Arunachal Pradesh,” said a senior Indian Army officer.

The aim of the orientation course, the officer said, is enhance awareness among the young and mid-level officers about Tibet, its demographic, its culture, its people, and its history. “Once they undergo this course, they will be fully aware about the whom they would be dealing with on the other side of the Line of Actual Control,” said a senior officer at 5 Mountain Division.

During the course, the officers are also taken to nearby monasteries where they interact with monks to understand Buddhist philosophy.

“The basic Bodhi language are also being taught during the orientation course,” said the officer, adding that it is a 42 day rigorous programme. The first batch of 15 officers were trained in 2020. The second batch of 25 officers started this year.

About the course’s benefits, the officer said that it helps in analysing information, and collating that information to help the force understand what they are dealing with in a particular situation.

He also said that the officers who have undergone this course “assist the force in military operation capability”.

The course is voluntary for these officers but importantly it will be endorsed in their career report for sure.

Major Pritam, who took this course, said that he was completely unaware about Tibet and the people when he came to Arunachal Pradesh. “After doing the course, I know what was missing. I was missing the essence,” he said.

The force’s first target is to get around 200 officers trained in Tibetology.

Offering undergraduate, postgraduate and doctoral programmes in Buddhist and Himalayan studies, the centre was established under the aegis of the Buddhist Culture Preservation Society, Bomdila in 2003. In 2010, it became an autonomous body under the Union Culture Ministry.

ALSO READ-Indian Army Deploys More Air Assets Near LAC in Arunachal

READ MORE-Indian Army on a mission to educate J&K youth

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-Top News Dubai UAE News

Dubai Culture plans remarkable version of theatre festival

This edition of the Festival has an unprecedented participation from 14 National theatre groups across the UAE…reports Asian Lite News

Dubai Culture and Arts Authority (Dubai Culture) is preparing to launch an exceptional version of this year’s Dubai Festival for Youth Theatre (DFYT). The festival to be held from 19 – 25 November 2021 has witnessed an unprecedented participation of National theatre groups from across the UAE.

Dubai Culture plans remarkable version of theatre festival

Dubai Culture has formed a committee to review the theatrical performances by various theatre groups, in order to evaluate the work of the participants. The committee will ensure the appropriateness of the content, in terms of theatrical elements, in line with set criteria for a transparent and fair evaluation of the work of the participating teams.

The Festival’s organising committee has set 15 criteria for selecting the participating performances, which include: ensuring that the general form of the theatrical script is homogeneous and coherent; the performance is clear and understandable; it embodies the basic youth issues; it is original and creative in terms of content, direction, and music; and that all the other elements of theatrical work are in line with the UAE’s customs and traditions.

Dubai Culture plans remarkable version of theatre festival

This edition of the Festival has an unprecedented participation from 14 National theatre groups across the UAE, including: Yas Theatre – Abu Dhabi, Ras Al Khaimah National Theatre, Sharjah National Theatre, Sharjah Public Art & Modern Theater, Khorfakkan Theatre, Dibba Al Hisn Theatre, Kalba Theatre, Fujairah Theatre, Ajman Theatre, Dubai National Theatre, Dibba Al Fujairah Theatre, Shamal Society for Arts, Folk Heritage, and Theatre – Ras Al Khaimah, Dubai Al Ahli Theatre, and Al Ain Theatre.

It is notable that Dubai Culture has been keen to pave the way for the participation of theatrical talents of all nationalities residing in the country in order to provide a platform for creative ideas and experiences.

ALSO READ: The Gambia celebrates its National Day at Expo 2020

Fatma Al Jallaf, Acting Director of the Performing Arts Department at Dubai Culture, said: “Our preparations for DFYT 2021 are going well, and the reviewing committee is working to complete the evaluation of the performances this month. We look forward to ensuring the happiness of the Festival’s audience, who are passionate about theatre and are eager for the return of in-person performances. DFYT will be accompanied by a set of distinguished and diverse musical activities that will enrich the Festival with a classical music-inspired elegance. At the end of the Festival, we will announce the winners of more than 16 prizes awarded to the brightest young competitors and celebrate the leading and influential figures of the year in the performing arts sector.”

Al Jallaf stressed upon the importance of this Festival and its ability to achieve the Authority’s aspirations to create a sustainable creative environment for theatrical arts, and the advancement of Emirati theatre in a way that it empowers the creative economy, and strengthens Dubai’s position as a global centre for culture, an incubator for creativity, and a thriving hub for talent.

Dubai Culture plans remarkable version of theatre festival

In an effort to prepare for a distinguished version of the Festival in the light of the current circumstances due to the pandemic, the Authority held a virtual forum last August that brought together members of the boards of directors of National theatres across the country and a group of young national theatrical talents to exchange visions and ideas. This meeting sought to ensure that this edition of the Festival lives up to the emirate’s ambitions and its theatrical talents.

DFYT, organised annually by Dubai Culture, aims to shed light on the creativity of theatrical groups in the UAE, providing a platform to introduce the talents and capabilities of those working in this sector. The festival also provides a stage for the budding actors, directors, authors, interior designers, producers, make-up experts, sound engineers, as well as specialists in visual and lighting shows and fashion designers to showcase their skills to a wider audience.

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-Top News Afghanistan Culture

Will Taliban Keep Promise to Preserve Afghanistan’s Cultural Legacy?

There are many who pin their hopes on the US brokered talks between the Taliban and the Afghan Government hoping that the region’s past will be protected, but many others are growing anxious, reports S. Ravi

While there is a widespread speculation as to what awaits Afghanistan after the departure of the US-led foreign troops in the country, historians and heritage experts globally, are keeping their fingers crossed as to the fate of cultural legacy of the embattled nation.

The concern is justified since Afghanistan’s rich historical and cultural heritage dates back to several centuries. From being part of Indus Valley Civilisation to being invaded by Alexander, several empires including Greco-Bactrians, Kushans, Saffarids, Ghaznavids, Timurids, and Mughals among others have started from this region.

According to an article in National Geographic some cultural heritage experts are hopeful; others are growing anxious with the forthcoming departure of US and European forces.

The fear on the part of those who are tasked with taking care of the nation’s uniquely diverse cultural heritage is not unfounded. It is still fresh in their memory, as it is of others, when the Taliban in 2001, destroyed the planet’s largest statues, the Bamiyan Buddhas. They also vandalised the National Museum in Kabul and looted antiques from ancient sites. Their attitude towards the past relics, especially the pre-Islamic ones, portrayed them in a bad light at the international level.

This time, however, there appears to be a change as Taliban have given their word to respect the nation’s history. In a statement they commanded their followers to “robustly protect, monitor and preserve” relics, halt illegal digs, and safeguard “all historic sites.” But time will tell whether the commitment is only tactical, to reduce the resistance of the world community to their re-emergence or a genuine change of heart born out the bitter experience of the past.

Interestingly, they have forbidden selling of artefacts in the art market. Their statement said: “No one should try to disturb such sites or think about using them for profit.”

According to the NG article, the statement did not come as a surprise to Cheryl Benard of Washington-based Alliance for the Restoration of Cultural Heritage (ARCH). The write-up states that she told her group last fall that both sides need to address the issue.

ALSO READ: Civilians pick up arms as Taliban imposes new rules

Not everyone shares this optimism. Afghanistan’s Institute of Archaeology’s Noor Agha Noori is not convinced. He told NG: “To be honest, we are very worried about the future of cultural heritage were the Taliban to come into power,” he said while informing that Islamists were indulging in looting historical sites in order to raise finances.

Speaking in the same vein, Mohammad Fahim Rahimi, Director of Kabul’s National Museum observed: “Unfortunately the statement is not clear, especially concerning the pre-Islamic heritage. You know what happened to the collection during the civil war and in 2001.”

The museum conservators over the years painstakingly pieced together many wooden and stone sculptures which were broken deliberately.

There are many who pin their hopes on the US brokered talks between the Taliban and the Afghan Government hoping that the region’s past will be protected. Last year, the Government had said yes to discuss “ensuring the security of historical and Islamic sites” during their talks while the statement of February gives an indication on part of Taliban to do so as well
Nasratullah Hewadwall of the Kabul branch of ARCH remarked: “It’s a great and positive step.” He shared that last year the Taliban had distanced itself from the destruction of Bamiyan Buddhas in 2001 while blaming it on al Qaeda.

According to Hewadwall, the leadership of the group has realised the economic significance of ancient heritage and sites as tourist attractions while perceiving that destroying them damages their image.

In terms of historical significance, there is much to be lost in case Afghanistan’s cultural heritage is not preserved. Being at the geographical crossroads of Central Asia, the region has attracted traders, merchants, scholars, pilgrims, and armies since the arrival of Alexander the Great.

Afghanistan is from where Buddhism spread to China and it is this place where Zoroastrianism, Christianity, Judaism, and Hinduism flourished, both before and after the advent of Islam in the 7th Century AD.

Also as part of the Silk Road which connected India with China and Iran, it boasts of remains of several ancient cities, monasteries, and sarais, which housed travellers.

Besides the threat of the Taliban, a greater fear which grips cultural conservators is that of chaos that will follow after the departure of American and NATO troops that has already begun.

According to Jolyon Leslie, who is working as a preservationist at an ancient Buddhist stupa outside Kabul: “Our fears are less about a possible threat posed by the Taliban than the prospect of a breakdown in law and order.”

Chaos already exists, informs Hewadwall, especially in rural areas. The twin factors of lack of security and shifting alliances, has enabled poverty-stricken villagers, gangs, different militia and Taliban to steal artefacts for smuggling them.

Many place their hopes on the Afghan officials who have so far done well to preserve the sites, museums and artefacts from decay and destruction. The article quotes NG’s archaeologist Fredrik Hiebert, who talking about Afghan officials said: “They will be good caretakers. I have total confidence in them.” According to him, they have braved arrest and even death in their call of duty.

It also finally boils down to normalcy returning to Afghanistan ravaged by civil war and battles for years. Murtaza Azizi, a senior Ministry official averred: “Once lasting peace comes to our country, we are eager to share this heritage with the world. We hope our tourism industry — and with it, the economy — will grow, not only in Balkh, but all over Afghanistan.” But given the Taliban’s idiosyncrasies of the past, and the strong connection of some of powerful factions, such as the Haqanni network with Pakistan’s ISI, few will guarantee that the Taliban’s basic DNA has changed

(This content is being carried under an arrangement with indianarrative.com)

ALSO READ: Taliban warns foreign troops will be at risk as occupiers

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-Top News Culture India News

Inter-Gen Katha Fest Goes Digital Way

The festival was launched on 15th May on International Family’s Day which broadcast the first set of inter-generational videos created during the pandemic in 2020-21. The videos were launched on Folklogue Studios and Arunima Kumar Dance company’s social media platforms and will be available for 5 days to connect diverse audiences across the world. It will be available at YouTube/Folk Log

London witnessed the launch of a unique digital folk story dance project which links grandparents separated from their grandchildren during the lockdown. Katha festival (Story festival) is an innovative family learning digital project, based on folk stories from India and the rest of the world, envisioned, produced & directed by Arunima Kumar Dance Company, the largest institution of Kuchipudi dance in the UK.

Sudha Murty joins the programme by narrating a story – Inter-Gen Katha Festival Goes Digital Way

The Katha project is in association with Folklogue Studios, one of the most authentic organisations of India striving to protect and preserve the indigenous storytelling forms supported by British Council India in its endeavour. The Katha project is supported by the Arts Council England’s Culture Recovery Fund and DCMS. 

Katha was a dream come true as we could share the love between three generations through ancient forgotten folk stories which are passed on orally through generations. It enabled children to engage with their grand-parents on what they love most. These stories based on ancient literature, folk stories, local languages and texts may remain forgotten if not passed through generations through the ancient art of oral storytelling

The festival was launched on 15th May on International Family’s Day which broadcast the first set of inter-generational videos created during the pandemic in 2020-21. The videos were launched on Folklogue Studios and Arunima Kumar Dance company’s social media platforms at 11 am IST and will be available for 5 days to connect diverse audiences across the world. It will be available at YouTube/Folk Log

The project is conceptualized and executed by Kuchipudi dancer, teacher, choreographer Arunima Kumar.

 

Inter-Gen Katha Festival Goes Digital Way

“During the harsh and lonely months of the pandemic, it was challenging for children, families and communities to weather the storm of coronavirus, stay connected creatively and stay positive,” said Arunima. “Katha was a dream come true as we could share the love between three generations through ancient forgotten folk stories which are passed on orally through generations. It enabled children to engage with their grand-parents on what they love most. These stories based on ancient literature, folk stories, local languages and texts may remain forgotten if not passed through generations through the ancient art of oral storytelling.

“The grandparents narrated the stories online (some in local languages with subtitles in English) while the children dramatized them through Indian dance and music. We are honoured to have grandparents participate so generously including the inspirational Sudha Murty who has narrated a story that she has written.” 

The most special aspect of the project is that it has enabled young children to stay creatively engaged with their elderly, who were lonely & isolating due to social distancing restrictions and lived far away in India. It has kept families motivated and happy, enabling physical and mental well-being of families through a powerful creative outlet.

Arunima Kumar , Artistic Director Arunima Kumar Dance Company

Arunima says the innovative artistic initiatives such as Katha are critical to keep communities connected and positive during global catastrophes.

“We are grateful to Arts council England for their support and faith in us,” she added. “With more and more culture being curated online, and with the severe social distancing restrictions, we hope that in this time we stay connected and positive and cherish the ways culture can unite us.”

Katha will also raise funds for Covid relief for folk artists in India. 

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